The origins of 'Aladdin' continue to fascinate scholars and readers of the tales. The story is believed to have first been written in French, by Antoine Galland, having been told to him in Paris in 1709 by Hanna Diyab - the author of this travel memoir. Written some five decades after this encounter, 'The Life and Times of Hanna Diyab' is part autobiography and part storytelling, a fascinating record of experiences, cultural observations, international relations, medicine, and hearsay. It traces a journey across land and sea from the author's home in Aleppo - through early eighteenth-century Lebanon, Jabal Druze, Cyprus, Egypt, Libya, Tunis, Livorno, Genoa and Marseille - to Paris in the time of Louis XIV; and the author's return to Aleppo across the 'lands of the East', now Turkey. The Foreword explains how this important translation into English came about and the Introduction provides background to some of the features of the memoir, including the Maronite Christian community of the period, the consular system of the Republics of Venice and Genoa, the role of Ottoman ambassadors, and of the French merchant, naturalist and traveller, Paul Lucas. Notes at the end of the book also help the non-specialist reader, and there are two bibliographies.

Like the ancient colossus that stood over the harbor of Rhodes, Henry Miller's The Colossus of Maroussi stands as a seminal classic in travel literature. It has preceded the footsteps of prominent travel writers such as Pico Iyer and Rolf Potts. The book Miller would later cite as his favorite began with a young woman's seductive description of Greece. Miller headed out with his friend Lawrence Durrell to explore the Grecian countryside: a flock of sheep nearly tramples the two as they lie naked on a beach; the Greek poet Katsmbalis, the "colossus" of Miller's book, stirs every rooster within earshot of the Acropolis with his own loud crowing; cold hard-boiled eggs are warmed in a village's single stove, and they stay in hotels that "have seen better days, but which have an aroma of the past."

'She has written the best travel books of her generation and her name will survive as an artist in prose.' - The Observer Written just after the Second World War, Perseus in the Wind (named after the constellation) is perhaps the most personal, and haunting, of all Freya Stark's writings. She muses on the seasons, the effect light has on a landscape at a particular time of day, the smell of the earth after rain, Muslim saints, Indian temples, war and old age. Each chapter is devoted to a particular theme: happiness (simple pleasures, like her father's passion for the view from his cabin in Canada); education (to be able to command happiness, recognise beauty, value death, increase enjoyment); beauty (incongruous, flighty and elusive - a description of the stars, the burst of flowers in a park); death (a childhood awareness of the finality of time, the meaningfulness of the end); memory (the jewelled quality of literature, pleasure, love, an echo or a scent when aged by the passage of time). For those who have loved her travel writing, Perseus in the Wind illuminates the motivations behind Freya Stark's journeys and the woman behind the traveller.