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Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts (Paperback)
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Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts (Paperback)
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Gender, Piety, and Production in Fourteenth-Century English
Apocalypse Manuscripts is the first in-depth study of three
textually and iconographically diverse Apocalypses illustrated in
England in the first half of the fourteenth century by a single
group of artists. It offers a close look at a group of illuminators
previously on the fringe of art historical scholarship, challenging
the commonly-held perception of them as mere craftsmen at a time
when both audiences and methods of production were becoming
increasingly varied. Analyzing the manuscripts' codicological
features, visual and textual programmes, and social contexts, it
explores the mechanisms of a fourteenth-century commercial workshop
and traces the customization of these books of the same genre to
the needs and expectations of varied readers, revealing the crucial
influence of their female audience. The book will be of interest to
scholars and students of English medieval art, medieval
manuscripts, and the medieval Apocalypse, as well as medievalists
interested in late medieval spirituality and theology, medieval
religious and intellectual culture, book patronage and ownership,
and female patronage and ownership.
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