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New Deal Photography. USA 1935-1943 (English, French, German, Hardcover, Multilingual edition)
Loot Price: R549
Discovery Miles 5 490
You Save: R105
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New Deal Photography. USA 1935-1943 (English, French, German, Hardcover, Multilingual edition)
Series: Bibliotheca Universalis
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List price R654
Loot Price R549
Discovery Miles 5 490
You Save R105 (16%)
Expected to ship within 9 - 15 working days
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"Through these travels and the photographs, I got to love the
United States more than I could have in any other way." - Jack
Delano Amid the ravages of the Great Depression, the United States
Farm Security Administration (FSA) was first founded in 1935 to
address the country's rural poverty. Its efforts focused on
improving the lives of sharecroppers, tenants, and very poor
landowning farmers, with resettlement and collectivization
programs, as well as modernized farming methods. In a parallel
documentation program, the FSA hired a number of photographers and
writers to record the lives of the rural poor and "introduce
America to Americans." This book records the full reach of the FSA
program from 1935 to 1943, honoring its vigor and commitment across
subjects, states, and stylistic preferences. The photographs are
arranged into four broad regional sections but otherwise allowed to
speak for themselves-to provide individual impressions as much as
they cumulatively build an indelible survey of a nation. The images
are both color and black-and-white, and span the complete spetrum
of American rural life. They show us convicts, cotton workers,
kids, and relocated workers on the road. We see subjects victim to
the elements of nature as much as to the vagaries of the global
economic market. We find the work of such perceptive, sensitive
photographers as Marion Post Wolcott, Jack Delano, Russell Lee,
Walker Evans, Ben Shahn, and Dorothea Lange, and read their own
testimonies to the FSA project and their encounters with their
subjects, including Lange's worn, weather-beaten and iconic Migrant
Mother. What unites all of the pictures is a commitment to the
individuality and dignity of each subject, as much as to the
witness they bear to this particular period of the American past.
The subjects are entrenched in the hardships of their historical
lot as much as they are caught in universal cycles of growing,
playing, eating, aging, and dying. Yet they face the viewer with
what is utterly their own: a unique, irreplaceable, often
unforgettable presence. About the series Bibliotheca Universalis -
Compact cultural companions celebrating the eclectic TASCHEN
universe!
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