This open access book brings together an international team of experts, The Middle Ages in Modern Culture considers the use of medieval models across a variety of contemporary media - ranging from television and film to architecture - and the significance of deploying an authentic medieval world to these representations. Rooted in this question of authenticity, this interdisciplinary study addresses three connected themes. Firstly, how does historical accuracy relate to authenticity, and whose version of authenticity is accepted? Secondly, how are the middle ages presented in modern media and why do inaccuracies emerge and persist in these works? Thirdly, how do creators of modern content attempt to produce authentic medieval environments, and what are the benefits and pitfalls of accurate portrayals? The result is nuanced study of medieval culture which sheds new light on the use (and misuse) of medieval history in modern media. This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.

Where do we go after we die? This book traces how the European Middle Ages offered distinctive answers to this universal question, evolving from Antiquity through to the sixteenth century, to reflect a variety of problems and developments. Focussing on texts describing visions of the afterlife, alongside art and theology, this volume explores heaven, hell, and purgatory as they were imagined across Europe, as well as by noted authors including Gregory the Great and Dante. A cross-disciplinary team of contributors including historians, literary scholars, classicists, art historians and theologians offer not only a fascinating sketch of both medieval perceptions and the wide scholarship on this question: they also provide a much-needed new perspective. Where the twelfth century was once the 'high point' of the medieval afterlife, the essays here show that the afterlives of the early and later Middle Ages were far more important and imaginative than we once thought.

Discover all the foul facts about the history of fortresses with history's most horrible headlines: Crackin' Castles edition. The master of making history fun, Terry Deary, turns his attention to 50 foul castles across history. From which is the most haunted castle in Britain and why an army disguised themselves as cows to which castle defender used a frying pan as a shield. It's all in Horrible Histories: Crackin' Castles: fully illustrated throughout and packed with hair-raising stories - with all the horribly hilarious bits included with a fresh take on the classic Horrible Histories style, perfect for fans old and new the perfect series for anyone looking for a fun and informative read Horrible Histories has been entertaining children and families for generations with books, TV, stage show, magazines, games and 2019's brilliantly funny Horrible Histories: the Movie - Rotten Romans. Get your history right here and collect the whole horrible lot. Read all about it!

First published in 1570, Joachim Meyer's _The Art of Comba__t_ is among the most important texts in the rich corpus of German martial arts treatises of the Middle Ages and Renaissance. Meyer is unique in offering full recommendations on how to train for various weapons forms. He divides his book into five parts by weapon types: longsword; dusack (a practice weapon analogous to a sabre); rapier; dagger; and staff weapons. For each weapon, Meyer lays out the principles of its use and the vocabulary of techniques, and then describes a range of specific 'devices', attack combinations for use in combat. This rational approach, along with Meyer's famous and profuse woodcut illustrations, make this a crucial source for understanding the history and techniques of medieval and Renaissance martial arts. In the first ever English translation of this important work, Jeffrey Forgeng has sought to improve accessibility of the text. His Introduction is the first substantial account to be published in English of the German Fechtbuch corpus, and the Glossary likewise is the first of its kind to be published in English.

Nonnus' Paraphrasis, an epic rendition of the Fourth Gospel, offers a highly sophisticated interpretation of the Johannine text. An essential means to this end is extensive use of the imagery related to Greek, and especially Dionysiac, mysteries. Doroszewski successfully challenges the once predominant view that the mystery terminology in the poem is nothing more than rhetorical ornament. He convincingly argues for an important exegetical role Nonnus gives to the mystery terms. On the one hand, they refer to the Mystery of Christ. Jesus introduces his followers into the new dimension of life and worship that enables them to commune with God. This is portrayed as falling into Bacchic frenzy and being initiated into secret rites. On the other hand, the terminology has a polemical function, too, as Nonnus uses it to present the Judaic cult as bearing the hallmarks of pagan mysteries. As the book discusses the Paraphrasis against the background of the mystery metaphor development in antiquity, it serves as an excellent introduction to this key feature of the ancient mentality and will appeal to all interested in the culture of Imperial times, especially in Early Christianity, Patristics, Neoplatonism and Late Antique poetry.

Two precious Gold Horns were sacrificed by a group of Angles in South Jutland shortly before they migrated to England. The pictures on the horns offer a substantial explanation of the pre-Christian religion of the Angles. This book describes how many Anglian groups from the continent migrated to England and brought with them their culture and English language. It provides an original analysis of archaeological finds and documentation of the Anglo-Saxon religion. This can be observed in finds from the heathen Anglo-Saxons, - the Sutton Hoo ship burial, Franks Casket, the square-headed brooches, idols, amulets and ceramics. The book also explores Runes - the most remarkable invention of the Angles. The book will be enjoyed by anybody interested in English heritage and especially those with an interest in pre-Christian Anglo-Saxons.

The Cairo Genizah is considered one of the world's greatest Hebrew manuscript treasures. Yet the story of how over a quarter of a million fragments hidden in Egypt were discovered and distributed around the world, before becoming collectively known as "The Cairo Genizah," is far more convoluted and compelling than previously told. The full story involves an international cast of scholars, librarians, archaeologists, excavators, collectors, dealers and agents, operating from the mid-nineteenth to the early twentieth century, and all acting with varying motivations and intentions in a race for the spoils. Basing her research on a wealth of archival materials, Jefferson reconstructs how these protagonists used their various networks to create key alliances, or to blaze lone trails, each one on a quest to recover ancient manuscripts. Following in their footsteps, she takes the reader on a journey down into ancient caves and tombs, under medieval rubbish mounds, into hidden attic rooms, vaults, basements and wells, along labyrinthine souks, and behind the doors of private clubs and cloistered colleges. Along the way, the reader will also learn about the importance of establishing manuscript provenance and authenticity, and the impact to our understanding of the past when either factor is in doubt.

'Janina Ramirez is a born storyteller, and in Femina she is at the peak of her powers. This is bravura narrative history underpinned by passionate advocacy for the women whom medieval history has too often ignored or overlooked. Femina is essential reading' - Dan Jones, bestselling author of The Plantagenets and Powers and Thrones 'I am the fiery life of divine substance, I blaze above the beauty of the fields, I shine in the waters, I burn in sun, moon and stars' - Hildegard of Bingen (1098 - 1179) The middle ages are seen as a bloodthirsty time of Vikings, saints and kings: a patriarchal society which oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the 'dark' ages were anything but. Oxford and BBC historian Janina Ramirez has uncovered countless influential women's names struck out of historical records, with the word FEMINA annotated beside them. As gatekeepers of the past ordered books to be burnt, artworks to be destroyed, and new versions of myths, legends and historical documents to be produced, our view of history has been manipulated. Only now, through a careful examination of the artefacts, writings and possessions they left behind, are the influential and multifaceted lives of women emerging. Femina goes beyond the official records to uncover the true impact of women like Jadwiga, the only female King in Europe, Margery Kempe, who exploited her image and story to ensure her notoriety, and the Loftus Princess, whose existence gives us clues about the beginnings of Christianity in England. See the medieval world with fresh eyes and discover why these remarkable women were removed from our collective memories.