'We shall therefore confine our walk to Central London where people meet on business during the day, and to West London where they meet for pleasure at night. If you will walk about the first City in the British Empire arm in arm with Merriman-Labor, you are sure to see Britons in merriment and at labour, by night and by day, in West and Central London.' In Britons Through Negro Spectacles Merriman-Labor takes us on a joyous, intoxicating tour of London at the turn of the 20th century. Slyly subverting the colonial gaze usually placed on Africa, he introduces us to the citizens, culture and customs of Britain with a mischievous glint in his eye. This incredible work of social commentary feels a century ahead of its time, and provides unique insights into the intersection between empire, race and community at this important moment in history. Selected by Booker Prize-winning author Bernardine Evaristo, this series rediscovers and celebrates pioneering books depicting black Britain that remap the nation.

Few writers have known Italy better than Stendhal: he was only seventeen when he first rode south across the Alps in the wake of Napoleon's armies, and he continued to travel and to live in Italy until a few months before his death. Some of his visits lasted only a few weeks, others continued for years, and he spent the last decade of his life as French Consul in Civitavecchia - yet he was never a tourist in the ordinary sense of the word. Italy, for Stendhal, was never a mere treasure trove of ruins, museums and galleries: it was the life of the country which fascinated him, its spirit, the inner workings of its heart and mind. This picture - or rather this living dream - of Italy he created is as fresh and tantalizing today as it was almost two centuries ago.

Focusing upon three previously unpublished accounts of youthful English travellers in Western Europe (in contrast to the renowned but maturely retrospective memoirs of other seventeenth-century figures such as John Evelyn), this study reassesses the early origins of the cultural phenomenon known as the 'Grand Tour'. Usually denoted primarily as a post-Restoration and eighteenth-century activity, the basis of the long term English fascination with the 'Grand Tour' was firmly rooted in the mid-Tudor and early-Stuart periods. Such travels were usually prompted by one of three reasons: the practical needs of diplomacy, the aesthetic allure of cultural tourism, and the expediencies of political or religious exile. The outbreak of the English Civil War during the late-1640s acted as a powerful stimulus to this kind of travel for male members of both royalist and parliamentarian families, as a means of distancing them from the social upheavals back home as well as broadening their intellectual horizons. The extensive editorial introductions to this publication of the experiences of three young Englishmen also consider how their travel records have survived in a variety of literary forms, including personal diaries (Montagu), family letters (Hammond) and formal prose records (Maynard's travels were written up by his servant, Robert Moody), and how these texts should now be interpreted not in isolation but alongside the diverse collections of prints, engravings, curiosities, coins and antiquities assembled by such travellers.

It is widely believed that people living in the Middle Ages seldom traveled. But, as Medieval Travel and Travelers reveals, many medieval people - and not only Marco Polo - were on the move for a variety of different reasons. Assuming no previous knowledge of medieval civilizations, this volume allows readers to experience the excitement of men and women who ventured into new lands. By addressing cross-cultural interaction, religion, and travel literature, the collection sheds light on how travel shaped the way we perceive the world, while also connecting history to the contemporary era of globalization. Including a mix of complete sources, excerpts, and images, Medieval Travel and Travelers provides readers with opportunities for further reflection on what medieval people expected to find in foreign locales, while sparking curiosity about undiscovered spaces and cultures.

Popular English travel guides from the sixteenth and seventeenth centuries asserted that women who wandered too far afield were invariably suspicious, dishonest, and unchaste. As the essays in Travel and Travail reveal, however, early modern women did travel, often quite extensively, with no diminution of their moral fiber. Female travelers were also frequently represented on the English stage and in other creative works, both as a reproach to the ban on female travel and as a reflection of historical women's travel, whether intentional or not. Travel and Travail conclusively refutes the notion of female travel in the early modern era as "an absent presence." The first part of the volume offers analyses of female travelers (often recently widowed or accompanied by their husbands), the practicalities of female travel, and how women were thought to experience foreign places. The second part turns to literature, including discussions of roving women in Shakespeare, Margaret Cavendish, and Thomas Heywood. Whether historical actors or fictional characters, women figured in the wider world of the global Renaissance, not simply in the hearth and home.