This study examines the post-medieval reception of Vienna's women's monastic institutions as historical icons of the medieval past. Over time, the eight major women's convents of Vienna become linked in the popular mind with the broader mythology of "Alt-Wien," the old Vienna. Accounts of the city in geographical materials of the fifteenth through nineteenth centuries - maps and panoramas, topographies, travel literature, and Vienna-centric folktale collections - frequently allude to the convents' former identities at the expense of their ongoing presence as active female religious establishments. By teasing out the way people think about the physical and historical place such women's institutions held in this important urban and political center, Received Medievalisms provides a new picture of the ways in which the medieval shapes later understandings of women's role and agency within the city.

The history of the Lollard movement is intimately concerned with their writings and literacy. The connection between the writings of Wyclif himself and Lollars popularisers in Latin and English has never been clear, especially in the crucial years between Wyclif's death in 1382 and archbishop Arundel's visitation of Oxford in 1411. Anne Hudson's work in this fields is the most important contribution to the subject. As editor of English Wycliffite Sermons and Selections From Wycliffite Writings,her work is based on a uniquely close study of the manuscript sources. Lollards and Their Books brings together the articles that she has published since 1971; together they make indisepensable reading for anyone interested in the history or the literature of the period.Anne Hudson shows that the debate on translating the Bible was not closed by the condemnation of Wyclif himself, but continued until Arundel's Constitutions; she examines the material for the life and work of John Purvey, for long held to be one of Wyclif's principal successors, and demonstrates the significance of the Opus Aruduum, written within the six years of Wyclif's death, as evidence for the progress of Lollardy in Oxford at that time. As well as discussing the dissemination of Lollard thought and the production of Lollard books, Anne Hudson discusses how far the Lollard heresy was connected with the use of English in theological topics, the examination of Lollards by the authorities, the links between Hussites in Bohemia and Wcyliffites in England as shown by manuscripts, and the printing of Lollard texts in the early years of the Reformation.

Settled for many thousands of years by Native Americans, who had developed extensive, varied and long-lasting cultures across the continent, North America's economic development on the eve of the European invasions was not hugely dissimilar to that of the European settlers themselves. 

The Donation of Constantine is the most outrageous and powerful forgery in world history. The question of its precise time of origin alone kept generations of researchers occupied. But, what exactly is the Donation of Constantine? To find the answer, it is necessary to approach the question on two different semantic levels: First, as the Constitutum Constantini, a fictitious privilege, in which, among other things, rights and presents were bestowed on the catholic church by a grateful Emperor Konstantin. Secondly, as a reflection of the Middle Age mindset, becoming part of the culture landscape midway through 11th century A.D. The author not only reinterprets the origin of this forgery (i.e. puts it down to the Franks' opposition of Emperor Louis the Pious), but retells, as well, the history of its misinterpretation since the High Middle Ages. In an appendix, all relevant texts are printed in the original language, an English translation is provided.

"Queenship and Voice in Medieval Northern Europe" offers a unique perspective on aspects of female rulership in the Scandinavian Middle Ages. Working with historical as well as literary evidence from the thirteenth to fifteenth centuries, this book shows how three queens -- Agnes of Denmark, Eufemia of Norway, and Margareta, the union queen of the Scandinavian kingdoms -- marshaled the power of the royal voice in order to effect political change. In conceptualizing the political landscape of late-medieval Scandinavia as an acoustic landscape, Layher charts a new path of historical and cultural analysis into the reach and resonance of royal power in the Middle Ages.

This book explores the notebooks of S. Belle, an astrologer who lived in late fifteenth-century France, as a case study of late medieval astrological practice. These notebooks combine astrological doctrine, a large collection of horoscopes, an almanac, and three complete judgements of nativities. By studying Belle's methods, processes of learning, and practices, this book contributes to a better understanding of the internal architecture of astrology in the pre-modern world; this includes its techniques, methodologies, goals, transmission, and development throughout history. It offers an internalist view of the practice of astrology, as a counterpart to the existing research into astrology's social and cultural impact.

In Scandinavia the study of disputes is still a relatively new topic: The papers offered here discuss how conflicts were handled in Scandinavian societies in the Middle Ages before the emergence of strong centralized states. What strategies did people use to contest power, property, rights, honour, and other kinds of material or symbolic assets? Seven essays by Scandinavian scholars are supplemented by contributions from Stephen White, John Hudson and Gerd Althoff, to provide a new baseline for discussing both the strategies pursued in the political game and those used to settle local disputes. Using practice and process as key analytical concepts, these authors explore formal law and litigation in conjunction with non-formal legal proceedings such as out-of-court mediation, rituals, emotional posturing, and feuding. Their insights place the Northern medieval world in a European context of dispute studies. With introductory sections on social structure, sources materials, and the historiography of Scandinavian dispute studies. Contributors are Gerd Althoff, Catharina Andersson, Kim Esmark, Lars Ivar Hansen, Lars Hermanson, John Hudson, Audur G. Magnusdottir, Hans Jacob Orning, Helle Vogt and Stephen D. White.

This unique look at the town of Westminster is a study of the nature of the urban community in the late Middle Ages. As a small town, characterized by a complex economy and society but lacking legal incorporation, Westminster typified the large yet neglected class of medieval urban centers. Rosser here examines the forces that existed to contain tensions and ensure continuity in the community. The regular expressions of shared interests and common identity--in local government, parochial life, and the activities of guilds--are shown to be essential to the survival of the town. A valuable contribution to the study of the social and economic history of the late Middle Ages, this work will be of interest to students of late medieval economic and social history as well as to urban historians.

Sexuality is one of the most influential factors in human life. The responses to and reflections upon the manifestations of sexuality provide fascinating insights into fundamental aspects of medieval and early-modern culture. This interdisciplinary volume with articles written by social historians, literary historians, musicologists, art historians, and historians of religion and mental-ity demonstrates how fruitful collaborative efforts can be in the exploration of essential features of human society. Practically every aspect of culture both in the Middle Ages and the early modern age was influenced and determined by sexuality, which hardly ever surfaces simply characterized by prurient interests. The treatment of sexuality in literature, chronicles, music, art, legal documents, and in scientific texts illuminates central concerns, anxieties, tensions, needs, fears, and problems in human society throughout times.

This is an innovative analysis of the relationship between women's economic opportunity and marriage in the fourteenth and fifteenth centuries. It is based on an intensive study of York and Yorkshire, but also utilizes evidence from other parts of England and continental Europe. P. J. P. Goldberg explores the role of women in the economy and the part that marriage played in their lives. Importantly, he challenges the Wrigley and Schofield thesis of nuptiality: his analysis of the demography of marriage demonstrates that in late medieval Yorkshire, women participated strongly in the labour force, deferring marriage or avoiding it entirely. This is a stimulating and intelligent book, which makes an important contribution to our understanding of medieval ways of life.

In Imago Mortis: Mediating Images of Death in Late Medieval Culture, Ashby Kinch argues for the affirmative quality of late medieval death art and literature, providing a new, interdisciplinary approach to a well-known body of material. He demonstrates the surprising and effective ways that late medieval artists appropriated images of death and dying as a means to affirm their artistic, social, and political identities. The book dedicates each of its three sections to a pairing of a visual convention (deathbed scenes, the Three Living and Three Dead, and the Dance of Death) and a Middle English literary text (Hoccleve's Lerne for to die, Audelay's Three Dead Kings, and Lydgate's Dance of Death).

All divisions of history into periods are artificial in proportion as they are precise. In history there is, strictly speaking, no end and no beginning. Each event is the product of an infinite series of causes, the starting-point of an infinite series of effects. Language and thought, government and manners, transform themselves by imperceptible degrees; with the result that every age is an age of transition, not fully intelligible unless regarded as the child of a past and the parent of a future. Even so the species of the animal and vegetable kingdoms shade off one into another until, if we only observe the marginal cases, we are inclined to doubt whether the species is more than a figment of the mind. Yet the biologist is prepared to defend the idea of species; and in like manner the historian holds that the distinction between one phase of culture and another is real enough to justify, and, indeed, to demand, the use of distingui-shing names.

Few other cities can compare with Rome's history of continuous habitation, nor with the survival of so many different epochs in its present. This volume explores how the city's past has shaped the way in which Rome has been built, rebuilt, represented and imagined throughout its history. Bringing together scholars from the disciplines of architectural history, urban studies, art history, archaeology and film studies, this book comprises a series of studies on the evolution of the city of Rome and the ways in which it has represented and reconfigured itself from the medieval period to the present day. Moving from material appropriations such as spolia in the medieval period, through the cartographic representations of the city in the early modern period, to filmic representation in the twentieth century, we encounter very different ways of making sense of the past across Rome's historical spectrum. The broad chronological arrangement of the chapters, and the choice of themes and urban locations examined in each, allows the reader to draw comparisons between historical periods. An imaginative approach to the study of the urban and architectural make-up of Rome, this volume will be valuable not only for historians of art and architecture, but also for students of cultural history and film studies.

This book narrates the battles, conquests and diplomatic activities of the early Muslim fighters in Syria and Iraq vis-a-vis their Byzantine and Sasansian counterparts. It is the first English translation of one of the earliest Arabic sources on the early Muslim expansion entitled Futuh al-Sham (The Conquests of Syria). The translation is based on the Arabic original composed by a Muslim author, Muhammad al-Azdi, who died in the late 8th or early 9th century C.E. A scientific introduction to al-Azdi's work is also included, covering the life of the author, the textual tradition of the work as well as a short summary of the text's train of thought. The source narrates the major historical events during the early Muslim conquests in a region that covers today's Lebanon, Israel, Palestinian Territories, Jordan, Syria, Turkey and Iraq in the 7th century C.E. Among these events are the major battles against the Byzantines, such as the Battles of Ajnadayn and al-Yarmuk, the conquests of important cities, including Damascus, Jerusalem and Caesarea, and the diplomatic initiatives between the Byzantines and the early Muslims. The narrative abounds with history and Islamic theological content. As the first translation into a European language, this volume will be of interest to a wide range of readership, including (Muslim and Christian) theologians, historians, Islamicists, Byzantinists, Syrologists and (Arabic) linguists.

A biography of the 15th century Prince of Romania, Vlad Dracula, on whom Stoker based his fictional character. It covers his career as ruler of Wallachia, terrorizer of Transylvania and crusader against the Turks, and examines how closely he compares to his fictional counterpart. This biography shows "Vlad the Impaler" to be a man as extraordinary in his political and crusading abilities as he was in his evil. He was considered a hero by the Pope and by Romanians whom he liberated from the Turks, and generations of Russian Turks studied accounts of his political genius and used his regime as a model for their own. Yet Vlad is remembered first for his crimes, excessive in both nature and number. He kept a vastly superior Turkish force from attacking his capital by constructing an infamous "forest of the impaled". Only in the context of his times - times of plague, of the beginning of the Renaissance, of literally cut-throat politics and conflict between East and West - can one understand fully the many faces of Dracula. In this book the authors offer a view of Dracula and his influential era.

Eating and drinking are essential to life and therefore of great interest to the historian. As well as having a real fascination in their own right, both activities are an integral part of the both social and economic history. Yet food and drink, especially in the middle ages, have received less than their proper share of attention. The essays in this volume approach their subject from a variety of angles: from the reality of starvation and the reliance on 'fast food' of those without cooking facilities, to the consumption of an English lady's household and the career of a cook in the French royal household.

The Middle Ages was a time of great upheaval - the period between the seventh and fourteenth centuries saw great social, political and economic change. The radically distinct cultures of the Christian West, Byzantium, Persian-influenced Islam, and al-Andalus resulted in different responses to the garden arts of antiquity and different attitudes to the natural world and its artful manipulation. Yet these cultures interacted and communicated, trading plants, myths and texts. By the fifteenth century the garden as a cultural phenomenon was immensely sophisticated and a vital element in the way society saw itself and its relation to nature. A Cultural History of Gardens in the Medieval Age presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

Healers in the Making investigates medical instruction at the University of Bologna using the lens of practical medicine, focusing on both anatomical and surgical instruction and showing that teaching medicine between the late thirteenth and mid-sixteenth centuries was a consciously constructed and vigorous project that required ongoing local political and cultural negotiations beyond books and curriculum. Using municipal, institutional, and medical texts, Kira Robison examines the outward structures of academic and civic power involved in the formation of medical authority and illuminates the innovations in practical medical pedagogy that occurred during this era. In this way, Robison re-examines academic medicine, the professors, and students, returning them to the context of the medical marketplace within a dynamic and flourishing urban landscape. See inside the book.

In War, Entrepreneurs, and the State, Jeff Fynn-Paul (Leiden) assembles an internationally acclaimed selection of authors to push forward the debate on the role of entrepreneurs in making war and building states in Europe and the Ottoman Empire. Topics covered include logistics, supply, recruitment, and the finance of war. Chapters have been carefully commissioned with an eye towards complementarity. In an introduction co-written with Marjolein 't Hart and Griet Vermeesch, Fynn-Paul challenges existing discourses of military entrepreneurialism. A new benchmark is proposed: did states choose to work with entrepreneurs, or to restrict their activities and subvert the market? From the introduction and the individual chapters, a new more expansive vision of the military entrepreneur emerges. Contributors are: Carlos Alvarez-Nogal, Pepijn Brandon, William Caferro, Stephen Conway, Thomas Goossens, Aaron Graham, Rhoads Murphey, David Parrott, Helen Paul, Guy Rowlands, Kahraman Sakul, Marjolein 't Hart, Andrea Thiele, and Rafael Torres Sanchez.

This collection of essays by European and American scholars addresses the changing nature and appeal of crusading during the period which extended from the battle of Nicopolis in 1396 to the battle of Mohacs in 1526. Contributors focus on two key aspects of the subject. One is developments in the crusading message and the language in which it was framed. These were brought about partly by the appearance of new enemies, above all the Ottoman Turks, and partly by shifting religious values and innovative currents of thought within Catholic Europe. The other aspect is the wide range of responses which the papacy's repeated calls to holy war encountered in a Christian community which was increasingly heterogeneous in character. This collection represents a substantial contribution to the study of the Later Crusades and of Renaissance Europe.

This book is about the ways that ordinary people in town and country creatively define themselves, their families and their social networks. It explores, for the period c. 1450-1560, inheritance strategies, personal possessions and their meanings, attitudes to commemoration after death, the daily fashioning of identity and the interactions between imagination and daily life. The book is also about how the surviving textual evidence may be used to reconstruct these perceptions and experiences and the implications of such reconstruction for cultural history in the current crises of interpretation. Above all, this book emphasizes the cultural significance of the creative imagination.

The Cultural Patronage of Medieval Women is the first volume exclusively devoted to an examination of the significant role played by women as patrons in the evolution of medieval culture. The twelve essays in this volume look at women not simply as patrons of letters but also as patrons of the visual and decorative arts, of architecture, and of religious and educational foundations. Patronage as a means of empowerment for women is an issue that underlies many of the essays. Among the other topics discussed are the various forms patronage took, the obstacles to women's patronage, and the purposes behind patronage. Some women sought to further political and dynastic agendas; others were more concerned with religion and education; still others sought to provide positive role models for women. The amusement of their courts was also a consideration for female patrons. These essays also demonstrate that as patrons women were often innovators. They encouraged vernacular literature as well as the translation of historical works and of the Bible, frequently with commentary, into the vernacular. They led the way in sponsoring a variety of genres and encouraged some of the best-known and most influential writers of the Middle Ages. Moreover, they were at the forefront in fostering the new art of printing, which made books accessible to a larger number of people. Finally, the essays make clear that behind much patronage lay a concern for the betterment of women.