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Books > Humanities > Religion & beliefs > Alternative belief systems
This volume brings together for the first time case studies on secularists of the 19th and early 20th centuries in national and transnational perspectives including examples from all over Europe. Its focus is on freethinkers taken as secular avant-gardes and early promoters of secularity. The authors of this book deal with multiple historical, religious, social, and cultural backgrounds and, in these contexts, analyze freethinkers' organizations, projects, networks, and contributions to forming a secular worldview, in particular, the promotion of concrete undertakings such as civil baptism or initiatives to leave church. Next to this secularist agenda, the contributions also take into account ambivalences and difficulties freethinkers were faced with, namely, the tensions between a national self-image and the transnational direction the movement has taken; the regional base of many projects and their transregional horizon; freethinkers' cultural programs and their immanent political mission; and the dialogue with respectively the conceptual distinction from other secularist groups. Readers interested in the history of secularity will learn that it was a heterogeneous enterprise already in its beginnings. This set the course for later European and global developments.
Can theology still operate in the void of post-theism? In attempting to answer this question Agnosis examines the concept of the void itself, tracing a history of nothingness from Augustine through Kierkegaard and Nietzsche to Bataille and Derrida, and dialoguing with Japan's Kyoto School philosophers. It is argued that neither Augustinian nor post-Hegelian metaphysics have given a satisfactory understanding of nothingness and that we must look to an experience of nothingness as the best ground for future religious life and thought.
The rise of atheism and unbelief is a key feature in the development of the modern world, yet it is a topic which has been little explored by historians. This book presents a series of studies of irreligious ideas in various parts of Europe during the two centuries following the Reformation. Atheism was everywhere illegal in this period. The word itself first entered the vernacular languages soon after the Reformation, but it was not until the eighteenth century that the first systematic defences of unbelief began to appear in print. Its history in the intervening years is significant but problematic and hitherto obscure. The leading scholars who have contributed to this volume offer a range of approaches and draw on a wide variety of sources to produce a scholarly, original, and fascinating book. Atheism from the Reformation to the Enlightenment will be essential reading for all concerned with the religious, intellectual, and social history of early modern Europe.
Kim Krans's NEW YORK TIMES bestseller THE WILD UNKNOWN TAROT (375K copies sold) launched a culture-shifting brand that redefined tarot for the twenty-first century. Now comes Krans's next deck in her bestselling series, THE WILD UNKNOWN ALCHEMY DECK AND GUIDEBOOK. This stunning oracle deck reveals insights into the ancient mysteries of alchemy: the metaphorical process of turning lead (unconsciousness) into gold (enlightenment). Alchemy is the doorway to the imagination and self-discovery. You do not need to be an expert in metals, symbols, astrology, or Latin to become an alchemist. Whether a baker, mechanic, surgeon, seamstress, or surfer-those who become masters of their materials are all alchemists. The magic of Alchemy is available to anyone who is willing to explore, observe, and invoke transformation. Paired with a 224-page, hand-lettered, fully illustrated guidebook written and designed by Kim Krans, THE WILD UNKNOWN ALCHEMY DECK includes 71 beautiful, easy-to-shuffle hexagon cards divided into six suits: The Cosmic Forces, The Colors, The Seasons, The Materials, The Mysteries, and The Operations. Illustrated in Krans's iconic style of elegant line art and lush watercolor painting, each full-color card offers a tool for self-study and exploration, expressed through symbol, image, and language. The unique shape of the cards allows edges to meet and images to meld and transform, with all-new connecting spreads, including readings for revealing energetic and emotional blockages, identifying what is serving and what is draining, and much more. Through this profound experience of observing image, color, and materials with an alchemical perspective, new gifts and discoveries are revealed. This deck is a journey to awakening and reuniting us with what may be dormant or unseen as we begin to weave together the physical and mystical aspects of our lives.
A unique take on death and bereavement without a belief in God or an afterlife  Accepting death is never easy, but we don’t need religion to find peace, comfort, and solace in the face of death. In this inspiring and life-affirming collection of short essays, prominent atheist author Greta Christina offers secular ways to handle your own mortality and the death of those you love.
'A groundbreaking work . . . Federici has become a crucial figure for . . . a new generation of feminists' Rachel Kushner, author of The Mars Room A cult classic since its publication in the early years of this century, Caliban and the Witch is Silvia Federici's history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages through the European witch-hunts, the rise of scientific rationalism and the colonisation of the Americas, it gives a panoramic account of the often horrific violence with which the unruly human material of pre-capitalist societies was transformed into a set of predictable and controllable mechanisms. It Is a study of indigenous traditions crushed, of the enclosure of women's reproductive powers within the nuclear family, and of how our modern world was forged in blood. 'Rewarding . . . allows us to better understand the intimate relationship between modern patriarchy, the rise of the nation state and the transition from feudalism to capitalism' Guardian
“Among all the arts, it is the art of alchemy which most closely imitates nature.†- Albertus Magnus (teacher of St. Thomas Aquinas), ca.1250 Alchemists are notorious for attempting to synthesise gold. Their goals, however, were far more ambitious: to transform and bend nature to the will of an industrious human imagination. For scientists, philosophers, and artists alike, alchemy seemed to hold the key to unlocking the secrets of creation. Alchemists' efforts to discover the way the world is made have had an enduring impact on global artistic practice and expression. Concoctions produced in the world’s alchemy labs include inks, dyes, and oil paints; cements and ceramic glazing; dazzling effects in metalwork and glass - and the modern media which now claim boasting rights as the ultimate chemical mirrors of nature: photography and the liquid crystal displays of the digital world. Alchemy may well be the most important human invention after the harnessing of fire. It was certainly a direct result, with consequences both inspired and dire. The field spurred on advancements in the visual arts and aids to human health. Ancient Chinese alchemists also unleashed the black magic of gunpowder onto the world of warfare. This book is the first to explore how the art of alchemy globally transformed human creative culture from antiquity to the industrial age, and displays the ways its legacy still permeates the world we make today.
From the author of The Man who Played with Time. Set in a visionary future of Andrew Man's recent trilogy, After the Flood, continues the story with a work of speculative fiction and spirituality. In this fourth book of the Series, five woman and a man must survive on a barren planet, to uncover the secrets of why there are so many human species back on planet Earth. At the same time, James and his team travel back in time to a legendary land off the coast of India, only to discover unpleasant survivors of a lost race. On returning to Europe, with his mind reading friend Jana, she is fearful of being used in a sex game by rich foreign oligarchs. Amid shadowy, corrupt ruling powers, James and Jana have to decide on their next move to help their time travelling friends at a pyramid in the Balkans.
This book offers a new perspective on a long-debated issue: the role of the occult in surrealism, in particular under the leadership of French writer Andre Breton. Based on thorough source analysis, this study details how our understanding of occultism and esotericism, as well as of their function in Bretonian surrealism, changed significantly over time from the early 1920s to the late 1950s.
A surprisingly large number of English poets have either belonged to a secret society, or been strongly influenced by its tenets. One of the best known examples is Christopher Smart's membership of the Freemasons, and the resulting influence of Masonic doctrines on A Song to David. However, many other poets have belonged to, or been influenced by not only the Freemasons, but the Rosicrucians, Gormogons and Hell-Fire Clubs. First published in 1986, this study concentrates on five major examples: Smart, Burns, William Blake, William Butler Yeats and Rudyard Kipling, as well as a number of other poets. Marie Roberts questions why so many poets have been powerfully attracted to the secret societies, and considers the effectiveness of poetry as a medium for conveying secret emblems and ritual. She shows how some poets believed that poetry would prove a hidden symbolic language in which to reveal great truths. The beliefs of these poets are as diverse as their practice, and this book sheds fascinating light on several major writers.
After reviewing the mounting evidence that organised religion is declining in many countries, this accessible book provides the first scientific study of active atheists.
A beautifully illustrated guide from a Celtic Wiccan High Priestess to celebrating the Wiccan way, from Halloween to handfastings, as well as everyday rituals to enhance all areas of your life. The Wiccan calendar is marked by significant festivals, called sabbats. The most famous is Halloween, also known as Samhain, but you will be familiar with others, too, such as the Summer and Winter Solstices. Wiccans celebrate these sabbats with rituals, crafts, and food and drink, and in this book, Silja reveals how you can bring some of that magic into your life, even if working as a solitary witch. She also details other special days throughout the year, such as August 23, the Roman festival of Vulcanalia, which is celebrated with bonfires. Discover, too, how Wiccans celebrate personal rites of passage, such as the naming of a baby and a couple committing to each other in a Wiccan wedding, known as a handfasting. Finally, Silja explains how to write your own daily, weekly, or monthly rituals to bring you peace and happiness. Lavishly illustrated throughout, this is your essential guide to all your Wiccan celebrations.
This book offers a new understanding of Sethianism and the origins of Gnosticism by examining the mythology in and social reality behind a group of texts to which certain leaders of the early church occasionally attached the label Ophite. In the unique Ophite mythology, which rewrites the Genesis paradise story and is attested, for example, in Irenaeus "Adversus haereses" 1.30, "The Apocryphon of John" and "On the Origin of the World," the snake s advice to eat of the tree of knowledge is considered positive, the creator and his angels are turned into demonic beasts and the true Godhead is presented as an androgynous heavenly projection of Adam and Eve. It is argued that Hans-Martin Schenke s influential model of the Sethian system only reveals part of a larger whole to which the Ophite material belongs as an important and organic component.
'An important and timely book.' - Philippa Gregory Joan of Navarre was the richest woman in the land, at a time when war-torn England was penniless. Eleanor Cobham was the wife of a weak king's uncle - and her husband was about to fall from grace. Jacquetta Woodville was a personal enemy of Warwick the Kingmaker, who was about to take his revenge. Elizabeth Woodville was the widowed mother of a child king, fighting Richard III for her children's lives. In Royal Witches, Gemma Hollman explores the lives of these four unique women, looking at how rumours of witchcraft brought them to their knees in a time when superstition and suspicion was rife.
Between the years of 1898 and 1926, Edward Westermarck spent a total of seven years in Morocco, visiting towns and tribes in different parts of the country, meeting local people and learning about their language and culture; his findings are noted in this two-volume set, first published in 1926. The first volume contains extensive reference material, including Westermarck's system of transliteration and a comprehensive list of the tribes and districts mentioned in the text. The chapters in this, the second volume, explore such areas as the rites and beliefs connected with the Islamic calendar, agriculture, and childbirth. This title will fascinate any student or researcher of anthropology with an interest in the history of ritual, culture and religion in Morocco.
In the Hellenistic and Roman world intimate relations existed between those holding power and the cults of Isis. This book is the first to chart these various appropriations over time within a comparative perspective. Ten carefully selected case studies show that "the Egyptian gods" were no exotic outsiders to the Hellenistic and Roman Mediterranean, but constituted a well institutionalised and frequently used religious option. Ranging from the early Ptolemies and Seleucids to late Antiquity, the case studies illustrate how much symbolic meaning was made with the cults of Isis by kings, emperors, cities and elites. Three articles introduce the theme of Isis and the longue duree theoretically, simultaneously exploring a new approach towards concepts like ruler cult and Religionspolitik.
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