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The Living Death of Antiquity - Neoclassical Aesthetics (Hardcover)
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The Living Death of Antiquity - Neoclassical Aesthetics (Hardcover)
Series: Classical Presences
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The Living Death of Antiquity examines the idealization of an
antiquity that exhibits, in the words of Johann Joachim
Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald
discusses the aesthetics of this strain of neoclassicism as
manifested in a range of work in different media and periods,
focusing on the late eighteenth and early nineteenth centuries. In
the aftermath of Winckelmann's writing, John Flaxman's engraved
scenes from the Iliad and the sculptors Antonio Canova and Bertel
Thorvaldsen reinterpreted ancient prototypes or invented new ones.
Earlier and later versions of this aesthetic in the ancient Greek
Anacreontea, the French Parnassian poets and Erik Satie's Socrate,
manifest its character in different media and periods. Looking with
a sympathetic eye on the original aspirations of the neoclassical
aesthetic and its forward-looking potential, Fitzgerald describes
how it can tip over into the vacancy or kitsch through which a
'remaindered' antiquity lingers in our minds and environments. This
book asks how the neoclassical value of simplicity serves to
conjure up an epiphanic antiquity, and how whiteness, in both its
literal and its metaphorical forms, acts as the 'logo' of
neoclassical antiquity, and functions aesthetically in a variety of
media. In the context of the waning of a neoclassically idealized
antiquity, Fitzgerald describes the new contents produced by its
asymptotic approach to meaninglessness, and how the antiquity that
it imagined both is and is not with us.
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