Turkey, Egypt, and Syria: A Travelogue vividly captures the experiences of prominent Indian intellectual and scholar Shibli- Nu'ma-ni- (1857-1914) as he journeyed across the Ottoman Empire and Egypt in 1892. A professor of Arabic and Persian at the Mohammedan Anglo-Oriental (MAO) College at Aligarh, Nu'ma-ni- took a six-month leave from teaching to travel to the Ottoman Empire in search of rare printed works and manuscripts to use as sources for a series of biographies on major figures in Islamic history. Along the way, he collected information on schools, curricula, publishers, and newspapers, presenting a unique portrait of imperial culture at a transformative moment in the history of the Middle East. Nu'ma-ni- records sketches and anecdotes that offer rare glimpses of intellectual networks, religious festivals, visual and literary culture, and everyday life in the Ottoman Empire and Egypt. First published in 1894, the travelogue has since become a classic of Urdu travel writing and has been immensely influential in the intellectual and politicalhistory of South Asia. This translation, the first into English, includes contemporary reviews of the travelogue, letters written by the author during his travels, and serialized newspaper reports about the journey, and is deeply enriched for readers and students by the translator's copious multilingual glosses and annotations. Nu'ma-ni- 's chronicle offers unique insight into broader processes of historical change in this part of the world while also providing a rare glimpse of intellectual engagement and exchange across the porous borders of empire.

Travelling on horseback through southern England in the early 19th century, William Cobbett provides evocative and accurate descriptions of the countryside, colourful accounts of his encounters with labourers, and indignant outbursts at the encroaching cities and the sufferings of the exploited poor.

INTRODUCED BY MONISHA RAJESH, award-winning author of Around the World in 80 Trains 'If I were asked to enumerate the pleasures of travel, this would be one of the greatest among them - that so often and so unexpectedly you meet the best in human nature.' Growing up in near-poverty and denied a formal education, Freya Stark had nurtured a fascination for the Middle East since reading Arabian Nights as a child. But it wasn't until she was in her thirties that she was able to leave Europe. Boarding a cargo ship to Beirut in 1927, she went on to became one of her generation's most intrepid explorers - her adventures would take her to remote areas in Turkey, the Middle East and Asia. The Valleys of the Assassins chronicles Stark's treks into the wilderness of western Iran on the hunt for treasure and in an attempt to locate the long-fabled Assassins in Alumut, an ancient Persian sect. Entering Luristan on a mule, draped in native clothing, Freya bluffs her way past border guards and sets off into uncharted territory; places where few Europeans, and no European women, had ventured. Stark was a woman of indefatigable energy, who often travelled with only a single guide and on a shoestring budget, and who was undeterred by discomfort and danger. Hailed as a classic upon its first publication in 1934, The Valleys of the Assassins is an absorbing account of people and place. Full of wit and rich in detail - and also in humanity - her writing brings to vivid life the stories of the ancient kingdoms of the Middle East.

Popular English travel guides from the sixteenth and seventeenth centuries asserted that women who wandered too far afield were invariably suspicious, dishonest, and unchaste. As the essays in Travel and Travail reveal, however, early modern women did travel, often quite extensively, with no diminution of their moral fiber. Female travelers were also frequently represented on the English stage and in other creative works, both as a reproach to the ban on female travel and as a reflection of historical women's travel, whether intentional or not. Travel and Travail conclusively refutes the notion of female travel in the early modern era as "an absent presence." The first part of the volume offers analyses of female travelers (often recently widowed or accompanied by their husbands), the practicalities of female travel, and how women were thought to experience foreign places. The second part turns to literature, including discussions of roving women in Shakespeare, Margaret Cavendish, and Thomas Heywood. Whether historical actors or fictional characters, women figured in the wider world of the global Renaissance, not simply in the hearth and home.