Striking cultural developments took place in the twelfth century which led to what historians have termed 'the emergence of the individual.' The Medieval Fold demonstrates how cultural developments typically associated with this twelfth-century renaissance autobiography, lyric, courtly love, romance can be traced to the Church's cultivation of individualism. However, subjects did not submit to pastoral power passively, they constructed fantasies and behaviors, redeploying or 'folding' it to create new forms of life and culture. Incorporating the work of Nietzsche, Foucault, Lacan, and Deleuze, Suzanne Verderber presents a model of the subject in which the opposition between interior self and external world is dislodged.

Medieval Healthcare and the Rise of Charitable Institutions: The History of the Municipal Hospital examines the development of medieval institutions of care, beginning with a survey of the earliest known hospitals in ancient times to the classical period, to the early Middle Ages, and finally to the explosion of hospitals in the twelfth and thirteenth centuries. For Western Christian medieval societies, institutional charity was a necessity set forth by the religion's dictums-care for the needy and sick was a tenant of the faith, leading to a unique partnership between Christianity and institutional care that would expand into the fledging hospitals of the early Modern period. In this study, the hospital of Saint John in Brussels serves as an example of the developments. The institution followed the pattern of the establishment of medieval charitable institutions in the high Middle Ages, but diverged to become an archetype for later Christian hospitals.

As the pope's alter ego, the medieval papal legate was the crucial connecting link between Rome and the Christian provinces. Commissioned with varying degrees of papal authority and jurisdiction, these hand-picked representatives of the Roman Church were nothing less than the administrative, legal, and institutional embodiment of papal justice, diplomacy, government, and law during the Middle Ages. By examining the origins and development of this ecclesiastical office in the early Middle Ages, this book defines the papacy's early contribution to medieval European law and society. Presenting a pioneering inquiry into the field, The Foundations of Medieval Papal Legation demonstrates the growth of papal government and its increasing reliance on representation beyond Rome, explaining how this centralized position was achieved over time, going further to legitimize the papacy's burgeoning need for increased supervision, mediation, and communication throughout western Christendom. In so doing, it contributes to a wider administrative, legal, and institutional understanding of papal government in early medieval Europe as a whole.

Though many historians date the practice of diplomacy to the Renaissance, Pierre Chaplais shows that medieval kings relied on a network of diplomats and special envoys to conduct international relations. War, peace, marriage agreements, ransoms, trade and many other matters all had to be negotiated. To do this a remarkably sophisticated system of diplomacy developed during the Middle Ages. Chaplais describes how diplomacy worked in practice: how ambassadors and other envoys were chosen, how and where they traveled, and how the authenticity of their messages was known in a world before passports and photographs.

The seventy years of late Stuart and early Hanoverian Britain following 1680 were a crucial period in British politics and society, seeing the growth both of political parties and of stability. This collection of original essays provides a coherent account of Britain in the 'First Age of Party'.

This book narrates the battles, conquests and diplomatic activities of the early Muslim fighters in Syria and Iraq vis-a-vis their Byzantine and Sasansian counterparts. It is the first English translation of one of the earliest Arabic sources on the early Muslim expansion entitled Futuh al-Sham (The Conquests of Syria). The translation is based on the Arabic original composed by a Muslim author, Muhammad al-Azdi, who died in the late 8th or early 9th century C.E. A scientific introduction to al-Azdi's work is also included, covering the life of the author, the textual tradition of the work as well as a short summary of the text's train of thought. The source narrates the major historical events during the early Muslim conquests in a region that covers today's Lebanon, Israel, Palestinian Territories, Jordan, Syria, Turkey and Iraq in the 7th century C.E. Among these events are the major battles against the Byzantines, such as the Battles of Ajnadayn and al-Yarmuk, the conquests of important cities, including Damascus, Jerusalem and Caesarea, and the diplomatic initiatives between the Byzantines and the early Muslims. The narrative abounds with history and Islamic theological content. As the first translation into a European language, this volume will be of interest to a wide range of readership, including (Muslim and Christian) theologians, historians, Islamicists, Byzantinists, Syrologists and (Arabic) linguists.

Byzantine intellectuals not only had direct access to Neoplatonic sources in the original language but also, at times, showed a particular interest in them. During the Early Byzantine period Platonism significantly contributed to the development of Christian doctrines and, paradoxically, remained a rival world view that was perceived by many Christian thinkers as a serious threat to their own intellectual identity. This problematic relationship was to become even more complex during the following centuries. Byzantine authors made numerous attempts to harmonize Neoplatonic doctrines with Christianity as well as to criticize, refute and even condemn them. The papers assembled in this volume discuss a number of specific questions and concerns that drew the interest of Byzantine scholars in different periods towards Neoplatonic sources in an attempt to identify and explore the central issues in the reception of Neoplatonic texts during the Byzantine era. This is the first volume of the sub-series "Byzantinisches Archiv - Series Philosophica", which will be dedicated to the rapidly growing field of research in Byzantine philosophical texts.

This volume builds upon the widening interest in the connections between culture and communication in medieval and early modern Europe. Focusing on England, it takes a critical look at the scholarly paradigm of the shift from script to print, exploring the possibilities and limitations of these media as vehicles of information and meaning. The essays examine how pen and the press were used in the spheres of religion, law, scholarship, and politics. They assess ascribal activity both before and after the advent of printing, illuminating its role in recording and transmitting polemical, literary, antiquarian and utilitarian texts. They also investigate script and print in relation to the spoken word, emphasising the constant interaction and symbiosis of these three media. In sum, this collection will help to refine the boundaries between cultures of speech, manuscript and print, and to reconsider the historical fissures which they have come to represent.

The first full-length study of how motets were used and performed in the fifteenth century, this book dispels the mystery surrounding these outstanding works of vocal polyphony. It covers four areas of intense compositional activity: England, the Veneto, Bruges and Cambrai, with reference to the works of Dunstaple, Forest, Ciconia, Grenon and Du Fay. In every documented instance, motets functioned as ceremonial vehicles, whether voiced in procession through the streets of a city or the chapel of a king, at the guild chapel of a parish church or the high altar of a cathedral. The motet was an entirely vocal genre that changed radically during the period from 1400 to 1475. Robert Nosow outlines the motet's social history, demonstrating how the incorporation of different texts, musical dialects, cantus firmus materials and melodic styles represents an important key to the evolution of the genre, and its adaptability to widely variant ritual circumstances.

In the Wake of the Compendia presents papers that examine the history of technical compendia as they moved between institutions and societies in ancient and medieval Mesopotamia. This volume offers new perspectives on the development and transmission of technical compilations, looking especially at the relationship between empirical knowledge and textual transmission in early scientific thinking. The eleven contributions to the volume derive from a panel held at the American Oriental Society in 2013 and cover more than three millennia of historical development, ranging from Babylonian medicine and astronomy to the persistence of Mesopotamian lore in Syriac and Arabic meditations on the properties of animals. The volume also includes major contributions on the history of Mesopotamian "rationality," epistemic labels for tested and tried remedies, and the development of depersonalized case histories in Babylonian therapeutic compendia. Together, these studies offer an overview of several important moments in the development of non-Western scientific thinking and a significant contribution to our understanding of how traditions of technical knowledge were produced and transmitted in the ancient world.

When considering relations between Britain and the Continent, the core issues are commonly those identified by politicians: sovereignty, law, taxation and foreign policy. For others the Continent has other connotations: a source of economic rivalry, an artistic inspiration, a sporting challenge, a holiday destination and even a focus for nationalist xenophobia.However, in the medieval past, there were no British interests at stake because England and Scotland were separate kingdoms and the Welsh had their own agenda. English kings ruled extensive lands on the Continent, so it was hard to know how English interests could be separately identified, let alone voiced. For centuries after the Norman Conquest, the language of public discourse in England was French.

Most modern accounts of fifteenth-century English queens understandably focus on separating what really happened from what was fabricated. What has not been considered in any detail, however, is the fabrications themselves as narratives, and as reflections of questions and anxieties that haunted their writers. By focusing on the relationship between gender and genre and the way embedded literary narratives echo across texts as disparate as chronicles, parliamentary proceedings, diplomatic correspondence, ballads, poetry, and drama, this study reveals hitherto unexplored tensions within these texts, generated by embedded narratives and their implications.

In 833 emperor Louis the Pious, Charlemagne's son, submitted to a public penance in the wake of a rebellion by his three elder sons. This penance amounted to a deposition, for Louis was to atone for his sins for the rest of his life. However, only half a year later, he was back on the throne again. In this evaluation of Louis' reign, Mayke de Jong argues that his penance was the outcome of a political discourse and practice in which the accountability of the Frankish ruler to God played an increasingly central role. However heated their debates, this was a moral high ground Louis shared with churchmen and secular magnates. Through a profound re-reading of texts by contemporary authors who reflected on legitimate authority in times of crisis, this book reveals a world in which political crime was defined as sin, and royal authority was enhanced by atonement.

This volume explores the theme of Latin and Greek mutual learning, intellectual and cultural interchange in the final age of Byzantium (1261-1453), challenging received conceptions of East and West as clearly delineated ideological categories. The reception of Thomas Aquinas and Western scholasticism receives emphasis, but also other forms of philosophical and theological frames of reference that have had lasting repercussions.

No study has been carried out examining the gnostic undercurrents in medieval England. For the first time, Natanela Elias investigates the existence of these gnostic traces, using prominent late medieval English literary works such as Piers Plowman and Confessio Amantis and ultimately shedding light on a previously overlooked religious dimension.

The Middle Byzantine Historians, which continues the same author's Early Byzantine Historians, is the first book to analyze the lives and works of every significant Byzantine historian from the seventh to the thirteenth century. Written for general readers as well as professional scholars, it describes forty-three historians who usually knew their emperors personally. Besides obscure but intriguing figures like the exiled Sergius Confessor, father of the Patriarch Photius, and the embittered monk Nicetas the Paphlagonian, author of a Secret History that denounced Photius, the historians include the authors of three of the world's greatest histories: the courtier Michael Psellus, who depicts the flawed personalities of the fourteen emperors and empresses of his time, Princess Anna Comnena, who makes a spirited defense of her father Alexius I, and Nicetas Choniates, a provincial who rose to head the whole Byzantine bureaucracy and told the story of his empire's decline from great power to destruction by the Fourth Crusade.

This is an engaging account of the world of the Vikings and their gods. As the Vikings began to migrate overseas as raiders or settlers in the late eighth century, there is evidence that this new way of life, centred on warfare, commerce and exploration, brought with it a warrior ethos that gradually became codified in the Viking myths, notably in the cult of Odin, the god of war, magic and poetry, and chief god in the Norse pantheon. The twelfth and thirteenth centuries, when most of Scandinavia had long since been converted to Christianity, form perhaps the most important era in the history of Norse mythology: only at this point were the myths of Thor, Freyr and Odin first recorded in written form. Using archaeological sources to take us further back in time than any written document, the accounts of foreign writers like the Roman historian Tacitus, and the most important repository of stories of the gods, old Norse poetry and the Edda, Christopher Abram leads the reader into the lost world of the Norse gods.

Did the laity have a part in the Carolingian Renaissance? If so, how were lay elites, and through them the laity at large affected? This fascinating and wide-ranging volume examines these questions through a study of lay involvement in literary and artistic activity in early medieval Europe. Leading historians explore a diverse range of Latin and vernacular texts written by secular authors and use richly-drawn case studies to illuminate such key issues as the extent of lay literacy, the contexts in which learned laity could flourish, the transformative impact of the Carolingian Renaissance, and the interaction of ???lay??? and ???clerical??? values on both sides of the Channel. This volume demonstrates that the learned laity, both women as well as men, contributed much more as writers and patrons to early medieval culture than was previously thought and it will be essential reading for scholars of Carolingian and Anglo-Saxon history.

In the early 1800's, on a Hebridean beach in Scotland, the sea exposed an ancient treasure cache: 93 chessmen carved from walrus ivory. Norse netsuke, each face individual, each full of quirks, the Lewis Chessmen are probably the most famous chess pieces in the world. Harry played Wizard's Chess with them in Harry Potter and the Sorcerer's Stone. Housed at the British Museum, they are among its most visited and beloved objects. Questions abounded: Who carved them? Where? Ivory Vikings explores these mysteries by connecting medieval Icelandic sagas with modern archaeology, art history, forensics, and the history of board games. In the process, Ivory Vikings presents a vivid history of the 400 years when the Vikings ruled the North Atlantic, and the sea-road connected countries and islands we think of as far apart and culturally distinct: Norway and Scotland, Ireland and Iceland, and Greenland and North America. The story of the Lewis chessmen explains the economic lure behind the Viking voyages to the west in the 800s and 900s. And finally, it brings from the shadows an extraordinarily talented woman artist of the twelfth century: Margret the Adroit of Iceland.

The instant Sunday Times bestseller A Times, New Statesman and Spectator Book of the Year 'Simply the best popular history of the Middle Ages there is' Sunday Times 'A great achievement, pulling together many strands with aplomb' Peter Frankopan, Spectator, Books of the Year 'It's so delightful to encounter a skilled historian of such enormous energy who's never afraid of being entertaining' The Times, Books of the Year 'An amazing masterly gripping panorama' Simon Sebag Montefiore 'A badass history writer... to put it mildly' Duff McKagan 'A triumph' Charles Spencer Dan Jones's epic new history tells nothing less than the story of how the world we know today came to be built. It is a thousand-year adventure that moves from the ruins of the once-mighty city of Rome, sacked by barbarians in AD 410, to the first contacts between the old and new worlds in the sixteenth century. It shows how, from a state of crisis and collapse, the West was rebuilt and came to dominate the entire globe. The book identifies three key themes that underpinned the success of the West: commerce, conquest and Christianity. Across 16 chapters, blending Dan Jones's trademark gripping narrative style with authoritative analysis, Powers and Thrones shows how, at each stage in this story, successive western powers thrived by attracting - or stealing - the most valuable resources, ideas and people from the rest of the world. It casts new light on iconic locations - Rome, Paris, Venice, Constantinople - and it features some of history's most famous and notorious men and women. This is a book written about - and for - an age of profound change, and it asks the biggest questions about the West both then and now. Where did we come from? What made us? Where do we go from here? Also available in audio, read by the author.

The most famous and influential work of English fantasy ever published, reimagined for a new generation of readers by John Matthews, one of the world's leading Arthurian experts, and illustrated by internationally acclaimed Tolkien artist, John Howe. The tales of how the boy Arthur drew the Sword from the Stone, or the love of Lancelot and Guinevere, or how the knights of the Round Table rode out in search of the Holy Grail are known and loved the world over. It all began when an obscure Celtic hero named Arthur stepped on to the stage of history, sometime in the sixth century, and oral tales led to a vast body of stories from which, 900 years later, Thomas Malory wrote the famous Morte D'Arthur. THE GREAT BOOK OF KING ARTHUR presents these well-loved stories for a modern reader, for the first time collecting many tales of Arthur and his knights either unknown to Malory or written in other languages. Here, you will read of Avenable, the girl brought up as a boy who becomes a famous knight. You will learn of Gawain's strange birth, his upbringing amongst poor folk and his final rise to the highest possible rank - Emperor of Rome. There is also the story of Morien whose adventures are as fantastic and exciting as any to be found in the pages of Malory. In addition, there are some of the earliest tales of Arthur, deriving from the tradition of Celtic storytelling. Here is the original Arthur, represented in such powerful stories as 'The Adventures of Eagle-Boy', and 'The Coming of Merlin', based on the early medieval text Vita Merlini, which gives a completely new version of the great Enchanter's story. These age-old stories, still as popular today as they were from the Middle Ages onwards, are dramatically brought to life by the luminous paintings and drawings of John Howe, whose work on the Lord of the Rings and Hobbit film trilogies has brought him a world-wide following.

This book offers a detailed study of the types of trade that occurred in a medieval English market town. It focuses above all on the identity of buyers and sellers in late fourteenth-century Exeter, a port town that enjoyed particularly good overland connections throughout south-western England. More than most town histories, it explores the dynamic relationship between town and country, and traces how the urban center linked local and regional networks of exchange.

Michael Jones is recognised on both sides of the Channel as an authority on late medieval Breton history. In this book he brings together much of his work on the subject, examining not only the administration of the duchy but also more intangible questions about the identity of a late medieval state.

From one of Britain's best selling historians, a sweeping and magisterial history of the extraordinary lives of five queens in England's turbulent Age of Chivalry Medieval queens were seen as mere dynastic trophies, yet many of the Plantagenet queens of the High Middle Ages dramatically broke away from the restrictions imposed on their sex, as Alison Weir shows in this gripping group biography of England's fourteenth-century consorts. Using personal letters and wonderfully vivid sources, Alison Weir evokes the lives of five remarkable queens: Marguerite of France, Isabella of France, Philippa of Hainault, Anne of Bohemia and Isabella of Valois. The turbulent, brutal Age of Chivalry witnessed the Black Death, the Peasants' Revolt, the Hundred Years War against France and savage baronial wars against the monarchy in which these queens were passionately involved. Queens of the Age of Chivalry brilliantly recreates this truly dramatic period of history through the lives of five extraordinary women. "Stunning... [Weir has] brought those five queens to life like never before. I just raced through it - it has all the drama and suspense of a novel." - Tracy Borman, praise for Queens of Crusades