A facsimile edition of Bradshaw's wonderfully illustrated guide to Victorian London, dating from 1862. Bradshaw's guide to London was published in a single volume as a handbook for visitors to the capital. It includes beautiful engravings of London attractions, a historical overview of the city, advice for tourists and a series of 'walking tours' radiating outwards from the centre of London, covering the North, East, South and West, The City of London and a tour of the Thames (from Greenwich to Windsor). All major attractions and districts are covered in detailed pages full of picturesque description. This beautiful reformatted edition preserves the historical value of this meticulously detailed and comprehensive book, which will appeal to Bradshaw's enthusiasts, local historians, aficionados of Victoriana, tourists and Londoners alike - there really is something for everyone. It will enchant anyone with an interest in the capital and its rich history.

The most comprehensive anthology of writings by visitors to the eternal city ever compiled – witty, profound and endlessly entertaining. Drawing on French, Italian, Spanish, English, German, Scandinavian and American sources, Ronald Ridley has compiled a vivid collage-portrait of Rome through the centuries, illustrated with three hundred images and published in three elegant volumes: The Middles Ages to the Seventeenth Century, The Eighteenth Century and The Nineteenth Century. Presented here is the second volume. How did visitors arrive? Where did they stay? What were their expenses? What did they see of churches, palaces, villas and antiquities? What did they like or dislike of what they saw? What did they think of Rome in all its contemporary facets? What events did they witness? What portraits do they provide of people in Rome at the time of their visit? Excerpts from memoirs by more than two hundred visitors give a myriad fascinating insights and together provide a detailed account of Rome over nearly a millennium.

The Marquis de Custine's record of his trip to Russia in 1839 is a brilliantly perceptive, even prophetic, account of one of the world's most fascinating and troubled countries. It is also a wonderful piece of travel writing. Custine, who met with people in all walks of life, including the Czar himself, offers vivid descriptions of St. Petersburg and Moscow, of life at court and on the street, and of the impoverished Russian countryside. But together with a wealth of sharply delineated incident and detail, Custine's great work also presents an indelible picture--roundly denounced by both Czarist and Communist regimes--of a country crushed by despotism and "intoxicated with slavery."
"Letters from Russia," here published in a new edition prepared by Anka Muhlstein, the author of the Goncourt Prize-winning biography of Custine, stands with Tocqueville's Democracy in America as a profound and passionate encounter with historical forces that are still very much at work in the world today.

'Matar has produced a valuable and stimulating piece of scholarship ...' - The Daily Telegraph

Alexander Stavely Hill was the founder of Alberta's famous Oxley Ranch. A British Conservative MP from 1868 to 1900, he travelled to Canada annually between 1881 and 1884. "From Home to Home", first published in 1885, is an account of those travels. Interested in developing a new enterprise in a new country, Hill founded the Oxley in 1882, persuading veteran livestock breeder John R. Craig - later the manager of Oxley, who wrote his own memoir, "Ranching with Lords and Commons" (reprinted by Heritage House in 2006) - to drop his Canadian investors in favour of some English gentlemen whom Hill claimed had much more to invest. Ironically, a bitter feud later developed between Craig and Hill when the latter could not (or would not) supply enough money to run the enterprise properly. "From Home to Home" is a fascinating look at this historically important time and place from the perspective of a late-19th century version of an absentee landlord.

Carl Lumholtz (1851 1922) was a Norwegian ethnographer and explorer who, soon after publishing an influential study of Australian Aborigines (also reissued in the Cambridge Library Collection), spent five years researching native peoples in Mexico. This two-volume work, published in 1903, describes his expeditions to remote parts of north-west Mexico, inspired by reports about indigenous peoples who lived in cliff dwellings along mountainsides. While in the US in 1890 on a lecture tour, Lumholtz was able to raise sufficient funds for the expedition. He arrived in Mexico City that summer, and after meeting the president, Porfirio D az, he set off with a team of scientists for the Sierra Madre del Norte mountains in the north-west of Mexico, to find the cave-dwelling Tarahumare Indians. Volume 2 focuses mainly on the neighbouring Huichols people, their daily life, and their religious practices, including shamanism.

There is nothing quite like parrot pie for breakfast. First one must catch one's parrot, of course, and build the hearth to bake it, but that is all in a days work for the women you will meet in this riveting anthology, whose experiences in settling the wildernesses of the world challenged to the limits their spirit, resourcefulness, and even survival.

Sir Richard Burton (1821 1890), the famous Victorian explorer, began his career in the Indian army in 1842. While in India he developed his linguistic talent, mastering more than forty different languages and dialects. He turned to writing books in the 1850s and, over the remaining forty years of his life, published dozens of works and more than one hundred articles. In this book, first published in 1856, Burton recounts his travels to Harar, a city in East Africa notorious for its slave trade activity. His plan was a challenging one, as it was believed that no European had been there before; upon arrival he claimed to be an agent of the British government and presented himself to the ruler of Harar. Burton was allowed to spend ten days there, and his account give a fascinating glimpse into a then unknown city and culture.

This travelogue by Dr Arthur Leared (1822 1879) follows his journey through Morocco during 1872, giving a comprehensive picture of the country and its people. At this time, Morocco was a French protectorate, ruled by the Alouite dynasty, comprising a mix of tribes, cultures, races and religions. Following Leared's route south, the geography, people, culture, legal and religious practices of Morocco are all explored thoroughly, with personal memories and anecdotes of daily life. As a physician and the inventor of the binaural stethoscope, Leared was interested in the advantages of the climate for treating respiratory diseases, particularly tuberculosis, and in native medical materials and practices. He subsequently became the physician at the Portuguese embassy, and planned the foundation of a sanatorium in Tangier. A vivid and balanced account of the country, as viewed from the stance of an objective traveller as the country began to open up to Europeans.

In this rich exploration of the era of the Grand Tour, contributors from the fields of history, art history, literary history and theory, science history, and anthropology investigate the experiences of travelers and their ways of understanding and representing their encounters with the foreign. From the beginning of the seventeenth century through the early decades of the nineteenth century, the practice of the Grand Tour supplied a crucial point of reference for travel and imaginative geography in general. At the same time, concepts of pleasure and enjoyment became entangled with visual and verbal representations of that which was foreign. With chapters by Ken Arnold, Rosemary Bechler, Richard Hamblyn, Roy Porter, E. S. Shaffer, Nicholas Thomas, Tzvetan Todorov, Richard Wrigley, and the editors, Transports discusses a range of original topics. These include narrative orderings of travel; the classification of exotic objects; pastoral and paradisal topography in the paintings of Claude Lorrain; Beckford's invocations of China as he travels through Italy; volcanoes in the discourses of travel and geology; the experience of Rome; crossing boundaries and exceeding limits in travel and in the sublime; liberty and license in New Zealand; foreigners' responses to the high-velocity culture of London; and Byron's sublime impulse beyond the established bounds of the Grand Tour. Published for the Paul Mellon Center for Studies in British Art

This is London in the eyes of its beggars, bankers, coppers, gangsters, carers, witch-doctors and sex workers. This is London in the voices of Arabs, Afghans, Nigerians, Poles, Romanians and Russians. This is London as you've never seen it before. Longlisted for the Baillie Gifford Prize for Non-fiction 2016 Shortlisted for the Ryszard Kapuscinski Award for Literary Reportage 2019 'An eye-opening investigation into the hidden immigrant life of the city' Sunday Times 'Full of nuggets of unexpected information about the lives of others . . . It recalls the journalism of Orwell' Financial Times 'Ben Judah grabs hold of London and shakes out its secrets' The Economist

"Afloat, "originally published as "Sur l'eau "in 1888, is a book of dazzling but treacherously shifting currents, a seemingly simple logbook of a sailing cruise along the French Mediterranean coast that opens up to reveal unexpected depths, as Guy de Maupassant merges fact and fiction, dream and documentation in a wholly original style. Humorous and troubling stories, unreliable confessions, stray reminiscences, and thoughts on life, love, art, nature, and society all find a place in Maupassant's pages, which are, in conception and in effect, so many reflections of the fluid sea on which he finds himself-happily but forever precariously-afloat. "Afloat" is thus a book that in both content and form courts risk while setting out to chart the meaning, and limits, of freedom, a book that makes itself up as it goes along and in doing so proves as startling and compellingly vital as the paintings of Maupassant's contemporaries van Gogh and Gauguin.

Full of humor, profundity, and obsession, these are tales of writers on peregrine paths. Some set out in search of legends or artistic inspiration; others seek spiritual epiphany or fulfillment of a promise. Their journeys lead them variously to Dracula's castle, Laura Ingalls Wilder's prairie, the Grimms' fairy-tale road, Mayan temples, Nathaniel West's California, the Camino de Santiago trail, Scott's Antarctica, the Marquis de Sade's haunted manor, or the sacred city of Varanasi. All of these pilgrimages are worthy journeys-redemptive and serious. But a time-honored element of pilgrimage is a suspension of rules, and there is absurdity and exuberance here as well.

In the summer of 1627, Barbary corsairs raided Iceland, killing dozens of people and abducting close to four hundred to sell into slavery in North Africa. Among those taken were the Lutheran minister Reverend Olafur Egilsson. Reverend Olafur (born in the same year as William Shakespeare and Galileo Galilei) wrote The Travels to chronicle his experiences both as a captive in Algiers and as a traveler across Europe (he journeyed alone from Algiers to Copenhagen in an attempt to raise funds to ransom the captives that remained in the Barbary States). He was a keen observer, and the narrative is filled with a wealth of detail-social, political, economic, religious-about both the Maghreb and Europe. It is also a moving story on the human level: we witness a man enduring great personal tragedy and struggling to reconcile such calamity with his understandingof God. The Travels is the first-ever English translation of the Icelandic texts. Until now, the corsair raid on Iceland has remained largely unknown in the English speaking world. To give a clearer sense of the extraordinary events connected with that raid, this edition of The Travels includes not only Reverend Olafur's first-person narrative but also a wealth of contemporary letters describing both the events of the raid itself and the conditions in North Africa under which the enslaved Icelanders lived. The book has Appendices containing background information on the cities of Algiers and Sale in the seventeenth century, on Iceland in the seventeenth century, on the manuscripts accessed for the translation, and on the book's early modern European context. The combination of Reverend Olafur's narrative, the letters, and thematerial in the Appendices provides a first-hand, in-depth view of early seventeenth-century Europe and the Maghreb equaled by few otherworks dealing with the period. We are pleased to offer it to the wider audience that an English edition allows.

'After all that - how, you might wonder, could one not become a fatalist?' Lermontov's hero, Pechorin, is a young army officer posted to the Caucasus, where his adventures - amorous and reckless - do nothing to alleviate his boredom and cynicism. World-weary and self-destructive, Pechorin is alienated from those around him yet he is full of passion and romantic ardour, sensitive as well as arrogant. His complex, contradictory character dominates A Hero of Our Time, the first great Russian novel, in which the intricate narrative unfolds episodically, transporting the reader from the breathtaking terrain of the Caucasus to the genteel surroundings of spa resorts. Told in an engaging yet pointedly ironic style, the story expresses Lermontov's own estrangement from the stifling conventions of bourgeois society and the oppression of Russian autocracy, but it also captures a longing for freedom through acts of love and bravery. This new edition also includes Pushkin's Journey to Arzrum, in which Pushkin describes his own experiences of Russia's military campaigns in the Caucasus and which provides a fascinating counterpoint to Lermontov's novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A Mesoamerican travel book from two perspectives and two centuries.

In 1839 John Lloyd Stephens, then 31 years old, and his traveling companion, artist Frederick Catherwood, disappeared into the vast rain forest of eastern Guatemala. They had heard rumors that remains of a civilization of incomparable artistic and cultural merit were moldering in the steamy lowland jungles. They braved Indian uprisings, road agents, heat, and biting insects to eventually encounter what is today known as the lost civilization of the Maya.

In 1841 Stephens published "Incidents of Travel in Central America, Chiapas, and Yucatan" to instant acclaim with both American and international audiences. His conversational style was fresh and crisp and his subject matter, the search for lost cities on the Central American isthmus, was romantic and adventurous. Stephens's book has been characterized as the "great American nonfiction narrative of the 19th century." Indeed, what Stephens wrote about the Maya makes a major contribution to Maya studies.

Steve Glassman retraces Stephens's route, visiting the same archaeological sites, towns, markets, and churches and meeting along the way the descendants of those people Stephens described, from mestizo en route to the cornfields to town elders welcoming the Norte Americanos. Glassman's work interlaces discussion of the history, natural environment, and architecture of the region with descriptions of the people who live and work there. Glassman compares his 20th-century experience with Stephens's 19th-century exploration, gazing in awe at the same monumental pyramids, eating similar foods, and avoiding the political clashes that disrupt the governments and economies of the area.

Stephens's books are still widely available, but his importance to literary professionals has been overlooked. With this new travelogue, Glassman reaffirms Stephens's reputation and brings his work to wider critical and public attention.

The long-awaited final volume of the trilogy by Patrick Leigh Fermor. A Time of Gifts and Between the Woods and the Water were the first two volumes in a projected trilogy that would describe the walk that Patrick Leigh Fermor undertook at the age of eighteen from the Hook of Holland to Constantinople. 'When are you going to finish Vol. III?' was the cry from his fans; but although he wished he could, the words refused to come. The curious thing was that he had not only written an early draft of the last part of the walk, but that it predated the other two. It remains unfinished but The Broken Road - edited and introduced by Colin Thubron and Artemis Cooper - completes an extraordinary journey.

A sparkling new translation of one of the greatest travel books ever written: Marco Polo's seminal account of his journeys in the east. Marco Polo was the most famous traveller of his time. His voyages began in 1271 with a visit to China, after which he served the Kublai Khan on numerous diplomatic missions. On his return to the West he was made a prisoner of war and met Rustichello of Pisa, with whom he collaborated on this book. His account of his travels offers a fascinating glimpse of what he encountered abroad: unfamiliar religions, customs and societies; the spices and silks of the East; the precious gems, exotic vegetation and wild beasts of faraway lands. Evoking a remote and long-vanished world with colour and immediacy, Marco's book revolutionized western ideas about the then unknown East and is still one of the greatest travel accounts of all time. For this edition - the first completely new English translation of the Travels in over fifty years - Nigel Cliff has gone back to the original manuscript sources to produce a fresh, authoritative new version. The volume also contains invaluable editorial materials, including an introduction describing the world as it stood on the eve of Polo's departure, and examining the fantastical notions the West had developed of the East.

The late Samuel Eliot Morison was one of the most eminent American historians of the 20th century. The Great Explorers, an abridgement of his two-volume magnum opus, The European Discovery of America, vividly describes the early voyages that led to the discovery of the New World. Based on Morison's own trips, by plane, to the places the early discoverers landed, and on massive research into their maps, travelogues, and means of navigation, it tells, as no other book does, what the experience of these early explorers was. Morison describes their fear of sailing uncharted waters, their encounters with natives, their joy-and surprise-at discovering new land, and enriches his story with the photographs and maps he made while retracing the great voyages.

'And O, Angelica, what has become of you, this present Sunday morning when I can't attend to the sermon; and, more difficult question than that, what has become of Me as I was when I sat by your side?' At the height of his career, around the time he was working on Great Expectations and Our Mutual Friend, Charles Dickens wrote a series of sketches, mostly set in London, which he collected as The Uncommercial Traveller. In the persona of 'the Uncommercial', Dickens wanders the city streets and brings London, its inhabitants, commerce and entertainment vividly to life. Sometimes autobiographical, as childhood experiences are interwoven with adult memories, the sketches include visits to the Paris Morgue, the Liverpool docks, a workhouse, a school for poor children, and the theatre. They also describe the perils of travel, including seasickness, shipwreck, the coming of the railways, and the wretchedness of dining in English hotels and restaurants. The work is quintessential Dickens, with each piece showcasing his imaginative writing style, his keen observational powers, and his characteristic wit. In this edition Daniel Tyler explores Dickens's fascination with the city and the book's connections with concerns evident in his fiction: social injustice, human mortality, a fascination with death and the passing of time. Often funny, sometimes indignant, always exuberant, The Uncommercial Traveller is a revelatory encounter with Dickens, and the Victorian city he knew so well.

Sybille Bedford once wrote that travel writing is inseparable from the writer's tastes, idiosyncrasies, and general temperament - it is what happens to him when he is confronted with a column, a bird, a sage, a cheat, a riot; wine, fruit, dirt; the delay in the dirt, the failing airplane. 'Pleasures and Landscapes' is what happened to Mrs Bedford when, at the peak of her literary powers, she traveled through France, Italy, and the rest of Europe for Vogue, Esquire, and other magazines - eight classic essays that secure her a place at the table with A.J. Liebling and M.F.K. Fisher.

Born in 1831, Isabella, daughter of a clergyman, set off alone to the Antipodes in 1872 'in search of health' and found she had embarked on a life of adventurous travel. In 1873, wearing Hawaiian riding dress, she rode on her spirited horse Birdie through the American 'Wild West', a terrain only recently opened to pioneer settlement. Here she met Rocky Mountain Jim, her 'dear (one-eyed) desperado', fond of poetry and whisky - 'a man any women might love, but no sane woman would marry'. He helped her climb the 'American Matterhorn' and round up cattle on horseback. The wonderful letters which make up this volume were first published in 1879 and were enormously popular in Isabella Bird's lifetime. They tell of magnificent unspoilt landscapes and abundant wildlife, of small remote townships, of her encounters with rattlesnakes, wolves, pumas and grizzly bears and her reactions to the volatile passions of the miners and pioneer settlers.

Travel was a way of life for the Austrian poet and novelist Rainer Maria Rilke, and it was integral to his work. Between 1897 and 1920 he visited Venice ten times. The city has inspired countless writers and artists, but Rilke was both enthralled and provoked by it, as eager to see and explore the city's deserted shipyards and back alleys as the iconic sights of St Mark's and the Doge's Palace. He would walk the city alone, staying in simple guesthouses or the grand palaces of his patrons. Birgit Haustedt guides readers through the city in the poet's footsteps, showing us the sights through Rilke's eyes.

"A whimsical cross between a fairy tale and a travelogue. . . This version includes beautiful illustrated collages by the Italian artist Livia Signorini." -"T, The New York Times Style Magazine"
"It is no wonder that Signorini was moved to assemble collages that embrace the span of time that clearly resonated with Dickens as he explored Italy. Images from antiquarian books cozy up to Photoshop embellishments like enlarged rigatoni, made even more impressive by the gatefold pages across which these compositions spread, complementing Dickens's running theme of the moment being everything and nothing, honoring the poignancy of stone, water, light, and shadow." - "Imprint," "Print" Magazine
"Pictures from Italy," one of Charles Dickens' earlier works, is a whimsical foray into the twin worlds of travel and the imagination. Italian artist Livia Signorini plays with Dickens' sense of place, memory, and politics. The result is a brilliant contemporary dialogue with his work that renews our sense of his enduring vision. An extraordinary work that is as much about travel writing as it is about Dickens' journey to Italy itself, this handsome volume features 11 full-color gate folds.
US Grade Level Equivalent: 7-8+
US Guided Reading Level: Z
Lexile(R) Measure: 1200L