Again available in paperback is Eric Sevareid's widely acclaimed Not So Wild a Dream. In this brilliant first-person account of a young journalist's experience during World War II, Sevareid records both the events of the war and the development of journalistic strategies for covering international affairs. He also recalls vividly his own youth in North Dakota, his decision to study journalism, and his early involvement in radio reporting during the beginnings of World War II.

How does one play bridge in a gas mask? Or enjoy motoring without consuming petrol? Or deal with a nationwide shortage of pea-sticks? For this compact little book Heath Robinson joined forces with writer Cecil Hunt to show civilians 'how to make the best of things' during the air raids, rationing, allotment tending and blackouts of the Second World War. The result is a warm celebration of the British population's ability to 'make do and mend'.

The successful evacuation of the British Expeditionary Force from Belgium and northern France through the port of Dunkirk and across adjacent beaches is rightly regarded as one of the most significant episodes in the nation's long history, although Winston Churchill sagely cautioned in Parliament on 4th June that the country "must be careful not to assign to this deliverance the attributes of a victory. Wars are not won by evacuations". Nevertheless, the Dunkirk evacuation, Operation "Dynamo", was a victory and, like many others before it, it was a victory of sea power. The Royal Navy achieved what it set out to do, despite grievous losses, in the teeth of determined opposition. It denied an aggressive and ruthless continental power a potentially war-winning total victory that could have changed the direction of civilization for generations to come. The loss of the main British field army would have enfeebled the nation militarily and psychologically, prompting political upheaval, potentially resulting in a negotiated peace with Nazi Germany on unfavourable terms dictated by Adolf Hitler. The undeniable success of the evacuation was certainly a crucial naval and military achievement but its positive effect on the nation's morale was just as important, instilling confidence in the eventual outcome of the war, whatever the immediate future might hold, and creating optimism in the face of adversity that added "the Dunkirk spirit" to the English language. This edition of Dunkirk, Operation "Dynamo" 26th May - 4th June 1940, An Epic of Gallantry, publishes the now declassified Battle Summary No 41, a document once classified as 'Restricted' and produced in small numbers only for official government purposes. This Summary, The Evacuation from Dunkirk, lodged in the archive at Britannia Royal Naval College, Dartmouth, is one of the very few surviving copies in existence and records events in minute detail, being written soon after the evacuation using the words of the naval officers involved. This makes it a unique record and a primary source for the history of Operation "Dynamo" from mid-May 1940 until its conclusion on 4th June. The original document has been supplemented in this title by a Foreword written by Admiral Sir James Burnell-Nugent, formerly the Royal Navy's Commander-in-Chief, Fleet, whose father commanded one of the destroyers sunk off Dunkirk when rescuing troops. In addition, there is a modern historical introduction and commentary, putting the evacuation into context and this edition is enhanced by the inclusion of a large number of previously unpublished photographs of the beaches, town, and harbour of Dunkirk taken immediately after the conclusion of the operation, together with others illustrating many of the ships that took part. Britannia Naval Histories of World War II - an important source in understanding the critical naval actions of the period.

The Bosnian war of 1992-1995 was one of the most brutal conflicts to have erupted since the end of the Second World War. But although the war occurred in 'Europe's backyard' and received significant media coverage in the West, relatively little scholarly attention has been devoted to cultural representations of the conflict. Stephen Harper analyses how the war has been depicted in global cinema and television over the past quarter of a century. Focusing on the representation of some of the war's major themes, including humanitarian intervention, the roles of NATO and the UN, genocide, rape and ethnic cleansing, Harper explores the role of popular media culture in reflecting, reinforcing -- and sometimes contesting -- nationalist ideologies.