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Books > History > World history > 500 to 1500
The Great, the Pious, the Fair; the Wise, the Lame, the Mad.
Imprisoned, deposed, exiled. Excommunicated, assassinated; devout,
debauched; loved, loathed - the Middle Ages produced a fascinating
array of monarchs. From Britain to Russia, from Scandinavia to
Sicily, from the 9th century CE to the completion of the
Reconquista of Spain in 1492, Kings & Queens of the Medieval
World explores the captivating stories of monarchs from all across
Europe. Arranged thematically, the book groups the kings and queens
by their achievements - military leaders, law-makers, religious
reformers, patrons of the arts. These are stories of monarchs
leading their armies into battle to expand or defend their
territory, and of kings - and queens - going on crusade - both
within Europe and to the Holy Land. These, too, are stories of, on
the one hand, countries united by marriage, and, on the other, sons
scheming against fathers in an effort to gain - and maintain -
power. And yet these are also the stories of the people who
constructed beautiful cathedrals, who founded universities and
supported artists, of religious kings who were later canonised, of
kings who created more just legal systems, established parliaments
and permanent armies, and laid the foundations for more modern
governments and societies. Featuring the major European dynasties,
Kings & Queens of the Medieval World is a lively account of
monarchs from Charlemagne to Alexander Nevsky to Ferdinand and
Isabella. Illustrated with 180 colour and black-and-white artworks,
photographs and maps, this is a colourful, accessible history.
This unique examination of medieval medicine as detailed in
physician's manuals of the period reveals a more sophisticated
approach to the medical arts than expected for the time. Far from
the primitive and barbaric practices the Middle Ages may conjure up
in our minds, doctors during that time combined knowledge,
tradition, innovation, and intuition to create a humane, holistic
approach to understanding and treating every known disease. In
fact, a singularly authoritative medical source of the period, Lily
of Medicine, continued to provide crucial study for students and
practitioners of medicine almost four centuries after its
completion in 1305. This unprecedented book investigates the
extensive capabilities of physicians who relied on practice,
observation, and imagination before the supremacy of mechanistic
views and technological aids. Medieval Medicine: The Art of
Healing, from Head to Toe is a comprehensive look at diseases as
they were described, classified, explained, assessed, and treated
by doctors of the age. The author methodically compares a dozen
encyclopedic manuals in which both the fundamental understanding of
healthy functions and the specific response to diseases were
summarized, viewing the information through a medieval perspective
rather than based upon modern criteria. Includes translations,
available for the first time in English, of original comments and
illustrations by physicians of the day Contains a plethora of
additional resources for learning, including 20 black-and-white
plates with full references, 5 tables, a glossary of unusual words,
a chronology and list of the consulted sources, and an extensive
bibliography Reveals how medieval medical manuals influenced
literary, historical, and medical study
With his Letter of 1493 to the court of Spain, Christopher Columbus
heralded his first voyage to the present-day Americas, creating
visions that seduced the European imagination and birthing a
fascination with those "new" lands and their inhabitants that
continues today. Columbus's epistolary announcement travelled from
country to country in a late-medieval media event -- and the rest,
as has been observed, is history. The Letter has long been the
object of speculation concerning its authorship and intention:
British historian Cecil Jane questions whether Columbus could read
and write prior to the first voyage while Demetrio Ramos argues
that King Ferdinand and a minister composed the Letter and had it
printed in the Spanish folio. The Letter has figured in studies of
Spanish Imperialism and of Discovery and Colonial period history,
but it also offers insights into Columbus's passions and motives as
he reinvents himself and retails his vision of Peter Martyr's Novus
orbis to men and women for whom Columbus was as unknown as the
places he claimed to have visited. The central feature of the book
is its annotated variorum edition of the Spanish Letter, together
with an annotated English translation and word and name glossaries.
A list of terms from early print-period and manuscript cultures
supports those critical discussions. In the context of her
text-based reading, the author addresses earlier critical
perspectives on the Letter, explores foundational questions about
its composition, publication and aims, and proposes a theory of
authorship grounded in text, linguistics, discourse, and culture.
This book investigates the impact of the ever-changing story of
William Wallace on Scottish national identity. Freed from the
historian's bedrock of empiricism by a lack of corroborative
sources, the biography of this short-lived late-medieval patriot
has long been incorporated into the ideology of nationalism. It is
to explain this assimilation, and to deconstruct the myriad ways
that Wallace's biography has been endlessly refreshed as a national
narrative, over many generations, that forms this investigation.
William Wallace: A National Tale examines the elision of Wallace's
after-life into narrative ascendency, dominating the ideology and
politics of nationalism in Scotland. This narrative is
conceptualised as the national tale, a term taken out of its
literary moorings to scrutinise how the personal biography of a
medieval patriot has been evoked and presented as the nation's
biography over seven centuries of time. Through the verse of Blind
Harry, the romance of Jane Porter, to the historical imaginations
of Braveheart and Brave, Scotland's national tale has been forged.
This is a fresh, engaging and timely exploration into Wallace's
hold over Scotland's national mythology. It reappraises William
Wallace as a national figure. It explores Wallace variously as: A
Protestant, A Scottish Chief, A Romantic Hero, and a Hollywood
Hero. It examines Scotland's obsession with the need for a national
hero.
The present volume is a Festschrift in honor of the distinguished
scholar in Late Byzantine, post-Byzantine and Cretan Renaissance
studies I. Mavromatis. The title Kalligraphos is indicative of the
foundations of his scholarship, which lie in the fields of
paleography and early printing. With manuscripts and early printed
books as the primary material of his studies, Professor Mavromatis
has produced several major works in the fields of Byzantine
philology, Cretan Renaissance literature (especially Erotorcritos)
and late Byzantine vernacular poetry. This volume includes a short
preface and twenty-four articles by senior and younger scholars,
former colleagues, collaborators, and students of Professor
Mavromatis. The articles are loosely arranged in chronological
order of their subject matter and treat issues ranging from
Byzantine historiography going back to the 4th century CE to
post-Byzantine Cretan poetry of the 17th century. This philological
kaleidoscope features new editions and interpretations of hitherto
unknown or little-known poems and texts. The volume is intended for
scholars, graduate and undergraduate students and the general
readership interested in Byzantine and post-Byzantine literature.
The Battle of Hastings is one of the key events in the history of
the British Isles. This book is not merely another attempt to
describe what happened at Hastings - that has already been done
supremely well by many others - but instead to highlight two
issues: how little we actually know for certain about the battle,
and how the popular understanding of 14 October 1066 has been
shaped by the concerns of later periods. It looks not just at
perennial themes such as how did Harold die and why did the English
lose, but also at other crucial issues such as the diplomatic
significance of William of Normandy's claim to the English throne,
the Norman attempt to secure papal support, and the extent to which
the Norman and Anglo-Saxon armies represented diametrically opposed
military systems. This study will be of great interest to all
historians, students and teachers of history and is illustrated
with 10 colour and 10 black & white photographs.
This is the first book in English providing a wide range of
Byzantine legal sources. In six chapters, this book explains and
illustrates Byzantine law through a selection of fundamental
Byzantine legal sources, beginning with the sources before the time
of Justinian, and extending up to AD 1453. For all sources English
translations are provided next to the original Greek (and Latin)
text. In some cases, tables or other features are included that
help further elucidate the source and illustrate its nature. The
volume offers a clear yet detailed primer to Byzantine law, its
sources, and its significance.
An engaging, richly illustrated account of parish churches and
churchgoers in England, from the Anglo-Saxons to the mid-sixteenth
century Parish churches were at the heart of English religious and
social life in the Middle Ages and the sixteenth century. In this
comprehensive study, Nicholas Orme shows how they came into
existence, who staffed them, and how their buildings were used. He
explains who went to church, who did not attend, how people behaved
there, and how they-not merely the clergy-affected how worship was
staged. The book provides an accessible account of what happened in
the daily and weekly services, and how churches marked the seasons
of Christmas, Lent, Easter, and summer. It describes how they
celebrated the great events of life: birth, coming of age, and
marriage, and gave comfort in sickness and death. A final chapter
covers the English Reformation in the sixteenth century and shows
how, alongside its changes, much that went on in parish churches
remained as before.
Between the age of St. Augustine and the sixteenth century
reformations magic continued to be both a matter of popular
practice and of learned inquiry. This volume deals with its use in
such contexts as healing and divination and as an aspect of the
knowledge of nature's occult virtues and secrets.
This volume offers the first fully scholarly translation into
English of the Tale of Livistros and Rodamne, a love romance
written around the middle of 13th century at the imperial court of
Nicaea, at the time when Constantinople was still under Latin
dominion. With its approximately 4700 verses, Livistros and Rodamne
is the longest and the most artfully composed of the eight
surviving Byzantine love romances. It was almost certainly written
to be recited in front of an aristocratic audience by an educated
poet experienced in the Greek tradition of erotic fiction, yet at
the same time knowledgeable of the Medieval French and Persian
romances of love and adventure. The poet has created a very
'modern' narrative filled with attractive episodes, including the
only scene of demonic incantation in Byzantine fiction. The
language of the romance is of a high poetic quality, challenging
the translator at every step. Finally, Livistros and Rodamne is the
only Byzantine romance that consistently constructs the Latin world
of chivalry as an exotic setting, a type of occidentalism aiming to
tame and to incorporate the Frankish Other in the social norms of
the Byzantine Self after the Fall of Constantinople to the Latins
in 1204.
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Immortal Latin
(Hardcover)
Marie-Madeleine Martin; Translated by Brian Welter
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R685
Discovery Miles 6 850
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Ships in 10 - 15 working days
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WINNER YOUNG QUILLS AWARD BEST HISTORICAL FICTION 2021 12-year-old
Ada is a laundress of little consequence but the new castle
commander Brian de Berclay has his evil eye on her. Perhaps she
shouldn't have secretly fed the young prisoner in the tower. But
when the King of England crosses the border with an army of over
3000 strong, Ada, her friend Godfrey and all at Caerlaverock
suddenly find themselves under attack, with only 60 men for
protection. Soon, rocks and flaming arrows rain from the sky over
Castle Caerlaverock - and Ada has a dangerous choice to make.
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