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Books > History > World history > 500 to 1500
"Space Matters!" claimed Doreen Massey and John Allen at the heart
of the Spatial Turn developments (1984). Compensating a
four-decades shortfall, this collective volume is the first reader
in Byzantine spatial studies. It contextualizes the spatial turn in
historical studies by means of interdisciplinary dialogue. An
introduction offers an up-to-date state of the art. Twenty-nine
case studies provide a wide range of different conceptualizations
of space in Byzantine culture articulated in a single collection
through a variety of topics and approaches. An afterword frames the
future challenges of Byzantine spatial studies in a changing world
where space is a claim and a precarious social value. Contributors
are Ilias Anagnostakis, Alexander Beihammer, Helena Bodin, Darlene
L. Brooks Hedstrom, Beatrice Caseau Chevallier, Paolo Cesaretti,
Michael J. Decker, Veronica della Dora, Rico Franses, Sauro
Gelichi, Adam J. Goldwyn, Basema Hamarneh, Richard Hodges, Brad
Hostetler, Adam Izdebski, Liz James, P. Nick Kardulias, Isabel
Kimmelfield, Tonia Kiousopoulou, Johannes Koder, Derek Krueger,
Tomasz Labuk, Maria Leontsini, Yulia Mantova, Charis Messis,
Konstantinos Moustakas, Margaret Mullett, Ingela Nilsson, Robert G.
Ousterhout, Georgios Pallis, Myrto Veikou, Joanita Vroom, David
Westberg, and Enrico Zanini.
Al-Maqrizi's (d. 845/1442) last work, al-H abar 'an al-basar, was
completed a year before his death. This volume, edited by Jaakko
Hameen-Anttila, covers the history of pre-Islamic Iran during the
Sasanian period and the conquest. Al-Maqrizi's work shows how Arab
historians integrated Iran into world history and how they
harmonised various currents of historiography (Middle Persian
historiography, Islamic sacred history, Greek and Latin
historiography). This part harmonises the versions of Miskawayh's
Tagarib, al-T abari's Ta'rih , and several other sources, producing
a fluent narrative of Iran from the early 3rd century until 651. It
also includes the complete text of 'Ahd Ardasir, here translated
for the first time into English.
Combining the resources of new historicism, feminism, and
postmodern textual analysis, Eric Mallin reveals how contemporary
pressures left their marks on three Shakespeare plays written at
the end of Elizabeth's reign. Close attention to the language of
Troilus and Cressida, Hamlet, and Twelfth Night reveals the ways
the plays echo the events and anxieties that accompanied the
beginning of the seventeenth century. Troilus reflects the
rebellion of the Earl of Essex and the failure of the courtly,
chivalric style. Hamlet resonates with the danger of the bubonic
plague and the difficult succession history of James I. Twelfth
Night is imbued with nostalgia for an earlier period of Elizabeth's
rule, when her control over religious and erotic affairs seemed
more secure. This title is part of UC Press's Voices Revived
program, which commemorates University of California Press's
mission to seek out and cultivate the brightest minds and give them
voice, reach, and impact. Drawing on a backlist dating to 1893,
Voices Revived makes high-quality, peer-reviewed scholarship
accessible once again using print-on-demand technology. This title
was originally published in 1995.
In Force of Words, Haraldur Hreinsson examines the social and
political significance of the Christian religion as the Roman
Church was taking hold in medieval Iceland in the 11th, 12th, and
13th centuries. By way of diverse sources, primarily hagiography
and sermons but also material sources, the author shows how
Christian religious ideas came into play in the often tumultuous
political landscape of the time. The study illuminates how the
Church, which was gathering strength across entire Europe,
established itself through the dissemination of religious
vernacular discourse at the northernmost borders of its dominion.
The Opus arduum valde is a Latin commentary on the Book of
Revelation, written in England by an unknown scholarly author in
the years 1389-1390. The book originated from the early Wycliffite
movement and reflects its experience of persecution in apocalyptic
terms. In England it soon fell into oblivion, but was adopted by
radical exponents of the fifteenth-century Bohemian Hussites. In
the sixteenth century Luther obtained a copy of the Opus arduum
valde which he had printed in Wittenberg with his own preface in
1528. This remarkable document of religious dissent in late
medieval Europe, highly regarded in Lollard and Hussite studies, is
now for the first time made available in a critical edition.
Detailed examination of the letters of Edward I reveals them to be
powerful and sophisticated political tools. Highly commended for
the Royal Studies Journal Book Prize, 2022 As formulaic in
appearance as they are abundant in the archives, it is easy to
underestimate the power of the letters generated by medieval
governments, but these acts of communication were more than mere
containers of information. Operating at the intersection of the
spoken and the written, the performed and the observed, they
produced a discourse that maximized royal authority and promoted
solidarity between sender and recipient. This book situates letters
within medieval theories of composition and habits of reception, to
argue that even mundane letters of governance were rhetorical
texts. It focuses on the example of Edward I of England, whose
rhetorical prowess was noted, often critically, by contemporaries.
It shows how the king's correspondence varied in tone, vocabulary
and structure across his reign and between recipients, revealing an
unexpected dynamism of political discourse. Moving between
historical context and close readings of individual letters, this
volume identifies letter-writing as an art through which the king
and his government attempted to negotiate and mould relationships
with political communities and diplomatic interlocutors alike.
Little is known about the Christianization of east-central and
eastern Europe, due to the fragmentary nature of the historical
record. Yet occasionally, unexpected archaeological discoveries can
offer fresh angles and new insights. This volume presents such an
example: the discovery of a Byzantine-like church in Alba Iulia,
Transylvania, dating from the 10th century - a unique find in terms
of both age and function. Next to its ruins, another church was
built at the end of the 11th century, following a Roman Catholic
architectural model, soon to become the seat of the Latin bishopric
of Transylvania. Who built the older, Byzantine-style church, and
what was the political, religious and cultural context of the
church? How does this new discovery affect our perception of the
ecclesiastical history of Transylvania? A new reading of the
archaeological and historical record prompted by these questions is
presented here, thereby opening up new challenges for further
research. Contributors are: Daniela Marcu Istrate, Florin Curta,
Horia I. Ciugudean, Aurel Dragota, Monica-Elena Popescu, Calin
Cosma, Tudor Salagean, Jan Nicolae, Dan Ioan Muresan, Alexandru
Madgearu, Gabor Thoroczkay, Eva Toth-Revesz, Boris Stojkovski,
Serban Turcus, Adinel C. Dinca, Mihai Kovacs, Nicolae Calin Chifar,
Marius Mihail Pasculescu, and Ana Dumitran.
Volume 5 of the Cambridge World History series uncovers the
cross-cultural exchange and conquest, and the accompanying growth
of regional and trans-regional states, religions, and economic
systems, during the period 500 to 1500 CE. The volume begins by
outlining a series of core issues and processes across the world,
including human relations with nature, gender and family, social
hierarchies, education, and warfare. Further essays examine
maritime and land-based networks of long-distance trade and
migration in agricultural and nomadic societies, and the
transmission and exchange of cultural forms, scientific knowledge,
technologies, and text-based religious systems that accompanied
these. The final section surveys the development of centralized
regional states and empires in both the eastern and western
hemispheres. Together these essays by an international team of
leading authors show how processes furthering cultural, commercial,
and political integration within and between various regions of the
world made this millennium a 'proto-global' era.
This is the first book in English providing a wide range of
Byzantine legal sources. In six chapters, this book explains and
illustrates Byzantine law through a selection of fundamental
Byzantine legal sources, beginning with the sources before the time
of Justinian, and extending up to AD 1453. For all sources English
translations are provided next to the original Greek (and Latin)
text. In some cases, tables or other features are included that
help further elucidate the source and illustrate its nature. The
volume offers a clear yet detailed primer to Byzantine law, its
sources, and its significance.
Controversial scholarly debates around the beginnings of the
Ottoman Empire in the last century are not only rooted in the
scarcity or heterogeneity of sources, but also in the mentalities
and ideologies that canonised thought paradigms. This book uses an
interdisciplinary approach at the interface between Ottoman,
Byzantine, Mediterranean and Southeast European studies. Unusual
sources such as Western Anatolian numismatics and predominantly
European documents met innovative methods from the study of
violence and power networks. Making a case study around the
military akinci institution, the author re-evaluates the emergence
of the Ottoman polity in dealing with various warlords and across
multiple identities and political affiliations.
This book provides the first detailed overview of research on
rulership in theory and practice, with a particular emphasis on the
monarchies of Bohemia, Hungary and Poland in the High and Late
Middle Ages. The contributions examine the legitimation of rule of
the first local dynasties, the ritual practice of power, the ruling
strategies and practices of power in the established monarchies,
and the manifold influences on the rulership in East Central Europe
from outside the region (such as from Byzantium, and the Holy Roman
Empire). The collection shows that these ideas and practices
enabled the new polities to become legitimate members of Latin
Christendom.
This volume unites a team of distinguished scholars from France,
Germany, Italy, the UK, and the USA to celebrate Rosalind B.
Brooke's immense contribution to Franciscan studies over the last
60 years. It is divided into four sections, beginning with an
appraisal of Dr Brooke's influence upon Franciscan studies. The
second section contains a series of historical studies and
expressions of the Franciscan spirit. Hagiographical studies occupy
the third section, reflecting the friars' ministry and the thirst
for the renewal of the Franciscan vision. The fourth part explores
the art and iconographical images of St. Francis and his friars.
These innovative studies reflect new insights into and
interpretations of Franciscan life in the Middle Ages. Contributors
are (n order of appearance) Michael W. Blastic, O.F.M., Maria Pia
Alberzoni, Bert Roest, Michael F. Cusato, O.F.M., Jens Roehrkasten,
David Luscombe, Luigi Pellegrini. Peter Murray Jones, Maria Teresa
Dolso, Michael J.P. Robson, Andre Vauchez, David Burr, William R.
Cook, Nigel Morgan, and Kathleen Giles Arthur.
This collection of seventeen essays newly identifies contributions
to musical culture made by women before 1500 across Europe. You
will learn about repertoire from such diverse locations as Iceland,
Spain, and Italy, and encounter examples of musicianship from the
gender-fluid professional musicians at the Islamicate courts of
Syria to the nuns of Barking Abbey in England. The book shows that
women drove musical patronage, dissemination, composition, and
performance, including within secular and ecclesiastical contexts,
and also reflects on the reception of medieval women's musical
agency by both medieval poets and by modern recording artists.
Contributors are David Catalunya, Lisa Colton, Helen Dell, Annemari
Ferreira, Rachel Golden, Gillian L. Gower, Anna Kathryn Grau,
Carissa M. Harris, Louise McInnes, Lisa Nielson, Lauren
Purcell-Joiner, Megan Quinlan, Leah Stuttard, Claire Taylor Jones,
Melissa Tu, Angelica Vomera, and Anne Bagnall Yardley.
This book offers a new and inclusive approach to Western exegesis
up to 1100. For too long, modern scholars have examined Jewish and
Christian exegesis apart from each other. This is not surprising,
given how religious, social, and linguistic borders separated Jews
and Christians. But they worked to a great extent on the same
texts. Christians were keenly aware that they relied on
translation. The contributions to this volume reveal how both sides
worked on parallel tracks, posing similar questions and employing
more or less the same techniques, and in some rare instances,
interdependently.
This open access book brings together an international team of
experts, The Middle Ages in Modern Culture considers the use of
medieval models across a variety of contemporary media - ranging
from television and film to architecture - and the significance of
deploying an authentic medieval world to these representations.
Rooted in this question of authenticity, this interdisciplinary
study addresses three connected themes. Firstly, how does
historical accuracy relate to authenticity, and whose version of
authenticity is accepted? Secondly, how are the middle ages
presented in modern media and why do inaccuracies emerge and
persist in these works? Thirdly, how do creators of modern content
attempt to produce authentic medieval environments, and what are
the benefits and pitfalls of accurate portrayals? The result is
nuanced study of medieval culture which sheds new light on the use
(and misuse) of medieval history in modern media. This book is open
access and available on www.bloomsburycollections.com. It is funded
by Knowledge Unlatched.
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