In The Real Middle-Earth, explore the magically enchanting early-English civilization on which Tolkien based his world of The Lord of the Rings. Tolkien readily admitted that the concept of Middle-earth was not his own invention. An Old English term for the Dark Age world, it was always assumed that the importance of magic in this world existed only in Tolkien's works; now Professor Brian Bates reveals the vivid truth about this historical culture. Behind the stories we know of Dark Age kings and queens, warriors and battles, lies the hidden history of Middle-earth, a world of magic, mystery and destiny. Fiery dragons were seen to fly across the sky, monsters haunted the marshes, and elves fired poisoned arrows. Wizards cast healing spells, wise trees gave blessings, and omens foretold the deaths of kings. The very landscape itself was enchanted and the world imbued with a life force. Repressed by a millennium of Christianity, this belief system all but disappeared, leaving only faint traces in folk memory and fairy tales. In this remarkable book Professor Brian Bates has drawn on the latest archaeological findings to reconstruct the imaginative world of our past, revealing a culture with insights that may yet help us understand our own place in the world.

Basilius Valentinus (also known under the Anglicised version of his name, Basil Valentine) is shrouded in mystery. It is said that he was a 15th century alchemist and there are also claims that he was the canon of the Benedictine Priory of Saint Peter in Erfurt, Germany - a claim that cannot, so far, be substantiated. All that can be said for certain is that numerous publications on alchemy were published in both Latin and German under the name of Basilius Valentinus, many of which were widely translated into various European languages. What makes this edition so special are the additional treatises by both John Holland and Roger Bacon. John Isaac Holland (active 1572-1610? ) was a Dutch alchemist who is thought to have lived in the 15th century. It was said that he was the first alchemist of Holland. Roger Bacon, (c. 1214-1294), also known as Doctor Mirabilis (Latin: "wonderful teacher"), was an English philosopher and Franciscan friar who placed considerable emphasis on the study of nature through empirical means.

In popular thought, Christianity is often figured as being opposed to dance. Conventional scholarship traces this controversy back to the Middle Ages. Throughout the medieval era, the Latin Church denounced and prohibited dancing in religious and secular realms, often aligning it with demonic intervention, lust, pride, and sacrilege. Historical sources, however, suggest that medieval dance was a complex and ambivalent phenomenon. During the High and Late Middle Ages, Western theologians, liturgists, and mystics not only tolerated dance; they transformed it into a dynamic component of religious thought and practice. This book investigates how dance became a legitimate form of devotion in Christian culture. Sacred dance functioned to gloss scripture, frame spiritual experience, and imagine the afterlife. Invoking numerous manuscript and visual sources (biblical commentaries, sermons, saints' lives, ecclesiastical statutes, mystical treatises, vernacular literature, and iconography), this book highlights how medieval dance helped shape religious identity and social stratification. Moreover, this book shows the political dimension of dance, which worked in the service of Christendom, conversion, and social cohesion. In Ringleaders of Redemption, Kathryn Dickason reveals a long tradition of sacred dance in Christianity, one that the professionalization and secularization of Renaissance dance obscured, and one that the Reformation silenced and suppressed.

Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences. The six chapters include Pentecost, Noli me tangere, the woman with an issue of blood, the Johannesschussel, the dancing Salome, and the role of the wind. The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific metier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially.

Volume XX/2 of History of Universities contains the customary mix of learned articles, book reviews, conference reports, and bibliographical information, which makes this publication such an indispensable tool for the historian of higher education. Its contributions range widely geographically, chronologically, and in subject-matter. The volume is, as always, a lively combination of original research and invaluable reference material.

Edited with a facing-page English translation from the Latin text by: Chibnall, Marjorie;

A TIMES AND SUNDAY TIMES BEST BOOK OF 2021 SHORTLISTED FOR THE ELIZABETH LONGFORD PRIZE FOR HISTORICAL BIOGRAPHY 'The Red Prince announces Helen Carr as one of the most exciting new voices in narrative history.' Dan Jones Son of Edward III, brother to the Black Prince, father to Henry IV and the sire of all the Tudors. Always close to the English throne, John of Gaunt left a complex legacy. Too rich, too powerful, too haughty... did he have his eye on his nephew's throne? Why was he such a focus of hate in the Peasants' Revolt? In examining the life of a pivotal medieval figure, Helen Carr paints a revealing portrait of a man who held the levers of power on the English and European stage, passionately upheld chivalric values, pressed for the Bible to be translated into English, patronised the arts, ran huge risks to pursue the woman he loved... and, according to Shakespeare, gave the most beautiful of all speeches on England.

The Mongols are often associated with the arts of warfare and annals of horror, but a more realistic association would be their contribution to international trade and cultural exchange during the medieval age. Thematic chapters, biographical sketches, a glossary, maps, illustrations, and selected primary documents provide fresh insight on a regretfully underexamined period. The legacy of the Mongols has often been associated with their contributions to the arts of warfare and annals of horror. A more realistic association would be their contribution to international trade and cultural exchange. Spawning an empire ranging from Persia to China, Genghis Khan united a nomadic warrior culture that had lived with their agrarian neighbors through controlled and limited extortion. It was a society whose leaders waged successful war and increased the tribe's prosperity. But the Mongols also understood it would serve their purposes to maintain commerce and agriculture, and to cultivate the arts in order that the luxuries they coveted would be all the more readily available. It was to this end that, after the first decades of destruction and rampage, the Mongols' policy changed to one of cooption and governance. The Mongols became effective cultural brokers as they forced, urged, bribed and coerced the movement of artists and artisans, scientists and scholars around their empire. Thematic chapters provide an accessible overview of the Steppe people from which Genghis Khan emerged, and chronicle his ascent as the Great Khan, as he subdued enemies and then conquered lands to the east and west. Following are excellent overviews of the founding and cementing of Mongol rule in China-the Yuan Dynasty-and Persia, centered in Iran. A concluding chapter provides a fresh perspective of the Mongol empire and makes clear the relevance of this vast and influential period to the contemporary world. Useful endmatter for students and researchers includes sixteen biographical sketches of figures ranging from Yuan Dynasty founder Qubilai Khan to famed Italian merchant and traveler Marco Polo. A score of annotated primary documents provide immediate access to the issues of the period through the eyes of the people living through them. Five maps, an annotated timeline, a glossary and annotated bibliography and several illustrations round out this engaging and valuable resource.

This book focuses on the identity and public personae of the dogaresse, wives of the elected doges of medieval and early modern Venice. The study traces the evolution of the public functions of the group of quasi-royal wives, rare for their visibility, during Venice's development into a regional economic and political power. The book examines the dogaresse's significant representational roles in both Venice's unique political system and its gendering, and in ambitious families whose members held ducal office. Further, this work places this group of political wives not only in their local Venetian context, but also in a broader international context through comparison with other political consorts. The project enhances historical understanding of women, family and of gendered symbols in Venice and abroad.

'An important and timely book.' - Philippa Gregory Joan of Navarre was the richest woman in the land, at a time when war-torn England was penniless. Eleanor Cobham was the wife of a weak king's uncle - and her husband was about to fall from grace. Jacquetta Woodville was a personal enemy of Warwick the Kingmaker, who was about to take his revenge. Elizabeth Woodville was the widowed mother of a child king, fighting Richard III for her children's lives. In Royal Witches, Gemma Hollman explores the lives of these four unique women, looking at how rumours of witchcraft brought them to their knees in a time when superstition and suspicion was rife.

It has for decades been part of the canon of maxims of basic research that most images of rulers in early medieval book illustrations have been transmitted in liturgical manuscripts, i.e. manuscripts originally intended for divine worship. There have however to date been few investigations which draw serious consequences from this and which also view miniatures of rulers in the light of their functional aspects, for example as memorial depictions (O.G. Oexle), or on the basis of the social reality of the pious motives behind their presentation. This study gives a more precise explanation of the function and purpose of ruler-images by examining a few selected early medieval miniatures. It analyzes the historical and social contexts of their genesis and the liturgical and commemorative aims of their use against the setting of the social form of remembrance of confraternity.

Of the twenty-five essays in this volume, most were published between 1961 and 2013, but four are printed here for the first time. They represent the work of a great and original scholar in Mediterranean history whose unflagging interest in Frederick II and his world consistently led him out into broader fields, which he always viewed in original ways. In an age often called that of papal monarchy and secular-minded rulers, Powell found popes with complex agendas and extensive pastoral concerns, a rather more Christian Frederick II, the human personnel and mechanics of the Fifth Crusade, the sermons of the devout urban layman Albertanus of Brescia, and Muslims under Christian rule. His studies here assert a continuity between the pontificates of Innocent III and Honorius III as well as the pragmatic necessity that only secular rulers could launch and direct crusading expeditions. His interest in the northern Italian communes relates their devotional culture to the ideals of virtuous government and communal identity. The devotional culture of the communes was to be the subject of his next book, now unfinished; several parts of it could be rescued and are now included here.

Reissuing works originally published between 1929 and 1996, Routledge Library Editions: Arthurian Literature offers a selection of scholarship on the genre. Classic previously out-of-print works are brought back into print here in this small set of literary criticism, translation, art and drama.The enduring myth and legend appears from Mediaeval literature through to more modern writings and offers a spectrum of poetry and prose which is studied widely, as expemplified in this set.

This volume brings together a set of articles by Professor Anton Scharer dealing with the themes of conversion, court culture and royal representation in Anglo-Saxon England and Carolingian Europe. It includes two previously unpublished papers, and another four specially translated into English for this publication. Three papers focus on different aspects of conversion: the spread of Christianity in Anglo-Saxon England by means of social relations, the role of language in this process and the monastic and social background of the insular mission to the Continent. With conversion came the import of Latin written culture, including charters, and one study focuses on royal styles in Anglo-Saxon charters. A second paper on early mediaeval royal diplomas, and what they at times reveal about very personal reactions and sentiments, leads to the theme of court culture. This is further explored in a batch of papers centred on Alfred the Great and covering the subjects of historiography, of inauguration rites or ordines, and of hitherto neglected personal contacts, as a clue to the transmission of experiences, ideas and texts. Closely linked are studies on the role of Charlemagne's daughters at their fathe's court and on objects of princely and royal representation. Throughout, particular attention is given to the examination of mutual, Anglo-Saxon and Carolingian, influences and to viewing the matters under discussion from an 'Anglo-Saxon' as well as a 'Continental' perspective.

The tales of the virgin martyrs typically emphasize the torture and mutilation of beautiful young women. To the modern reader, these medieval texts seem like exercises in sadism, but they also provided Medieval women such as Hildegard of Bingen and Joan of Arc with role models who helped them to shape their own extraordinary destinies. This book explores the ability of the virgin body to generate contradictory meanings, both repressive and liberating, depending on who told the tale and how it was told.

The battle of Kulikovo, fought between Muscovite and Tatar troops in 1380, has been considered as a crucial turning point in the national history of Russia. In The Battle of Kulikovo Refought Kati Parppei examines the layers of contemporary meanings attached to the event from the Middle Ages to the present, following the formation and establishment of the collective images and perceptions concerning the battle. By utilizing a diverse set of sources she shows that the present image of the medieval battle was created in retrospect from the 15th century onwards by interpolating, interpreting and simplifying. The narrative themes emphasizing internal unity have been applicable to practically any political situation over the centuries, especially to ones involving external threat.

From "Beowulf" through the literature of the crusades and beyond, cannibals haunt the texts of medieval England. "Cannibal Narratives" attempts to explain their presence. It explores the relationship between the literary trope of cannibalism and the emergence of national identity in medieval England. If England suffered three centuries of invasion - beginning with the Vikings and continuing through Danish and Norman conquests of the island - it also developed a unique and uniquely literary response to these circumstances. This book reads the representations cannibalism so common in English medieval literature through cannibalism's metaphoric associations with incorporation, consumption, and violent disruption of the boundaries between self and other. The result uncovers the ways in which these representations articulate a discourse of cannibalism as a privileged mode for thinking about English cultural, and ultimately national, identity in the face of the social crisis.

Medieval queens led richly complex lives and were highly visible women active in a man's world. Linked to kings by marriage, family, and property, queens were vital to the institution of monarchy.
In this comprehensive and accessible introduction to the study of queenship, Theresa Earenfight documents the lives and works of queens and empresses across Europe, Byzantium, and the Mediterranean in the Middle Ages. The book:
* introduces pivotal research and sources in queenship studies, and includes exciting and innovative new archival research
* highlights four crucial moments across the full span of the Middle Ages - ca. 300, 700, 1100, and 1350 - when Christianity, education, lineage, and marriage law fundamentally altered the practice of queenship
* examines theories and practices of queenship in the context of wider issues of gender, authority, and power.
This is an invaluable and illuminating text for students, scholars and other readers interested in the role of royal women in medieval society.

The Cathars and the Albigensian Crusade brings together a rich and diverse range of medieval sources to examine key aspects of the growth of heresy and dissent in southern France in the twelfth and thirteenth centuries and the Church's response to that threat through the subsequent authorisation of the Albigensian crusade. Aimed at students and scholars alike, the documents it discusses - papal letters, troubadour songs, contemporary chronicles in Latin and the vernacular, and inquisitorial documents - reflect a deeper perception of medieval heresy and the social, political and religious implications of crusading than has hitherto been possible. The reader is introduced to themes which are crucial to our understanding of the medieval world: ideologies of crusading and holy war, the complex nature of Catharism, the Church's implementation of diverse strategies to counter heresy, the growth of papal inquisition, southern French counter-strategies of resistance and rebellion, and the uses of Latin and the vernacular to express regional and cultural identity. This timely and highly original collection not only brings together previously unexplored and in some cases unedited material, but provides a nuanced and multi-layered view of the religious, social and political dimensions of one of the most infamous conflicts of the High Middle Ages. This book is a valuable resource for all students, teachers and researchers of medieval history and the crusades.

This volume comprises nine articles on Islamic astronomy published since 1989 by Benno van Dalen. Van Dalen was the first historian of Islamic astronomy who made full use of the new possibilities of computers in the early 1990s. He implemented various statistical and numerical methods that can be used to determine the mathematical properties of medieval astronomical tables, and utilized these to obtain entirely new, until then unattainable historical results concerning the interdependence of individual tables and hence of entire astronomical works. His programmes for analysing tables, making sexagesimal calculations and converting calendar dates continue to be widely used. The five articles in the first part of this collection explain the principles of a range of statistical methods for determining unknown parameter values underlying astronomical tables and present extensive step-by-step examples for their use. The four articles in the second part provide extensive studies of materials in unpublished primary sources on Islamic astronomy that heavily depend on these methods. The volume is completed with a detailed index.

In The Wandering Throne of Solomon: Objects and Tales of Kingship in the Medieval Mediterranean Allegra Iafrate analyzes the circulation of artifacts and literary traditions related to king Solomon, particularly among Christians, Jews and Muslims, from the 10th to the 13th century. The author shows how written sources and objects of striking visual impact interact and describes the efforts to match the literary echoes of past wonders with new mirabilia. Using the throne of Solomon as a case-study, she evokes a context where Jewish rabbis, Byzantine rulers, Muslim ambassadors, Christian sovereigns and bishops all seem to share a common imagery in art, technology and kingship.

The Medieval Church: A Brief History argues for the pervasiveness of the Church in every aspect of life in medieval Europe. It shows how the institution of the Church attempted to control the lives and behaviour of medieval people, for example, through canon law, while at the same time being influenced by popular movements like the friars and heresy. This fully updated and illustrated second edition offers a new introductory chapter on 'the Basics of Christianity,' for students who might be unfamiliar with this territory. The book now has new material on some of the key individuals in church history: Benedict of Nursia, Hildegard of Bingen, Bernard of Clairvaux and Francis of Assisi as well as a more comprehensive study throughout of the role of women in the medieval church. Lynch and Adamo seek to explain the history of the Church as an institution, and to explore its all-pervasive role in medieval life. In the course of the thousand years covered in this book, we see the members and leaders of the Western Church struggle with questions that are still relevant today: What is the nature of God? How does a church keep beliefs from becoming diluted in a diverse society? What role should the state play in religion? The book is now accompanied by a website with textual, visual, and musical primary sources making it a fantastic resource for students of medieval history.

Indologist Ronald Inden has in the past raised questions about the images of a "traditional" or "medieval" India deployed by colonial scholars and rulers -- "Orientalists" -- and has also argued that a history of "early medieval" India very different from both the colonial and nationalist accounts could be written. This volume is designed as an important first step towards that goal. The authors look closely at three genres of texts that have been crucial to the representations of precolonial India. All three essays challenge not only colonialist scholarship but the attempts by religious nationalists to identify Hinduism as the essence of national identity in Idia and Buddhism as the essence of nationality in Sri Lanka.