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Books > Humanities > History > World history > 500 to 1500
This is no conventional dictionary. For two centuries an extensive Jewish community played an important role in English history. The book opens up a society for which we have sources 'many hundreds of times richer than those for France' (Robert Chazan). Nearly 30 self-governing communities extended across the country, from York to Exeter, Hereford to Canterbury. 42 illustrations include 14 town plans. Vestiges of the medieval Jewry remain in street names; sites of Jewish houses, synagogues and cemeteries; and archaeological sites and artefacts. 30 biographic entries examine leading members of communities; 8 family trees show that in six cases they extended over at least five generations. A wide range of entries of general interest provide details on matters as diverse as synagogues, ritual child murder, women, libraries and books, mikva'ot, Usury, herb gardens, bezant, community, treasure and laving stone. 139
It is axiomatic that English people came to understand their places in society differently by the late seventeenth century. This collection explores how that happened by exploring how membership in communities was defined, and how individuals and corporate groups acted out their understanding of their places in society. Keith Wrightson's powerful exploration of how concepts of neighborliness evolved as the economy changed is joined with Marjorie K. McIntosh's work on changing identity politics in market towns. The confusions over identity and community inherent in border towns are taken up by K.J. Kesselring, while David Dean examines the mnemonic devices used in the Elizabethan Lottery to understand how people saw their communities. The overlapping worlds of London, Court and country are portrayed by Alexandra Johnston and Joseph Ward, while Catherine Patterson looks at the rhetoric of urban magistracy. The complexity of London's communities is explored by Shannon McSheffrey in her work on the liminal place of the late medieval clergy and sexual morality; by Ian Archer in his portrait of the charity of London widows; and by Paul Griffiths in a concluding chapter on the rhetorics of London's civil and religious identity, as seen in the discussions of growth that swirled around the building of Bridewell Hospital.
This volume represents a major contribution to the history of the Northern Crusades and the Christianization of the Baltic lands in the Middle Ages, from the beginnings of the Catholic mission to the time of the Reformation. The subjects treated range from discussions of the ideology and practice of crusade and conversion, through studies of the motivation of the crusading countries (Denmark, Sweden and Germany) and the effects of the crusades on the countries of the eastern Baltic coast (Finland, Estonia, Livonia, Prussia and Lithuania), to analyses of the literature and historiography of the crusade. It brings together essays from both established and younger scholars from the western tradition with those from the modern Baltic countries and Russia, and presents in English some of the fruits of the first decade of historical scholarship and dialogue after the collapse of the Iron Curtain. The depth of treatment, diversity of approaches, and accompanying bibliography of publications make this collection a major resource for the teaching of the Baltic Crusades.
Drawing on the expertise of 26 distinguished scholars, this
important volume covers the major issues in the study of medieval
Europe, highlighting the significant impact the time period had on
cultural forms and institutions central to European identity.
A Companion to Tudor Britain provides an authoritative overview of historical debates about this period, focusing on the whole British Isles.* An authoritative overview of scholarly debates about Tudor Britain* Focuses on the whole British Isles, exploring what was common and what was distinct to its four constituent elements* Emphasises big cultural, social, intellectual, religious and economic themes* Describes differing political and personal experiences of the time* Discusses unusual subjects, such as the sense of the past amongst British constituent identities, the relationship of cultural forms to social and political issues, and the role of scientific inquiry* Bibliographies point readers to further sources of information
This book is a thematic introductory survey accompanied by a rich selection of written and visual primary sources, which brings the experiences of medieval Jewish women to life for students. Including twenty primary source texts in translation relevant for the study of Jewish women including crusade chronicles, legal codes, economic contracts, marriage contracts, letters, and selections of works composed to guide women's spiritual lives and prayers. These documents provide documents for lectures to use in their seminars and students with a range if sources on which to see how the history of these women has been interpreted. This book explores how medieval Jewish women maneuvered within social norms governed by gender, religious identity, class, and place of residence, and emphasizes the ways in which Jewish women both resembled and differed from their local non-Jewish counterparts, providing students with an encompassing look at Jewish medieval women.
These fifteen essays range from Peter Abelard to John Wyclif. Beryl Smalley brings these men to life, uncovering what they read and what they thought and putting them into their historical context.
Born amid immense bloodshed and suffering, the Kingdom of Jerusalem remained a battlefield for almost 200 years. The long rivalry between Christianity and Islam led to the Crusades and gave rise to the Military Orders of the Templars and Hospitallers, and provided a backdrop to the careers of some of history's most famous leaders, including Richard the Lionheart and Saladin. This book shows how the savagery of the Crusaders often left their opponents reeling, creating frictions that survived more than 700 years. At the same time, as the book illustrates, art, architecture, and learning all benefited from new knowledge the Crusaders brought back from the East.
Focusing on examples from medieval theatre, women's suffrage campaigns, and the 2012 Olympics Opening Ceremony, this is the first book to offer a critical overview of pageant as a dramatic form. By enacting highly selective historical episodes, pageants manipulate audiences' sense of the past. Through iconic music, affecting images, and vernacular forms, pageants express and, in turn, shape religious, civic, or political allegiances. Freely appropriating elements of history plays, patriotic celebrations, opera, and film, pageants create spectacles of sensory overload. Impressive recent scholarship recognizes pageants as public history, but this is the first authoritative account of the origins, characteristics, and techniques of pageants as a theatrical idiom. Performed in sporting arenas, the open air, or purpose-built theatres, these paratheatrical events express identity through what Erika Fischer-Lichte calls "the re-theatricalization of theatre." Pageants are intimately connected with power-they either assert and celebrate it or seek and demand it. Medieval religious pageants were so popular and powerful that they were suppressed and extinguished. The vogue for pageantry that swept through the English-speaking world in the decade before WWI was closely tied to the expansion of the franchise. Many early twentieth century pageants celebrated localities; others subversively advocated for women's suffrage. First performed in 1909, Cicely Hamilton's A Pageant of Great Women depicted historical personages from the near and distant past as well as allegorical figures such as Justice and Prejudice. Today, the Olympic Games mandate an opening ceremony that "details the country's history, culture, and overall importance for the global community." London delivered just such a pageant in 2012. This book features a wide-ranging introduction that maps the cultural evolution of this enduring theatrical form and covers popular and readily accessible pageants from medieval England, the early twentieth century, and our own day.
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Christians in fifteenth-century Iraq and al-Jazira were socially and culturally home in the Middle East, practicing their distinctive religion despite political instability. This insightful book challenges the normative Eurocentrism of scholarship on Christianity and the Islamic exceptionalism of much Middle Eastern history to reveal the often unexpected ways in which inter-religious interactions were peaceful or violent in this region. The multifaceted communal self-concept of the 'Church of the East' (so-called 'Nestorians') reveals cultural integration, with certain distinctive features. The process of patriarchal succession clearly borrowed ideas from surrounding Christian and Muslim groups, while public rituals and communal history reveal specifically Christian responses to concerns shared with Muslim neighbors. Drawing on sources from various languages, including Arabic, Armenian, Persian, and Syriac, this book opens new possibilities for understanding the rich, diverse, and fascinating society and culture that existed in Iraq during this time.
Hono sapiens, homo pugnans, and so it has been since the beginning of recorded history. In the Middle Ages, especially, armed conflict and the military life were so much a part of the political and cultural development that a general account of this period is, in large measure, a description of how men went to war.
This work offers a comprehensive study of warfare and the Byzantine army in the social context. It deals with Byzantine attitudes to warfare, the effects of war on society as a whole both culturally and physically, as well as relationships between soldiers, leaders and society. It also examines the strategic situation of the empire and the state's response to external military pressures in the period from the late 6th-century to the late 12th-century. The strategic geography of the empire, communications, logistics, resources and manpower are also examined, as well as the army's strategic and tactical administrative evolution.
First full-scale account of the use of the Arthurian legend in the long twelfth century. The precedent of empire and the promise of return lay at the heart of King Arthur's appeal in the Middle Ages. Both ideas found fullness of expression in the twelfth century: monarchs and magnates sought to recreate an Arthurian golden age that was as wondrous as the biblical and classical worlds, but less remote. Arthurianism, the practice of invoking and emulating the legendary Arthur of post-Roman Britain, was thus an instance of medieval medievalism. This book provides a comprehensive history of the first 150 years of Arthurianism, from its beginnings under Henry II of England to a highpoint under Edward I. It contends that the Plantagenet kings of England mockingly ascribed a literal understanding of the myth of King Arthur's return to the Brittonic Celts whilst adopting for themselves a figurative and typological interpretation of the myth. A central figure in this work is Arthur of Brittany (1187-1203), who, for more than a generation, was the focus of Arthurian hopes and their disappointment. CHRISTOPHER MICHAEL BERARD is a Visiting Assistant Professor of English at Providence College. He completed his PhD at the University of Toronto's Centre for Medieval Studies.
In "Performance, Cognitive Theory, and Devotional Culture," Jill Stevenson uses cognitive theory to explore the layperson's physical encounter with live religious performances, and to argue that laypeople's interactions with other devotional media--such as books and art objects--may also have functioned like performance events. By revealing the remarkable resonance between cognitive science and medieval visual theories, Stevenson demonstrates how understanding medieval culture can enrich the study of performance generally. She concludes by applying her theories of medieval performance culture to contemporary religious forms, including creationist museums, Hell Houses, and megachurches.
Grief binds the worshipers together in an adagio of sorrow as they encounter the sculptural representation of the Entombment of Christ. Located in funerary chapels, parish churches, cemeteries, and hospitals, these works embody the piety of the later Middle Ages. In this book, Donna Sadler examines the sculptural Entombments from Burgundy and Champagne through a variety of lenses, including performance theory, embodied perception, and the invocation of the absent presence of the Holy Sepulcher. The author demonstrates how the action of Joseph of Arimathea and Nicodemus entombing Christ in the presence of the Marys and John operates in a commemorative and collective fashion: the worshiper enters the realm of the holy and becomes a participant in the biblical event.
This book examines one collection of saints' lives, or sanctorals, and the twenty-five female saints witnessed therein. Included in the study are transcriptions of twenty-two previously unedited lives. Hagiography was one of the most prolific narrative genres in the Middle Ages. Jacobus de Voragine's Golden Legend (c. 1260), the most popular compendium, was translated into every language in Western Europe. In the medievalIberian peninsula, the number of conserved hagiographic documents dwarfs those belonging to other narrative genres. This book examines one collection of saints' lives, or sanctorals, and the twenty-five female saints witnessed therein. Their lives furnished exemplary models for women inside and outside the Church, and tell stories of maidens tortured by pagan sovereigns, prostitutes, mothers who see their sons martyred, and women who dress as men in orderto avoid being married off to the nearest suitor. This study challenges an understanding of these women as passive recipients of social and spiritual influence by re-situating female authority within the context of vision, language, and performativity. Included in the study are transcriptions of twenty-two previously unedited lives. Emma Gatland is a Leverhulme Early Career Fellow, University of Cambridge.
This is a study of the religious practices of lay people within a distinctive and relatively unexplored region that once formed the diocese of Salisbury. Andrew Brown explores lay piety in its contexts of landscape, society, and the church, and examines the many different issues and activities which were of contemporary importance, such as the religious guilds, charity, and heresy. He shows how the regional variations in social and economic structure affected parish life, and concludes with an important assessment of the reception of the Reformation in the diocese. This is the first scholarly study of the lay religion of this region, and its broad chronological range of and meticulously researched local focus offer illuminating insights into medieval piety over the centuries.
This volume is available individually, or as part of the 7 volume set "Emergence of International Business 1200-1800" (0-415-19072-X; $910.00/Y [Can. $1365.00/Y]). |
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