The history of the Lollard movement is intimately concerned with their writings and literacy. The connection between the writings of Wyclif himself and Lollars popularisers in Latin and English has never been clear, especially in the crucial years between Wyclif's death in 1382 and archbishop Arundel's visitation of Oxford in 1411. Anne Hudson's work in this fields is the most important contribution to the subject. As editor of English Wycliffite Sermons and Selections From Wycliffite Writings,her work is based on a uniquely close study of the manuscript sources. Lollards and Their Books brings together the articles that she has published since 1971; together they make indisepensable reading for anyone interested in the history or the literature of the period.Anne Hudson shows that the debate on translating the Bible was not closed by the condemnation of Wyclif himself, but continued until Arundel's Constitutions; she examines the material for the life and work of John Purvey, for long held to be one of Wyclif's principal successors, and demonstrates the significance of the Opus Aruduum, written within the six years of Wyclif's death, as evidence for the progress of Lollardy in Oxford at that time. As well as discussing the dissemination of Lollard thought and the production of Lollard books, Anne Hudson discusses how far the Lollard heresy was connected with the use of English in theological topics, the examination of Lollards by the authorities, the links between Hussites in Bohemia and Wcyliffites in England as shown by manuscripts, and the printing of Lollard texts in the early years of the Reformation.

The Donation of Constantine is the most outrageous and powerful forgery in world history. The question of its precise time of origin alone kept generations of researchers occupied. But, what exactly is the Donation of Constantine? To find the answer, it is necessary to approach the question on two different semantic levels: First, as the Constitutum Constantini, a fictitious privilege, in which, among other things, rights and presents were bestowed on the catholic church by a grateful Emperor Konstantin. Secondly, as a reflection of the Middle Age mindset, becoming part of the culture landscape midway through 11th century A.D. The author not only reinterprets the origin of this forgery (i.e. puts it down to the Franks' opposition of Emperor Louis the Pious), but retells, as well, the history of its misinterpretation since the High Middle Ages. In an appendix, all relevant texts are printed in the original language, an English translation is provided.

"Queenship and Voice in Medieval Northern Europe" offers a unique perspective on aspects of female rulership in the Scandinavian Middle Ages. Working with historical as well as literary evidence from the thirteenth to fifteenth centuries, this book shows how three queens -- Agnes of Denmark, Eufemia of Norway, and Margareta, the union queen of the Scandinavian kingdoms -- marshaled the power of the royal voice in order to effect political change. In conceptualizing the political landscape of late-medieval Scandinavia as an acoustic landscape, Layher charts a new path of historical and cultural analysis into the reach and resonance of royal power in the Middle Ages.

This unique look at the town of Westminster is a study of the nature of the urban community in the late Middle Ages. As a small town, characterized by a complex economy and society but lacking legal incorporation, Westminster typified the large yet neglected class of medieval urban centers. Rosser here examines the forces that existed to contain tensions and ensure continuity in the community. The regular expressions of shared interests and common identity--in local government, parochial life, and the activities of guilds--are shown to be essential to the survival of the town. A valuable contribution to the study of the social and economic history of the late Middle Ages, this work will be of interest to students of late medieval economic and social history as well as to urban historians.

The Cultural Patronage of Medieval Women is the first volume exclusively devoted to an examination of the significant role played by women as patrons in the evolution of medieval culture. The twelve essays in this volume look at women not simply as patrons of letters but also as patrons of the visual and decorative arts, of architecture, and of religious and educational foundations. Patronage as a means of empowerment for women is an issue that underlies many of the essays. Among the other topics discussed are the various forms patronage took, the obstacles to women's patronage, and the purposes behind patronage. Some women sought to further political and dynastic agendas; others were more concerned with religion and education; still others sought to provide positive role models for women. The amusement of their courts was also a consideration for female patrons. These essays also demonstrate that as patrons women were often innovators. They encouraged vernacular literature as well as the translation of historical works and of the Bible, frequently with commentary, into the vernacular. They led the way in sponsoring a variety of genres and encouraged some of the best-known and most influential writers of the Middle Ages. Moreover, they were at the forefront in fostering the new art of printing, which made books accessible to a larger number of people. Finally, the essays make clear that behind much patronage lay a concern for the betterment of women.

Sexuality is one of the most influential factors in human life. The responses to and reflections upon the manifestations of sexuality provide fascinating insights into fundamental aspects of medieval and early-modern culture. This interdisciplinary volume with articles written by social historians, literary historians, musicologists, art historians, and historians of religion and mental-ity demonstrates how fruitful collaborative efforts can be in the exploration of essential features of human society. Practically every aspect of culture both in the Middle Ages and the early modern age was influenced and determined by sexuality, which hardly ever surfaces simply characterized by prurient interests. The treatment of sexuality in literature, chronicles, music, art, legal documents, and in scientific texts illuminates central concerns, anxieties, tensions, needs, fears, and problems in human society throughout times.

This is an innovative analysis of the relationship between women's economic opportunity and marriage in the fourteenth and fifteenth centuries. It is based on an intensive study of York and Yorkshire, but also utilizes evidence from other parts of England and continental Europe. P. J. P. Goldberg explores the role of women in the economy and the part that marriage played in their lives. Importantly, he challenges the Wrigley and Schofield thesis of nuptiality: his analysis of the demography of marriage demonstrates that in late medieval Yorkshire, women participated strongly in the labour force, deferring marriage or avoiding it entirely. This is a stimulating and intelligent book, which makes an important contribution to our understanding of medieval ways of life.

Settled for many thousands of years by Native Americans, who had developed extensive, varied and long-lasting cultures across the continent, North America's economic development on the eve of the European invasions was not hugely dissimilar to that of the European settlers themselves. 

All divisions of history into periods are artificial in proportion as they are precise. In history there is, strictly speaking, no end and no beginning. Each event is the product of an infinite series of causes, the starting-point of an infinite series of effects. Language and thought, government and manners, transform themselves by imperceptible degrees; with the result that every age is an age of transition, not fully intelligible unless regarded as the child of a past and the parent of a future. Even so the species of the animal and vegetable kingdoms shade off one into another until, if we only observe the marginal cases, we are inclined to doubt whether the species is more than a figment of the mind. Yet the biologist is prepared to defend the idea of species; and in like manner the historian holds that the distinction between one phase of culture and another is real enough to justify, and, indeed, to demand, the use of distingui-shing names.

A biography of the 15th century Prince of Romania, Vlad Dracula, on whom Stoker based his fictional character. It covers his career as ruler of Wallachia, terrorizer of Transylvania and crusader against the Turks, and examines how closely he compares to his fictional counterpart. This biography shows "Vlad the Impaler" to be a man as extraordinary in his political and crusading abilities as he was in his evil. He was considered a hero by the Pope and by Romanians whom he liberated from the Turks, and generations of Russian Turks studied accounts of his political genius and used his regime as a model for their own. Yet Vlad is remembered first for his crimes, excessive in both nature and number. He kept a vastly superior Turkish force from attacking his capital by constructing an infamous "forest of the impaled". Only in the context of his times - times of plague, of the beginning of the Renaissance, of literally cut-throat politics and conflict between East and West - can one understand fully the many faces of Dracula. In this book the authors offer a view of Dracula and his influential era.

Eating and drinking are essential to life and therefore of great interest to the historian. As well as having a real fascination in their own right, both activities are an integral part of the both social and economic history. Yet food and drink, especially in the middle ages, have received less than their proper share of attention. The essays in this volume approach their subject from a variety of angles: from the reality of starvation and the reliance on 'fast food' of those without cooking facilities, to the consumption of an English lady's household and the career of a cook in the French royal household.

There is a striking similarity between Marian devotional songs and secular love songs of the Late Middle Ages and Renaissance. Two disparate genres-one sacred, the other secular; one Latin, the other vernacular-both praise an idealized, impossibly virtuous woman. Each does so through highly stylized derivations of traditional medieval song forms - Marian prayer derived from earlier Gregorian chant, and love songs and lyrics from medieval courtly song. Yet despite their obvious similarities, the two musical and poetic traditions have rarely been studied together. Author David Rothenberg takes on this task with remarkable success, producing a useful and broad introduction to Marian music and liturgy, and then coupling that with an incisive comparative analysis of this devotional form with the words and music of secular love songs of the period. The Flower of Paradise examines the interplay of Marian devotional and secular poetics within polyphonic music from c. 1200 to c. 1500. Through case studies of works that demonstrate a specific symbolic resonance between Marian devotional and secular song, the book illustrates the distinctive ethos of this period in European culture. Rothenberg makes use of an impressive command of liturgical and religious studies, literature and poetry, and art history to craft a study with wide application across disciplinary boundaries. With its broad scope and unique, incisive analysis, this book is suited for scholars, students, and general readers alike. Undergraduate and graduate students of musicology, Medieval and Renaissance studies, comparative literature, art history, Western reglious history, and music history-especially that of the Middle Ages, Renaissance, and sacred music-will find this book a useful and informative resource on the period. The Flower of Paradise is also of interest to those with a particular dedication to any of its diverse subject areas. For individuals involved in religious organizations or those who frequent Medieval or Renaissance cultural sites and museums, this book will deepen their knowledge and open up new ways of thinking about the history and development of secular and sacred music and the Marian tradition.

The Middle Ages was a time of great upheaval - the period between the seventh and fourteenth centuries saw great social, political and economic change. The radically distinct cultures of the Christian West, Byzantium, Persian-influenced Islam, and al-Andalus resulted in different responses to the garden arts of antiquity and different attitudes to the natural world and its artful manipulation. Yet these cultures interacted and communicated, trading plants, myths and texts. By the fifteenth century the garden as a cultural phenomenon was immensely sophisticated and a vital element in the way society saw itself and its relation to nature. A Cultural History of Gardens in the Medieval Age presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

This book is about the ways that ordinary people in town and country creatively define themselves, their families and their social networks. It explores, for the period c. 1450-1560, inheritance strategies, personal possessions and their meanings, attitudes to commemoration after death, the daily fashioning of identity and the interactions between imagination and daily life. The book is also about how the surviving textual evidence may be used to reconstruct these perceptions and experiences and the implications of such reconstruction for cultural history in the current crises of interpretation. Above all, this book emphasizes the cultural significance of the creative imagination.

This collection of essays by European and American scholars addresses the changing nature and appeal of crusading during the period which extended from the battle of Nicopolis in 1396 to the battle of Mohacs in 1526. Contributors focus on two key aspects of the subject. One is developments in the crusading message and the language in which it was framed. These were brought about partly by the appearance of new enemies, above all the Ottoman Turks, and partly by shifting religious values and innovative currents of thought within Catholic Europe. The other aspect is the wide range of responses which the papacy's repeated calls to holy war encountered in a Christian community which was increasingly heterogeneous in character. This collection represents a substantial contribution to the study of the Later Crusades and of Renaissance Europe.

The Medieval Tailor's Assistant is the standard work for both amateurs and professionals wishing to re-create the clothing of Medieval England for historical interpretation or drama. This new edition extends its range with details of fitting different figures and many more patterns for main garments and accessories from 1100 to 1480. It includes simple instructions for plain garments, as well as more complex patterns and adaptations for experienced sewers. Advice on planning outfits and materials to use is given along with a range of projects and alternative designs, from undergarments to outer wear. Early and later tailoring methods are also covered within the period. There are clear line drawings, pattern diagrams and layouts and over eighty full-colour photographs that show the garments as working outfits.

This book is a study of the exercise of royal authority before the Norman Conquest. Six centuries separate the 'adventus Saxonum' from the battle of Hastings: during those long years, the English kings changed from warlords, who exacted submission by force, into law-givers to whom obedience was a moral duty. In the process, they created many of the administrative institutes which continued to serve their successors. They also created England: the united kingdom of the English people.

While focusing on the relationship between the papacy and the 14th-century crusades, this study also illuminates other fields of activity in Avignon, such as papal taxation and interaction with Byzantium. Using recent research, Housley covers all areas where crusading occurred--including the eastern Mediterranean, Spain, eastern Europe, and Italy--and analyzes the Curia's approach to related issues such as peacemaking between warring Christian powers, the work of Military Orders, and western attempts to maintain a trade embargo on Mamluk, Egypt. Placing the papal policies of Avignon firmly in context, the author demonstrates that the period witnessed the relentless erosion of papal control over the crusades.

This book illuminates the connections and interaction among women and between women and men during the medieval period. To do this, Kathryn L. Reyerson focuses specifically on the experiences of Agnes de Bossones, widow of a changer of the mercantile elite of Montpellier. Agnes was a real estate mogul and a patron of philanthropic institutions that permitted lower strata women to survive and thrive in a mature urban economy of the period before 1350. Notably, Montpellier was a large urban center in southern France. Linkages stretched horizontally and vertically in this robust urban environment, mitigating the restrictions of patriarchy and the constraints of gender. Using the story of Agnes de Bossones as a vehicle to larger discussions about gender, this book highlights the undeniable impact that networks had on women's mobility and navigation within a restrictive medieval society.

Medieval women's history is entering a new stage. In the last thirty years medievalists have recovered the sources about women, and have moved women to the foreground of narratives to view society from their vantage point. The historians in this collection are looking for ways to expand the ways we examine and write about medieval women. They are interested in the great and the obscure, and women from different times and places. All attempt to get closer to the life as lived, personified in individual stories. As such, these essays prompt us to rethink what we can know about medieval women, how we can know it, and how we can write about them to expand our insights.