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Books > Social sciences > Sociology, social studies > Social groups & communities > Associations, clubs, societies
Choice Outstanding Academic Title for 2020 With the dramatic rise
of Freemasonry in the eighteenth century, art played a fundamental
role in its practice, rhetoric, and global dissemination, while
Freemasonry, in turn, directly influenced developments in art. This
mutually enhancing relationship has only recently begun to receive
its due. The vilification of Masons, and their own secretive
practices, have hampered critical study and interpretation. As
perceptions change, and as masonic archives and institutions begin
opening to the public, the time is ripe for a fresh consideration
of the interconnections between Freemasonry and the visual arts.
This volume offers diverse approaches, and explores the challenges
inherent to the subject, through a series of eye-opening case
studies that reveal new dimensions of well-known artists such as
Francisco de Goya and John Singleton Copley, and important
collectors and entrepreneurs, including Arturo Alfonso Schomburg
and Baron Taylor. Individual essays take readers to various
countries within Europe and to America, Iran, India, and Haiti. The
kinds of art analyzed are remarkably wide-ranging-porcelain,
architecture, posters, prints, photography, painting, sculpture,
metalwork, and more-and offer a clear picture of the international
scope of the relationships between Freemasonry and art and their
significance for the history of modern social life, politics, and
spiritual practices. In examining this topic broadly yet deeply,
Freemasonry and the Visual Arts sets a standard for serious study
of the subject and suggests new avenues of investigation in this
fascinating emerging field.
Guilds and fraternities, voluntary associations of men and women,
proliferated in medieval Europe. The Art of Solidarity in the
Middle Ages explores the motives and experiences of the many
thousands of men and women who joined together in these family-like
societies. Rarely confined to a single craft, the diversity of
guild membership was of its essence. Setting the English evidence
in a European context, this study is not an institutional history,
but instead is concerned with the material and non-material aims of
the brothers and sisters of the guilds. Gervase Rosser addresses
the subject of medieval guilds in the context of contemporary
debates surrounding the identity and fulfilment of the individual,
and the problematic question of his or her relationship to a larger
society. Unlike previous studies, The Art of Solidarity in the
Middle Ages does not focus on the guilds as institutions but on the
social and moral processes which were catalysed by participation.
These bodies founded schools, built bridges, managed almshouses,
governed small towns, shaped religious ritual, and commemorated the
dead, perceiving that association with a fraternity would be a
potential catalyst of personal change. Participants cultivated the
formation of new friendships between individuals, predicated on the
understanding that human fulfilment depended upon a mutually
transformative engagement with others. The peasants, artisans, and
professionals who joined the guilds sought to change both their
society and themselves. The study sheds light on the conception and
construction of society in the Middle Ages, and suggests further
that this evidence has implications for how we see ourselves.
Book clubs are everywhere these days. And women talk about the
clubs they belong to with surprising emotion: "You will never know
what a difference it made in my life". But why are the clubs so
important to them? Which women join book clubs and why? And what do
the women discuss when they meet? To answer questions like these,
Elizabeth Long spent years observing and participating in women's
book clubs in the Houston area and interviewing members from dozens
of different discussion groups. Far from being an isolated
activity, she finds that for club members reading is an active and
social pursuit, a crucial way for them to reflect creatively on the
meaning of their lives and their place in the social order. Similar
to their 19th-century predecessors, whom Long also considers, women
today find in reading groups the inspiration, support and
self-confidence to reimagine themselves both individually and
collectively. Tracing how this process works, Long takes us on a
guided tour of the book clubs themselves, from how they are formed
and organized to how members choose which books to read. Through
vivid examples, she shows how women use literature to achieve
personal insight and empowerment. She then turns her attention to
the emergence of book clubs that are run through chain bookstores,
television shows and the Internet, and considers the importance of
such clubs for women as a broader cultural forum. Far from just an
excuse to get together once a month, book clubs are here revealed
to be a vital arena for self-formation, one that has as much
currency now as it did a century ago.
Since its initial publication, "Loft Living" has become the classic
analysis of the emergence of artists as a force of gentrification
and the related rise of "creative city" policies around the world.
This 25th anniversary edition, with a new introduction, illustrates
how loft living has spread around the world and that artists'
districts--trailing the success of SoHo in New York--have become a
global tourist attraction. Sharon Zukin reveals the economic shifts
and cultural transformations that brought widespread attention to
artists as lifestyle models and agents of urban change, and
explains their role in attracting investors and developers to the
derelict loft districts where they made their home.
Prescient and dramatic, "Loft Living" shows how a declining
downtown Manhattan became a popular "scene," how loft apartments
became hot commodities for the middle class, and how investors,
corporations, and rich elites profited from deindustrializing the
city's factory districts and turning them into trendy venues for
art galleries, artisanal restaurants, and bars. However, this
edition points out that the artists who led the trend are now
priced out of the loft market. Even in New York, where the loft
living market was born, artists have no legal claim on loft
districts, nor do they get any preferential treatment in the harsh
real estate market.
From the story of SoHo in Lower Manhattan to SoWa in Boston and
SoMa in San Francisco, Zukin explains how once-edgy districts are
transformed into high-price neighborhoods, and how no city can
restrain the juggernaut of rising property values.
Concerning the duties, responsibilities and prerogatives of the
worshipful master; also, the other officers of the lodge embracing
full instructions upon parliamentary law; the Masonic jurist; A
treatise upon the principles and practice of Masonic law;
installations, lodges of sorrow; Forms of burial service; and
public demonstrations generally. With all other matters essential
to the honorable and successful government of a Masonic Lodge.
Contents: Of the Officers of the Lodge; The Public Exercises of
Freemasonry; Miscellaneous Subjects; The Masonic Jurist; Masonic
Law; Forms of Masonic Documents.
Metro Vancouver is a diverse city where half the residents identify
as people of colour, but only one percent of the population is
racialized as Black. In this context, African-Canadians are both
hyper-visible as Black, and invisible as distinct communities.
Informed by feminist and critical race theories, and based on
interviews with women and men who grew up in Vancouver, "Where Are
You From?" recounts the unique experience of growing up in a place
where the second generation seldom sees other people who look like
them, and yet are inundated with popular representations of
Blackness from the United States. This study explores how the
second generation in Vancouver redefine their African identities to
distinguish themselves from African-Americans, while continuing to
experience considerable everyday racism that challenges belonging
as Canadians. As a result, some members of the second generation
reject, and others strongly assert, a Canadian identity.
In Virtual Activism: Sexuality, the Internet, and a Social Movement
in Singapore, cultural anthropologist Robert Phillips provides a
detailed, yet accessible, ethnographic case study that looks at the
changes in LGBT activism in Singapore in the period 1993-2019.
Based on extensive fieldwork conducted with activist organizations
and individuals, Phillips illustrates key theoretical ideas -
including illiberal pragmatics and neoliberal homonormativity -
that, in combination with the introduction of the Internet, have
shaped the manner by which LGBT Singaporeans are framing and
subsequently claiming rights. Phillips argues that the activism
engaged in by LGBT Singaporeans for governmental and societal
recognition is in many respects virtual. His analysis documents how
the actions of activists have resulted in some noteworthy changes
in the lives of LGBT Singaporeans, but nothing as grand as some
would have hoped, thus indexing the "not quite" aspect of the
virtual. Yet, Virtual Activism also demonstrates how these actions
have encouraged LGBT Singaporeans to fight even harder for their
rights, signalling the "possibilities" that the virtual holds.
There is scarcely an historical subject which arouses the fantasy
as much as the history of the secretive Order of the Temple.
Although it has been disbanded for nearly 700 years, books continue
to appear about these religious knights. In these books it is
claimed that the Templars uncovered the grave of Jesus, that they
were the discoverers of America and the guardians of the Turin
Shroud or that they found the Holy Grail. There are also critical
writings about the Templars. They were supposed to be drunkards and
devil worshipers. Koert ter Veen decided it was time that the truth
behind the sagas and myths was studied and told. In this
impressive, elaborate and richly illustrated book, he tells the
factual tragic history of the Order. At the beginning of the
fourteenth century, the French King Philip IV, due to shortage of
money, ensured the misbegotten name of the Templars. The King
wanted to possess the supposed riches of the Templars by
discrediting and destroying them. The position of the monk-soldiers
was weakened by their lack of success against the Islamic forces
during the Crusades. The Order was destroyed, but its undeserved
bad reputation lingers on. This informative and interesting book
will entertain a large readership, from scholar to layman.
The history of the Freemasons has often been shrouded in mystery
and suspicion. Since 1717, with the establishment of the Grand
Lodge in London, the Freemasons have been a power within the
nation, withstanding public disapproval and attacks, from the
Catholic Church among others. Throughout the last three hundred
years, the Freemasons have been influential in some of the most
important turning points in world history. Jasper Ridley explores
the role of the society in both the American and French Revolutions
and whether Mozart's The Magic Flute was an expose of secret
rituals. He reveals that Pushkin, Winston Churchill, Booker T.
Washington, Clark Gable, Walter Scott, members of the royal family
and at least sixteen US Presidents have all been Freemasons.
This book tells the untold story of Australia's veteran bikers.
Like other motorcycle clubs, the Australian War Fighters
(pseudonym) are a fringe-dwelling subculture that provokes strong
opinions. Newspaper editors have been salivating over motorcycle
club imagery since the subculture emerged in California in the
middle of the twentieth century. Motorcycle clubs remain the
subject of persisting 'moral panics' in Australia and have been the
subject of successive crackdowns, police operations, and
hard-hitting legislation aimed at driving them out of existence.
The War Fighters operate on the periphery of the hard-core one
percent element of the subculture. While they enjoy the notoriety
of looking mean, the War Fighters do significant charity work, and
the seemingly bizarre combination of outlaw biker subculture
aesthetic with raising money for local hospitals means these men
enjoy the paradox of looking bad while doing good. Drawing on
sociological research Edward Scarr tells the true story of how and
why the veteran motorcycle club subculture came to be. What follows
is an ultimately hopeful story of redemption from despair and the
salvation of lives that had been all but given up on.
Who were Tubalcain, Aholiab and Zabud and what is their
significance for the Freemason? There is a general interest in the
rituals of Freemasonry, generated in part by the apparently obscure
references they contain. This is the only book that offers a guide
to the stories used in Masonic ritual and their links to the Bible
and Christianity. The new Mason is directed to a 'serious
contemplation of the Volume of the Sacred Law' - but that is easier
said than done without a grounding in the Scriptures, something
that fewer and fewer people have. The historical and geographical
setting of the Bible is explained here, making such contemplation
easier for Mason and non-Mason alike. Mike Neville has
systematically cross-referenced the most influential Chapters of
the Bible to the ceremonies. It is his intention to get Freemasons
to understand the ritual - not just to memorise and regurgitate -
as well as to elucidate for the non-Mason. Sacred Secrets will aid
the clergy, theologians and any other person interested in
Freemasonry to see the links between ritual and scripture.
From its traces in cryptic images on the dollar bill to Dan Brown's
The Lost Symbol, Freemasonry has long been one of the most
romanticized secret societies in the world. But a simple fact
escapes most depictions of this elite brotherhood: There are women
Freemasons, too. In this groundbreaking ethnography, Lilith Mahmud
takes readers inside Masonic lodges in contemporary Italy, where
she observes the many ritualistic and fraternal bonds forged among
women initiates of this elite and esoteric society. Offering a
tantalizing look behind lodge doors, The Brotherhood of Freemason
Sisters unveils a complex culture of discretion in which Freemasons
simultaneously reveal some truths and hide others. Women - one of
Freemasonry's best-kept secrets - are often upper class and highly
educated but paradoxically antifeminist, and their self-cultivation
through the Masonic path is an effort to embrace the deeply
gendered ideals of fraternity. Mahmud unravels this contradiction
at the heart of Freemasonry: how it was at once responsible for
many of the egalitarian concepts of the Enlightenment and yet has
always been, and in Italy still remains, extremely exclusive. The
result is not only a thrilling look at an unfamiliar-and
surprisingly influential-world, but a reevaluation altogether of
the modern values and ideals that we now take for granted.
This book offers a comprehensive overview of electronic dance music
(EDM) and club culture. To do so, it interlinks a broad range of
disciplines, revealing their (at times vastly) differing
standpoints on the same subject. Scholars from such diverse fields
as cultural studies, economics, linguistics, media studies,
musicology, philosophy, and sociology share their perspectives. In
addition, the book features articles by practitioners who have been
active on the EDM scene for many years and discuss issues like
gender and diversity problems in general, and the effects of
gentrification on club culture in Berlin. Although the book's main
focus is on Berlin, one of the key centers of EDM and club culture,
its findings can also be applied to other hotspots. Though
primarily intended for researchers and students, the book will
benefit all readers interested in obtaining an interdisciplinary
overview of research on electronic dance music.
Miss Peregrine's Home for Peculiar Children meets Lord of the Flies
in the exciting debut from Angharad Walker. 'A mesmerising
other-worldly story that got deep under my skin - I couldn't put it
down.' JASBINDER BILAN, author of Asha & the Spirit Bird 'Dark,
tense and intoxicating ... Seriously exciting.' LUCY STRANGE,
author of The Ghost of Gosswater A new boy arrives at the Ash
House. He can't remember his name - or why he's been sent there.
Given the name Sol, and troubled by a mystery pain that no medicine
can cure, he joins the gang of children living in the shadows of
the secretive house. Soon, however, there's more for him to face:
the darkness that descends with the arrival of the Doctor ... A
timeless, multi-layered debut for ages 10+; perfect for fans of
Neil Gaiman, Holly Black, and Ransom Riggs's Miss Peregrine's Home
for Peculiar Children. Truly unique and original storytelling, with
touches of magical realism and dystopia. Features stunning artwork
by Olia Muza.
The Muslim Brotherhood in the West remains a mysterious entity. In
The Closed Circle, Lorenzo Vidino offers an unprecedented inside
view into how one of the world's most influential Islamist groups
operates. He marshals unique interviews with prominent former
members and associates from Europe, the United Kingdom, and North
America, shedding light on why and how people join and leave
Western outfits of the Muslim Brotherhood. Drawing on these
striking personal accounts, Vidino weaves together the experiences
of individuals who participated in and later renounced Brotherhood
groups. Their perspectives provide a wealth of new information
about the Brotherhood's secretive inner workings and the networks
that connecting the small yet highly organized cluster of
Brotherhood-influenced groups. The Closed Circle examines the
tactics the Brotherhood uses to recruit and retain participants as
well as how and why individuals make the difficult decision to
leave. Through the stories of diverse former members, Vidino paints
a portrait of a highly structured, tight-knit movement. His
unprecedented access and understanding of the group's activities
and motivations has significant policy implications concerning
Western Brotherhood organizations and also illuminates the
underlying mechanisms found in a range of extremist groups.
In Virtual Activism: Sexuality, the Internet, and a Social Movement
in Singapore, cultural anthropologist Robert Phillips provides a
detailed, yet accessible, ethnographic case study that looks at the
changes in LGBT activism in Singapore in the period 1993-2019.
Based on extensive fieldwork conducted with activist organizations
and individuals, Phillips illustrates key theoretical ideas -
including illiberal pragmatics and neoliberal homonormativity -
that, in combination with the introduction of the Internet, have
shaped the manner by which LGBT Singaporeans are framing and
subsequently claiming rights. Phillips argues that the activism
engaged in by LGBT Singaporeans for governmental and societal
recognition is in many respects virtual. His analysis documents how
the actions of activists have resulted in some noteworthy changes
in the lives of LGBT Singaporeans, but nothing as grand as some
would have hoped, thus indexing the "not quite" aspect of the
virtual. Yet, Virtual Activism also demonstrates how these actions
have encouraged LGBT Singaporeans to fight even harder for their
rights, signalling the "possibilities" that the virtual holds.
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