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Books > Social sciences > Psychology > States of consciousness > Drug-induced states

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Making Sense - Cognition, Computing, Art, and Embodiment (Paperback) Loot Price: R912
Discovery Miles 9 120
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Making Sense - Cognition, Computing, Art, and Embodiment (Paperback): Simon Penny

Making Sense - Cognition, Computing, Art, and Embodiment (Paperback)

Simon Penny

Series: Leonardo

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List price R991 Loot Price R912 Discovery Miles 9 120 | Repayment Terms: R85 pm x 12* You Save R79 (8%)

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Why embodied approaches to cognition are better able to address the performative dimensions of art than the dualistic conceptions fundamental to theories of digital computing. In Making Sense, Simon Penny proposes that internalist conceptions of cognition have minimal purchase on embodied cognitive practices. Much of the cognition involved in arts practices remains invisible under such a paradigm. Penny argues that the mind-body dualism of Western humanist philosophy is inadequate for addressing performative practices. Ideas of cognition as embodied and embedded provide a basis for the development of new ways of speaking about the embodied and situated intelligences of the arts. Penny argues this perspective is particularly relevant to media arts practices. Penny takes a radically interdisciplinary approach, drawing on philosophy, biology, psychology, cognitive science, neuroscience, cybernetics, artificial intelligence, critical theory, and other fields. He argues that computationalist cognitive rhetoric, with its assumption of mind-body (and software-hardware) dualism, cannot account for the quintessentially performative qualities of arts practices. He reviews post-cognitivist paradigms including situated, distributed, embodied, and enactive, and relates these to discussions of arts and cultural practices in general. Penny emphasizes the way real time computing facilitates new modalities of dynamical, generative and interactive arts practices. He proposes that conventional aesthetics (of the plastic arts) cannot address these new forms and argues for a new "performative aesthetics." Viewing these practices from embodied, enactive, and situated perspectives allows us to recognize the embodied and performative qualities of the "intelligences of the arts."

General

Imprint: MIT Press
Country of origin: United States
Series: Leonardo
Release date: July 2019
Authors: Simon Penny (Professor of Arts and Engineering)
Dimensions: 229 x 152 x 22mm (L x W x T)
Format: Paperback - Trade
Pages: 540
ISBN-13: 978-0-262-53823-7
Categories: Books > Reference & Interdisciplinary > Communication studies > Media studies
Books > Social sciences > Psychology > States of consciousness > Drug-induced states
Books > Business & Economics > Business & management > Sales & marketing > Advertising
Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Electronic & video art
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LSN: 0-262-53823-7
Barcode: 9780262538237

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