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Books > History > World history > 500 to 1500
A full colour map showing London about 1270 to 1300 - its walls and
gates, parish churches, early monasteries and hospitals, and a
growing number of private houses. The city's streets and alleyways
had been established. Dominating London are the Tower of London in
the east, the old St Paul's Cathedral in the west and London Bridge
in the south. Up-river in Westminster, the abbey and the royal
palace had been well established, and the great Westminster Hall is
very evident. London's playground in Southwark was beginning to
grow.
With his Letter of 1493 to the court of Spain, Christopher Columbus
heralded his first voyage to the present-day Americas, creating
visions that seduced the European imagination and birthing a
fascination with those "new" lands and their inhabitants that
continues today. Columbus's epistolary announcement travelled from
country to country in a late-medieval media event -- and the rest,
as has been observed, is history. The Letter has long been the
object of speculation concerning its authorship and intention:
British historian Cecil Jane questions whether Columbus could read
and write prior to the first voyage while Demetrio Ramos argues
that King Ferdinand and a minister composed the Letter and had it
printed in the Spanish folio. The Letter has figured in studies of
Spanish Imperialism and of Discovery and Colonial period history,
but it also offers insights into Columbus's passions and motives as
he reinvents himself and retails his vision of Peter Martyr's Novus
orbis to men and women for whom Columbus was as unknown as the
places he claimed to have visited. The central feature of the book
is its annotated variorum edition of the Spanish Letter, together
with an annotated English translation and word and name glossaries.
A list of terms from early print-period and manuscript cultures
supports those critical discussions. In the context of her
text-based reading, the author addresses earlier critical
perspectives on the Letter, explores foundational questions about
its composition, publication and aims, and proposes a theory of
authorship grounded in text, linguistics, discourse, and culture.
This book investigates the impact of the ever-changing story of
William Wallace on Scottish national identity. Freed from the
historian's bedrock of empiricism by a lack of corroborative
sources, the biography of this short-lived late-medieval patriot
has long been incorporated into the ideology of nationalism. It is
to explain this assimilation, and to deconstruct the myriad ways
that Wallace's biography has been endlessly refreshed as a national
narrative, over many generations, that forms this investigation.
William Wallace: A National Tale examines the elision of Wallace's
after-life into narrative ascendency, dominating the ideology and
politics of nationalism in Scotland. This narrative is
conceptualised as the national tale, a term taken out of its
literary moorings to scrutinise how the personal biography of a
medieval patriot has been evoked and presented as the nation's
biography over seven centuries of time. Through the verse of Blind
Harry, the romance of Jane Porter, to the historical imaginations
of Braveheart and Brave, Scotland's national tale has been forged.
This is a fresh, engaging and timely exploration into Wallace's
hold over Scotland's national mythology. It reappraises William
Wallace as a national figure. It explores Wallace variously as: A
Protestant, A Scottish Chief, A Romantic Hero, and a Hollywood
Hero. It examines Scotland's obsession with the need for a national
hero.
European and Arab versions of the Crusades have little in common.
For Arabs, the twelfth and thirteenth centuries were years of
strenuous efforts to repel a brutal and destructive invasion by
barbarian hordes. In "The Crusades Through Arab Eyes", Amin Maalouf
has sifted through the works of a score of contemporary Arab
chroniclers of the Crusades, eyewitnesses and often participants in
the events. He retells their stories in their own vivacious style,
giving us a vivid portrait of a society rent by internal conflicts,
and shaken by a traumatic encounter with an alien culture. He
retraces two critical centuries of Middle Eastern history, and
offers fascinating insights into some of the forces that shape Arab
and Islamic consciousness today.
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