This book offers a creative and accessible exploration of two comic book series: Y: The Last Man and Saga It examines themes pertinent to the 21st century and its challenges, such as those of diversity and religious pluralism, issues of gender and war, heroes and moral failures, and forgiveness and seeking justice Through close interdisciplinary reading and personal narratives, the author delves into the complex worlds of Y and Saga in search of an ethics, meaning, and a path resonant with real world struggles Reading these works side-by-side, the analysis draws parallels and seeks common themes around four central ideas: seeking and making meaning in a meaningless world; love and parenting through oppression and grief; peacefulness when surrounded by violence; and the perils and hopes of diversity and communion This timely, attentive, and thoughtful study will resonate with scholars and students of comic studies, media and cultural studies, philosophy, theology, literature, psychology, and popular culture studies

What do classical elitists like Pareto and Mosca have in common with Marxists like Labriola and Gramsci? In this collection of essays, Joseph Femia argues that all four thinkers are united by the 'worldly humanism' they inherited from Machiavelli. Their distinctively Italian hostility to the metaphysical abstractions of natural law and Christian theology accounted for similarities in their thought that are obscured by the familiar terminology of 'left' and 'right'. The collection includes critical essays on each of the four thinkers, as well as an introductory chapter on their links with Machiavelli.

Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging - to great controversy - as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.

In Cyberhenge, Douglas E. Cowan brings together two fascinating and virually unavoidable phenomena of the postmodern world - the electronic environment of the Internet and the emerging world of contemporary Neopaganism - Wiccans and other witches, Druids, Goddess-worshipers and ceremonial magicians - the Internet provides an environment alive with possibilities for invention, innovation and imagination. Neopagans are not only using the Net to provide information and as a vehicle to develop and expand the frontiers of their religious experience. From online Sabbath rituals to an algorithmic I Ching for which one pays with electronically banked Karma Coins, from e-covens and cyber-groves where neophytes can learn everything from the Wiccan Rede to spellworking, to arguments over the validity of online ritual and the authenticity of one's magical lineage, neopaganism on the Internet is an ongoing experiment in the creation and recreation of postmodern religious traditions.

Each of us is made of the same "stuff," yet we continuously see each other and the world around us as dissimilar and separate. It's important to see ourselves as part of a greater entity. In "Wholarian Vision, " author Katrina Mayer presents a new way of seeing the world and bringing it together. With prose, stories, and poems interspersed, Mayer introduces the Wholarian vision-a process of being connected to all things and to all people in order to see others without prejudice or bias. "Wholarian Vision" introduces and explains this new concept and describes how it affects the mind, body, and spirit. It discusses both the Wholarian world and the relationships within it. With the goal of bringing the world together through a global perspective, "Wholarian Vision" shows how we all originate from one and we will always be part of one. Our actions, our choices, our lives, and our voices are the message of one heart, one world, and one love.

This textbook demonstrates the relevance and importance of humanism as a non-religious worldview. Each chapter includes a helpful pedagogy including a general overview, case studies, suggestions for further reading, and discussion questions. Making this the ideal textbook for students approaching the topic for the first time. The textbook explores controversial topics that will instigate debate such as human rights, sexuality, relationship between science, humanism and religion, abortion, euthanasia, war and non-human life.

Historians as well as anthropologists have contributed to this volume of studies on aspects of witchcraft in a variety of cultures and periods from Tudor England to twentieth-century Africa and New Guinea. Contributors include: Mary Douglas, Norman Cohn, Peter Brown, Keith Thomas, Alan Macfarlane, Alison Redmayne, R.G. Willis, Edwin Ardener, Robert Brain, Julian Pitt-Rivers, Esther Goody, Peter Riviere, Anthony Forge, Godfrey Lienhardt, I.M. Lewis, Brian Spooner, G.I. Jones, Malcolm Ruel and T.O. Beidelman. First published in 1970.

Katharine Briggs enjoys an unchallenged reputation in the world of folklore studies. The theme of this volume, the witch figure as a malevolent intermediary in folk belief, was chosen to reflect that aspect of Briggs's scholarship exemplified in her study of witchcraft, Pale Hecate's Team. The contributors draw on the disciplines of archaeology, comparative religion, sociology and literature and include: Carmen Blacker, H.R. Ellis Davidson, Margaret Dean-Smith, L.V. Grinsell, Christina Hole, Venetia Newall, Geoffrey Parrinder, Anne Ross, Jacqueline Simpson, Beatrice White, John Widdowson. Originally published in 1973.