The western, one of Hollywood s great film genres, has,
surprisingly, enjoyed a revival recently in Asia and in other parts
of the world, whilst at the same time declining in America.
Although the western is often seen as an example of American
cultural dominance, this book challenges this view. It considers
the western from an Asian perspective, exploring why the rise of
Asian westerns has come about, and examining how its aesthetics,
styles and politics have evolved as a result. It analyses specific
Asian westerns, to show how these employ Asian philosophical ideas
and value systems, and includes discussion of westerns made
elsewhere, including in Australia, Latin America and even in
Hollywood but not made in traditional Hollywood style. The book
concludes that the western is a genre which is truly global, and
not one that that is purely intrinsic to America."
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