In this collection leading international authorities analyse the structures and economic functions of non-agrarian centres between ca. 500 and 1000 A.D. a " their trade, their surrounding settlements, and the agricultural and cultural milieux. The thirty-one papers presented at an international conference held in Bad Homburg focus on recent archaeological discoveries in Central Europe (Vol.1), as well as onthose from southeastern Europe to Asia Minor (Vol. 2).

John Fisher was central to the issues and dilemmas of the renaissance and the transformation in Tudor England. Active as a humanist, preacher, bishop, educationalist and controversial theologian, Fisher demonstrated that the rich life of the pre-reformation church as well as its problems in confronting the "blind and disordered desire" of Henry VIII. For Fisher, as for Thomas More, this resulted in execution on Tower Hill. This study focuses on Fisher's wide-ranging pastoral, scholarly, literary and political activity, which makes him a key figure in European religious and cultural history.

Using artifacts as primary sources, this book enables students to comprehensively assess and analyze historic evidence in the context of the medieval period. This new addition to the Daily Life through Artifacts series provides not only the full benefit of a reference work with its comprehensive explanations and primary sources, but also supplies images of the objects, bringing a particular aspect of the medieval world to life. Each entry in Artifacts from Medieval Europe explains and expands upon the cultural significance of the artifact depicted. Artifacts are divided into such thematic categories as domestic life, religion, and transportation. Considered collectively, the various artifacts provide a composite look at daily life in the Middle Ages. Unlike medieval history encyclopedias that feature brief reference entries, this book uses artifacts to examine major aspects of daily life. Each artifact entry features an introduction, a description, an examination of its contextual significance, and a list of further resources. This approach trains students how to best analyze primary sources. General readers with an interest in history will also benefit from this approach to learning that enables a more complete appreciation of past events and circumstances. Provides a single-volume resource for using medieval artifacts to better understand the long-ago past Supplies images of artifacts with detailed descriptions, explanations of significance, and a list of sources for more information, which help students learn how to effectively analyze primary sources Presents a virtual window into many different aspects of medieval society and life, including particular activities or roles-such as farming, weaving, fashion, or being a mason or a knight Includes sidebars within selected entries that explain key terms and concepts and supply excerpts from contemporary sources

Byzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Empire, with a special focus on Greece, Turkey, and Russia, and the artistic production of Western Europe and America. Together, these essays invite the reader to think critically and theoretically about the dialogic interchange between Byzantium and modernism and to consider this cross-temporal encounter as an ongoing and historically deep narrative, rather than an ephemeral or localized trend. Contributors are Tulay Atak, Charles Barber, Elena Boeck, Anthony Cutler, Rico Franses, Dimitra Kotoula, Marie-Jose Mondzain, Myroslava M. Mudrak, Robert S. Nelson, Robert Ousterhout, Stratis Papaioannou, Glenn Peers, Jane A. Sharp and Devin Singh.

China's role in world history is again controversial thanks to Andre Gunder Frank's Re Orient: Global Economy in the Asian Age. By contrast, this book presents an alternative interpretation of that role, less exclusively economic, more broadly based, and focused on the T'ang period, one of China's acknowledged golden ages. It shows how a different China, Buddhist or Taoist rather than Confucian, aristocratic as much as meritocratic, achieved, through openness to the outside world and partnership with its elites, a multiple pre eminence in politics, economics, society and the intellect, not unlike that enjoyed by the United States today. Within a looser web of globalization, the T'ang period and its dynamics offers a distant mirror of our own time. An argument in world history may thus cast light on issues in contemporary politics. MARKET 1: Undergraduates and postgraduates studying courses in Chinese History; World History; Macroeconomic History.

The manuscript known as the Hungarian Angevin Legendary, made for Hungarian royal patrons, is an extraordinary relic of medieval book illumination; a luxurious codex worthy of a ruler. It was created in Bologna in the early 14th century by number of painters. Dispersed in four countries and six collections, the 142 richly gilded leaves recount the legends of fifty-eight saints at varying length. The miniatures are all clearly distinguishable and colorfully depicted. In the course of his twenty years of research the author examined almost all of the surviving leaves, including the largest sets in the Vatican Library and in the New York Morgan Library. The analysis of the codex has three levels: identifying the original criteria of saints selected, the presentation of the iconographic features of the respective legends, and the exposure of the recurrent image types on the leaves. One section of the book is an attempt to reconstruct the original appearance of the manuscript. Lastly, there is an investigation of the fate of the copies across centuries. Charts, tables, and drawings are included to help illuminate the structure and history of the codex.

The monk Rodulfus Glaber is best known for his Five Books of Histories, a major source for events in the first half of the eleventh century, and valuable above all for revealing the mental furniture of an eleventh-century monk - for his account of the millennium, of relics genuine and false, of church-building, and visions of saints and demons. This edition, the first since 1866, presents the only critical text of the Histories, accompanied by a complete translation and a full historical commentary. Glaber also wrote a Life of his mentor, St William of Dijon, the renowned monastic reformer. The Life is reprinted after the Histories, again with translation and notes. The evidence for Glaber's life, and the value of his work are discussed in a Historical Introduction.

This work is a fascinating history of precontact North America, presenting the facts and engaging the reader by using alternative history-what if key facts were different?-to help develop critical thinking skills. The first title in ABC-CLIO's groundbreaking series Turning Points-Actual and Alternate Histories delves into the history of North America before European contact. There is much classroom literature on Native Americans after first contact; there is little on the history before. This work fills that gap, detailing the thousands of years before Europeans arrived. Climate changes, major battles, technology, and settlement patterns-all played a part in shaping the pre-Columbian history of North America. This book takes eight key points in history, presents the facts as they happened, and examines what might have happened if there were different outcomes. Small changes can produce vastly different results; this book shows how, and engages students' critical thinking skills while teaching them basic history. Extensive chronology shows context for events and gives scope and coverage in single graphic presentation Eight original essays, written by distinguished scholars specializing in Native America, followed by discussion questions

'A joyously peculiar book' - The New York Times 'A fascinating insight into Icelandic culture and a fresh perspective on her global influence. Warning: may well make readers wish they were Icelandic, too.' - Helen Russell, author of The Year of Living Danishly The untold story of how one tiny island in the middle of the Atlantic has shaped the world for centuries. The history of Iceland began 1,200 years ago, when a frustrated Viking captain and his useless navigator ran aground in the middle of the North Atlantic. Suddenly, the island was no longer just a layover for the Arctic tern. Instead, it became a nation whose diplomats and musicians, sailors and soldiers, volcanoes and flowers, quietly altered the globe forever. How Iceland Changed the World takes readers on a tour of history, showing them how Iceland played a pivotal role in events as diverse as the French Revolution, the Moon Landing, and the foundation of Israel. Again and again, one humble nation has found itself at the frontline of historic events, shaping the world as we know it - How Iceland Changed the World paints a lively picture of just how it all happened. 'Egill Bjarnason has written a delightful reminder that, when it comes to countries, size doesn't always matter. His writing is a pleasure to read, reminiscent of Bill Bryson or Louis Theroux. He has made sure we will never take Iceland for granted again.' A.J. Jacobs, New York Times bestselling author of Thanks a Thousand and The Year of Living Biblically 'Bjarnason's intriguing book might be about a cold place, but it's tailor-made to be read on the beach.' - New Statesman 'Egill Bjarnason places Iceland at the center of everything, and his narrative not only entertains but enlightens, uncovering unexpected connections.' Andri Snaer, author of On Time and Water 'Icelander Egill Bjarnason takes us on a high-speed, rough-and-tumble ride through 1,000-plus years of history-from the discovery of America to Tolkien's muse, from the French Revolution to the NASA moonwalk, from Israel's birth to the first woman president-all to display his home island's mind-opening legacy.' Nancy Marie Brown, author of The Real Valkyrie and The Far Traveller 'I always assumed the history of Iceland had, by law or fate, to match the tone of an October morning: dark, gray, and uninviting to most mankind. This book challenges that assumption, and about time. Our past, much like the present, can be a little fun.' Jon Gnarr, former mayor of Reykjavik and author of The Pirate and The Outlaw 'How Iceland Changed the World is not only surprising and informative. It is amusing and evocatively animates a place that I have been fascinated with for most of my life. Well worth the read!' - Jane Smiley, Pulitzer Prize-winning author of A Thousand Acres 'An entertaining, offbeat (and pleasingly concise) history of the remote North Atlantic nation ... perfect for a summer getaway read' - The Critic

This volume offers an overview of Byzantine manuscript illustration, a central branch of Byzantine art and culture. Just like written texts, illustrations bear witness to Byzantine material culture, imperial ideology and religious beliefs, as well as to the development and spread of Byzantine art. In this sense illustrated books reflect the society that produced and used them. Being portable, they could serve as diplomatic gifts or could be acquired by foreigners. In such cases they became "emissaries" of Byzantine art and culture in Western Europe and the Arabic world. The volume provides for the first time a comprehensive overview of the material, divided by text categories, including both secular and religious manuscripts, and analyses which texts were illustrated in Byzantium, and how. Contributors are Justine M. Andrews, Leslie Brubaker, Annemarie W. Carr, Elina Dobrynina, Maria Evangelatou, Maria Laura Tomea Gavazzoli, Markos Giannoulis, Cecily Hennessy, Ioli Kalavrezou, Maja Kominko, Sofia Kotzabassi, Stavros Lazaris, Kallirroe Linardou, Vasileios Marinis, Kathleen Maxwell, Georgi R. Parpulov, Nancy P. Sevcenko, Jean-Michel Spieser, Mika Takiguchi, Courtney Tomaselli, Marina Toumpouri, Nicolette S. Trahoulia, Vasiliki Tsamakda, and Elisabeth Yota.

Grafting musicology and literary studies together in an unprecedented manner, Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut investigates French and Occitan "courtly love" songs from the twelfth to fourteenth centuries and explores the paradoxical relationship of music and self-expression in the Middle Ages. While these love songs conceived and expressed the autonomous subject - the lyric "I" represented by a single line of melody - they also engaged highly conventional musical and poetic language, and required performers and scribes for their transmission. This paradox was understood by the poets and became the basis for irony, parody, and intertextual referencing, which instilled the lyrics with a characteristic self-consciousness that reflected the unstable conditions for self-expression.
Author Judith Peraino reveals similar operations at work in musical settings. Examining moments where voice, melody, rhythm, form, and genre come dramatically to the fore and seem to comment on music itself, Giving Voice to Love strives not only to hear self-expression in these love songs, but to understand how musical elements give voice to the complex issues of self and subjectivity encoded in medieval love.
Through its approach to the exploration of "courtly love" songs, Giving Voice to Love serves as a model for methodological integration and provides musicologists, literary scholars and medieval historians with a common analytical ground.

This monograph - which was very well received when originally published in France - contains a great deal of detailed information about the attitudes towards learning and written culture among members of the nobility in different parts of Europe in the Middle Ages. An encounter between a warring knight and the world of learning could seem a paradox. It is nonetheless related with the Twelfth-Century Renaissance, an essential intellectual movement for western history. Knights not only fought in battles, but also moved in sophisticated courts. Knights were interested on Latin classics and reading, and writing poetry. Supportive of "jongleurs" and minstrels, they enjoyed literary conversations with clerics who would attempt to reform their behaviour, which was often brutal. These lettered warriors, while improving their culture, learned to repress their own violence and were initiated to courtesy: selective language, measured gestures, elegance in dress, and manners at the table. Their association with women, who were often learned, became more gallant. A revolution of thought occurred among lay elites who, in contact with clergy, began to use their weapons for common welfare.This new conduct was a tangible sign of Medievalist society's leap forward towards modernity.

Annie Abram was born in London in 1869 and died in Sussex in 1930. She contributed significantly to the twentieth-century historiography of late medieval England, researching the social, cultural and religious mores of the English laity and clergy. First published in 1909, this title explores the impact of economic changes on society during the fifteenth century. This is a period of important developments both socially and economically, which witnessed the rise of the middle class through industrialisation, agrarian change, and the growing economic and commercial character of towns. The chapters discuss these areas, as well as the industrial position of women and children, the economic position of the Church and the development of a national character. This is a fascinating classic work, which will be of great value to students researching the socio-economic history of late medieval England.

Winner of the 2019 Brigadier General James L. Collins Jr. Prize In To Win and Lose a Medieval Battle, Andrew Villalon and Donald Kagay provide a full treatment of one of the major battles of the Hundred Years War. The authors have investigated the background to Najera, traced its immediate events, and laid out its effects on Iberia and the principal adversaries in the Hundred Years War.

This collection is the work of scholars on Middle English, Insular French and Medieval Latin writings of the late twelfth century in England and its possessions, when an English-speaking populace was ruled by a French-speaking aristocracy and administered by a Latin-speaking and writing clergy. The political discourses of Henry's reign are acknowledged, developed and ironised within the first real flowering of so many vernacular genres, romance and history in particular. The energetic and intrepid writers of this period are examined in relation to the development of social institutions and emergent ideas of 'nationhood', as the literature of Henry's court is shown to act as an echo-chamber within which anxieties about the proper exercise of power in a legal order founded on martial conquest could be reflected and soothed.

Georgian literary sources for Late Antiquity are commonly held to be later productions devoid of historical value. As a result, scholarship outside the Republic of Georgia has privileged Graeco-Roman and even Armenian narratives. However, when investigated within the dual contexts of a regional literary canon and the active participation of Caucasia's diverse peoples in the Iranian Commonwealth, early Georgian texts emerge as a rich repository of late antique attitudes and outlooks. Georgian hagiographical and historiographical compositions open a unique window onto a northern part of the Sasanian world that, while sharing striking affinities with the Iranian heartland, was home to vibrant, cosmopolitan cultures that developed along their own trajectories. In these sources, precise and accurate information about the core of the Sasanian Empire-and before it, Parthia and Achaemenid Persia-is sparse; yet the thorough structuring of wider Caucasian society along Iranian and especially hybrid Iranic lines is altogether evident. Scrutiny of these texts reveals, inter alia, that the Old Georgian language is saturated with words drawn from Parthian and Middle Persian, a trait shared with Classical Armenian; that Caucasian society, like its Iranian counterpart, was dominated by powerful aristocratic houses, many of whose origins can be traced to Iran itself; and that the conception of kingship in the eastern Georgian realm of K'art'li (Iberia), even centuries after the royal family's Christianisation in the 320s and 330s, was closely aligned with Arsacid and especially Sasanian models. There is also a literary dimension to the Irano-Caucasian nexus, aspects of which this volume exposes for the first time. The oldest surviving specimens of Georgian historiography exhibit intriguing parallels to the lost Sasanian XwadAE y-nAE mag, The Book of Kings, one of the precursors to FerdowsAE"'s ShAE hnAE ma. As tangible products of the dense cross-cultural web drawing the re

Religious conversion - a shift in membership from one community of faith to another - can take diverse forms in radically different circumstances. As the essays in this volume demonstrate, conversion can be protracted or sudden, voluntary or coerced, small-scale or large. It may be the result of active missionary efforts, instrumental decisions, or intellectual or spiritual attraction to a different doctrine and practices. In order to investigate these multiple meanings, and how they may differ across time and space, this collection ranges far and wide across medieval and early modern Europe and beyond. From early Christian pilgrims to fifteenth-century Ethiopia; from the Islamisation of the eastern Mediterranean to Reformation Germany, the volume highlights salient features and key concepts that define religious conversion, particular the Jewish, Muslim and Christian experiences. By probing similarities and variations, continuities and fissures, the volume also extends the range of conversion to focus on matters less commonly examined, such as competition for the meaning of sacred space, changes to bodies, patterns of gender, and the ways conversion has been understood and narrated by actors and observers. In so doing, it promotes a layered approach that deepens inquiry by identifying and suggesting constellations of elements that both compose particular instances of conversion and help make systematic comparisons possible by indicating how to ask comparable questions of often vastly different situations.

"An acknowledged classic. Katz has transformed our conception of Jewish history from the 16th to the 18th century. Because of his work, we now understand that the ghetto was no longer sealed off at that time from outside opinions and that the movement towards modernity had begun long before the Jews were actually legally emancipated. Making this work available again in the revised edition is a service to scholarship and to public enlightenment."
--Arthur Hertzberg

"Since it first appeared in Hebrew in 1958, "Tradition and Crisis" has had a tremendous impact on generations of students and scholars. Katz's innovative use of sources has introduced scholars to new methodologies and opened new vistas for research. This new, unabridged translation is therefore highly welcome. It will ensure its continued use in the English-speaking world."
--Jehuda Reinharz, Richard Koret Professor of Modern Jewish History, Brandeis University

"Like a lovingly restored painting, Bernard Cooperman's new, annotated translation of Jacob Katz's classic portrait of early Jewish modernity can now be fully appreciated for the first time. An admirable achievement."
--Ivan G. Marcus

When it first appeared in Hebrew in 1958 and in English in 1961, Tradition and Crisis, Jacob Katz's groundbreaking study of Jewish society at the end of the Middle Ages, dramatically changed our perceptions of the Jewish community prior to the era of modernity. This new, unabridged translation by Bernard Dov Cooperman makes this classic available to new generations of students and scholars, together with Katz's original source notes, and an afterword and an updating bibliographic appendix by Professor Cooperman.

Katz revolutionized the field by tapping into a rich and hitherto unexplored source for reconstructing the sociology of a previous era: the responsa literature of the Rabbinic establishment during the Middle Ages. The self-governing communities of Jews in Europe dealt with issues both civil and religious. The questions and answers addressed to the rabbinic authorities and courts provide an incomparable wealth of insights into life as it was lived in this period and into the social, historical, cultural, and economic issues of the day.

How did European Jewry progress from a socially and culturally segregated society to become a component of European society at large? What were Jewish attitudes toward the Gentile world from which Jewry had been secluded for centuries? What were the bridges from the old to the new era?

Tradition and Crisis traces the roots of modernity to internal developments within the communities themselves. Katz traces the modern movements of the Haskalah (Enlightenment) in the West and Hasidism in the East, to an internal breakdown in the structure of these communities and the emergence of an alternative leadership in the wake of the Sabbatian challenge.
A dynamic work that has radically changed our view of this history, Tradition and Crisis remains the pivotal text for understanding the revolution in the entire conception of Jewish identity in the modern era.

In Renaissance Europe, when 'leisure classes' used social gathering to define civility and the commercialization of leisure was beginning, the human need for recreation became a cultural topos. This book explores the vocabulary of play and games; the spectrum of leisure activities, often gender-specific or appropriate to particular social groups; the medical discourse on the preservation of health, where amusements were assessed as physical exercise; the moral approach to play; legal treatises on gambling; and the visual representation of leisure.

Annie Abram was born in London in 1869 and died in Sussex in 1930. As an historian, she contributed significantly to the twentieth-century historiography of late medieval England, researching the social, cultural and religious mores of the English laity and clergy. This title, first published in 1919, comprehensively explores the fabrics of late medieval society using evidence drawn from historical and literary works, official documents and illustrated manuscripts. Largely concentrating on the years between the start of the Black Death in 1348 and the end of the fifteenth century, a period in which we see important developments in the character and organisation of medieval England, chapters discuss the make-up of social order, life in a medieval town, the position of women in society, and the Church's relationship with the laity. A complementary title to Social Life in England in the Fifteenth Century (Routledge Revivals, 2013), this fascinating work will be of great value to history students requiring a detailed overview of the framework of late medieval English society and culture.

In The Real Middle-Earth, explore the magically enchanting early-English civilization on which Tolkien based his world of The Lord of the Rings. Tolkien readily admitted that the concept of Middle-earth was not his own invention. An Old English term for the Dark Age world, it was always assumed that the importance of magic in this world existed only in Tolkien's works; now Professor Brian Bates reveals the vivid truth about this historical culture. Behind the stories we know of Dark Age kings and queens, warriors and battles, lies the hidden history of Middle-earth, a world of magic, mystery and destiny. Fiery dragons were seen to fly across the sky, monsters haunted the marshes, and elves fired poisoned arrows. Wizards cast healing spells, wise trees gave blessings, and omens foretold the deaths of kings. The very landscape itself was enchanted and the world imbued with a life force. Repressed by a millennium of Christianity, this belief system all but disappeared, leaving only faint traces in folk memory and fairy tales. In this remarkable book Professor Brian Bates has drawn on the latest archaeological findings to reconstruct the imaginative world of our past, revealing a culture with insights that may yet help us understand our own place in the world.

Basilius Valentinus (also known under the Anglicised version of his name, Basil Valentine) is shrouded in mystery. It is said that he was a 15th century alchemist and there are also claims that he was the canon of the Benedictine Priory of Saint Peter in Erfurt, Germany - a claim that cannot, so far, be substantiated. All that can be said for certain is that numerous publications on alchemy were published in both Latin and German under the name of Basilius Valentinus, many of which were widely translated into various European languages. What makes this edition so special are the additional treatises by both John Holland and Roger Bacon. John Isaac Holland (active 1572-1610? ) was a Dutch alchemist who is thought to have lived in the 15th century. It was said that he was the first alchemist of Holland. Roger Bacon, (c. 1214-1294), also known as Doctor Mirabilis (Latin: "wonderful teacher"), was an English philosopher and Franciscan friar who placed considerable emphasis on the study of nature through empirical means.

In popular thought, Christianity is often figured as being opposed to dance. Conventional scholarship traces this controversy back to the Middle Ages. Throughout the medieval era, the Latin Church denounced and prohibited dancing in religious and secular realms, often aligning it with demonic intervention, lust, pride, and sacrilege. Historical sources, however, suggest that medieval dance was a complex and ambivalent phenomenon. During the High and Late Middle Ages, Western theologians, liturgists, and mystics not only tolerated dance; they transformed it into a dynamic component of religious thought and practice. This book investigates how dance became a legitimate form of devotion in Christian culture. Sacred dance functioned to gloss scripture, frame spiritual experience, and imagine the afterlife. Invoking numerous manuscript and visual sources (biblical commentaries, sermons, saints' lives, ecclesiastical statutes, mystical treatises, vernacular literature, and iconography), this book highlights how medieval dance helped shape religious identity and social stratification. Moreover, this book shows the political dimension of dance, which worked in the service of Christendom, conversion, and social cohesion. In Ringleaders of Redemption, Kathryn Dickason reveals a long tradition of sacred dance in Christianity, one that the professionalization and secularization of Renaissance dance obscured, and one that the Reformation silenced and suppressed.

Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences. The six chapters include Pentecost, Noli me tangere, the woman with an issue of blood, the Johannesschussel, the dancing Salome, and the role of the wind. The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific metier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially.