The Mongols are often associated with the arts of warfare and annals of horror, but a more realistic association would be their contribution to international trade and cultural exchange during the medieval age. Thematic chapters, biographical sketches, a glossary, maps, illustrations, and selected primary documents provide fresh insight on a regretfully underexamined period. The legacy of the Mongols has often been associated with their contributions to the arts of warfare and annals of horror. A more realistic association would be their contribution to international trade and cultural exchange. Spawning an empire ranging from Persia to China, Genghis Khan united a nomadic warrior culture that had lived with their agrarian neighbors through controlled and limited extortion. It was a society whose leaders waged successful war and increased the tribe's prosperity. But the Mongols also understood it would serve their purposes to maintain commerce and agriculture, and to cultivate the arts in order that the luxuries they coveted would be all the more readily available. It was to this end that, after the first decades of destruction and rampage, the Mongols' policy changed to one of cooption and governance. The Mongols became effective cultural brokers as they forced, urged, bribed and coerced the movement of artists and artisans, scientists and scholars around their empire. Thematic chapters provide an accessible overview of the Steppe people from which Genghis Khan emerged, and chronicle his ascent as the Great Khan, as he subdued enemies and then conquered lands to the east and west. Following are excellent overviews of the founding and cementing of Mongol rule in China-the Yuan Dynasty-and Persia, centered in Iran. A concluding chapter provides a fresh perspective of the Mongol empire and makes clear the relevance of this vast and influential period to the contemporary world. Useful endmatter for students and researchers includes sixteen biographical sketches of figures ranging from Yuan Dynasty founder Qubilai Khan to famed Italian merchant and traveler Marco Polo. A score of annotated primary documents provide immediate access to the issues of the period through the eyes of the people living through them. Five maps, an annotated timeline, a glossary and annotated bibliography and several illustrations round out this engaging and valuable resource.

From "Beowulf" through the literature of the crusades and beyond, cannibals haunt the texts of medieval England. "Cannibal Narratives" attempts to explain their presence. It explores the relationship between the literary trope of cannibalism and the emergence of national identity in medieval England. If England suffered three centuries of invasion - beginning with the Vikings and continuing through Danish and Norman conquests of the island - it also developed a unique and uniquely literary response to these circumstances. This book reads the representations cannibalism so common in English medieval literature through cannibalism's metaphoric associations with incorporation, consumption, and violent disruption of the boundaries between self and other. The result uncovers the ways in which these representations articulate a discourse of cannibalism as a privileged mode for thinking about English cultural, and ultimately national, identity in the face of the social crisis.

Religious conversion - a shift in membership from one community of faith to another - can take diverse forms in radically different circumstances. As the essays in this volume demonstrate, conversion can be protracted or sudden, voluntary or coerced, small-scale or large. It may be the result of active missionary efforts, instrumental decisions, or intellectual or spiritual attraction to a different doctrine and practices. In order to investigate these multiple meanings, and how they may differ across time and space, this collection ranges far and wide across medieval and early modern Europe and beyond. From early Christian pilgrims to fifteenth-century Ethiopia; from the Islamisation of the eastern Mediterranean to Reformation Germany, the volume highlights salient features and key concepts that define religious conversion, particular the Jewish, Muslim and Christian experiences. By probing similarities and variations, continuities and fissures, the volume also extends the range of conversion to focus on matters less commonly examined, such as competition for the meaning of sacred space, changes to bodies, patterns of gender, and the ways conversion has been understood and narrated by actors and observers. In so doing, it promotes a layered approach that deepens inquiry by identifying and suggesting constellations of elements that both compose particular instances of conversion and help make systematic comparisons possible by indicating how to ask comparable questions of often vastly different situations.

Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences. The six chapters include Pentecost, Noli me tangere, the woman with an issue of blood, the Johannesschussel, the dancing Salome, and the role of the wind. The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific metier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially.

Indologist Ronald Inden has in the past raised questions about the images of a "traditional" or "medieval" India deployed by colonial scholars and rulers -- "Orientalists" -- and has also argued that a history of "early medieval" India very different from both the colonial and nationalist accounts could be written. This volume is designed as an important first step towards that goal. The authors look closely at three genres of texts that have been crucial to the representations of precolonial India. All three essays challenge not only colonialist scholarship but the attempts by religious nationalists to identify Hinduism as the essence of national identity in Idia and Buddhism as the essence of nationality in Sri Lanka.

Few historians have had a greater impact on their chosen period than K.B. McFarlane. This complete collection of the articles that he published during his lifetime represents the core of his work.

Saint Christina the Astonishing was born into a poor Belgian family in 1150. She 'died' aged 22 but at her requiem she rose from her coffin and flew away like a bird, wanting to escape the smell of sinful humanity. This was the first of many mad, disobedient exploits in her long and remarkable life. Jane Draycott and Lesley Saunders retell - through their own poems as well as brief extracts from medieval religious writers - Christina's story as a woman's search for selfhood. The book includes artworks from Peter Hay, which he created for the original edition in direct response to the poetry. First published in 1998 and long out of print, this new edition makes Jane Draycott and Lesley Saunders' sensual and exhilarating poetic collaboration available once more. 'Ascetic and excessive, exasperating, sometimes absurd, the life of the little-known St Christina provokes fantasies and questions. Was she a wonder worker? Or an anorexic, fuelled by hatred of the flesh? Or a powerful woman whose legendary flights set her free from her time and her place? Rather than offering pieties or diagnoses, Lesley Saunders and Jane Draycott, invite us to a feast of soul food. Their two distinctive voices meet the voices of the Middle Ages in an extraordinary blend of the sacred and the profane, the rapt and the irreverent, playful, sensual and deeply felt.' Philip Gross 'Poetry as exciting as this is rare: fusing an earthy sensuality with the spiritual, it lets us hear Christina's voice ringing clearly from the rafters.' Robyn Bolam

Edited with a facing-page English translation from the Latin text by: Chibnall, Marjorie;

Basilius Valentinus (also known under the Anglicised version of his name, Basil Valentine) is shrouded in mystery. It is said that he was a 15th century alchemist and there are also claims that he was the canon of the Benedictine Priory of Saint Peter in Erfurt, Germany - a claim that cannot, so far, be substantiated. All that can be said for certain is that numerous publications on alchemy were published in both Latin and German under the name of Basilius Valentinus, many of which were widely translated into various European languages. What makes this edition so special are the additional treatises by both John Holland and Roger Bacon. John Isaac Holland (active 1572-1610? ) was a Dutch alchemist who is thought to have lived in the 15th century. It was said that he was the first alchemist of Holland. Roger Bacon, (c. 1214-1294), also known as Doctor Mirabilis (Latin: "wonderful teacher"), was an English philosopher and Franciscan friar who placed considerable emphasis on the study of nature through empirical means.

This volume brings together a set of articles by Professor Anton Scharer dealing with the themes of conversion, court culture and royal representation in Anglo-Saxon England and Carolingian Europe. It includes two previously unpublished papers, and another four specially translated into English for this publication. Three papers focus on different aspects of conversion: the spread of Christianity in Anglo-Saxon England by means of social relations, the role of language in this process and the monastic and social background of the insular mission to the Continent. With conversion came the import of Latin written culture, including charters, and one study focuses on royal styles in Anglo-Saxon charters. A second paper on early mediaeval royal diplomas, and what they at times reveal about very personal reactions and sentiments, leads to the theme of court culture. This is further explored in a batch of papers centred on Alfred the Great and covering the subjects of historiography, of inauguration rites or ordines, and of hitherto neglected personal contacts, as a clue to the transmission of experiences, ideas and texts. Closely linked are studies on the role of Charlemagne's daughters at their fathe's court and on objects of princely and royal representation. Throughout, particular attention is given to the examination of mutual, Anglo-Saxon and Carolingian, influences and to viewing the matters under discussion from an 'Anglo-Saxon' as well as a 'Continental' perspective.

Reissuing works originally published between 1929 and 1996, Routledge Library Editions: Arthurian Literature offers a selection of scholarship on the genre. Classic previously out-of-print works are brought back into print here in this small set of literary criticism, translation, art and drama.The enduring myth and legend appears from Mediaeval literature through to more modern writings and offers a spectrum of poetry and prose which is studied widely, as expemplified in this set.

The tales of the virgin martyrs typically emphasize the torture and mutilation of beautiful young women. To the modern reader, these medieval texts seem like exercises in sadism, but they also provided Medieval women such as Hildegard of Bingen and Joan of Arc with role models who helped them to shape their own extraordinary destinies. This book explores the ability of the virgin body to generate contradictory meanings, both repressive and liberating, depending on who told the tale and how it was told.

Was Elizabeth I worshipped by her subjects? Many twentieth-century scholars have suggested that the Virgin Queen was a cult-figure who replaced the Virgin Mary. But how could this be in a Protestant state officially opposed to idolatry? Helen Hackett examines these issues through readings of a wide variety of Elizabethan texts. She traces some of the cross-currents in Elizabethan culture, and considers both Elizabeth and the Virgin Mary in terms of the history of representations of gender, sexuality and power.

Historians and cultural critics face special challenges when treating the nonhuman natural world in the medieval and early modern periods. Their most daunting problem is that in both the visual and written records of the time, nature seems to be both everywhere and nowhere. In the broadest sense, nature was everywhere, for it was vital to human survival. Agriculture, animal husbandry, medicine, and the patterns of human settlement all have their basis in natural settings. Humans also marked personal, community, and seasonal events by natural occurrences and built their cultural explanations around the workings of nature, which formed the unspoken backdrop for every historical event and document of the time. Yet in spite of the ubiquity of nature's continual presence in the physical surroundings and the artistic and literary cultures of these periods, overt discussion of nature is often hard to find. Until the sixteenth century, responses to nature were quite often recorded only in the course of investigating other subjects. In a very real sense, nature went without saying. As a result, modern scholars analyzing the concept of nature in the history of medieval and early modern Europe must often work in deeply interdisciplinary ways. This challenge is deftly handled by the contributors to Engaging with Nature, whose essays provide insights into such topics as concepts of animal/human relationships; environmental and ecological history; medieval hunting; early modern collections of natural objects; the relationship of religion and nature; the rise of science; and the artistic representations of exotic plants and animals produced by Europeans encountering the New World.

The battle of Kulikovo, fought between Muscovite and Tatar troops in 1380, has been considered as a crucial turning point in the national history of Russia. In The Battle of Kulikovo Refought Kati Parppei examines the layers of contemporary meanings attached to the event from the Middle Ages to the present, following the formation and establishment of the collective images and perceptions concerning the battle. By utilizing a diverse set of sources she shows that the present image of the medieval battle was created in retrospect from the 15th century onwards by interpolating, interpreting and simplifying. The narrative themes emphasizing internal unity have been applicable to practically any political situation over the centuries, especially to ones involving external threat.

The viking invasion and settlement in England has been the subject of a large and complex body of scholarship, with the consensus of opinion among scholars as to its exact nature and influence shifting considerably over the years. This is a fascinating new study which will make an important addition to the literature on the Scandinavians and the settlement in England in the ninth and tenth centuries. D. M. Hadley offers a focused and interdisciplinary discussion of often neglected sources. Topics covered include the development of current debates regarding the settlement, Anglo-Scandinavian political accommodation, the differences and similarities between Scandinavian rural settlement and Scandinavians in the urban environment, the conversion of Scandinavians to Christianity, and burial practices and associated issues of ethnicity, gender and social status. A clear and exhaustive summary of the available archaeological, historical and linguistic evidence, this book offers a comprehensive and authoritative starting point for all researchers and students investigating the viking settlement of Britain. -- .

In The Wandering Throne of Solomon: Objects and Tales of Kingship in the Medieval Mediterranean Allegra Iafrate analyzes the circulation of artifacts and literary traditions related to king Solomon, particularly among Christians, Jews and Muslims, from the 10th to the 13th century. The author shows how written sources and objects of striking visual impact interact and describes the efforts to match the literary echoes of past wonders with new mirabilia. Using the throne of Solomon as a case-study, she evokes a context where Jewish rabbis, Byzantine rulers, Muslim ambassadors, Christian sovereigns and bishops all seem to share a common imagery in art, technology and kingship.

This lively narrative, written by a monk, relates the history of the abbey of Saffron Walden from its foundation around 1136 to the year 1203. Its characters include the English kings, the earls of Essex, and other local landowners, large and small, as well as the monks and other ecclesiastics. Its interest extends far beyond the local: the editors' introduction and notes establish the chronicle's position as a valuable historical source.

An examination of the tradition that the Ark of the Covenant was held in a Roman church, and how it developed. Why did the twelfth-century canons at the Lateran church (San Giovanni in Laterano) in Rome claim the presence of the Ark of the Covenant inside their high altar? This book argues that the claim responded to new challenges in theaftermath of the First Crusade in 1099. The Christian possession of Jerusalem questioned the legitimation of the papal cathedral in Rome as the summit of sacerdotal representation. To meet this challenge, what may be described astranslatio templi (the transfer of the temple) was used to strengthen the status of the Lateran. The Ark of the Covenant was central as part of the treasure from the Jerusalem temple, allegedly transported to Rome, and according to contemporary accounts depicted on the arch of Titus. The author explores the history of the Lateran Ark of the Covenant through a reading of the description of the Lateran Church (Descriptio Lateranensis Ecclesiae), composed around 1100. She follows the transmission of the text both in the Lateran Archive and in a monastic settings in northern France and Belgium, comparing the claim to the Ark with similar claims in texts from Jerusalem. The book also includes a new edition of the Descriptio and an English translation. EIVOR ANDERSEN OFTESTAD holds a PhD in Church History.

Albert of Aachen's History of the Journey to Jerusalem presents the story of the First Crusade (1095-1099) and the first generation of Latin settlers in the Levant (1099-1119). Volume 2, The Early History of the Latin States, provides a surprising level of detail about the reign of King Baldwin I (1100-1118), especially its earlier years and the crusading expeditions of 1101. It offers much more information than the only other substantial Latin account of the same events, by Fulcher of Chartres, and where it can be tested against other narratives, including Arabic and Greek sources, it proves to be worthy of both trust and respect. Susan B. Edgington's English translation has been widely praised, following its first publication in the Oxford Medieval Texts series, and is here presented with a new introduction and updated notes and bibliography.

Never before have the women of the Capetian royal dynasty in France been the subject of a study in their own right. The new research in Capetian Women challenges old paradigms about the restricted roles of royal women, uncovering their influence in social, religious, cultural, and even political spheres. The scholars in the volume consider medieval chroniclers' responses to the independent actions of royal women as well as modern historians' use of them as vehicles for constructing the past. The essays also delineate the creation of reginal identity through cultural practices such as religious patronage and the commissioning of manuscripts, tomb sculpture, and personal seals.

Nest of Deheubarth was one of the most notorious women of the Middle Ages, mistress of Henry I and many other men, famously beautiful and strong-willed, object of one of the most notorious abduction/elopements of the period and ancestress of one of the most famous dynasties in medieval Ireland, the Fitzgeralds. This volume sheds light on women, gender, imperialism and conquest in the Middle Ages. From it emerges a picture of a woman who, though remarkable, was not exceptional, representative not of a group of victims or pawns in the dramatic transformations of the high Middle Ages but powerful and decisive actors. The book examines beauty, love, sex and marriage and the interconnecting identities of Nest as wife/concubine/mistress, both at the time and in the centuries since her death, when for Welsh writers and other commentators she has proved a powerful symbol. -- .