In "Bodies and Bones, " Tanya Shields argues that a repeated
engagement with the Caribbean's iconic and historic touchstones
offers a new sense of (inter)national belonging that brings an
alternative and dynamic vision to the gendered legacy of brutality
against black bodies, flesh, and bone. Using a distinctive
methodology she calls "feminist rehearsal" to chart the Caribbean's
multiple and contradictory accounts of historical events, the
author highlights the gendered and emergent connections between
art, history, and belonging.
By drawing on a significant range of genres--novels, short
stories, poetry, plays, public statuary, and painting--Shields
proposes innovative interpretations of the work of Grace Nichols,
Pauline Melville, Fred D'Aguiar, Alejo Carpentier, Edwidge
Danticat, Aime Cesaire, Marie-Helene Cauvin, and Rose Marie
Desruisseau. She shows how empathetic alliances can challenge both
hierarchical institutions and regressive nationalisms and
facilitate more democratic interaction.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!