Memory, Narrative and the Great War provides a detailed examination of the varied and complex war writings of a relatively marginal figure, Patrick MacGill, within a general framework of our current pre-occupation with blood, mud and suffering. In particular, it seeks to explain how his interpretation of war shifted from the heroic wartime autobiographical trilogy, with its emphasis on 'the romance of the rifleman' to the pessimistic and guilt-ridden interpretations in his post-war novel, Fear!, and play, Suspense. Through an exploration of the way in which war-time experiences were remembered (and re-remembered) and retold in strikingly different narratives, and using insights from cognitive psychology, it is argued that there is no contradiction between these two seemingly opposing views. Instead it is argued that, given the present orientation and problem-solving nature of both memory and narrative, the different interpretations are both 'true' in the sense that they throw light on the ongoing way in which MacGill came to terms with his experiences of war. This in turn has implications for broader interpretations of the Great War, which has increasingly be seen in terms of futile suffering, not least because of the eloquent testimony of ex-Great War soldiers, reflecting on their experiences many years after the event. Without suggesting that such testimony is invalid, it is argued that this is one view but not the only view of the war. Rather wartime memory and narrative is more akin to an ever-changing kaleidoscope, in which pieces of memory take on different (but equally valid) shapes as they are shaken with the passing of time.

Now It Can Be Told comprises of Philip Gibbs recollections regarding the First World War, in which he served as an officially commissioned war reporter. Titled in reference to the relieving of censorship laws following the conclusion of World War One in 1918, this book is noticeably different from the censored or dumbed-down accounts published under Gibbs' byline in popular newspapers as the conflict wore on. In this book, the full scale of the horror wrought in Europe is told unflinchingly with the aim of showing the depravity of conflict and the destruction that results. Early in the war, Gibbs' frank and accurate accounts of the carnage of modern warfare unnerved the British government, who were concerned his accounts would demoralize citizens and turn them against the war effort. Gibbs was ordered home; on refusing to cease reporting, he was arrested and forcibly brought back to Britain.

For years, the history of the anti-Nazi resistance in Germany was hidden and distorted by Cold War politics. Providing a much-needed corrective, Red Orchestra presents the dramatic story of a circle of German citizens who opposed Hitler from the start, choosing to stay in Germany to resist Nazism and help its victims. The book shines a light on this critical movement which was made up of academics, theatre people, and factory workers; Protestants, Catholics and Jews; around 150 Germans all told and from all walks of life. Drawing on archives, memoirs, and interviews with survivors, award-winning scholar and journalist Anne Nelson presents a compelling portrait of the men and women involved, and the terrifying day-to-day decisions in their lives, from the Nazi takeover in 1933 to their Gestapo arrest in 1942. Nelson traces the story of the Red Orchestra (Rote Kapelle) resistance movement within the context of German history, showing the stages of the Nazi movement and regime from the 1920s to the end of the Second World War. She also constructs the narrative around the life of Greta Kuckhoff and other female figures whose role in the anti-Nazi resistance fight is too-often unrecognised or under appreciated. This revised edition includes: * A new introduction which explores elements of the Red Orchestra’s experience that resonate with our times, including: the impact of new media technologies; the dangers of political polarization; and the way the judiciary can be shaped to further the ends of autocracy. The introduction will also address the long-standing misconception that the German Resistance only took action when it was clear that Germany was losing the war. * Historiographic updates throughout the book which take account of recent literature and additional archival sources