Jacobean Public Theatre recovers for the modern reader the acting, production and performance values of the public theatre of Jacobean London. It relates this drama to the popular culutre of the day and concludes with a close study of four important plays, including King Lear, which emerge in an unexpected light as the products of popular tradition.

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This is a collection of the selected papers of John La Patourel, considered by him to be the most representative of his body of work on the Norman and Plantaganet feudal empires. A striking feature of this anthology is the unity, modification and development of Professor Le Patourel's thought from his earliest to the latest essays included. Adopting a comparative framework and looking at topics such as the Channel Islands in the early middle ages, Normandy and England from 1066-1144, the Angevin Empire, the Hundred Years War and the Treaty of Bretigny, Professor La Patourel's work yields new insights and understandings in the history of 14th-century Europe.

Vitality and change marked twelfth- and thirteenth-century medieval Mediterranean society. Many sought to capitalize upon resurgences in economic success, political intrigue, and social cohesion. Alfonso II (1162-1196) and his son Peter II (1196-1213) of the Crown of Aragon worked diligently to augment their regional success. Yet the sources relating the internal workings of these developments are, by themselves, insufficient for appreciating the scope and potential of these opportunities. Considering a wide array of sources reveals the tenacity with which Alfonso II and Peter II forged a tighter Mediterranean regional network ready to respond to urgent needs and enduring concerns.

In Melusine's Footprint: Tracing the Legacy of a Medieval Myth, editors Misty Urban, Deva Kemmis, and Melissa Ridley Elmes offer an invigorating international and interdisciplinary examination of the legendary fairy Melusine. Along with fresh insights into the popular French and German traditions, these essays investigate Melusine's English, Dutch, Spanish, and Chinese counterparts and explore her roots in philosophy, folklore, and classical myth. Combining approaches from art history, history, alchemy, literature, cultural studies, and medievalism, applying rigorous critical lenses ranging from feminism and comparative literature to film and monster theory, this volume brings Melusine scholarship into the twenty-first century with twenty lively and evocative essays that reassess this powerful figure's multiple meanings and illuminate her dynamic resonances across cultures and time. Contributors are Anna Casas Aguilar, Jennifer Alberghini, Frederika Bain, Anna-Lisa Baumeister, Albrecht Classen, Chera A. Cole, Tania M. Colwell, Zoe Enstone, Stacey L. Hahn, Deva F. Kemmis, Ana Pairet, Pit Peporte, Simone Pfleger, Caroline Prud'Homme, Melissa Ridley Elmes, Renata Schellenberg, Misty Urban, Angela Jane Weisl, Lydia Zeldenrust, and Zifeng Zhao.

Fully revised, updated and extended to include the momentous developments of 2020, this fourth edition of Peter Rietbergen's highly acclaimed Europe: A Cultural History is a major and original contribution to the study of Europe. The book examines the structures of culture in this part of Eurasia from the beginnings of human settlement on to the genesis of agricultural society, of greater polities, of urban systems, and the slow transitions that resulted in a (post-)industrial society and the individualistic mass culture of the present. Using both economic and socio-political analytical concepts, the volume outlines cultural continuity and change in Europe through the lenses of literature, the arts, science, technology and music, to show the continent's ever-changing identities. In a highly readable style, it expertly contextualizes such diverse and wide-ranging topics as Celtic society, the Roman legal system, the oppositions between 'elite' and 'popular' culture in pre-industrial Europe, Michelangelo's world-view, the interaction between the Enlightenment and Romanticism, the growth of a society of time and money, the appeal of fascism and other totalitarian ideologies, and the ways the songs of Sting express late twentieth-century thinking. Structured both chronologically and thematically, the text is distinctive in the attention consistently paid to the many ways Europe has been formed through its contacts with non-European cultures, especially those of Asia and the Americas. This edition concludes with an epilogue that discusses the ways Europe's recent past - including the long-term efforts at further unification, and the various forms of opposition against it - has been both interpreted and misinterpreted; the importance of globalization; and the major challenges facing Europe in the present, amongst which are the consequences of the pandemic of 2020. With a wide selection of illustrations, maps, excerpts from primary sources and even lyrics from contemporary songs to support its arguments, the text remains the definitive cultural history of Europe for both the general reader and students of European history and culture.

This is the first scholarly study of the political role of the Order of the Garter during the late middle ages. It evaluates the relationship between the practical objectives served by the institution and its status as a chivalric elite. Focusing on the years between the Garter's inception in 1348 and the deposition of Henry VI in 1461, the study considers the Order's conception, companionship and collective activities, and places them against the political backdrop of the fourteenth and fifteenth centuries. Hugh Collins highlights the potential of the fraternity as an instrument of political patronage, and attributes its success in this area to the important balance achieved in the Garter's constitution and fellowship between pragmatic considerations and knightly ideas. His examination of the interdependence of these two facets thus reveals the extent to which political society in the late middle ages founded its ambitions and aspirations on the cult of chivalry.

This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW The focus of this volume may be summed up as "The Word". Its essays examine the contents and provenance of manuscripts which were written for polemical purposes, treasured by the duchess of York, and through the new medium of print introduced to a wider public topics of historical interest and illustrations of the geography of the known world. The essays here also consider official records of forest administration, expressed in arcane language; documents preserved in the papal curia which reveal significant facts about the lives of Scottish bishops; archives produced by the English chancery noting the movements of a royal councillor; and letters, poems and songs exposing the political strategy of a German prince. Nor is the spoken word neglected, whether employed in speeches delivered at the start of parliaments, using as their themes scriptures and classical texts to set a political agenda; or as sermons to open-air congregations gathered at St. Paul's Cross, where the oratory of Bishop Alcock stirred his listeners in different ways. Contributors: Michael Bennett, Julia Boffey, Paul Cavill, J.M. Grussenmeyer, TomJohnson, J.L. Laynesmith, John Milner, Ben Pope, Dan E. Seward, Sarah Thomas

This title offers a complete account of the rulers and politics of the Plantagenet reign. The story of the Plantagenet dynasty is the story of one of the pivotal ages in English history. Attitudes and outlooks were formed with regard to a vast array of profoundly important issues. Such fundamental issues as the relationship between church and state, the nature of government/governance, the interaction of social and economic classes, and ultimately the idea of what it means to be English were all shaped to a great degree by the events of the thirteenth and fourteenth centuries.

Voice is a fleeting physical phenomenon that leaves behind traces of its existence. Medieval literary voices offers a wide-reaching approach to the concept of literary voices, both the vanished authorial ones and the implicit textual ones. Its impressive lineup deepens our understanding of how literary voices evoke the elusive voices lurking beyond the text, capturing the absent authorial voice, the traces of scribal voices and the soundscape of the uttered text. It explores multiple dimensions of medieval voice and vocalisations, and the interactions between literary voices and their authorial, scribal and socio-political settings. It contends that through the theorizing of literary voices we can begin to understand the ways in which medieval voices mediate or proclaim an embodied selfhood or material presence, how they dictate or contest moral conventions, and how they create and sustain narrative soundscapes. -- .

In a museum in the small town of Bayeux in Normandy, specially devised to hold this single object, is a strip of linen nearly one thousand years old. It is 230 feet long and about 20 inches high. On it, embroidered in brightly colored wool, are figures of men, animals, buildings, and ships. In a series of vivid scenes, with a running explanatory text in Latin, it relates the invasion of England by William of Normandy and his victory at the Battle of Hastings in 1066. Nothing remotely like the Bayeux Tapestry exists anywhere in the world, yet comparatively few people have been to Bayeux to see it and appreciate how totally absorbing it is. This book, first published in 1985, reproduces the Tapestry in full color and makes it accessible as never before. The story told in the Tapestry has all the ingredients of an epic poem, and a cast of characters that includes King Edward the Confessor; his liegeman, Duke Harold; and William, Duke of Normandy. When Edward dies, Harold succeeds him as king. William, who has a better dynastic claim, invades England, and at the Battle of Hastings Harold is defeated and killed. Here the Tapestry breaks off, but it probably originally concluded with William's coronation--the beginning of a sequence of monarchs that has continued virtually unbroken until today, and of the English nation as we know it. The Tapestry is reproduced in full color over 146 pages, with captions on a fold-out page for easy reference. A second reproduction of the Tapestry in black and white has a detailed accompanying commentary. Sir David Wilson, former Director of the British Museum, provides an up-to-date summary of the historical evidence, explaining each episode and coveringrelated topics such as the costumes, armor, ships, buildings, and customs. One of the primary sources for the history of the period, the Tapestry is a social document of incalculable value. It is the sole survivor of an art form that may once have been widespread, the wall-hanging commemorating the deeds of a great man.

The Philosophy and Science of Roger Bacon offers new insights and research perspectives on one of the most intriguing characters of the Middle Ages, Roger Bacon. At the intersections between science and philosophy, the volume analyses central aspects of Bacon's reflections on how nature and society can be perfected. The volume dives into the intertwining of Bacon's philosophical stances on nature, substantial change, and hylomorphism with his scientific discussion of music, alchemy, and medicine. The Philosophy and Science of Roger Bacon also investigates Bacon's projects of education reform and his epistemological and theological ground maintaining that humans and God are bound by wisdom, and therefore science. Finally, the volume examines how Bacon's doctrines are related to a wider historical context, particularly in consideration of Peter John Olivi, John Pecham, Peter of Ireland, and Robert Grosseteste. The Philosophy and Science of Roger Bacon is a crucial tool for scholars and students working in the history of philosophy and science and also for a broader audience interested in Roger Bacon and his long-lasting contribution to the history of ideas.

Bertrand du Guesclin was one of the main architects of the recovery of France. From humble beginnings he rose to become one of the great heroic figures of French history. This is the first English translation of Cuvelier's epic poem about him. Bertrand du Guesclin is one of the great French heroes of the Hundred Years War, his story every bit as remarkable as Joan of Arc's. The son of a minor Breton noble, he rose in the 1360s and '70s to become the Constable of France- a supreme military position, outranking even the princes of the blood royal. Through campaigns ranging from Brittany to Castile he achieved not only fame as a pre-eminent leader of Charles V's armies, but a dukedom in Spain, burial among the kings of France in the royal basilica at Saint-Denis, and recognition as nothing less than the "Tenth Worthy", being ranked alongside the nine paragons of chivalry who included Alexander the Great, Julius Caesar, Charlemagne and King Arthur. His is a truly spectacular story. And the image of Bertrand, and many of the key events in his extraordinary life, are essentially derived from The Song of Bertrand du Guesclin, this epic poem by Cuvelier. Written in the verse-form and manner of a chanson de geste, it is the very last of the Old French epics and an outstanding example of the roman chevaleresque. It is a fascinating and major primary source forhistorians of chivalry and of a critical period in the Hundred Years War. This is its first translation into English. Cuvelier is a fine storyteller: his depictions of battle and siege are vivid and thrilling, offering invaluable insights into medieval warfare. And he is a compelling propagandist, seeking through his story of Bertrand to restore the prestige of French chivalry after the disastrous defeat at Poitiers and the chaos that followed, andseeking, too, to inspire devotion to the kingdom of France and to the fleur-de-lis. NIGEL BRYANT is well known for his lively and accurate versions of medieval French authors. His translations of Chretien de Troyes' Perceval and all its continuations and of the extraordinary late Arthurian romance Perceforest have been major achievements; he has also translated Jean le Bel's history of the early stages of the Hundred Years War, and the biography of William Marshal.

During the Middle Ages, the head of St John the Baptist was widely venerated. According to the biblical text, John was beheaded at the order of Herod's stepdaughter, who is traditionally given the name Salome. His head was later found in Jerusalem. Legends concerning the discovery of this relic form the basis of an iconographic type in which the head of St John the Baptist is represented as an "object." The phenomenon of the Johannesschussel is the subject of this essay. Little is known about how exactly these objects functioned. How are we to understand this fascination with horror, death and decapitation? What phantasms does the artifact channel? The present study offers the unique key to the Johannesschussel as artifact, phenomenon, phantasm and medium.

For many years, scholars struggled to write the history of the constitution and political structure of the Holy Roman Empire. This book argues that this was because the political and social order could not be understood without considering the rituals and symbols that held the Empire together. What determined the rules (and whether they were followed) depended on complex symbolic-ritual actions. By examining key moments in the political history of the Empire, the author shows that it was a vocabulary of symbols, not the actual written laws, that formed a political language indispensable in maintaining the common order.

A neglected aspect of Byzantium, physical beauty appears as a quality with an unmistakable dark side, relating ambiguously to notions of power, goodness, evil, masculinity, effeminacy, life and death. Examined as an attribute of the human and, in particular, of the male body, this study of beauty refines our understanding of the Byzantine world.

Women, like men, joined the religious military orders that came about during the Crusades such as the Templars, Hospitallers, and Order of Santiago. This study looks deeper into female membership of these orders by placing the discussion of women in medieval military orders in the larger context of female monasticism. While all major religious military orders are taken into account, the focus of this study, and the brunt of new research, is on the female members of the Order of Saint John.

With the death of Edward VI in 1553, England, for the first time, would have a reigning queen. The question was: Who?

Four women stood upon the crest of history: Katherine of Aragon's daughter, Mary; Anne Boleyn's daughter, Elizabeth; Mary, Queen of Scots; and Lady Jane Grey. But over the centuries, other exceptional women had struggled to push the boundaries of their authority and influence--and been vilified as "she-wolves" for their ambitions. Revealed in vivid detail, the stories of Eleanor of Aquitaine, Isabella of France, Margaret of Anjou, and the Empress Matilda expose the paradox that England's next female leaders would confront as the Tudor throne lay before them--man ruled woman, but these women sought to rule a nation.

"Will be welcomed by all interested in African history and anthropology. A valuable contribution and a rich mine of material."
"--Journal of African History"

In many parts of the African Muslim world, slavery still blights the landscape. What are the origins of this terrible institution? Why is it still practiced? How widespread is it and how does it differ from Western chattel slavery?

This book tells the story of how the enslavement of Africans by Berbers, Arabs, and other Africans became institutionalized and legitimized throughout Muslim Africa. A classic, pioneering study, first published in 1971 and extensively updated in this revised edition, Slavery in the History of Black Muslim Africa provides an expansive portrait of domestic slavery from the tenth to the nineteenth century in the context of the religious, social, and economic conditions of the African Islamic world.

Drawing on a host of accounts from contemporary observers such as Leo Africanus and Ibn Battuta, Fisher and Fisher describe the status and rights of slaves in Africa, and their various roles as currency, goods, eunuchs, soldiers, and statesmen, as well as the jarring historical interruption brought on by slave raiders and traders in West and North Africa.

[This] is a book that should become compulsory reading for anyone studying crusading literature or the use of miracles in medieval narratives. - HISTORY First comprehensive study of miracles in Crusade narrative, showing how and why they were deployed by their authors. The medieval Latin Christian narratives of the crusades are replete with references to miracles, visions and signs. Mysterious white-clad knights lead crusader armies to victory in battle, Christ and the saints offer guidance in visions, and great signs are seen in the skies. However, despite the frequent appearance of these themes in the sources, and the evident importance of these ideas to the narratives which describe them, scholars have often analysed examples in isolation. This book represents the first far-reaching examination of the miraculous in crusade narrative, offering an analysis of the role of miracles, marvels, visions, dreams, signs and augury in narratives of the crusades of 1096 to 1204 and produced between c.1099 and c.1250. It argues that the miraculous and its related themes represented a powerful tool for the authors of crusade narrative because of its ability to convey divine agency and will, ideas which were central to the belief held among Latin Christian contemporaries that crusade was divinely inspired and spiritually salvific. Overall, the volume demonstrates how the authors of crusade narrative drew upon various intellectual authorities on the miraculous in the service of their narrative agendas and reveals how the use of the miraculous changed as authors were forced to respond to the challenges of narrating crusade during this period.

First English translation of seminal essays on heresy and other aspects of medieval religious history. In the field of medieval religious history, few scholars have matched the originality of the German academic Herbert Grundmann (1902-1970). Trained at the University of Leipzig and president of the Monumenta Germaniae Historica from 1959 until his death, Grundmann published a series of brilliant books and articles that fundamentally reshaped how historians of culture and religion conceptualized the medieval past. Yet although later generations of scholarshave since approached their research from vantage points shaped by his arguments, few of his writings have been previously accessible to an Anglophone audience. This volume presents translations of six of Grundmann's most significant essays on the intertwined themes of medieval heresy, literacy, and inquisition. Together, they offer new access to Grundmann's scholarship, one which will catalyze new perspectives on the medieval religious past and enable a fresh consideration of his intellectual legacy in the twenty-first century. JENNIFER KOLPACOFF DEANE is Professor of History at the University of Minnesota, Morris.

Milan was for centuries the most important center of economic, ecclesiastical and political power in Lombardy. As the State of Milan it extended in the Renaissance over a large part of northern and central Italy and numbered over thirty cities with their territories. A Companion to Late Medieval and early Modern Milan examines the story of the city and State from the establishment of the duchy under the Viscontis in 1395 through to the 150 years of Spanish rule and down to its final absorption into Austrian Lombardy in 1704. It opens up to a wide readership a well-documented synthesis which is both fully informative and reflects current debate. 20 chapters by qualified and distinguished scholars offer a new and original perspective with themes ranging from society to politics, music to literature, the history of art to law, the church to the economy. Contributors are: Giuliana Albini, Giancarlo Andenna, Jane Black, Stefano D'Amico, Alessandra Dattero, Massimo Della Misericordia, Giuliano Di Bacco, Claudia Di Filippo, Federico Del Tredici, Andrea Gamberini, Christine Getz, T.J. Kuehn, Germano Maifreda, Patrizia Mainoni, Alessandro Morandotti, Simona Mori, Serena Romano, Giovanna Tonelli, Massimo Zaggia.

Nonnus' Paraphrasis, an epic rendition of the Fourth Gospel, offers a highly sophisticated interpretation of the Johannine text. An essential means to this end is extensive use of the imagery related to Greek, and especially Dionysiac, mysteries. Doroszewski successfully challenges the once predominant view that the mystery terminology in the poem is nothing more than rhetorical ornament. He convincingly argues for an important exegetical role Nonnus gives to the mystery terms. On the one hand, they refer to the Mystery of Christ. Jesus introduces his followers into the new dimension of life and worship that enables them to commune with God. This is portrayed as falling into Bacchic frenzy and being initiated into secret rites. On the other hand, the terminology has a polemical function, too, as Nonnus uses it to present the Judaic cult as bearing the hallmarks of pagan mysteries. As the book discusses the Paraphrasis against the background of the mystery metaphor development in antiquity, it serves as an excellent introduction to this key feature of the ancient mentality and will appeal to all interested in the culture of Imperial times, especially in Early Christianity, Patristics, Neoplatonism and Late Antique poetry.

The English Parliament in the Middle Ages is a collection of 26 essays written by historians H. G. Richardson and G. O. Sayles between 1925 and 1967. These essays - some collaborative, and some written individually by Richardson and Sayles - illuminate various aspects of English parliamentary history, beginning with the origins of parliament. Brought together with a foreword and additional notes by G. O. Sayles, this volume provides a comprehensive reference point for all scholars interested in medieval bureaucracy and the history of law.

The Genesis of East Asia examines in a comprehensive and novel way the critically formative period when a culturally coherent geopolitical region identifiable as East Asia first took shape. By sifting through an impressive array of both primary material and modern interpretations, Charles Holcombe unravels what "East Asia" means, and why. He brings to bear archaeological, textual, and linguistic evidence to elucidate how the region developed through mutual stimulation and consolidation from its highly plural origins into what we now think of as the nation-states of China, Japan, Korea, and Vietnam. Beginning with the Qin dynasty conquest of 221 B.C. which brought large portions of what are now Korea and Vietnam within China's frontiers, the book goes on to examine the period of intense interaction that followed with the many scattered local tribal cultures then under China's imperial sway as well as across its borders. Even the distant Japanese islands could not escape being profoundly transformed by developments on the mainland. Eventually, under the looming shadow of the Chinese empire, independent native states and civilizations matured for the first time in both Japan and Korea, and one frontier region, later known as Vietnam, moved toward independence. Exhaustively researched and engagingly written, this study of state formation in East Asia will be required reading for students and scholars of ancient and medieval East Asian history. It will be invaluable as well to anyone interested in the problems of ethno-nationalism in the post-Cold War era.