A coming-of-age memoir of life on the front lines of the AIDS
crisis with ACT UP New York. From the moment Ron Goldberg stumbled
into his first ACT UP meeting in June 1987, the AIDS activist
organization became his life. For the next eight years, he chaired
committees, planned protests, led teach-ins, and facilitated their
Monday night meetings. He cruised and celebrated at ACT UP parties,
attended far too many AIDS memorials, and participated in more than
a hundred zaps and demonstrations, becoming the group's unofficial
"Chant Queen," writing and leading chants for many of their major
actions. Boy with the Bullhorn is both a memoir and an immersive
history of the original New York chapter of ACT UP, the AIDS
Coalition to Unleash Power, from 1987 to 1995, told with great
humor, heart, and insight. Using the author's own story, "the
activist education of a well-intentioned, if somewhat naive nice
gay Jewish theater queen," Boy with the Bullhorn intertwines
Goldberg's experiences with the larger chronological history of ACT
UP, the grassroots AIDS activist organization that confronted
politicians, scientists, drug companies, religious leaders, the
media, and an often uncaring public to successfully change the
course of the AIDS epidemic. Diligently sourced and researched, Boy
with the Bullhorn provides both an intimate look into how activist
strategies are developed and deployed and a snapshot of life in New
York City during the darkest days of the AIDS epidemic. On the
occasions where Goldberg writes outside his personal experience, he
relies on his extensive archive of original ACT UP documents, news
articles, and other published material, as well as activist videos
and oral histories, to help flesh out actions, events, and the
background stories of key activists. Writing with great candor,
Goldberg examines the group's triumphs and failures, as well as the
pressures and bad behaviors that eventually tore ACT UP apart. A
story of ordinary people doing extraordinary things, from engaging
in outrageous, media-savvy demonstrations, to navigating the
intricacies of drug research and the byzantine bureaucracies of the
FDA, NIH, and CDC, Boy with the Bullhorn captures the passion,
smarts, and evanescent spirit of ACT UP-the anger, grief, and
desperation, but also the joy, camaraderie, and sexy, campy
playfulness-and the exhilarating adrenaline rush of activism.
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