This work examines travellers' accounts of their journeys to Cyrenaica, focusing in the main on an analysis of these accounts within the context of their significance to topographic surveys of the region. The dates given in the title symbolically mark their beginning and end. The starting date (1706) is that of the first journey across Cyrenaica that led to the writing of the first account extensive enough to be the subject of detailed analysis. The end date (1911) marks the beginning of the Italian occupation of Libya, when responsibility for archaeology was entrusted to the greatest Italian specialists of the period. Travelogues were replaced by scholarly studies featuring both well-known and newly discovered sites, while amateur descriptions and drawings were replaced by professional analysis and documentation. The main protagonists of the book are people who travelled to Cyrenaica or stayed there for some time, people of a variety of ages and sorts: physicians and an engineer, priests, soldiers and diplomats, artists and adventurers, scholars and archaeologists. They differed considerably in their education, personalities, itineraries and objectives of their journeys, their wealth and personal circumstances. What they did have in common was great curiosity and courage, love of adventure and the ability to survive in harsh and dangerous conditions - compensated for by unusual discoveries - and, finally, an interest in ancient ruins, which for the purpose of this book is what makes their accounts valuable.

In these two closely linked works - a travel book and a biography of its author - we witness a moving encounter between two of the most daring and original minds of the late eighteenth century: A Short Residence in Sweden is the record of Wollstonecraft's last journey in search of happiness, into the remote and beautiful backwoods of Scandinavia. The quest for a lost treasure ship, the pain of a wrecked love affair, memories of the French Revolution, and the longing for some Golden Age, all shape this vivid narrative, which Richard Holmes argues is one of the neglected masterpieces of early English Romanticism.

Memoirs is Godwin's own account of Wollstonecraft's life, written with passionate intensity a few weeks after her tragic death. Casting aside literary convention, Godwin creates an intimate portrait of his wife, startling in its candour and psychological truth. Received with outrage by friends and critics alike, and virtually suppressed for a century, it can now be recognized as one of the landmarks in the development of modern biography.