This is a new theory of the atonement, showing that the Christian account of salvation can only fully make sense if approached from a social-political angle. Recent decades have witnessed an explosion of new perspectives on 'atonement theory', the traditional name for reflections on the meaning of Christ's work. These new theologies view Christ as a political figure and mobilize social theory to understand the contemporary context and Christ's meaning for that context. "Politics of Redemption" demonstrates that pre-modern theologians also understood Christ's role in a fundamentally social way. The argument proceeds by analysing the most important and original contributors to the tradition of atonement theory (Irenaeus, Gregory of Nyssa, Anselm, and Abelard). The investigation reveals that they all work within a shared social relational logic based on the solidarity of all human beings and the irreducible relatedness of humanity and the rest of creation. Having brought this social-relational logic to the surface, the work concludes by sketching out a fresh atonement theory as a way of showing that our understanding of Christ's work and of its relevance for our life together is enriched by foregrounding the question of how creation, and particularly the human social sphere, is structured.

Selected by Anne Harvey, an experienced actress, director, writer and adjudicator, these scenes are suitable for performance at auditions, solo acting classes, festivals and examinations. Ranging from Renaissance to contemporary literature, the pieces are varied in content, tone and style and are equipped with an introduction setting the context. Writers include: Edward Bond, Ken Campbell, David Crampton, Caryl Churchill, Noel Coward, Monica Dickens, Lisa Evans, Dario Fo, John Ford, David Hare, Jonathan Harvey, Lillian Hellman, Adrian Henri, Robert Holman, Moliere, Willy Russell, Diane Samuels, G B Shaw, David Storey, Frank Wedekind and many more...

Roger Scruton is Britain's best known intellectual dissident, who has defended English traditions and English identity against an official culture of denigration. Although his writings on philosophical aesthetics have shown him to be a leading authority in the field, his defence of political conservatism has marked him out in academic circles as public enemy number one. Whether it is Scruton's opinions that get up the nose of his critics, or the wit and erudition with which he expresses them, there is no doubt that their noses are vastly distended by his presence, and constantly on the verge of a collective sneeze. Contrary to orthodox opinion, however, Roger Scruton is a human being, and Gentle Regrets contains the proof of it - a quiet, witty but also serious and moving account of the ways in which life brought him to think what he thinks, and to be what he is. His moving vignettes of his childhood and later influences illuminate this book. Love him or hate him, he will engage you in an argument that is both intellectually stimulating and informed by humour.

By common consent, the Argentinian Jorge Luis Borges (18990-1986) is one of the greatest writers to have emerged from Latin America. His finest work is "Ficciones" (1944), a collection of brilliantly-crafted, essay-like short stories. This edition, updated from the original 1976 edition by the same authors, offers a comprehensive selection of stories from the work with a full introduction, detailed notes, a generous vocabulary, bibliography, as well as chronological and other tables.