When a military coup provoked civil war in Spain in July 1936, many thousands of people around the world rallied to provide humanitarian aid. Britons were no exception. Collective efforts in Britain to provide aid for the Spanish Republic were vast in both scope and effect. Whilst such enterprise has formed the focus of a few previous studies, some of the most dramatic stories of the Spanish war have yet to be uncovered. This book seeks to shed light on the activities of two separate ventures that played important roles in British medical and humanitarian aid to Spain -- the Scottish Ambulance Unit and Sir George Young's Ambulance Unit. The volunteer members of these teams (those who went out to Spain and those who supported them in Britain) earned the unstinting praise of the Spanish government for their selfless commitment to the cause, as well as winning the respect and gratitude of the citizens whose welfare they strove so selflessly to protect. Recently discovered documentation reveals previously undisclosed details of these remarkably altruistic and, indeed, heroic enterprises, clarifying the reasoning behind their creation and documenting their endeavours in Spain -- endeavours of key relevance to the wider history of the conflict. In Spain, the volunteers of the Scottish Ambulance Unit and the George Young Ambulance Unit offered a heartening and inspiring antithesis to the suffering they sought to relieve. They deserve to be remembered for what they embodied during those days of untold cruelty and destruction -- outstanding examples of man's humanity to man.

In recent years, the intersection of religion and the American Civil War has been the focus of a growing area of scholarship. However, primary sources on this subject are housed in many different archives and libraries scattered across the U.S., and are often difficult to find. The Routledge Sourcebook of Religion and the American Civil War collects these sources into a single convenient volume, the most comprehensive collection of primary source material on religion and the Civil War ever brought together.

With chapters organized both chronologically and thematically, and highlighting the experiences of soldiers, women, African Americans, chaplains, clergy, and civilians, this sourcebook provides a rich array of resources for scholars and students that highlights how religion was woven throughout the events of the war. Sources collected here include:

Sermons
Song lyrics
Newspaper articles
Letters
Diary entries
Poetry
Excerpts from books and memoirs
Artwork and photographs

Introductions by the editor accompany each chapter and individual document, contextualizing the sources and showing how they relate to the overall picture of religion and the war. Beginning students of American history and seasoned scholars of the Civil War alike will greatly benefit from having easy access to the full texts of original documents that illustrate the vital role of religion in the country s most critical conflict."

One important tradition in political science conceives of the Civil War in the United States serving as the functional equivalent of the English and French Revolutions, bringing with it the victory of liberal democratic industrialism over aristocratic agriculturalism. From this perspective, the Civil War is notable for its impact on the American state. Surprisingly however, little attention has been paid to the distinguishing features of this historic rupture in American politics. Through primary source research and the re-analysis of the rich historical literature about the antebellum era and the causes of the Civil War, Lawrence A. Anderson explores the relationship between federalism and the movement for secession in the United States during the pre-civil war era. Focusing primarily on South Carolina, Anderson carefully revisits theory on institutional analysis of political development to expose what caused secession in the United States.

The war that won't die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers - from George Orwell and Pablo Picasso to Joris Ivens and Joan Miro - rallied to support the country's democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book's focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century - including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco's censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic. -- .

The President who 'freed' the slaves and held the Union together in the face of the slaveholding South's bid to create a separate Confederacy. The teller of ribald stories, and the author of the most sublime speeches in the English language. A clever, complex, secretive man who rose from frontier obscurity to become the central figure at the moment when the United States of America came close to disintegration. Was Lincoln the 'Great Emancipator', whose wartime leadership helped free four million enslaved people? Or was he a nationalist who jumped late on the antislavery bandwagon? Was his intransigence the cause of much bloodshed? Or was he a pragmatist whose leadership minimised the destruction of the war? This concise biography situates Lincoln in his time and place. A very human figure who, after his assassination by a leading Shakespearean actor, was turned into an icon.

On an "I will if you will" dare, John Haley enlisted in the 17th Maine Regiment in August 1862 "for three years, unless sooner discharged." ("Discharged, shot, or starved" would have been more accurate, Haley later wryly observed.) Though a reluctant soldier at first, he served steadfastly in the Army of the Potomac for nearly three years, participating in some of the most significant battles of the Civil War. John Haley was not the only soldier to record each day's events in his journal by firelight or by picket's lantern, for his was a literate generation. He was unusual in that he later painstakingly rewrote his battlefield notes, "reflecting at leisure" and adding fascinating political and personal commentary to produce the remarkable volume he calls Haley's Chronicles.

Among the different Luftwaffe units that formed the Legion Condor, one in particular stands out for its important Naval Air contribution: the Aufklarungsstaffel See/88 (AS./88 or the Maritime Reconnaissance Squadron), although it was also officially designated the Seefliegerstaffel AS./88 or Naval Air Squadron AS./88. AS./88 Squadron employed the following aircraft during the Spanish campaign: Heinkel He 59 bomber, torpedo and reconnaissance seaplanes; He 60 close reconnaissance/bomber seaplanes; He 115 A-0 reconnaissance/torpedo seaplanes; and float-fitted Junkers Ju 52s. Presented here are previously unpublished aspects regarding the operations and war service of both the personnel and aircraft of AS./88, which, during a period of three years, participated directly in the Spanish Civil War of 1936-1939 on the Nationalist side.

James M. McPherson is acclaimed as one of the finest historians writing today and a preeminent commentator on the Civil War. Battle Cry of Freedom, his Pulitzer Prize-winning account of that conflict, was a national bestseller that Hugh Brogan, in The New York Times, called "history writing of the highest order." Now, in Drawn With the Sword, McPherson offers a series of thoughtful and engaging essays on some of the most enduring questions of the Civil War, written in the masterful prose that has become his trademark.
Filled with fresh interpretations, puncturing old myths and challenging new ones, Drawn With the Sword explores such questions as why the North won and why the South lost (emphasizing the role of contingency in the Northern victory), whether Southern or Northern aggression began the war, and who really freed the slaves, Abraham Lincoln or the slaves themselves. McPherson offers memorable portraits of the great leaders who people the landscape of the Civil War: Ulysses S. Grant, struggling to write his memoirs with the same courage and determination that marked his successes on the battlefield; Robert E. Lee, a brilliant general and a true gentleman, yet still a product of his time and place; and Abraham Lincoln, the leader and orator whose mythical figure still looms large over our cultural landscape. And McPherson discusses often-ignored issues such as the development of the Civil War into a modern "total war" against both soldiers and civilians, and the international impact of the American Civil War in advancing the cause of republicanism and democracy in countries from Brazil and Cuba to France and England. Of special interest is the final essay, entitled "What's the Matter With History?," a trenchant critique of the field of history today, which McPherson describes here as "more and more about less and less." He writes that professional historians have abandoned narrative history written for the greater audience of educated general readers in favor of impenetrable tomes on minor historical details which serve only to edify other academics, thus leaving the historical education of the general public to films and television programs such as Glory and Ken Burns's PBS documentary The Civil War.
Each essay in Drawn With the Sword reveals McPherson's own profound knowledge of the Civil War and of the controversies among historians, presenting all sides in clear and lucid prose and concluding with his own measured and eloquent opinions. Readers will rejoice that McPherson has once again proven by example that history can be both accurate and interesting, informative and well-written. Mark Twain wrote that the Civil War "wrought so profoundly upon the entire national character that the influence cannot be measured short of two or three generations." In Drawn With the Sword, McPherson gracefully and brilliantly illuminates this momentous conflict.

During the Civil War, 410,000 people were held as prisoners of war on both sides. With resources strained by the unprecedented number of prisoners, conditions in overcrowded prison camps were dismal, and the death toll across Confederate and Union prisons reached 56,000 by the end of the war. In an attempt to improve prison conditions, President Lincoln issued General Orders 100, which would become the basis for future attempts to define the rights of prisoners, including the Geneva conventions. Meanwhile, stories of horrific prison experiences fueled political agendas on both sides, and would define the memory of the war, as each region worked aggressively to defend its prison record and to honor its own POWs. Robins and Springer examine the experience, culture, and politics of captivity, including war crimes, disease, and the use of former prison sites as locations of historical memory. Transforming Civil War Prisons introduces students to an underappreciated yet crucial aspect of waging war and shows how the legacy of Civil War prisons remains with us today.

During the Civil War, 410,000 people were held as prisoners of war on both sides. With resources strained by the unprecedented number of prisoners, conditions in overcrowded prison camps were dismal, and the death toll across Confederate and Union prisons reached 56,000 by the end of the war. In an attempt to improve prison conditions, President Lincoln issued General Orders 100, which would become the basis for future attempts to define the rights of prisoners, including the Geneva conventions. Meanwhile, stories of horrific prison experiences fueled political agendas on both sides, and would define the memory of the war, as each region worked aggressively to defend its prison record and to honor its own POWs. Robins and Springer examine the experience, culture, and politics of captivity, including war crimes, disease, and the use of former prison sites as locations of historical memory. Transforming Civil War Prisons introduces students to an underappreciated yet crucial aspect of waging war and shows how the legacy of Civil War prisons remains with us today.

100 photos taken on field during the Civil War. Famous shots of Manassas, Harper's Ferry, Lincoln, Richmond, slave pens, etc.

The five-year period following the proclamation of the Republic in April 1931 was marked by physical assaults upon the property and public ritual of the Spanish Catholic Church. These attacks were generally carried out by rural and urban anticlerical workers who were frustrated by the Republic's practical inability to tackle the Church's vast power. On 17- 18 July 1936, a right-wing military rebellion divided Spain geographically, provoking the radical fragmentation of power in territory which remained under Republican authority. The coup marked the beginning of a conflict which developed into a full-scale civil war. Anticlerical protagonists, with the reconfigured structure of political opportunities working in their favour, participated in an unprecedented wave of iconoclasm and violence against the clergy. During the first six months of the conflict, innumerable religious buildings were destroyed and almost 7,000 religious personnel were killed. To date, scholarly interpretations of these violent acts were linked to irrationality, criminality and primitiveness. However, the reasons for these outbursts are more complex and deep-rooted: Spanish popular anti-clericalism was undergoing a radical process of reconfiguration during the first three decades of the twentieth century. During a period of rapid social, cultural and political change, anticlerical acts took on new -- explicitly political -- meanings, becoming both a catalyst and a symptom of social change. After 17--18 July 1936, anticlerical violence became a constructive force for many of its protagonists: an instrument with which to build a new society. This book explores the motives, mentalities and collective identities of the groups involved in anti-clericalism during the pre-war Spanish Second Republic and the Spanish Civil War, and is essential reading for all those interested in twentieth-century Spanish history. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

When a military coup provoked civil war in Spain in July 1936, many thousands of people around the world rallied to provide humanitarian aid. Britons were no exception. Collective efforts in Britain to provide aid for the Spanish Republic were vast in both scope and effect. Whilst such enterprise has formed the focus of a few previous studies, some of the most dramatic stories of the Spanish war have yet to be uncovered. This book seeks to shed light on the activities of two separate ventures that played important roles in British medical and humanitarian aid to Spain the Scottish Ambulance Unit and Sir George Young's Ambulance Unit. The volunteer members of these teams (those who went out to Spain and those who supported them in Britain) earned the unstinting praise of the Spanish government for their selfless commitment to the cause, as well as winning the respect and gratitude of the citizens whose welfare they strove so selflessly to protect. Recently discovered documentation reveals previously undisclosed details of these remarkably altruistic and, indeed, heroic enterprises, clarifying the reasoning behind their creation and documenting their endeavours in Spain endeavours of key relevance to the wider history of the conflict. In Spain, the volunteers of the Scottish Ambulance Unit and the George Young Ambulance Unit offered a heartening and inspiring antithesis to the suffering they sought to relieve. They deserve to be remembered for what they embodied during those days of untold cruelty and destruction outstanding examples of man's humanity to man.

Elizabeth Keckley reveals the hardships of slavery and the changing political climate in Washington amongst the country's most powerful couple, Abraham and Mary Lincoln. Keckley had unprecedented access, giving insight into their state during and after the Civil War. Elizabeth Keckley was born into slavery and experienced a traumatic upbringing riddled with physical and sexual violence. One attack resulted in the birth of her son, whom she named George. Elizabeth was a gifted seamstress who used her skills to save money to buy her and her son's freedom. She ventured North and started a career as a dressmaker to influential women in political circles. One of her most notable clients was Mary Todd Lincoln, with whom she developed a close friendship. Behind the Scenes is a harrowing story of one woman's unshakable drive. Despite her limiting circumstances, Elizabeth Keckley earned her freedom and became a successful entrepreneur. It's an inspiring tale that provides a personal account of one of the most volatile times in American history. With an eye-catching new cover, and professionally typeset manuscript, this edition of Behind the Scenes is both modern and readable.

"This may be the most important story ever written by a slave woman, capturing as it does the gross indignities as well as the subtler social arrangements of the time."-Kirkus Review "Of female slave narratives, Harriet Jacobs's Incidents in the Life of a Slave Girl, Written by Herself is the crowning achievement. Manifesting a command of rhetorical and narrative strategies rivaled only by that of Frederick Douglass, Jacobs's autobiography is one of the major works of Afro-American literature"-Henry Louis Gates, Jr. Incidents In the Life of a Slave Girl, the autobiography of Harriet Jacobs, was initially written with the intention of illuminating white abolitionists to the appalling treatment of female slaves in the pre-Civil War South of the United States. The book was later rediscovered in the 1960's, and it was not until the 1980s that it was proved to be an extraordinary work of autobiographical memoir as opposed to fiction. In this astonishing book, Harriet Jacobs uses the pseudonym of Linda Brent to recount her story as a slave, a mother, and her eventual escape to the north. Born into a relatively calm life as a young child to slaves, she is taken into the care of a kind mistress when her mother dies. Linda is taught to read and write, and is generally treated with respect. When the mistress passes away Linda is handed over to Dr. Flint. He is a negligent and cruel new master who subsequently pressures Linda for sexual favors, yet she resists his demands for years. In an attempt to circumvent the situation, Linda enters into a relationship with Mr. Sands, a white neighbor who ends up fathering her two children. Expecting that she and her children will be sold to Mr. Sands, Dr. Flint instead decides to subject them to further degradation. Linda escapes and goes into hiding in a small attic, and her children are eventually sold to Mr. Sand. For over seven years, Linda remains in hiding, until she ultimately escapes North to be reunited with her children. Incidents In the Life of a Slave Girl is a devastating yet empowering document that uniquely focuses on the psychological and spiritual effects that bondage had on women slaves and their families. With an eye-catching new cover, and professionally typeset manuscript, this edition of Incidents in the Life of a Slave Girl is both modern and readable.

Elizabeth Keckley reveals the hardships of slavery and the changing political climate in Washington amongst the country's most powerful couple, Abraham and Mary Lincoln. Keckley had unprecedented access, giving insight into their state during and after the Civil War. Elizabeth Keckley was born into slavery and experienced a traumatic upbringing riddled with physical and sexual violence. One attack resulted in the birth of her son, whom she named George. Elizabeth was a gifted seamstress who used her skills to save money to buy her and her son's freedom. She ventured North and started a career as a dressmaker to influential women in political circles. One of her most notable clients was Mary Todd Lincoln, with whom she developed a close friendship. Behind the Scenes is a harrowing story of one woman's unshakable drive. Despite her limiting circumstances, Elizabeth Keckley earned her freedom and became a successful entrepreneur. It's an inspiring tale that provides a personal account of one of the most volatile times in American history. With an eye-catching new cover, and professionally typeset manuscript, this edition of Behind the Scenes is both modern and readable.

First appearing in 1845 The Narrative of the Life of Frederick Douglass, with its painfully vivid depiction of life in bondage, was both a bestseller in its day and one of the most powerful, authoritative texts lending support to the abolitionist movement. The author traces his life from an infant born into slavery and taken from his mother at birth, to a displaced child hungry for knowledge, to an abused and beaten laborer seeking freedom and a chance to marry the woman he loved. Offering bright, cameo glimpses into a world that should not be forgotten, Douglass chronicles both the cruel violence of a system that saw him as little more than livestock, and the brighter moments of success, of courageous support from friends and allies. Initially greeted by some with doubt that it could have been written by a black man and former slave, the book had a profound effect on American society, making the author something of a celebrity and his cause less an abstract ideal and more of an urgent human concern. Solemn, powerful and passionate The Narrative of the Life of Frederick Douglass is more than an important historical document-it is a personal account of striving for human freedom in a world where the author was regarded as neither free nor human. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Narrative of the Life of Frederick Douglass is both modern and readable.

What to the Slave Is the Fourth of July? (1852) is a novella by Frederick Douglass. Having escaped from slavery in the South at a young age, Frederick Douglass became a prominent orator and autobiographer who spearheaded the American abolitionist movement in the mid-nineteenth century. In this famous speech, published widely in pamphlet form after it was given to a meeting of the Rochester Ladies' Anti-Slavery Society on July 5th, 1852, Douglass exposes the hypocrisy of America's claim to Christian and democratic ideals in spite of its legacy of enslavement. Personal and political, Douglass' speech helped inspire the burgeoning abolitionist movement, which fought tirelessly for emancipation in the decades leading up to the American Civil War. "What have I, or those I represent, to do with your national independence? Are the great principles of political freedom and of natural justice, embodied in that Declaration of Independence, extended to us?...What, to the American slave, is your 4th of July? I answer; a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is the constant victim." Drawing upon his own experiences as an escaped slave, Douglass offers a critique of American independence from the perspective of those who had never been free within its borders. Hopeful and courageous, Douglass' voice remains an essential part of our history, reminding us time and again who we are, who we have been, and what we can be as a nation. While much of his radical message has been smoothed over through the passage of time, its revolutionary truth continues to resonate today. With a beautifully designed cover and professionally typeset manuscript, this edition of Frederick Douglass' What to the Slave Is the Fourth of July? is a classic of African American literature reimagined for modern readers.

The Second U.S. Sharpshooters was a hodgepodge regiment, composed of companies raised in several New England states. The regiment was trained for a specific mission and armed with specially ordered breech-loading target rifles. This book covers the origin, recruitment, training, and battle record of the regiment and features 32 photographs, four battlefield maps, and a regimental roster.

This book is a thorough study of all known guerrilla operations in Civil War Missouri between January and August 1864. It explores different tactics each side attempted during this time period to gain advantage over each other with regional differences as influenced by the differing personalities of local commanders. The author utilises both well-known and obscure sources (including military and government records, private accounts, county and other local histories, period and later newspapers, and secondary sources published after the war) to identify which Southern partisan leaders and groups operated in which areas of Missouri, and describe how they operated and how their kinds of warfare evolved. This work presents the actions of Southern guerrilla forces and Confederate behind-Union-lines recruiters chronologically by region so that readers may see the relationship of seemingly isolated events to other events over a period of time in a given area. The book also studies the counteractions of an array of different types of Union troops fighting guerrillas in Missouri to show how differences in training, leadership and experience affected behaviours and actions in the field.

This is the story of the men who fought and died in the 72nd New York Volunteer Infantry during the American Civil War. Part of Dan Sickles' famed Excelsior Brigade, the 72nd N.Y. served in all the major actions associated with the III Corps, losing one-fourth or more of the regiment in three different engagements. The 72nd New York Infantry in the Civil War is a ""brogans-up"" view of the war told in the words of the men who were there. Drawing on soldier's letters, diaries, memoirs (many unpublished or obscure) and official reports, this work follows these men from the exciting beginnings of recruitment, the boredom and frustrations of life policing the secessionist countryside of Southern Maryland, through to the eventual disbanding of the regiment in July of 1864 after being bled white at Williamsburg, The Peninsula, Chancellorsville, Gettysburg and the Overland Campaign. The final chapter offers a brief account of many of the men's lives following the war. Included in the work are photographs, period illustrations, maps and an organisational chart. Additionally the roster is arranged by company with chronology of officers' service. This work is fully indexed with complete citations and bibliography.

Antebellum American Pendant Paintings: New Ways of Looking marks the first sustained study of pendant paintings: discrete images designed as a pair. It opens with a broad overview that anchors the form in the medieval diptych, religious history, and aesthetic theory and explores its cultural and historical resonance in the 19th-century United States. Three case studies examine how antebellum American artists used the pendant format in ways revelatory of their historical moment and the aesthetic and cultural developments in which they partook. The case studies on John Quidor's Rip Van Winkle and His Companions at the Inn Door of Nicholas Vedder (1839) and The Return of Rip Van Winkle (1849) and Thomas Cole's Departure and Return (1837) shed new light on canonical antebellum American artists and their practices. The chapter on Titian Ramsay Peale's Kilauea by Day and Kilauea by Night (1842) presents new material that pushes the geographical boundaries of American art studies toward the Pacific Rim. The book contributes to American art history the study of a characteristic but as yet overlooked format and models for the discipline a new and productive framework of analysis focused on the fundamental yet complex way images work back and forth with one another.