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Early Modern Poetics in Melville and Poe - Memory, Melancholy, and the Emblematic Tradition (Hardcover, New Ed)
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Early Modern Poetics in Melville and Poe - Memory, Melancholy, and the Emblematic Tradition (Hardcover, New Ed)
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Bringing to bear his expertise in the early modern emblem
tradition, William E. Engel traces a series of self-reflective
organizational schemes associated with baroque artifice in the work
of Herman Melville and Edgar Allan Poe. While other scholars have
remarked on the influence of seventeenth-century literature on
Melville and Poe, this is the first book to explore how their close
readings of early modern texts influenced their decisions about
compositional practice, especially as it relates to public
performance and the exigencies of publication. Engel's discussion
of the narrative structure and emblematic aspects of Melville's
Piazza Tales and Poe's "The Raven" serve as case studies that
demonstrate the authors' debt to the past. Focusing principally on
the overlapping rhetorical and iconic assumptions of the Art of
Memory and its relation to chiasmus, Engel avoids engaging in a
simple account of what these authors read and incorporated into
their own writings. Instead, through an examination of their
predisposition toward an earlier model of pattern recognition, he
offers fresh insight into the writers' understandings of mourning
and loss, their use of allegory, and what they gained from their
use of pseudonyms.
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