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Books > Humanities > History > American history > 1800 to 1900
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The Soldier in Our Civil War
- a Pictorial History of the Conflict, 1861-1865, Illustrating the Valor of the Soldier as Displayed on the Battle-field, From Sketches Drawn by Forbes, Waud, Taylor, Beard, Becker, Lovie, Schell, Crane and Numerous Other...; 2
(Hardcover)
Frank 1821-1880 Leslie; Created by Paul Fleury B 1841 Mottelay, T (Thomas) Ed Campbell-Copeland
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Winner of the Pulitzer Prize for History The unforgettable saga of
one enslaved woman's fight for justice-and reparations Born into
slavery, Henrietta Wood was taken to Cincinnati and legally freed
in 1848. In 1853, a Kentucky deputy sheriff named Zebulon Ward
colluded with Wood's employer, abducted her, and sold her back into
bondage. She remained enslaved throughout the Civil War, giving
birth to a son in Mississippi and never forgetting who had put her
in this position. By 1869, Wood had obtained her freedom for a
second time and returned to Cincinnati, where she sued Ward for
damages in 1870. Astonishingly, after eight years of litigation,
Wood won her case: in 1878, a Federal jury awarded her $2,500. The
decision stuck on appeal. More important than the amount, though
the largest ever awarded by an American court in restitution for
slavery, was the fact that any money was awarded at all. By the
time the case was decided, Ward had become a wealthy businessman
and a pioneer of convict leasing in the South. Wood's son later
became a prominent Chicago lawyer, and she went on to live until
1912. McDaniel's book is an epic tale of a black woman who survived
slavery twice and who achieved more than merely a moral victory
over one of her oppressors. Above all, Sweet Taste of Liberty is a
portrait of an extraordinary individual as well as a searing
reminder of the lessons of her story, which establish beyond
question the connections between slavery and the prison system that
rose in its place.
In 1967, Nigeria was plunged into a brutal civil war with
secessionist Biafra. The war, which lasted for 30 months and led to
the death of over one million ethnic Igbo, has been described as
the first genocide in post-colonial Africa. Although much has been
written about the Nigeria Civil war, most of what has been written
remains the perspectives of the major actors and generals who
conducted the war. This book, through careful analysis of the
experiences of those who witnessed the war on the Biafra side as
well as other primary and archival sources, brings to life the
Civil War-time trials and tribulations of ordinary Biafrans.
Focusing primarily on the Biafran side of that civil war, the book
reexamines the civil war from the perspective of non-military
support of the war effort and the lingering human costs of that
conflict. It also presents the Biafra experience in the context of
issues of genocide, the role of humanitarian and international
civil or advocacy groups; International Organizations and conflict
resolution; and the impact of the Cold War and resources control
(oil) in shaping the contours of the Nigeria-Biafra War. Based on
personal experiences of the Biafra-Nigeria War, this book speaks to
some elements in the causes of the war, the actual conduct of the
war on both sides, and the underlying genocidal rather than
political motivations for the war. As Michael J. C. Echeruo notes
"Biafra should stand in the world's conscience as a monument to the
possibility of successfully resisting 'final solutions.'"' This is
an important book for collections in African studies, history,
international studies, and political science.
This is the first scholarly analysis of The London American, the
pro-Union propaganda journal published in London during the
American Civil War, and the motives and troubles of its proprietor,
John Adams Knight, a Northern American based in the British
capital. The newspaper s successes and failures in attempts to
manipulate British public opinion during the war are compared with
that of The Index, its rival Confederate propaganda weekly
headquartered two doors down London s Fleet Street. Persuading John
Bull provides scholars and general readers alike a far greater
understanding of the largely unknown Northern newspaper s
motivations and campaigns during the war, as well as an in-depth
analysis of The Index which builds greatly on present
historiographical discussions of the Southern journal. It also
offers new insights into Britain s roles in the conflict,
Anglo-American relations, and Mid-Victorian British political and
social history. The book is not restricted to discussing the two
propaganda machines as its focus they are used to approach a
greater analysis of British public opinion during the American
Civil War both journals were strongly associated with numerous key
figures, societies (British and American), and events occurring on
both sides of the Atlantic pertaining to the conflict. Although
propaganda is only one source from which to tap, the effectiveness
of the two lobbyist journals either directly or indirectly impacted
other factors influencing Britain s ultimate decision to remain
neutral. This book reveals a fresh new cast of Union supporters in
London, in addition to more Confederate sympathizers throughout
Britain not previously discussed by scholars. The roles of these
new figures, how and why they endorsed the Northern or Southern war
effort, is analyzed in detail throughout the chapters, adding
greatly to existing historiography."
The Civil War on Film will inform high school and college readers
interested in Civil War film history on issues that arise when film
viewers confuse entertainment with historical accuracy. The
nation's years of civil war were painful, destructive, and
unpleasant. Yet war films tend to embrace mythologies that erase
that historical reality, romanticizing the Civil War. The editors
of this volume have little patience for any argument that implies
race-based slavery isn't an entirely repugnant economic, political,
and cultural institution and that the people who fought to preserve
slavery were fighting for a glorious and admirable cause. To that
end, The Civil War on Film will open with a timeline and
introduction and then explore ten films across decades of cinema
history in ten chapters, from Birth of a Nation, which debuted in
1915, to The Free State of Jones, which debuted one hundred and one
years later. It will also analyze and critique the myriad of
mythologies and ideologies which appear in American Civil War
films, including Lost Cause ideation, Black Confederate fictions,
Northern Aggression mythologies, and White Savior tropes. It will
also suggest the way particular films mirror the time in which they
were written and filmed. Further resources will close the volume.
Makes clear that depictions of the Civil War on film are often
mythologized Analyzes films in a manner that shows students the
historical context in which the films were made and viewed Goes
beyond just synopses and historical facts, helping students to
develop critical thinking skills Stimulates debate over the various
ways the war was interpreted and experienced
The first book-length treatment of an important Confederate
regiment composed mostly of Irish immigrants who were involved in
most of the important Civil War battles in the East.
As the American Civil War recedes into the past, popular
fascination continues to rise. Once a matter that chiefly concerned
veterans, separately organized North and South, who gathered to
refight old battles and to memorialize the heroes and victims of
war, the Civil War has gradually become part of a collective
heritage. Issues raised by the war, including its causes and
consequences, reverberate through contemporary society. Family and
community connections with the war exist everywhere, as do
battlefields, memorials, and other physical reminders of the
conflict. We, as Americans, are fascinated by the sheer magnitude
of the war fought over thousands of miles of American soil and
resulting in awesome casualties. It was a gigantic national drama
enacted by people who seem both contemporary and remote. Here for
the first time, leading Civil War scholars gather to sort out the
fact and fiction of our collective memories. Contributors include
Pulitzer Prize-winner Mark E. Neely, Jr., Alan T. Nolan, John Y.
Simon, James I. 'Bud' Robertson, Jr., Gary W. Gallagher, Joseph T.
Glatthaar, and Ervin L. Jordan, Jr.
The 38th Virginia Infantry was organized in May and June of 1861,
in the southern Virginia counties of Pittsylvania, Halifax, and
Mecklenburg. Seven of the ten Companies were recruited in
Pittsylvania, thus it was called the Pittsylvania Regiment. Less
than a year prior, census takers unknowingly finished recording for
posterity the men who would go to war. An in depth study shows
seven Virginia counties and six North Carolina counties bordering
the recruitment area of Pittsylvania, Halifax, and Mecklenburg
would contribute men to the 38th Virginia. The 38th Virginia
Infantry was in the field of battle from Yorktown in April of 1862,
to Appomattox on April 9, 1865. The largest losses suffered were at
battles of 7 Pines, Malvern Hill, Gettysburg, Chester Station, and
the 2nd Battle of Drewry's Bluff. Herein is detail on the orders of
battles, the prison camps endured, and the names of parents and
wives of the soldiers, with focus on the census of 1860.
To date, most texts regarding higher education in the Civil War
South focus on the widespread closure of academies. In contrast,
Persistence through Peril: Episodes of College Life and Academic
Endurance in the Civil War South brings to life several case
histories of southern colleges and universities that persisted
through the perilous war years. Contributors tell these stories via
the lived experiences of students, community members, professors,
and administrators as they strove to keep their institutions going.
Despite the large-scale cessation of many southern academies due to
student military enlistment, resource depletion, and campus
destruction, some institutions remained open for the majority or
entirety of the war. These institutions-"The Citadel" South
Carolina Military Academy, Mercer University, Mississippi College,
the University of North Carolina, Spring Hill College, Trinity
College of Duke University, Tuskegee Female College, the University
of Virginia, the Virginia Military Institute, Wesleyan Female
College, and Wofford College-continued to operate despite low
student numbers, encumbered resources, and faculty ranks stripped
bare by conscription or voluntary enlistment. This volume considers
academic and organizational perseverance via chapter "episodes"
that highlight the daily operations, struggles, and successes of
select southern institutions. Through detailed archival research,
the essays illustrate how some southern colleges and universities
endured the deadliest internal conflict in US history.
Contributions by Christian K. Anderson, Marcia Bennett, Lauren
Yarnell Bradshaw, Holly A. Foster, Tiffany Greer, Don Holmes,
Donavan L. Johnson, Lauren Lassabe, Sarah Mangrum, R. Eric Platt,
Courtney L. Robinson, David E. Taylor, Zachary A. Turner, Michael
M. Wallace, and Rhonda Kemp Webb.
The name Andersonville, from the American Civil War to the present,
has come to be synonymous with "American death camp." Its horrors
have been portrayed in its histories, art, television, and movies.
The trial of its most famous figure, Captain Henry Wirz, still
raises questions about American justice. This work unlocks the
secret history of America's deadliest prison camp in ways that will
spur debate for many years to come. However, more than a story of a
notorious place of death, this work sets out to uncover unknown
aspects of life among Americans immediately before and during the
Civil War. Persons who found themselves connected with this prison
tell the story of a new country in a period of rapid change. They
include, among others, the mysterious figure known as Limber Jim,
mercenary D. W. Vowles, sea captain Herbert Hunt, lawyer O. S.
Baker, and even general William Tecumseh Sherman. This work
uncovers the lost history of the prison itself, the least
understood element of this massive human tragedy in Civil War
Georgia. While a work of deep introspection and high adventure, it
also corrects myths, misunderstandings, and major mistakes that
have appeared in print and popular history.
In June 1864, General Ulysses Grant ordered his cavalry commander,
Philip Sheridan, to conduct a raid to destroy the Virginia Central
Railroad between Charlottesville and Richmond. Sheridan fell short
of his objective when he was defeated by General Wade Hampton's
cavalry in a two-day battle at Trevilian Station. The first day's
fighting saw dismounted Yankees and Rebels engaged at close range
in dense forest. By day's end, Hampton had withdrawn to the west.
Advancing the next morning, Sheridan found Hampton dug in behind
hastily built fortifications and launched seven dismounted
assaults, each repulsed with heavy casualties. As darkness fell,
the Confederates counterattacked, driving the Union forces from the
field. Sheridan began his withdrawal that night, an ordeal for his
men, the Union wounded and Confederate prisoners brought off the
field and the hundreds of starved and exhausted horses that marked
his retreat, killed to prevent their falling into Confederate
hands.
In July 1862, the directors of the Chicago Board of Trade used
their significant influence to organize perhaps the most prominent
Union artillery unit in the Western Theater. Enlistees were
Chicagoans, mainly clerks. During the Civil War, the battery was
involved in 11 major battles, 26 minor battles and 42 skirmishes.
They held the center at Stones River, repulsing a furious
Confederate attack. A few days later, they joined 50 other Union
guns in stopping one of the most dramatic offensives in the Western
Theater. With Colonel Robert Minty's cavalry, they resisted an
overwhelming assault along Chickamauga Creek. This history
chronicles the actions of the Chicago Board of Trade Independent
Light Artillery at the battles of Farmington, Dallas, Noonday
Creek, Atlanta, in Kilpatrick's Raid, and at Nashville, and Selma.
Although the American Civil War has received extensive scholarly
attention in the 150+ years since its conclusion, far less
scholarly work has been devoted to western newspapers and their
experiences of that bloody conflict. This first volume of a
two-volume set reveals that the West was not immune from the war's
battles, military recruitment, national anxieties, or partisan
infighting. The Western Press in the Crucible of the American Civil
War explores how editors throughout the region (from the Great
Plains to the Pacific Coast) responded to secession, the war, and
its immediate aftermath. This edited volume examines editors'
outspoken partisanship (including political feuds), their
newsgathering techniques, their financial concerns, and their
responses to wartime press censorship. The book also reveals how
the war was reported in the western press, while also casting a
light on reporting of home front issues. This first volume reveals
the financial and editorial lengths that editors went to in order
to meet readers' demands for war and home front news across a vast
region where infrastructure was poor and news, therefore, was often
slow to arrive. The second volume, The Midwestern Press in the
Crucible of the American Civil War, focuses on the press in the
midwestern United States.
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