Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare, Court Dramatist (Hardcover)
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Shakespeare, Court Dramatist (Hardcover)
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Shakespeare, Court Dramatist centres around the contention that the
courts of both Elizabeth I and James I loomed much larger in
Shakespeare's creative life than is usually appreciated. Richard
Dutton argues that many, perhaps most, of Shakespeare's plays have
survived in versions adapted for court presentation, where length
was no object (and indeed encouraged) and rhetorical virtuosity was
appreciated. The first half of the study examines the court's
patronage of the theatre during Shakespeare's lifetime and the
crucial role of its Masters of the Revels, who supervised all
performances there (as well as censoring plays for public
performance). Dutton examines the emergence of the Lord
Chamberlain's Men and the King's Men, to whom Shakespeare was
attached as their 'ordinary poet', and reviews what is known about
the revision of plays in the early modern period. The second half
of the study focuses in detail on six of Shakespeare's plays which
exist in shorter, less polished texts as well as longer, more
familiar ones: Henry VI Part II and III, Romeo and Juliet, Henry V,
Hamlet, and The Merry Wives of Windsor. Shakespeare, Court
Dramatist argues that they are not cut down from those familiar
versions, but poorly-reported originals which Shakespeare revised
for court performance into what we know best today. More localised
revisions in such plays as Titus Andronicus, Richard II, and Henry
IV Part II can also best be explained in this context. The court,
Richard Dutton argues, is what made Shakespeare Shakespeare.
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