Fascinating and highly informative, The Appearance of Witchcraft explores how visual representations of witchcraft contributed to the widespread acceptance of witch beliefs in sixteenth-century Europe and helped establish the preconditions for the widespread persecution of witches.

Focusing on the visual contraction, or figure of the witch, and the activity of witchcraft, Zika places the study in the context of sixteenth-century withcraft and demonological theory, and in the turbulent social and religious changes of the period.

Zika argues that artists and printers used images to relate witchcraft theories, developed by theologians and legitimated by secular authorities, to a whole range of contemporary discourses on women and gender roles, sexuality, peasant beliefs and medical theories of the body. He also examines the role of artist as mediators between the ideas of the elite and the ordinary people.

For students of medieval history or anyone interested in the appearance of witchcraft, this will be an enthralling and invaluable read.

The first volume of a projected four-volume series explores the body's relationship to soul and spirit on the basis of Rudolf Steiner's insights into the workings of the spiritual world. An extensive discussion of developmental disorders and childhood diseases is followed by an in-depth exploration of the polarity of inflammation and sclerosis and the biochemistry and pathology of nutrition and metabolic disorders.

Leading spiritual teacher John Philip Newell reveals how Celtic spirituality, listening to the sacred around us and inside of us, can help to heal the earth, overcome our conflicts and reconnect with ourselves. Sacred Earth, Sacred Soul offers a new spiritual foundation for our lives, once centered on encouragement,guidance and hope for creating a better world. Sharing the long hidden tradition of Celtic Christianity, explaining how this earth-based spirituality can help us rediscover the natural rhythms of life and deepen our spiritual connection with God, with each other and with the earth. Newell introduces some of Celtic Christianity's leading practitioners, both saints and pioneers of faith, whose timeless wisdom is more necessary than ever, including: Pelagius, who shows us how to look beyond sin to affirm our sacredness as part of all God's creation and courageously stands up for our principles in the face of oppression. Brigid of Kildare, who illuminates the interrelationship of all things and reminds us of the power of the sacred feminine to overcome those seeking to control us. John Muir, who encourages us to see the holiness and beauty of wilderness and what we must do to protect these gifts. Teilhard de Chardin, who inspires us to see how science, faith, and our future tell one universal story that beings with sacredness.

Includes both significant previously published work and new material. Offers a unique overview of Jung's psychology of alchemy and its legacy. Takes into consideration important psychological and philosophical suppositions in Jungian work and includes dialogues with key post-Jungian thinkers such as Hillman and Giegerich.

This collection of essays by one of the world's most distinguished philosophers - the inaugural volume in the Prometheus Lecture Series - addresses the many and diverse aspects of atheistic humanism. Antony Flew begins his comprehensive study with "Fundamentals of Unbelief", in which he argues that there is no good or sufficient natural reason to believe that the universe is created by a conscious, personal, willing, and doing Being; that such a Being has nevertheless provided his (or her or its) creatures with a Revelation; and that we should either hope or fear some future for ourselves after our deaths. In the second part, "Defending Knowledge and Responsibility", Flew disposes of the perennial charge that a naturalistic world outlook presupposes values for which it cannot itself make room. He also criticizes sociologists of belief who refute themselves by refusing to admit that there is such a thing as objective knowledge. And he examines the subject of mental illness, explaining and defining the notion by reference to the familiar yet often denied realities of choice and consequent responsibility. The third section, "Scientific Socialism?", consists of three critical analyses of Marxism. Flew exposes the faulty philosophical foundations of Communism, compares Marxist theory with Darwin's theory of evolution, questions the status of Marxism as a social "science", and points out some of the significant failures of the socialist project. Finally, in the fourth part, "Applied Philosophy", Flew looks at three social issues, which have been the subject of much recent debate: the right to die, the definition of mental health, and the problem of racism. He concludes by criticizing B.F.Skinner's "science" of behaviorism, arguing that the ability to make choices for which we can be held responsible is an essential and distinctive characteristic of human beings.

This book offers a creative and accessible exploration of two comic book series: Y: The Last Man and Saga It examines themes pertinent to the 21st century and its challenges, such as those of diversity and religious pluralism, issues of gender and war, heroes and moral failures, and forgiveness and seeking justice Through close interdisciplinary reading and personal narratives, the author delves into the complex worlds of Y and Saga in search of an ethics, meaning, and a path resonant with real world struggles Reading these works side-by-side, the analysis draws parallels and seeks common themes around four central ideas: seeking and making meaning in a meaningless world; love and parenting through oppression and grief; peacefulness when surrounded by violence; and the perils and hopes of diversity and communion This timely, attentive, and thoughtful study will resonate with scholars and students of comic studies, media and cultural studies, philosophy, theology, literature, psychology, and popular culture studies

What do classical elitists like Pareto and Mosca have in common with Marxists like Labriola and Gramsci? In this collection of essays, Joseph Femia argues that all four thinkers are united by the 'worldly humanism' they inherited from Machiavelli. Their distinctively Italian hostility to the metaphysical abstractions of natural law and Christian theology accounted for similarities in their thought that are obscured by the familiar terminology of 'left' and 'right'. The collection includes critical essays on each of the four thinkers, as well as an introductory chapter on their links with Machiavelli.

Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging - to great controversy - as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.