David Hogan directs this action thriller in which a group of government agents and scientists attempt to save the world from imminent destruction. When material from an imploded white hole is flung towards Earth, the planet suffers extreme damage - to the extent that experts fear it will stop rotating on its axis. Federal agent John Streich (Robert Knepper), his son Andy (Cameron Bright) and scientist Chloe Edwards (Julia Benson) lead efforts to try and save the day. The only hope for survival appears to lie in the form of a disgraced scientist known as Rothman (Bruce Davison) and an obscure satellite network. Will mankind be able to prevent the apocalypse?

Meet Ruth Goldstein as she tells her story. "We are at the cusp of the Aquarian age, the year is 2654 AD. The effects of the new age have been felt for quite some time, but most specifically since 2013 when the earth's atmosphere started to change. I have been in this world since 1965. Yes, I've lived in concrete existence for six hundred eighty nine years." Experience suspense, shock, action, romance, betrayal, and love during significant Cosmic changes before the day of Emancipation from the flesh and the beginning of the Aquarian Age.

A universal tale of escape, love and redemption. A Boston fireman, in an attempt to flee personal and professional tragedy, accepts a job as a bartender on a Greek island. In an isolated cove, he meets Kerryn, an animal rights activist who believes dolphins possess consciousness, intelligence and souls. Kerryn enjoys an extraordinary and personal relationship with a dolphin and is waging a covert war to stop the local fishermen from using illegal nets that not only deplete the sea of fish but also take dolphins' lives. The fireman is pulled into this conflict as his relationship with Kerryn deepens. But Kerryn's passion and convictions lead her to make a fatal decision that changes the island and both their lives forever. The novel's emotional landscape and its themes of environmentalism, animal rights, and the costs of capitalism make The Last Island both timely and timeless.

"If you had the power to live forever, would you die for the one you love?" It's almost summer in the tiny American town of Crimson Cove, but 12 year-old twins Joshua and Ella Beckett have a major problem: Their best friend Kory has been kidnapped by the evil Lord Kharon and taken to the Unbetween, a parallel realm of the dead. When a mysterious recluse known only as the Great Witch magically shows them how the futures of two worlds depend upon Kharon's defeat and Kory's safe return, the Beckett's and fellow friends - Daniel, Jack and Raevyn - risk their mortal souls to bring her home. Guided only by a shape-shifting guardian and blessed with extraordinary powers from the Unbetween itself, the five companions face their darkest fears, reconnect with lost loves and battle terrifying creatures on their perilous journey to destroy Kharon once and for all. But the Unbetween holds far more secrets than they ever expected, and the fate of every soul - living and dead - hangs in the balance...

World War II remains the defining experience for the U.S. Army in the twentieth century. It has had a lasting impact on the nation and its place in the world and on the Army and the way it organizes and fights. Although historians have written numerous volumes concerning this global conflict, some gap in the literature remain. In particular, the subject of an American field army headquarters and its organization and role have attracted little attention. Studies on the personalities and styles of individual commanders exist, but the command posts themselves-the ways in they were structures and operated and the functions they performed-have not been much explored. With A Command Post at War: First Army Headquarters in Europe, 1943-1945, the Center of Military History attempts to redress this shortcoming. This study addresses the First Army headquarters in the European theater from its activation in October 1943 to V-E Day in May 1945. Under Generals Omar N. Bradley and Courtney H. Hodges, the First Army headquarters oversaw the American landings on D-Day, the breakout from the Normandy beachhead, the battle of H]rtgen Forest along the German frontier, the defense of the northern shoulder during the Battle of the Bulge, and the crossing of the Rhine River at Remagen prior to the final American drive into central Germany. In examining the First Army headquarters' role, this volume shows the army headquarters of World War II as a complicated organization with functions ranging from the immediate supervision of tactical operations to long-range operational planning and the sustained support of frontline units. The commander and staff faced the problem of coordination with Allied counterpartsas well as with headquarters and units from other services. Inadequate information and the limitations of technology added to their challenges. The human dimension was always important, and at times critical, in affecting the work of the headquarters under the stresses of a difficult campaign against an obstinate and resourceful foe. Although times have changed and the modern Army focuses more on regional conflicts and contingencies than on global warfare, we can still learn much from the experience of the First Army headquarters. The Gulf War reemphasized the role of an army headquarters in a theater of operations as a pertinent issue for today's military professional. By examining the experience of soldiers in past conflicts we gain the deeper perspectives and understandings necessary to meet the challenges facing the Army today and in the future. Washington, D.C.JOHN S. BROWN 21 June 2000Brigadier General, USA Chief of Military History

Special operations - in this context, commando or guerilla activities - conducted by the U.S. Army in World War II have been the subject of a good many thrilling adventure stories but little sober, historical analysis. Only a handful of works have examined the critical issues underlying special operations, and the Army's historical series on World War II treats the subject only in passing. Yet special operations had a significant role that should not be ignored. Ranger units captured positions critical to the success of amphibious landings in the Mediterranean, France, and the Philippines. Partisans advised by American military personnel provided essential intelligence to American forces and harassed enemy troops in support of American operations in Italy, France, the Philippines, and Burma. As special operations forces grow in importance within the U.S. Army, we need to look at our experience with such activities in World War II. I recommend this study as an overview for Army leaders and other interested parties of an important, but often misunderstood subject. It fills a gap in the Army's history of World War II and honors individuals whose efforts, frequently unsung, nevertheless made a major contribution to the American and Allied victory in that war. Harold W. Nelson Brigadier General, United States Army Chief of Military History

Field Marshal Viscount Slim (1891-1970) led shattered British forces from Burma to India in one of the lesser-known but more nightmarish retreats of World War II. He then restored his army's fighting capabilities and morale with virtually no support from home and counterattacked. His army's slaughter of Japanese troops ultimately liberated India and Burma. The first edition of Defeat Into Victory , published in 1956, was an immediate sensation selling 20,000 copies within a few days. This is an updated version with a new introduction by David W. Hogan Jr.

Edgar G. Ulmer: Detour on Poverty Row illuminates the work of this under-appreciated film auteur through 21 new essays penned by a range of scholars from around the globe. Ulmer, an immigrant to Hollywood who fell from grace in Tinseltown after only one studio film, became one of the reigning directors of Poverty Row B-movies. Structured in four sections, Part I examines various contexts important to Ulmer's career, such as his work at the Producers Releasing Corporation (PRC), and his work in exploitation films and ethnic cinema. Part II analyzes Ulmer's film noirs, featuring an emphasis on Detour (1945) and Murder Is My Beat (1955). Part III covers a variety of Ulmer's individual films, ranging from Bluebeard (1944) and Carnegie Hall (1947) to The Man from Planet X (1951) and Daughter of Dr. Jekyll (1957). Part IV concludes the volume with a case study of The Black Cat (1934), offering three different analyses of Ulmer's landmark horror film.

Edgar G. Ulmer: Detour on Poverty Row illuminates the work of this under-appreciated film auteur through 21 new essays penned by a range of scholars from around the globe. Ulmer, an immigrant to Hollywood who fell from grace in Tinseltown after only one studio film, became one of the reigning directors of Poverty Row B-movies. Structured in four sections, Part I examines various contexts important to Ulmer's career, such as his work at the Producers Releasing Corporation (PRC), and his work in exploitation films and ethnic cinema. Part II analyzes Ulmer's film noirs, featuring an emphasis on Detour (1945) and Murder Is My Beat (1955). Part III covers a variety of Ulmer's individual films, ranging from Bluebeard (1944) and Carnegie Hall (1947) to The Man from Planet X (1951) and Daughter of Dr. Jekyll (1957). Part IV concludes the volume with a case study of The Black Cat (1934), offering three different analyses of Ulmer's landmark horror film.