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Iconoclasm in New York - Revolution to Reenactment (Paperback)
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Iconoclasm in New York - Revolution to Reenactment (Paperback)
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King George III will not stay on the ground. Ever since a crowd in
New York City toppled his equestrian statue in 1776, burying some
of the parts and melting the rest into bullets, the king has been
riding back into American culture, raising his gilded head in
visual representations and reappearing as fragments. In this book,
Wendy Bellion asks why Americans destroyed the statue of George
III—and why they keep bringing it back. Locating the statue’s
destruction in a transatlantic space of radical protest and
material violence—and tracing its resurrection through pictures
and performances—Bellion advances a history of American art that
looks beyond familiar narratives of paintings and polite spectators
to encompass a riotous cast of public sculptures and liberty poles,
impassioned crowds and street protests, performative smashings and
yearning re-creations. Bellion argues that iconoclasm mobilized a
central paradox of the national imaginary: it was at once a
destructive phenomenon through which Americans enacted their
independence and a creative phenomenon through which they continued
to enact British cultural identities. Persuasive and engaging,
Iconoclasm in New York demonstrates how British monuments gave rise
to an American creation story. This fascinating cultural history
will captivate art historians, specialists in iconoclasm, and
general readers interested in American history and New York City.
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