Peasants and historians is an examination of historical discussion of the medieval English peasantry. In this book, the first such study of its kind, the author traces the development of historical research aimed at exploring the nature of peasant society. In separate chapters, the author examines the three main defining themes which have been applied to the medieval economy in general including change affecting the medieval peasantry. In subsequent chapters debates in relation to demography, family structure, women in rural society, and the nature of village community are each considered in turn. A final chapter on peasant culture also suggests areas of development and, potentially at least, future directions in research and writing. Offering an informed grounding in the main areas of historical writing in this area, it will be of interest to researchers as well as to those coming new to the topic, including undergraduate and postgraduate students. -- .

The Middle Byzantine Historians, which continues the same author's Early Byzantine Historians, is the first book to analyze the lives and works of every significant Byzantine historian from the seventh to the thirteenth century. Written for general readers as well as professional scholars, it describes forty-three historians who usually knew their emperors personally. Besides obscure but intriguing figures like the exiled Sergius Confessor, father of the Patriarch Photius, and the embittered monk Nicetas the Paphlagonian, author of a Secret History that denounced Photius, the historians include the authors of three of the world's greatest histories: the courtier Michael Psellus, who depicts the flawed personalities of the fourteen emperors and empresses of his time, Princess Anna Comnena, who makes a spirited defense of her father Alexius I, and Nicetas Choniates, a provincial who rose to head the whole Byzantine bureaucracy and told the story of his empire's decline from great power to destruction by the Fourth Crusade.

No study has been carried out examining the gnostic undercurrents in medieval England. For the first time, Natanela Elias investigates the existence of these gnostic traces, using prominent late medieval English literary works such as Piers Plowman and Confessio Amantis and ultimately shedding light on a previously overlooked religious dimension.

This volume explores the theme of Latin and Greek mutual learning, intellectual and cultural interchange in the final age of Byzantium (1261-1453), challenging received conceptions of East and West as clearly delineated ideological categories. The reception of Thomas Aquinas and Western scholasticism receives emphasis, but also other forms of philosophical and theological frames of reference that have had lasting repercussions.

First major survey of the German inquisitor Petrus Zwicker, one of the most significant figures in the repression of heresy. In the final years of the fourteenth century, waves of persecution shattered German-speaking Waldensian communities, with the scale of inquisitions matching or even greater than the better-known trials in southern France. In the middle of the persecution was the influential and enigmatic figure of the Celestine provincial and inquisitor of heresy, Petrus Zwicker (d.after 1404). His surviving texts and inquisition protocols offer a fresh, intriguing picture of the medieval repression of heresy. Zwicker was an accurate and intelligent interrogator with direct access to the Waldensians' sources and knowledge. But although he is one of the most effective inquisitors of the MiddleAges, he was even more important as the author of anti-heretical texts. His Cum dormirent homines became a standard work on Waldensianism in the fifteenth century (and this study attributes another anti-heretical treatise,the Refutatio errorum, to him). With his unique biblicist and pastoral style, Zwicker struck the right note at a moment when the Church was in crisis. His texts spread rapidly, they were preached to the people and translated into German, and helped to build the fear of heresy, anti-clericalism and disobedience in the years of the Great Western Schism. This book is the first full-length study on Zwicker and his significance to the history of heresy and its repression. It offers a meticulous analysis of the sources left by him and teases out new, ground-breaking discoveries from careful examination of previously poorly known manuscripts. Dr REIMA VALIMAKI isa postdoctoral research fellow at the Department of Cultural History, University of Turku

This is an engaging account of the world of the Vikings and their gods. As the Vikings began to migrate overseas as raiders or settlers in the late eighth century, there is evidence that this new way of life, centred on warfare, commerce and exploration, brought with it a warrior ethos that gradually became codified in the Viking myths, notably in the cult of Odin, the god of war, magic and poetry, and chief god in the Norse pantheon. The twelfth and thirteenth centuries, when most of Scandinavia had long since been converted to Christianity, form perhaps the most important era in the history of Norse mythology: only at this point were the myths of Thor, Freyr and Odin first recorded in written form. Using archaeological sources to take us further back in time than any written document, the accounts of foreign writers like the Roman historian Tacitus, and the most important repository of stories of the gods, old Norse poetry and the Edda, Christopher Abram leads the reader into the lost world of the Norse gods.

Michael Jones is recognised on both sides of the Channel as an authority on late medieval Breton history. In this book he brings together much of his work on the subject, examining not only the administration of the duchy but also more intangible questions about the identity of a late medieval state.

Among the most memorable innovations of music and poetry in thirteenth-century France was a genre that seemed to privilege sound over sense. The polytextual motet is especially well-known to scholars of the Middle Ages for its tendency to conceal complex allegorical meaning in a texture that, in performance, made words less, rather than more, audible. It is with such musical sound that this book is concerned. What did it mean to create a musical effect so potentially independent from the meaning of words? Is it possible such supermusical effects themselves had significance? The Sense of Sound offers a radical recontextualization of French song in the heyday of the motet c.1260-1330, and makes the case for listening to musical sound against a range of other potently meaningful sonorities, often premised on non-verbal meaning. In identifying new audible interlocutors to music, it opens our ears to a broad spectrum of sounds often left out of historical inquiry, from the hubbub of the medieval city; to the eloquent babble of madmen; to the violent clamor of charivari; to the charismatic chatter of prayer. Drawing on a rich array of artistic evidence (music, manuscripts, poetry, and images) and contemporary cultural theory, it locates musical production in this period within a larger cultural environment concerned with representing sound and its emotional, ethical, and social effects. In so doing, The Sense of Sound offers an experiment in how we might place central the most elusive aspect of music's history: sound's vibrating, living effect.

Bernard Itier (1163-1225) was head librarian of the monastery of Saint-Martial at Limoges. As such he had free access to the books and made notations in many of them. The largest collection of these notes comprises his chronicle: a history of the world from Creation until his own time which, in part to conserve parchment, Bernard entered in the margins of two earlier codices he had appropriated for the purpose. The work includes a 'retrospective' section, relative to the past, and a 'contemporaneous' section, similar to a journal, in which Bernard recorded current or recent events which struck his interest. His record is highly idiosyncratic, reflecting the priorities of a monk who viewed the world from, and largely in relation to, his monastery. Accordingly, despite what modern historians consider to have been momentous changes in the kingdoms and the church at the time, what most interested Bernard were the affairs of his abbey, local events, miracles or other prodigies, and instances of atypical violence. In his outlook, the kings and pope were outsiders, and sometimes threatening. He does not mention the conquests of Philip Augustus, and records with almost palpable relief the death of Innocent III, who he had feared would impose an unwelcome choice of abbot on his monastery. Andrew Lewis provides, in Bernard's Latin and in English translation, the only complete text of Bernard's chronicle ever published, and the fullest edition of his historical notes from other manuscripts which complement the chronicle.

In 2017, DNA tests revealed to the collective shock of many scholars that a Viking warrior in a high-status grave in Birka, Sweden, was actually a woman. The Real Valkyrie weaves together archaeology, history and literature to reinvent her life and times, showing that Viking women had more power and agency than historians have imagined. Nancy Marie Brown links the Birka warrior, whom she names Hervor, to Viking trading towns and to their great trade route east to Byzantium and beyond. She imagines Hervor's adventures intersecting with larger-than-life but real women, including Queen Gunnhild Mother-of-Kings, the Viking leader known as the Red Girl, and Queen Olga of Kyiv. Hervor's short, dramatic life shows that much of what we have taken as truth about women in the Viking Age is based not on data but on nineteenth-century Victorian biases. Rather than holding the household keys, Viking women in history, the sagas, poetry and myth carry weapons. In this compelling narrative, Brown brings the world of those valkyries and shield-maids to vivid life.

In this book, Frances Courtney Kneupper examines the apocalyptic prophecies of the late medieval Empire, which even within the sensational genre of eschatological prophecy stand out for their bitter and violent nature. In addition to depicting the savage chastisement of the clergy and the forcible restructuring of the Church, these prophecies also infuse the apocalyptic narrative with explicitly German elements-in fact, German speakers are frequently cast as the agents of these stirring events in which the clergy suffer tribulations and the Church hierarchy is torn down. These prophecies were widely circulated throughout late medieval German-speaking Europe. Kneupper explores their significance for members of the Empire from 1380 to 1480, arguing that increased literacy, the development of strong urban centers, the drive for reform, and a connection to the imperial crown were behind their popularity. Offering detailed accounts of the most significant prophecies, Kneupper shows how they fit into currents of thought and sentiment in the late medieval Empire. In particular, she considers the relationships of German prophecy to contemporary discourses on Church reform and political identity. She finds that eschatological thought was considered neither marginal nor heretical, but was embraced by a significant, orthodox population of German laypeople and clerics, demonstrating the importance of popular eschatological thought to the development of a self-conscious, reform-minded, German-identified Empire on the Eve of the Reformation.

Lanfranc of Pavia, archbishop of Canterbury from 1070 to 1089, was a scholar-monk who brought to his position a rich experience in Italy and Normandy. He was William the Conqueror's trusted collaborator in ordering the English church and kingdom. In this first full scholarly study of Lanfranc for thirty years, H. E. J. Cowdrey reconsiders Lanfranc's career, focusing on his vision, capability, and achievements. He brings him out from the shadow of his successor, St Anselm, and reveals him as among the very greatest of the archbishops of Canterbury.

Drawing on innovative research in the rapidly growing field of Mediterranean studies, this groundbreaking collection explores the key roles that Mediterranean queens played as wives, as mothers, and above all as political actors. Taken together, they form a varied and comprehensive account of the ways in which these royal women negotiated their positions within the context of the court, how they responded to widowhood and other challenging circumstances, and reactions to queens who exercised political power in ways considered to be beyond their accepted roles. Ranging from Byzantine empresses to the consorts of Moroccan sultans to queens regnant and consort in both the Italian and Iberian peninsulas, these remarkable studies offer a bracing new perspective on the concepts and practice of queenship more generally in the medieval and Early Modern eras.

Thomas Walsingham, a monk of St Albans, has been described as the last of the great medieval chroniclers. His major work, the Chronica maiora, covers the years 1376-1422, and is arguably the most important account of English history to be written in England at this time. Walsingham's text has never been published as a continuous whole. It is found in no fewer than three separate publications in the Rolls Series, and was printed from manuscripts whose exact identity was not then clearly understood. The nature of the Rolls Series publications, and the different versions of the chronicle have raised questions concerning the relationship of the various manuscripts of the Chronica maiora, and also of Walsingham's own involvement with the text. In this new edition these problems are considered and the Chronica maiora is shown to be predominantly the work of one man, Thomas Walsingham.
Volume II of the St Albans Chronicle (1394-1422) now completes the edition. Drawing on the text in Bodley 462 and confirming the work of V. H. Galbraith, the editors make clear that the Annales Ricardi Secundi et Henrici Quarti (regarded in the Rolls Series as a separate chronicle) were an integral part of the Chronica maiora. They also argue that, while Walsingham's contribution as author in the later years was much smaller than in the years to 1393 (when he was without doubt the sole author), it is most likely that he supervised the whole work; and at times, as in the vivid and dramatic descriptions of the battles of Shrewsbury and of Agincourt, his own style is again apparent.
The chronicle is of the greatest historical value for Richard II's last years and for his deposition and the accession of Henry IV. It is wholly in favour of the Lancastrian revolution of 1399 and remains 'Lancastrian' in tone to its end. It illustrates (with sympathy) Henry's difficulties in establishing the dynasty and includes unique material on his relations with his son. For Henry V's reign it provides valuable details of his Norman campaigns. Over both reigns St Albans' hatred of Lollardy and its interest in the healing of the Great Schism are apparent in the coverage given them. In the later years, the extent of the commentary on events decreases, but the information available at St Albans and written here continues to be of a high order. The chronicle remains absorbing right to its end.

The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensus they direct their readers to areas of enlivened and unresolved debate.
The deepest periodic division in English literary history has been between the Medieval and the Early Modern, not least because the cultural investments in maintaining that division are exceptionally powerful. Narratives of national and religious identity and freedom; of individual liberties; of the history of education and scholarship; of reading or the history of the book; of the very possibility of persuasive historical consciousness itself: each of these narratives (and more) is motivated by positing a powerful break around 1500.
None of the claims for a profound historical and cultural break at the turn of the fifteenth into the sixteenth centuries is negligible. The very habit of working within those periodic bounds (either Medieval or Early Modern) tends, however, simultaneously to affirm and to ignore the rupture. It affirms the rupture by staying within standard periodic bounds, but it ignores it by never examining the rupture itself. The moment of profound change is either, for medievalists, just over an unexplored horizon; or, for Early Modernists, a zero point behind which more penetrating examination is unnecessary. That situation is now rapidly changing. Scholars are building bridges that link previously insular areas. Both periods are starting to look different in dialogue with each other.
The change underway has yet to find collected voices behind it. Cultural Reformations volume aims to provide those voices. It will give focus, authority, and drive to a new area.

In the early 1800's, on a Hebridean beach in Scotland, the sea exposed an ancient treasure cache: 93 chessmen carved from walrus ivory. Norse netsuke, each face individual, each full of quirks, the Lewis Chessmen are probably the most famous chess pieces in the world. Harry played Wizard's Chess with them in Harry Potter and the Sorcerer's Stone. Housed at the British Museum, they are among its most visited and beloved objects. Questions abounded: Who carved them? Where? Ivory Vikings explores these mysteries by connecting medieval Icelandic sagas with modern archaeology, art history, forensics, and the history of board games. In the process, Ivory Vikings presents a vivid history of the 400 years when the Vikings ruled the North Atlantic, and the sea-road connected countries and islands we think of as far apart and culturally distinct: Norway and Scotland, Ireland and Iceland, and Greenland and North America. The story of the Lewis chessmen explains the economic lure behind the Viking voyages to the west in the 800s and 900s. And finally, it brings from the shadows an extraordinarily talented woman artist of the twelfth century: Margret the Adroit of Iceland.

Contrary to prevalent military historical thinking, the early medieval general was not an ignorant warrior chieftain, but an able, astute, intelligent, and often very cunning commander. Through the use of contemporary literature, art, and archaeological evidence, this study argues that these generals could and did effectively exercise command control before, during, and after battle. Using the examples of a dozen or so leaders and drawing upon over 60 battles, this study brings to light the genius and the adaptability of medieval generals.

Lively and deeply productive discussions have focused on the topics of "magnificence" and "the sublime" in the art and literature of antiquity, the Renaissance, and the ages following. They have engaged major figures from Ernst Gombrich to Theodore Adorno to Jean-Francois Lyotard. Yet, these discussions have virtually bypassed the Middle Ages. The essays in "Magnificence and the Sublime in Medieval Aesthetics" reclaim a position for the medieval period in the theoretical discussion of art, architecture, music, and literature. These analyses of an aesthetic of grandeur show an artistic practice in the Middle Ages that strove for and celebrated grand effects.

"Women and Economic Activities in Late Medieval Ghent "argues that women managed their own wealth to a far greater extent than previously recognized. Women bought, sold, sued, lent money, and contracted debts with little legal or financial oversight of men. Contrary to the widespread view that women exercised economic autonomy only in widowhood, Hutton argues that marital status was not the chief determinant of women's economic activities in the mid-fourteenth century.

Two Medieval Toll Registers from Tarascon presents an edition, translation, and discussion of two vernacular toll registers from fourteenth and fifteenth-century Provence. These two registers are a valuable new source for the economic, linguistic, and transportation history of medieval France, offering a window onto the commercial life of Tarascon, a fortified town on the east bank of the Rhone between Avignon and Arles. William D. Paden discusses the developing fiscal policy of the counts of Provence, for whom the tolls were collected, and the practice and vocabulary of medieval toll-keeping. An afterword considers the toll registers in relation to the poetry of troubadours, arguing that the realism of the registers and the idealism of troubadour poetry overlapped in the world of medieval Tarascon.

An entertaining collection of strange, delightful and unexpectedly apt words from the origins of English, which illuminates the lives, beliefs and habits of our linguistic ancestors. 'A marvelous book' Neil Gaiman 'Wonderful' - Tom Holland 'A lovely, lovely read' - Lucy Mangan 'Splendid' - David Crystal 'Thorough, entertaining, and absolutely fascinating.' Paul Anthony Jones, Haggard Hawks In this beautiful little book, Hana Videen has gathered gems of words together to create a glorious trove and illuminate the lives, beliefs and habits of our linguistic ancestors. We discover a world where choking on a bit of bread might prove your guilt, where fiend-ship was as likely as friend-ship, and you might grow up to be a laughter-smith. These are the magical roots of our own language: you'll never see English in the same way again.

It is equally true that the Reformation was inspired and defined by the Bible and that the Bible was reshaped by the intellectual, political, and cultural forces of the Reformation. In this book, a distinguished scholar-whose contributions to the field of religious studies have won him wide renown-explores this relationship, examining both the role of the Bible in the Reformation and the effect of the Reformation on the text of the Bible, Biblical studies, preaching and exegesis, and European culture in general. Jaroslav Pelikan begins by discussing the philological foundations of the "reformation" of the Biblical text, focusing on the revival of Greek and Hebrew language study and the important contributions to textual criticism by humanist scholars. He then examines the changing patterns of interpretation and communication of the Biblical text, the proliferation of vernacular versions of scripture and their impact on various national cultures, and the impact of the Reformation Bible on art, music, and literature of the period. The book is richly illustrated with examples of early printed editions of Bibles, commentaries, sermons, vernacular translations, and other works with Biblical themes, all of which are identified and discussed. The book serves as the catalog for a major exhibition of early Bibles and Reformation texts that has been organized at Bridwell Library, Perkins School of Theology, Southern Methodist University, and will also be shown at the Yale Center for British Art, the Houghton Library and the Widener Library at Harvard University, and the Rare Book and Manuscript Library at Columbia University. Copublished with the Bridwell Library, Southern Methodist University