From Greenwich Village to Guadalcanal in just over a year, David Zellmer would find piloting a B-24 bomber in the South Pacific a far cry from his life as a fledgling member of the Martha Graham Dance Company. He soon discovered the unimagined thrills of first flights and the astonishment of learning that an aerial spin was merely a vertical pirouette which one spotted on a barn thousands of feet below, instead of on a doorknob in Martha's studio. Reconstructed from letters home, this captivating account traces Zellmer's journey from New York to the islands of the South Pacific as the 13th Air Force battled to push back the Japanese invaders in 1943 and 1944.

Spurred to action by encouraging letters from Martha Graham, who urges him to document his participation in the great tragic play of the Second World War, Zellmer struggles to come to terms with the fears and joys of flying, of killing and being killed. Each stage of the battle takes him farther and farther from those he loves, until the soft night breezes and moon-splashed surf no longer work their magic. From bombing runs against Truk, the infamous headquarters of the Japanese Fleet, to much savored slivers of civilization in Auckland and Sydney, the young pilot bemoans a gnawing concern at a loss of sensation, the prospect of life--not as a performer, but as a spectator. With distant memories of life on the stage, he finds that only the threat of death can bring the same intensity of feeling.

George Worgan was an English naval surgeon who accompanied the First Fleet to Australia. He made expeditions to the Hawkesbury River and Broken Bay areas north of Sydney and spent a year on Norfolk Island after his was shipwrecked there. Although he kept a journal, it was not published on his return, unlike his contemporary, Watkin Tench. This book consists of letters to his brother in England, written in 1788, the second letter journaling the first six months after the First Fleet's arrival in Sydney Cove.

During 1928-9 the renowned anthropologist Raymond Firth visited Tikopia, a small island in the east of Solomon Islands, for the first time. This book takes the collection he made as its subject, and explores how through its acquisition, Firth ceased to be a stranger and became a respected figure incorporated into Tikopia society. The objects were originally viewed by Firth as data in a scientific record of a culture, and evidence challenging the belief that complex economic transactions could only take place in a recognizable market economy. Elizabeth Bonshek, however, revisits the collection's documentation and the ethnography of Tikopia with a different intent in mind: to highlight the social relations the collecting process illuminates and to acknowledge Tikopia voices, past and present. She argues that Firth downplayed the impact of contact with outsiders - whalers, traders and missionaries calling for the abandonment of the Work of the Gods - yet this context is vital for understanding why local people actively contributed to his collecting and research. She follows the life of the collection after leaving the island in institutions that attributed different meanings to its significance, in a failed repatriation request and in a new role in the transmission of 'cultural heritage' along with Firth's writings. She concludes that Firth's exchanges of objects with other high-ranking men were culturally appropriate to the social values dominant in that time and place. Indeed, she suggests that while Firth was acquiring Tikopia artefacts, the Tikopia were perhaps acquiring him. On what ethical and economic terms does an anthropologist acquire other people's things? Collecting Tikopia deftly applies the insights of contemporary material culture studies to a historically important case. Bonshek coaxes ethnographic documents and museum artefacts to reveal how objects both materialize cultural identities over time and mediate social relations across worlds of difference. Professor Robert Foster, University of Rochester, President of the Society for Cultural Anthropology. Richly supported by documentation this skilful and insightful analysis reveals the complexity of cross-cultural interactions and highlights important concerns for the interpretation and management of cultural heritage in museum 'treasure places' worldwide. Dr Robin Torrence, Senior Principal Research Scientist, Anthropology Research, Australian Museum.

Reunited with their horses in Egypt after the shattering experience of Gallipoli (a story recounted in Terry Kinloch's earlier book, Echoes of Gallipoli), the Anzac mounted riflemen and light horsemen were initially charged with the defence of the Suez Canal, then with the clearance of the Sinai peninsula, and finally with the destruction of the Turkish armies in Palestine and Syria. At last they could pursue the style of warfare for which they had been trained: on horseback. The First World War battlefields in the Middle East have long been overshadowed by those of Gallipoli and the Western Front. Yet the story of the mounted riflemen in Sinai and Palestine is a truly fascinating one. Using the soldiers' original letters and diaries wherever possible, Kinloch vividly describes every battle and skirmish in the long campaign against the Turks: the crucial Battle of Romani, the defeats at Bir el Abd, Gaza and Amman, and the successes at Beersheba, Ayun Kara and elsewhere. He explains the reality of tactical operations in the harsh desert environment, the ever-present necessity of securing water for the precious horses and the remorseless tenacity of the enemy. The horses play a major part in the story, but of the thousands of faithful animals involved, only one would ever return home after the war. Devils on Horses is a gripping read that offers new information about a theatre of war that has been overlooked for decades. Based on original research, it is sure to be the standard reference work on New Zealand's Middle East campaign for years to come.

Anzac Labour explores the horror, frustration and exhaustion surrounding working life in the Australian Imperial Force during the First World War. Based on letters and diaries of Australian soldiers, it traces the history of work and workplace cultures through Australia, the shores of Gallipoli, the fields of France and Belgium, and the Near East.

Offering new historical understandings of human responses to climate and climate change, this cutting-edge volume explores the dynamic relationship between settlement, climate, and colonization, covering everything from the physical impact of climate on agriculture and land development to the development of "folk" and government meteorologies.

This volume provides a unique and critical perspective on how Chinese, Japanese and Korean scholars engage and critique the West in their historical thinking. It showcases the dialogue between Asian experts and their Euro-American counterparts and offers valuable insights on how to challenge and overcome Eurocentrism in historical writing.

This book explores the emergence of 'Australasia' as a way of thinking about the culture and geography of this region. Although it is frequently understood to apply only to Australia and New Zealand, the concept has a longer and more complicated history. 'Australasia' emerged in the mid-18th century in both French and British writing as European empires extended their reach into Asia and the Pacific, and initially held strong links to the Asian continent. The book shows that interpretations and understandings of 'Australasia' shifted away from Asia in light of British imperial interests in the 19th century, and the concept was adapted by varying political agendas and cultural visions in order to reach into the Pacific or towards Antarctica. The Making and Remaking of Australasia offers a number of rich case studies which highlight how the idea itself was adapted and moulded by people and texts both in the southern hemisphere and the imperial metropole where a range of competing actors articulated divergent visions of this part of the British Empire. An important contribution to the cultural history of the British Empire, Australia, New Zealand and Pacific Studies, this collection shows how 'Australasia' has had multiple, often contrasting, meanings.

World War II was a watershed event for the people of the former Japanese colonies of Micronesia. The Japanese military build-up, the conflict itself, and the American occupation and control of the conquered islands brought rapid and dramatic changes to Micronesian life. Whether they spent the war in caves and bomb shelters, in sweet potato fields under armed Japanese guard, or in their own homes, Micronesians who survived those years recognize that their peoples underwent a major historical transformation. Like a typhoon, the war swept away a former life. The Typhoon of War combines archival research and oral history culled from more than three hundred Micronesian survivors to offer a comparative history of the war in Micronesia. It is the first book to develop Islander perspectives on a topic still dominated by military histories that all but ignore the effects of wartime operations on indigenous populations. The authors explore the significant cultural meanings of the war for Island peoples, for the events of the war are the foundation on which Micronesians have constructed their modern view of themselves, their societies, and the wider world. Their recollections of those tumultuous years contain a wealth of detail about wartime activities, local conditions, and social change, making this an invaluable reference for anyone interested in twentieth-century Micronesia. Photographs, maps, and a detailed chronology will help readers situate Micronesian experiences within the broader context of the Pacific War.

Spanning four centuries and vast space, this book combines the global history of ideas with particular histories of encounters between European voyagers and Indigenous people in Oceania (Island Southeast Asia, New Guinea, Australia, New Zealand, and the Pacific Islands). Douglas shows how prevailing concepts of human difference, or race, influenced travellers' approaches to encounters. Yet their presuppositions were often challenged or transformed by the appearance, conduct, and lifestyle of local inhabitants. The book's original theory and method reveal traces of Indigenous agency in voyagers' representations which in turn provided key evidence for the natural history of man and the science of race. In keeping with recent trends in colonial historiography, Douglas diverts historical attention from imperial centres to so-called peripheries, discredits the outmoded stereotype that Europeans necessarily dominated non-Europeans, and takes local agency seriously.

Daisy Bates, amateur anthrolopogist and officially designated "Protector of Aboriginies" was well qualified to write this classic on the Aboriginals of Australia.