Much writing about 19th-century East Africa has been distorted
by the legacy of post-Enlightenment thought as well as by more
insidious racist ideologies. Humanitarian lobbies throughout
Western Europe, strongly influenced by positivist ideas, and
campaigning to highlight the ravages of the slave trade, condemned
Africa in their writings and propaganda to the periphery, outside
universal history. Africa was reduced to a continent of slavery, in
which the market, entrepreneurship and free wage labour could not
exist. These ideas penetrated scholarly works and still survive in
some guises. The consequence is that a variety of initiatives and
forms of labour organization associated with the long distance
trades in ivory and imported cloth have been overlooked by
scholars, while the slave paradigm received widespread attention.
Utilizing the conceptual tool of crew culture, Rockel documents a
large-scale African migrant labour system. Nyamwezi caravan porters
from the interior, as well as coastal Zanzibaris and Waungwana,
forged a unique way of life in which market values and experience
of wage labour and the caravan safari combined with customary
standards and notions of honour derived from innovative
reconceptualizations of tradition. The safari experience,
commercial change, and interactions with peasant and pastoral
communities along the trade routes, all contributed to the
emergence of a unique East Africa modernity. This book can be read
on a variety of levels It is a journey, a labour history, a story
of African initiative and adaptation to modernity, and a
contribution to a history of Tanzania and East Africa that gives
due attention to intersocietal linkages, and networks.
Rockel utilizes a variety of methodologies and theoretical
approaches derived from neo-Marxist and postcolonial perspectives,
as well as Africanist innovations in oral historiography and labour
and gender studies. Drawing on such insights, "Carriers of Culture"
develops and expands our understanding of the way workers invent
new and unique cultures to make sense of and control the labour
process, create support networks including collective leisure
activities, maximize and protect economic interests, and manage the
labour market. The book is clearly written, and is illustrated with
late-19th-century photographs and artwork.
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