The Drosten stone - one of Scotland's premier monuments - came to light during restoration work at St Vigeans church, near Arbroath, in the 1870s. A rare example of Pictish writing, the Drosten stone is just one in an astounding collection of exquisitely preserved Pictish sculptures discovered in and around the church. The carvings on these stones revel in Pictish inventiveness, teeming with lively naturalistic animals and innovative compositions of monsters and people, as well as both Pictish symbols and everyday objects. The sculptures' iconography also draws on a deep knowledge of Christian and classical literature, witness to a highly literate and cosmopolitan society. This definitive study of St Vigeans' Pictish stones, generously illustrated with plates of the full collection, begins in the recent past, when the sculptures began to emerge as a remarkable historic entity. It then explores the history of the sculptures, including an analysis of the carvings, the geology of the stones and attempts to extract meaning and context for this unique stone collection as part of a powerful ecclesiastical landscape.

Nonnus' Paraphrasis, an epic rendition of the Fourth Gospel, offers a highly sophisticated interpretation of the Johannine text. An essential means to this end is extensive use of the imagery related to Greek, and especially Dionysiac, mysteries. Doroszewski successfully challenges the once predominant view that the mystery terminology in the poem is nothing more than rhetorical ornament. He convincingly argues for an important exegetical role Nonnus gives to the mystery terms. On the one hand, they refer to the Mystery of Christ. Jesus introduces his followers into the new dimension of life and worship that enables them to commune with God. This is portrayed as falling into Bacchic frenzy and being initiated into secret rites. On the other hand, the terminology has a polemical function, too, as Nonnus uses it to present the Judaic cult as bearing the hallmarks of pagan mysteries. As the book discusses the Paraphrasis against the background of the mystery metaphor development in antiquity, it serves as an excellent introduction to this key feature of the ancient mentality and will appeal to all interested in the culture of Imperial times, especially in Early Christianity, Patristics, Neoplatonism and Late Antique poetry.

Author portraits are the most common type of figural illustration in Greek manuscripts. The vast majority of them depict the evangelists Matthew, Mark, Luke, and John. Being readily comparable to one another, such images illustrate the stylistic development of Byzantine painting. In addition, they often contain details which throw light on elements of Byzantine material culture such as writing utensils, lamps, domestic furniture, etc. This corpus offers catalogue descriptions of all evangelist portraits that survived from the Middle Byzantine period, i.e. from the mid-ninth to mid-thirteenth century. Items are arranged in roughly chronological order and are grouped according to common compositional types: readers will thus be able to trace iconographic similarities by going through a series of adjacent entries and to distinguish period styles by browsing through larger blocks of entries. The book thus provides, in effect, a selective survey of middle-Byzantine painting. A surprisingly large number of Byzantine evangelists portraits remain unpublished: seventy-five of the miniatures reproduced in this volume have never appeared in print before.

Travel narratives and historical works shaped the perception of Muslims and the East in the Victorian and post-Victorian periods. Analyzing the discourses on Muslims which originated in the European Middle Ages, the first part of the book discusses the troubled legacy of the encounters between the East and the West and locates the nineteenth-century texts concerning the Saracens and their lands in the liminal space between history and fiction. Drawing on the nineteenth-century models, the second part of the book looks at fictional and non-fictional works of the late twentieth and early twenty-first century which re-established the "Oriental obsession," stimulating dread and resentment, and even more strongly setting the Civilized West against the Barbaric East. Here medieval metaphorical enemies of Mankind - the World, the Flesh and the Devil - reappear in different contexts: the world of immigration, of white women desiring Muslim men, and the present-day "freedom fighters."

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Literature serves many purposes, and one of them certainly proves to be to convey messages, wisdom, and instruction, and this across languages, religions, and cultures. Beyond that, as the contributors to this volume underscore, people have always endeavored to reach out to their community members, that is, to build community, to learn from each other, and to teach. Hence, this volume explores the meaning of communication, translation, and community building based on the medium of language. While all these aspects have already been discussed in many different venues, the contributors endeavor to explore a host of heretofore less considered historical, religious, literary, political, and linguistic sources. While the dominant focus tends to rest on conflicts, hostility, and animosity in the pre-modern age, here the emphasis rests on communication with its myriad of challenges and potentials for establishing a community. As the various studies illustrate, a close reading of communicative issues opens profound perspectives regarding human relationships and hence the social context. This understanding invites intensive collaboration between medical historians, literary scholars, translation experts, and specialists on religious conflicts and discourses. We also learn how much language carries tremendous cultural and social meaning and determines in a most sensitive manner the interactions among people in a communicative and community-based fashion.

In The Medieval Islamic Republic of Letters: Arabic Knowledge Construction, Muhsin J. al-Musawi offers a groundbreaking study of literary heritage in the medieval and premodern Islamic period. Al-Musawi challenges the paradigm that considers the period from the fall of Baghdad in 1258 to the collapse of the Ottoman Empire in 1919 as an "Age of Decay" followed by an "Awakening" (al-nahdah). His sweeping synthesis debunks this view by carefully documenting a "republic of letters" in the Islamic Near East and South Asia that was vibrant and dynamic, one varying considerably from the generally accepted image of a centuries-long period of intellectual and literary stagnation. Al-Musawi argues that the massive cultural production of the period was not a random enterprise: instead, it arose due to an emerging and growing body of readers across Islamic lands who needed compendiums, lexicons, and commentaries to engage with scholars and writers. Scholars, too, developed their own networks to respond to each other and to their readers. Rather than addressing only the elite, this culture industry supported a common readership that enlarged the creative space and audience for prose and poetry in standard and colloquial Arabic. Works by craftsmen, artisans, and women appeared side by side with those by distinguished scholars and poets. Through careful exploration of these networks, The Medieval Islamic Republic of Letters makes use of relevant theoretical frameworks to situate this culture in the ongoing discussion of non-Islamic and European efforts. Thorough, theoretically rigorous, and nuanced, al-Musawi's book is an original contribution to a range of fields in Arabic and Islamic cultural history of the twelfth to eighteenth centuries.

Since the publication of the first edition of The Crusades: A Reader, interest in the Crusades has increased dramatically, fueled in part by current global interactions between the Muslim world and Western nations. The second edition features an intriguing new chapter on perceptions of the Crusades in the modern period, from David Hume and William Wordsworth to World War I political cartoons and crusading rhetoric circulating after 9/11. Islamic accounts of the treatment of prisoners have been added, as well as sources detailing the homecoming of those who had ventured to the Holy Land-including a newly translated reading on a woman crusader, Margaret of Beverly. The book contains sixteen images, study questions for each reading, and an index.

The book highlights aspects of mediality and materiality in the dissemination and distribution of texts in the Scandinavian Middle Ages important for achieving a general understanding of the emerging literate culture. In nine chapters various types of texts represented in different media and in a range of materials are treated. The topics include two chapters on epigraphy, on lead amulets and stone monuments inscribed with runes and Roman letters. In four chapters aspects of the manuscript culture is discussed, the role of authorship and of the dissemination of Christian topics in translations. The appropriation of a Latin book culture in the vernaculars is treated as well as the adminstrative use of writing in charters. In the two final chapters topics related to the emerging print culture in early post-medieval manuscripts and prints are discussed with a focus on reception. The range of topics will make the book relevant for scholars from all fields of medieval research as well as those interested in mediality and materiality in general.

This book surveys current archaeological and historical thinking about the dimly understood characteristics of daily life in Great Britain during the fifth and sixth centuries. Arthurian legends are immensely popular and well known despite the lack of reliable documentation about this time period in Britain. As a result, historians depend upon archaeologists to accurately describe life during these two centuries of turmoil when Britons suffered displacement by Germanic immigrants. Daily Life in Arthurian Britain examines cultural change in Britain through the fifth and sixth centuries-anachronistically known as The Dark Ages-with a focus on the fate of Romano-British culture, demographic change in the northern and western border lands, and the impact of the Germanic immigrants later known as the Anglo-Saxons. The book coalesces many threads of current knowledge and opinion from leading historians and archaeologists, describing household composition, rural and urban organization, food production, architecture, fashion, trades and occupations, social classes, education, political organization, warfare, and religion in Arthurian times. The few available documentary sources are analyzed for the cultural and historical value of their information. Presents maps and illustrations of Britain during the relevant time periods Includes a bibliography of major print and quality internet resources accessible to the public Provides an index of key concepts, sites, historic persons, events, and materials Contains an appendix on the nature of archaeological evidence

The Historia Selebiensis Monasterii is an account of the origins of the earliest Norman abbey to be founded in the north of England following the Conquest of 1066, and of the history of the monastery in its first one hundred and six years. The history was written by a young monk of Selby in 1174, and the unique medieval manuscript in which it survives appears to have been sent from Selby to the French monastery of Auxerre, from where the author claimed the founder-monk of Selby came. Weaving together historical narrative and miracles associated with the relic held at Selby Abbey, the middle finger of St Germanus of Auxerre, the author produced a lively and entertaining account designed to record the history of his monastery and promote the cult of the relic around which it had grown up. At the same time he created a past, and a corporate memory of that past, for his community. This volume contains a critical edition of the Historia, with English translation, and textual notes and historical commentary. The Introduction explores the dynamics of the text - its purpose, composition, and use of sources - and its significance as a source for monastic history. It offers a reassessment of the origins of the first Norman abbey in northern England.

The book re-examines the religious thought and receptions of the Syrian poet Abu l-'Ala' al-Ma'arri (d.1057) and one of his best known works - Luzum ma la yalzam (The Self-Imposed Unnecessity), a collection of poems, which, although widely studied, needs a thorough re-evaluation regarding matters of (un)belief. Given the contradictory nature of al-Ma'arri's oeuvre and Luzum in particular, there have been two major trends in assessing al-Ma'arri's religious thought in modern scholarship. One presented al-Ma'arri as an unbeliever and a freethinker arguing that through contradictions, he practiced taqiya, i.e., dissimulation in order to avoid persecution. The other, often apologetically, presented al-Ma'arri as a sincere Muslim. This study proposes that the notion of ambivalence is a more appropriate analytical tool to apply to the reading of Luzum, specifically in matters of belief. This ambivalence is directly conditioned by the historical and intellectual circumstances al-Ma'arri lived in and he intentionally left it unsolved and intense as a robust stance against claims of certainty. Going beyond reductive interpretations, the notion of ambivalence allows for an integrative paradigm in dealing with contradictions and dissonance.

This volume offers the author's central articles on the medieval and early modern history of cartography for the first time in English translation. A first group of essays gives an overview of medieval cartography and illustrates the methods of cartographers. Another analyzes world maps and travel accounts in relation to mapped spaces. A third examines land surveying, cartographical practices of exploration, and the production of Portolan atlases.

Anglo-Danish Empire is an interdisciplinary handbook for the Danish conquest of England in 1016 and the subsequent reign of King Cnut the Great. Bringing together scholars from the fields of history, literature, archaeology, and manuscript studies, the volume offers comprehensive analysis of England's shift from Anglo-Saxon to Danish rule. It follows the history of this complicated transition, from the closing years of the reign of King AEthelred II and the Anglo-Danish wars, to Cnut's accession to the throne of England and his consolidation of power at home and abroad. Ruling from 1016 to 1035, Cnut drew England into a Scandinavian empire that stretched from Ireland to the Baltic. His reign rewrote the place of Denmark and England within Europe, altering the political and cultural landscapes of both countries for decades to come.

A monastic artist with an unusual enthusiasm of male buttocks and genitalia; a nun bringing her spinning equipment from her home in the south to her new convent in the north; the riddle of a carved archer bearing a book instead of arrows; a bishop's ring hiding in its design symbols of the essential aspects of the Christian faith: these are some of the secrets of early medieval personal and public worship uncovered in this book. In tribute to a scholar who is herself a polymath of early medieval studies, these chapters explore approaches which have particularly engaged her: stone sculpture; text; textiles; manuscript art; metalwork; and archaeology. With a brief foreword by Professor Dame Rosemary Cramp. Contributors are Richard N. Bailey, Michelle P. Brown, Peter Furniss, Jane Hawkes, David A. Hinton, Maren Clegg Hyer, Catherine E. Karkov, Alexandra Lester-Makin, Christina Lee, Donncha MacGabhann, Eamonn O Carragain, Gale R. Owen-Crocker, Frances Pritchard, and Penelope Walton Rogers.