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Ridicule, Religion and the Politics of Wit in Augustan England (Hardcover, New Ed)
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Ridicule, Religion and the Politics of Wit in Augustan England (Hardcover, New Ed)
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Arguing for the importance of wit beyond its use as a literary
device, Roger D. Lund outlines the process by which writers in
Restoration and eighteenth-century England struggled to define an
appropriate role for wit in the public sphere. He traces its
unpredictable effects in works of philosophy, religious pamphlets,
and legal writing and examines what happens when literary wit is
deliberately used to undermine the judgment of individuals and to
destabilize established institutions of church and state. Beginning
with a discussion of wit's association with deception, Lund
suggests that suspicion of wit and the imagination emerges in
attacks on the Restoration stage, in the persecution of The
Craftsman, and in criticism directed at Thomas Hobbes's Leviathan
and works by writers like the Earl of Shaftesbury, Thomas Woolston,
and Thomas Paine. Anxieties about wit, Lund shows, were in part
responsible for attempts to suppress new communal venues such as
coffee houses and clubs and for the Church's condemnation of the
seditious pamphlets made possible by the lapse of the Licensing Act
in 1695. Finally, the establishment's conviction that wit,
ridicule, satire, and innuendo are subversive rhetorical forms is
glaringly at play in attempts to use libel trials to translate the
fear of wit as a metaphorical transgression of public decorum into
an actual violation of the civil code.
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