FR: Rares mais marquantes ont ete les denonciations et les condamnations des crimes ou des vices des gouvernants. Le volume interroge les formes et les raisons de ces mises en cause, alors meme que les traditions antiques, medievales ou modernes etaient plutot accommodantes envers les abus de pouvoir. EN: Denunciations and convictions of rulers' crimes or vices are uncommon but striking. This volume investigates the forms and reasons for these accusations, even though antique, medieval or modern tradition has tended to be quite accommodating towards the abuse of power.

Maximus the Confessor (c.580-662) has become one of the most discussed figures in contemporary patristic studies. This is partly due to the relatively recent discovery and critical edition of his works in various genres, including On the Ascetic Life, Four Centuries on Charity, Two Centuries on Theology and the Incarnation, On the 'Our Father', two separate Books of Difficulties, addressed to John and to Thomas, Questions and Doubts, Questions to Thalassius, Mystagogy and the Short Theological and Polemical Works. The impact of these works reached far beyond the Greek East, with his involvement in the western resistance to imperial heresy, notably at the Lateran Synod in 649. Together with Pope Martin I (649-53 CE), Maximus the Confessor and his circle were the most vocal opponents of Constantinople's introduction of the doctrine of monothelitism. This dispute over the number of wills in Christ became a contest between the imperial government and church of Constantinople on the one hand, and the bishop of Rome in concert with eastern monks such as Maximus, John Moschus, and Sophronius, on the other, over the right to define orthodoxy. An understanding of the difficult relations between church and state in this troubled period at the close of Late Antiquity is necessary for a full appreciation of Maximus' contribution to this controversy. The editors of this volume aim to provide the political and historical background to Maximus' activities, as well as a summary of his achievements in the spheres of theology and philosophy, especially neo-Platonism and Aristotelianism.

The spectacle of the wounded body figured prominently in the Middle Ages, from images of Christ's wounds on the cross, to the ripped and torn bodies of tortured saints who miraculously heal through divine intervention, to graphic accounts of battlefield and tournament wounds-evidence of which survives in the archaeological record-and literary episodes of fatal (or not so fatal) wounds. This volume offers a comprehensive look at the complexity of wounding and wound repair in medieval literature and culture, bringing together essays from a wide range of sources and disciplines including arms and armaments, military history, medical history, literature, art history, hagiography, and archaeology across medieval and early modern Europe. Contributors are Stephen Atkinson, Debby Banham, Albrecht Classen, Joshua Easterling, Charlene M. Eska, Carmel Ferragud, M.R. Geldof, Elina Gertsman, Barbara A. Goodman, Maire Johnson, Rachel E. Kellett, Ilana Krug, Virginia Langum, Michael Livingston, Iain A. MacInnes, Timothy May, Vibeke Olson, Salvador Ryan, William Sayers, Patricia Skinner, Alicia Spencer-Hall, Wendy J. Turner, Christine Voth, and Robert C. Woosnam-Savage.

In the later medieval centuries, a whole range of important social, political, and artistic activities took place against the backdrop of the great English households. In this lively book, C. M. Woolgar explores the fascinating details of life in a great house. Based on extensive investigation of household accounts and related primary documents, Woolgar vividly illuminates the operations of great households. He also delineates the major changes that transformed the economy and geography of both lay and clerical households between 1200 and 1500.

In this portrait of aristocratic and gentry life in medieval England, Woolgar describes the roles of family members, the situations of servants, the uses of space within the household, food and drink for daily consumption and for special occasions, furnishing, clothing, arrangements for travel, household animals, cleanliness and hygiene, entertainment, the practices of religion, and intellectual life. The author also analyzes the qualitative and social evolution of great households as definitions of magnificence and conventions of etiquette became increasingly elaborate.

Mamluk Cairo, a Crossroads for Embassies offers an up-to-date insight into the diplomacy and diplomatics of the Mamluk sultanate with Muslim and non-Muslim powers. This rich volume covers the whole chronological span of the sultanate as well as the various areas of the diplomatic relations established by (or with) the Mamluk sultanate. Twenty-six essays are divided in geographical sections that broadly respect the political division of the world as the Mamluk chancery perceived it. In addition, two introductory essays provide the present stage of research in the fields of, respectively, diplomatics and diplomacy. With contributions by Frederic Bauden, Lotfi Ben Miled, Michele Bernardini, Barbara Boloix Gallardo, Anne F. Broadbridge, Mounira Chapoutot-Remadi, Stephan Conermann, Nicholas Coureas, Malika Dekkiche, Remi Dewiere, Kristof D'hulster, Marie Favereau, Gladys Frantz-Murphy, Yehoshua Frenkel, Hend Gilli-Elewy, Ludvik Kalus, Anna Kollatz, Julien Loiseau, Maria Filomena Lopes de Barros, John L. Meloy, Pierre Moukarzel, Lucian Reinfandt, Alessandro Rizzo, Eric Vallet, Valentina Vezzoli and Patrick Wing.

Released for the first time in the English language, and marking the centennial of Albania's independence, Serbs and Albanians delivers an at once refreshing and comprehensive insight into the cultural composition of Southeast Europe. A wider audience can now appreciate the work of Milan ufflay, a controversial figure of his time whose assassination was denounced by leading intellectuals, Albert Einstein and Heinrich Mann. With a measured and often poetic voice, ufflay takes us on a journey through the Middle Ages as it unfolded on a land where opposing cultures were distilled and interwoven, dynasts and whole cities upturned and reborn.

This book deals with the remarkable life of a powerful and fiery woman at the heart of the turbulent Barons' Wars. As sister of Henry III and aunt of the future Edward I, Eleanor de Montfort was at the heart of the bloody conflict between the Crown and the English barons. At Lewes in 1264 Simon de Montfort captured the king and secured control of royal government. A woman of fiery nature, Eleanor worked tirelessly in supporting her husband's cause. She assumed responsibility for the care of the royal prisoners and she regularly dispatched luxurious gifts to Henry III and the Lord Edward. But the family's political fortunes were shattered at the battle of Evesham in August 1265 where Simon de Montfort was killed. The newly-widowed Eleanor rose to her role as matriarch of her family, sending her surviving sons - and the family treasure - overseas to France, negotiating the surrender of Dover Castle and securing her own safe departure from the realm. The last ten years of her life were spent in the Dominican convent at Montargis. Drawing on chronicles, letters and public records this book reconstructs the narrative of Eleanor's remarkable life.

Although studies of specific time concepts, expressed in Renaissance philosophy and literature, have not been lacking, few art-historians have endeavored to meet the challenge in the visual arts. This book presents a multifaceted picture of the dynamic concepts of time and temporality in medieval and Renaissance art, adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. It has been assumed that time was conceived in a different way by those living in the Renaissance as compared to their medieval predecessors. Changing perceptions of time, an increasingly secular approach, the sense of self-determination rooted in the practical use and control of time, and the perception of time as a threat to human existence and achievements are demonstrated through artistic media. Chapters dealing with time in classical and medieval philosophy and art are followed by studies that focus on innovative aspects of Renaissance iconography.

The present volume has grown out of the conference held at Princeton University on November 12-14, 2009. Its essays explore a coherent, interrelated nexus of topics that illuminate our understanding of the cultural transactions (social, political, economic, religious and artistic) of the Greek East and Latin West: unexpected cultural appropriations and forms of resistance, continuity and change, the construction and hybridization of traditions in a wide expanse of the eastern Mediterranean. Areas that the volume addresses include the benefits and liabilities of periodization, philosophical and political exchanges, monastic syncretism between the Orthodox and Catholic faiths, issues of romance composition, and economic currency and the currency of fashion as East and West interact. Contributors are Roderick Beaton, Peter Brown, Marina S. Brownlee, Giles Constable, Maria Evangelatou, Dimitri Gondicas, Judith Herrin, Elizabeth Jeffreys, Marc D. Lauxtermann, Stuart M. McManus, John Monfasani, Maria G. Parani, Linda Safran, Teresa Shawcross and Alan M. Stahl.

A Companion to Ostrogothic Italy is a concise yet comprehensive survey of Italy's first barbarian kingdom, the Ostrogothic state (ca. 489-554 CE). The volume's 18 essays cover both traditional topics (such as the Ostrogothic army) and hitherto under-examined subjects (for example Italy's environmental history), and are designed for new students and specialists.

This volume offers the author's central articles on the medieval and early modern history of cartography for the first time in English translation. A first group of essays gives an overview of medieval cartography and illustrates the methods of cartographers. Another analyzes world maps and travel accounts in relation to mapped spaces. A third examines land surveying, cartographical practices of exploration, and the production of Portolan atlases.

In The Making of Christian Moravia Maddalena Betti examines the creation of the Moravian archdiocese, of which St Methodius was the first incumbent, in the context of ninth-century papal policy in central and south-eastern Europe. In the nineteenth and twentieth century religious and nationalistic concerns widely influenced the reconstruction of the history of the archdiocese of Methodius. Offering a new reading of already widely-used sources, both Slavonic and Latin, Maddalena Betti turns attention upon the jurisdictional conflict between Rome, the Bavarian churches and Byzantium, in order to uncover the strategies and the languages adopted by the Apostolic See to gain jurisdiction over the new territories in central and south-eastern Europe.

Thirteenth- and fourteenth-century Latin Bibles survive in hundreds of manuscripts, one of the most popular books of the Middle Ages. Their innovative layout and organization established the norm for Bibles for centuries to come. This volume is the first study of these Bibles as a cohesive group. Multi- and inter-disciplinary analyses in art history, liturgy, exegesis, preaching and manuscript studies, reveal the nature and evolution of layout and addenda. They follow these Bibles as they were used by monks and friars, preachers and merchants. By addressing Latin Bibles alongside their French, Italian and English counterparts, this book challenges the Latin-vernacular dichotomy to show links, as well as discrepancies, between lay and clerical audiences and their books. Contributors include Peter Stallybrass, Diane Reilly, Paul Saenger, Richard Gameson, Chiara Ruzzier, Giovanna Murano, Cornelia Linde, Lucie Dolezalova, Laura Light, Eyal Poleg, Sabina Magrini, Sabrina Corbellini, Margriet Hoogvliet, Guy Lobrichon, Elizabeth Solopova, and Matti Peikola.

Winner of the Early Slavic Studies Association 2018 Book Prize This volume offers a novel, trans-regional vision of Viking Age (9th-11th century) cultural and political contacts between Scandinavia and the eastern coasts of the Baltic Sea, using predominantly archaeological evidence, combined with historical sources, topography and logistical considerations.

Church rituals were a familiar feature of life throughout much of the Anglo-Saxon period. In this innovative study, Helen Gittos examines ceremonies for the consecration of churches and cemeteries, processional feasts like Candlemas, Palm Sunday, and Rogationtide, as well as personal rituals such as baptisms and funerals. Drawing on little-known surviving liturgical sources as well as other written evidence, archaeology, and architecture, she considers the architectural context in which such rites were performed. The research in this book has implications for a wide range of topics, such as: how liturgy was written and disseminated in the early Middle Ages, when Christian cemeteries first began to be consecrated, how the form of Anglo-Saxon monasteries changed over time and how they were used, the centrality and nature of processions in early medieval religious life, the evidence church buildings reveal about changes in how they functioned, beliefs about relics, and the attitudes of different archbishops to the liturgy. Liturgy, Architecture, and Sacred Places in Anglo-Saxon England will be of particular interest to architectural specialists wanting to know more about liturgy, and church historians keen to learn more about architecture, as well as those with a more general interest in the early Middle Ages and in church buildings.

Travel narratives and historical works shaped the perception of Muslims and the East in the Victorian and post-Victorian periods. Analyzing the discourses on Muslims which originated in the European Middle Ages, the first part of the book discusses the troubled legacy of the encounters between the East and the West and locates the nineteenth-century texts concerning the Saracens and their lands in the liminal space between history and fiction. Drawing on the nineteenth-century models, the second part of the book looks at fictional and non-fictional works of the late twentieth and early twenty-first century which re-established the "Oriental obsession," stimulating dread and resentment, and even more strongly setting the Civilized West against the Barbaric East. Here medieval metaphorical enemies of Mankind - the World, the Flesh and the Devil - reappear in different contexts: the world of immigration, of white women desiring Muslim men, and the present-day "freedom fighters."

Publicly performed rituals and ceremonies form an essential part of medieval political practice and court culture. This applies not only to western feudal societies, but also to the linguistically and culturally highly diversified environment of Byzantium and the Mediterranean basin. The continuity of Roman traditions and cross-fertilization between various influences originating from Constantinople, Armenia, the Arab-Muslim World, and western kingdoms and naval powers provide the framework for a distinct sphere of ritual expression and ceremonial performance. This collective volume, placing Byzantium into a comparative perspective between East and West, examines transformative processes from Late Antiquity to the Middle Ages, succession procedures in different political contexts, phenomena of cross-cultural appropriation and exchange, and the representation of rituals in art and literature. Contributors are Maria Kantirea, Martin Hinterberger, Walter Pohl, Andrew Marsham, Bjoern Weiler, Eric J. Hanne, Antonia Giannouli, Jo Van Steenbergen, Stefan Burkhardt, Ioanna Rapti, Jonathan Shepard, Panagiotis Agapitos, Henry Maguire, Christine Angelidi and Margaret Mullett.

Across the nineteenth century European history, philology, archaeology, art, and architecture turned from a common classical vocabulary and ideology to images of pasts and origins drawn primarily from the Middle Ages. The result was a paradox, as scholars and artists, schooled in the same pan-European vocabularies and methodologies nevertheless sought to discover through them unique and, frequently, oppositional national identities. These essays, edited by Patrick J. Geary and Gabor Klaniczay, focus on this all-European phenomenon with a special focus on Scandinavia and East-Central Europe, bearing witness to the inextricable links between cultural and scientific engagement, the search for national identity, and political agendas in the long nineteenth century that made the search for archaic origins an entangled history. Contributors include: Walter Pohl, Ian Wood, Sverre Bagge, Maciej Janowski, Sir David Wilson, Anders Andren, Erno Marosi, Carmen Popescu, Ahmet Ersoy, Michael Werner, Joep Leerssen, R. Howard Bloch, Pavlina Rychterova, Tommaso di Carpegna Falconieri, Stefan Detchev, Florin Curta, and Peter Lango.

Most widely read today as the author of the "Heptameron," Marguerite de Navarre (1492-1549) was known in her lifetime as a deeply religious, mystical poet. Sister of the King of France and wife of the King of Navarre, her deeds and writings expressed and sought to promote a living faith in Christ, based on the gospels, and a vision for the renewal and reform of the Church in line with the teachings of French Evangelicals such as Lefevre d'Etaples, Guillaume Briconnet, and Gerard Roussel. In this volume, eleven eminent scholars offer new appreciations of Marguerite's extraordinary life and rich and diverse literary oeuvre, including, in addition to her short-story collection, dialogues, mirror poems, plays, songs, and an allegorical prison narrative. Contributors include, along with the editors, Philip Ford, Isabelle Garnier, Jean-Marie Le Gall, Reinier Leushuis, Jan Miernowski, Olivier Millet, Isabelle Pantin, Jonathan A. Reid, and Cynthia Skenazi.

Gregory, bishop of Tours (573-594), was among the most prolific writers of his age and uniquely managed to cover the genres of history, hagiography, and ecclesiastical instruction. He not only wrote about events (of the secular, spiritual, and even natural variety) but about himself as an actor and witness. Though his work (especially the Histories) has been recycled and studied for centuries, our grasp of an even basic understanding of it, never mind Gregory's significance in the history of the late antique West, has hardly yet attained a definitive perspective. A Companion to Gregory of Tours brings together fourteen scholars who provide an expert guide to interpreting his works, his period, and his legacy in religious and historical studies. Contributors are: Pascale Bourgain, Roger Collins, John J. Contreni, Stefan Esders, Martin Heinzelmann, Yitzhak Hen, John K. Kitchen, Simon Loseby, Alexander Callander Murray, Patrick Perin, Joachim Pizarro, Helmut Reimitz, Michael Roberts, Richard Shaw.