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Books > Reference & Interdisciplinary > Communication studies
In the past, choosing a breast surgeon and having the tumor removed
were the very first steps in the treatment of breast cancer. Today,
however, there are many steps that should occur prior to having a
breast cancer removed-steps that .decrease the chance that the
tumor comes back, .improve the chance that the right treatment is
given, .decrease the complications from surgery, .more accurately
determines if chemotherapy is needed.In addition, finding the right
breast surgeon can improve one's chance of survival by as much as
35 percent, a benefit frequently larger than either radiation
therapy or chemotherapy. Before Breast Cancer Surgery is a focused
easy-to-read book written in a question/answer format to rapidly
arm the reader with all the information she needs to ensure that
she receives the best possible care.
Bullying has been an issue for generations across fields and
industries and can affect children as well as adults. With the rise
of social media in recent years, bullying has evolved to include
new forms such as cyberbullying and peer bullying. In the past,
victims were able to escape their bullies in safe places, such as
their homes. Nowadays, with technology keeping society constantly
connected, bullies are able to exert their influence at all times.
This is taking a far greater mental toll on bullied adults and
children leading to burnout in the workplace, stress, anxiety,
depression, and more. To understand and develop possible solutions
to prevent bullying, further study is required. The Handbook of
Research on Bullying in Media and Beyond considers the various
forms of bullying and analyzes their representation in the media.
The book also discusses the evolution of bullying throughout the
years and how media and technology have played a key role in the
changing landscape. Covering topics such as body image, peer
bullying, social media, and violence, this major reference work is
ideal for policymakers, computer scientists, psychologists,
counselors, researchers, academicians, scholars, practitioners,
instructors, and students.
This proceedings book presents state-of-the-art developments in
theory, methodology, and applications of network analysis across
sociology, computational science, education research, literature
studies, political science, international relations, social media
research, and urban studies. The papers comprising this collection
were presented at the Fifth 'Networks in the Global World'
conference organized by the Centre for German and European Studies
of St. Petersburg University and Bielefeld University and held on
July 7-9, 2020. This biannual conference series revolves around key
interdisciplinary issues in the focus of network analysts, such as
the multidimensional approach to social reality, translation of
theories and methods across disciplines, and mixing of data and
methods. The distinctive features of this book are the emphasis on
in-depth linkages between theory, method, and applications, the
blend of qualitative and quantitative methods, and the joint
consideration of different network levels, types, and contexts. The
topics covered by the papers include interrelation of social and
cultural structures, constellations of power, and patterns of
interaction in areas ranging from various types of communities
(local, international, educational, political, and so on) to social
media and literature. The book is useful for practicing
researchers, graduate and postgraduate students, and educators
interested in network analysis of social relations, politics,
economy, and culture. Features that set the book apart from others
in the field: * The book offers a unique cross-disciplinary blend
of computational and ethnographic network analyses applied to a
diverse spectrum of spheres, from literature and education to urban
planning and policymaking. * Embracing conceptual, methodological,
and empirical works, the book is among the few in network analysis
to emphasize connections between theory, method, and applications.
* The book brings together authors and empirical contexts from all
over the globe, with a particular emphasis on European societies.
As timely as the latest tweet, this book tracks the digital
revolution as a paradigm shift that is transforming popular culture
in as yet unforeseen ways. Bloggerati, Twitterati: How Blogs and
Twitter Are Transforming Popular Culture explores the ongoing
digital revolution and examines the way it is changing-and will
change-the way people live and communicate. Starting from the
proposition that the Internet is now the center of popular culture,
the book offers descriptions of blogs and Twitter and the online
behavior they foster. It looks at the demographics of users and the
impact of the Internet on knowledge, thinking, writing, politics,
and journalism. A primary focus is on the way blogs and tweets are
opening up communication to the people, free from gatekeepers and
sanctioned rhetoric. The other side of the coin is the online
hijacking of the news and its potential for spreading
misinformation and fomenting polarization, topics that are analyzed
even as the situation continues to evolve. Finally, the book
gathers predictions from cultural critics about the future of
digital popular culture and makes a few predictions of its own.
Sidebars featuring original and exclusive interviews with media
personalities Tina Brown, Arianna Huffington, Martha Stewart, and
others A timeline showing the history of the Internet, blogs,
Twitter, and social media Cartoons depicting humorous aspects of
Internet culture Snapshot views of blogs A bibliography and
listings of selected blogsites
This open access book promotes the idea that all media types are
multimodal and that comparing media types, through an intermedial
lens, necessarily involves analysing these multimodal traits. The
collection includes a series of interconnected articles that
illustrate and clarify how the concepts developed in Ellestroem's
influential article The Modalities of Media: A Model for
Understanding Intermedial Relations (Palgrave Macmillan, 2010) can
be used for methodical investigation and interpretation of media
traits and media interrelations. The authors work with a wide range
of old and new media types that are traditionally investigated
through limited, media-specific concepts. The publication is a
significant contribution to interdisciplinary research, advancing
the frontiers of conceptual as well as practical understanding of
media interrelations. This is the second of two volumes. It
contains a concluding article by Ellestroem and seven contributions
concentrated on the issue of media transformations: how media
characteristics are transferred and transfigured among various
media products and media types.
This book shows how information theory, probability, statistics,
mathematics and personal computers can be applied to the
exploration of numbers and proportions in music. It brings the
methods of scientific and quantitative thinking to questions like:
What are the ways of encoding a message in music and how can we be
sure of the correct decoding? How do claims of names hidden in the
notes of a score stand up to scientific analysis? How many ways are
there of obtaining proportions and are they due to chance? After
thoroughly exploring the ways of encoding information in music, the
ambiguities of numerical alphabets and the words to be found
"hidden" in a score, the book presents a novel way of exploring the
proportions in a composition with a purpose-built computer program
and gives example results from the application of the techniques.
These include information theory, combinatorics, probability,
hypothesis testing, Monte Carlo simulation and Bayesian networks,
presented in an easily understandable form including their
development from ancient history through the life and times of J.
S. Bach, making connections between science, philosophy, art,
architecture, particle physics, calculating machines and artificial
intelligence. For the practitioner the book points out the pitfalls
of various psychological fallacies and biases and includes succinct
points of guidance for anyone involved in this type of research.
This book will be useful to anyone who intends to use a scientific
approach to the humanities, particularly music, and will appeal to
anyone who is interested in the intersection between the arts and
science.With a foreword by Ruth Tatlow (Uppsala University), award
winning author of Bach's Numbers: Compositional Proportion and
Significance and Bach and the Riddle of the Number Alphabet."With
this study Alan Shepherd opens a much-needed examination of the
wide range of mathematical claims that have been made about J. S.
Bach's music, offering both tools and methodological cautions with
the potential to help clarify old problems." Daniel R. Melamed,
Professor of Music in Musicology, Indiana University
Volume 3 of A History of Pre-Cinema contains a complete reprint of
Olive Cook's book Movement in Two Dimensions. In it, the author
carefully describes how each of the technologies worked, but she is
more concerned with the aesthetic and cultural than the technical.
This book explores the ways in which Eastern and Western medical
knowledge inform each other in the treatment of people in Asia
across a wide range of health issues. To do so, it brings together
health communication scholars from diverse disciplines both in Hong
Kong and worldwide and combines their observations and expertise
with those of clinicians working in healthcare in Asia to provide a
topical portrait of the expanding horizons of healthcare in Asia.
Social scientists and clinicians discuss their research and
clinical practice respectively using a range of analytic approaches
that include traditional qualitative and quantitative
methodologies, as well as cutting-edge computer diagnostics that
digitally visualize health interactions across time. The book
presents an innovative and interdisciplinary investigation of
Eastern and Western perspectives on healthcare in Asia. It covers
topics concerned with a range of mental and physical problems that
are currently confronting Asia. Importantly, the views and
experiences of front line clinicians delivering patient care in
Asia are also included. Accordingly, the book offers varied and
innovative perspectives on health communication issues in China,
Singapore, Bangladesh and Australia.
Despite the pervasive rhetorics of immersion and embodiment found
in industrial and social discourses, playing a video game is an
exercise in non-linearity. The pervasiveness of trial and error
mechanics, unforgiving game over screens, loading times, minute
tweakings of options and settings, should lead us to consider video
games as a medium that cannot eschew fragmentation. Every Game is
an Island is an analysis and a critique of grey areas, dead ends
and extremities found in digital games, an exploration of border
zones where play and non-play coexist or compete. Riccardo Fassone
describes the complexity of the experience of video game play and
brings integral but often overlooked components of the gameplay
experience to the fore, in an attempt to problematize a reading of
video games as grandiosely immersive, all-encompassing narrative
experiences. Through the analysis of closures and endings, limits
and borders, and liminal states, this field-advancing study looks
at the heart of a medium starting from its periphery.
Learning Communities in Educational Partnerships shows how theory
and practice come into lived interplay in social spaces where
theory informs practice and practice turns into theory. Drawing on
their own experiences of becoming a learning community, the authors
introduce the ideas underpinning self-study action research.
Through a series of first-hand practitioner accounts, the chapters
describe and explain how to engage in processes of inquiry and
establish learning communities, how to make space for professional
conversations and how to develop living theories from within daily
practice. The book shows how meaningful change can take place, both
in educational improvements and also in more transformative
professional learning, when educators are encouraged to draw on
their own personal educational values and share their idea
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Information Technology in Disaster Risk Reduction
- 5th IFIP WG 5.15 International Conference, ITDRR 2020, Sofia, Bulgaria, December 3-4, 2020, Revised Selected Papers
(Hardcover, 1st ed. 2021)
Yuko Murayama, Dimiter Velev, Plamena Zlateva
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This volume constitutes the refereed and revised post-conference
proceedings of the 5th IFIP WG 5.15 International Conference on
Information Technology in Disaster Risk Reduction, ITDRR 2020, in
Sofia, Bulgaria, in December 2020.* The 18 full papers and 6 short
papers presented were carefully reviewed and selected from 52
submissions. The papers focus on various aspects and challenges of
coping with disaster risk reduction. The main topics include areas
such as natural disasters, remote sensing, big data, cloud
computing, Internet of Things, mobile computing, emergency
management, disaster information processing, disaster risk
assessment and management. *The conference was held virtually.
One of the first attempts ever to present in a systematic way a
non-western semiotic system. This book looks at Japanese esoteric
Buddhism and is based around original texts, informed by explicit
and rigorous semiotic categories. It is a unique introduction to
important aspects of the thought and rituals of the Japanese
Shingon tradition. Semiotic concerns are deeply ingrained in the
Buddhist intellectual and religious discourse, beginning with the
idea that the world is not what it appears to be, which calls for a
more accurate understanding of the self and reality. This in turn
results in sustained discussions on the status of language and
representations, and on the possibility and methods to know reality
beyond delusion; such peculiar knowledge is explicitly defined as
enlightenment. Thus, for Buddhism, semiotics is directly relevant
to salvation; this is a key point that is often ignored even by
Buddhologists. This book discusses in depth the main elements of
Buddhist semiotics as based primarily on original Japanese
pre-modern sources. It is a crucial publication in the fields of
semiotics and religious studies.
This open access edited volume provides theoretical, practical, and
historical perspectives on art and education in a post-digital,
post-internet era. Recently, these terms have been attached to
artworks, artists, exhibitions, and educational practices that deal
with the relationships between online and offline, digital and
physical, and material and immaterial. By taking the current
socio-technological conditions of the post-digital and the
post-internet seriously, contributors challenge fixed narratives
and field-specific ownership of these terms, as well as explore
their potential and possible shortcomings when discussing art and
education. Chapters also recognize historical forebears of digital
art and education while critically assessing art, media, and other
realms of engagement. This book encourages readers to explore what
kind of educational futures might a post-digital, post-internet era
engender.
In 1963, at the height of the southern civil rights movement, Cecil
Brathwaite (1936-2014), under the pseudonym Cecil Elombe Brath,
published a satire of Black leaders entitled Color Us Cullud! The
American Negro Leadership Official Coloring Book. The book
pillories a variety of Black leaders-from political figures like
Adam Clayton Powell and Whitney Young to civil rights activists
like Martin Luther King, Bayard Rustin, and John Lewis, and even
entertainers like Sammy Davis Jr., Lena Horne, and Dick
Gregory-critiquing the inauthenticity of movement leaders while
urging a more radical approach to Black activism. Despite the
strong illustrations and unique commentary presented in the
coloring book, it has virtually disappeared from histories of the
movement. The Artistic Activism of Elombe Brath restores the
coloring book and its creator to a place of prominence in the
historiography of the Black left. It begins with an analysis of
Brath's influences, describing his life and work including his
development as a Black nationalist thinker and Black satirist. The
volume includes Brath's early works-illustrations for DownBeat
magazine and Beat Jokes, Bop Humor, & Cool Cartoons-as well as
the full run of his comic strip "Congressman Carter and Beat Nick
Jackson" from the New York Citizen-Call and a complete edition of
Color Us Cullud! itself. These illustrations are followed by
annotations that frame and contextualize each of the coloring
book's entries. The book closes with selections from Brath's art
and political thinking via archival material and samples of his
written work. Ultimately, this volume captures and restores a
unique perspective on the civil rights movement often omitted from
the historiography but vital to understanding its full scope.
In this book, Monika Bednarek addresses the need for a systemic
analysis of television discourse and characterization within
linguistics and media studies. She presents both corpus stylistics
and manual analysis of linguistic and multimodal features of
fictional television. The first part focuses on communicative
context, multimodality, genre, audience and scripted television
dialogue while the second part focuses on televisual
characterization, introducing and illustrating the novel concept of
expressive character identity. Aside from the study of television
dialogue, which informs it throughout, this book is a contribution
to studying characterization, to narrative analysis and to corpus
stylistics. With its combination of quantitative and qualitative
analysis, the book represents a wealth of exploratory, innovative
and challenging perspectives, and is a key contribution to the
analysis of television dialogue and character identity. The volume
will be of interest to researchers and students in linguistics,
stylistics and media/television studies, as well as to corpus
linguists and communication theorists. The book will be a useful
resource for lecturers teaching at both undergraduate and
postgraduate levels in media discourse and related areas.
Aesthetics, Digital Studies and Bernard Stiegler frames the
intertwined relationship between artistic endeavours and scientific
fields and their sociopolitical implications. Each chapter is
either an explication of, or a critique of, some aspect of Bernard
Stiegler's technological philosophy; as it is his
technological-political-aesthetical-ethical theorisations which
form the philosophical foundation of the volume. Emerging scholars
bring critical new reflections to the subject area, while more
established academics, researchers and practitioners outline the
mutating nature of aesthetics within historical and theoretical
frameworks. Not only is interdisciplinarity a prevailing topic at
work within this collection, but so too is there a delineation of
the mutating, hybrid role inhabited by the arts practitioner - at
once engineer, scientist and artist - in the changing landscape of
digital cultural production.
For business people looking to get results and up their income,
this book divulges no-nonsense strategies that can turn anyone into
a powerful speaker who can overcome challenges and influence the
right listeners. In today's high-tech world, there are more ways
than ever before to communicate: email, text messaging, voicemails,
blogs, tweets, video conference calls, and remote meetings. But one
thing is still exactly the same as in the old days: there are
effective and ineffective ways to express yourself. All business
professionals need to know how to communicate clearly, concisely,
and passionately if they want their intended message to impact
others. Shut Up and Say Something shows readers how to convincingly
communicate their expertise in any business situation. This book
demonstrates how to condense complicated concepts, minimize
communication mistakes, avoid misinterpretation, convey vision, and
quickly influence decision makers. Strategies for expressing
yourself succinctly and clearly, dodging "loaded" questions,
thinking fast on your feet, humanizing inscrutable information, and
using humor to engage an audience are examples of the topics
covered. The importance of prioritizing outcomes is emphasized
throughout the book. Provides hands-on, easy-to-use tools to help
anyone improve their business communication skills Contains
original heartwarming stories, examples, and lessons learned from
the author's 20-year career in television news, a run for political
office, and advising some of the nation's biggest companies Every
chapter contains topical session examples, stories, "Coaching
Notes," "Quick Fixes," and subject-related quotes The index helps
readers easily locate specific topics and references to key terms
Modern literary culture depended on the medium of the print book.
Today, with the advent of digital technologies, it is far from
apparent that print is, or should be, the vehicle of choice for
contemporary writers. Print has been placed in relief, as the book
becomes a site of experimentation with new platforms for writing.
Among Latin American countries, none has been as crucial player in
the world of print as Argentina. Argentine presses were the channel
for many of the great modern literary experiments in Latin America.
As such, it comes as no surprise that today, when those same
presses have been gobbled up by transnational media conglomerates
and digital technologies abound, Argentine writers would be
attentive to the shifting media of literature." Late Book Culture
in Argentina" chronicles that shift. Epplin offers readings of some
of the most innovative Argentine writers and collective projects of
recent years: Osvaldo Lamborghini, Cesar Aira, the cardboard
publishing house Eloisa Cartonera, the poetry project Estacion
Pringles, Sergio Chejfec, and Pablo Katchadjian. This corpus
provides a lens through which to understand the numerous
experiments with literary formats in Argentina today. These
experiments take on a number of forms--digital, artisanal, and
collective--and they provide the ferment for some of Argentina's
most audacious contemporary literature. As such they deserve
critical attention and theoretical examination.
An examination of the connections between modernist writers and
editorial activities, Making Canada New draws links among new and
old media, collaborative labour, emergent scholars and
scholarships, and digital modernisms. In doing so, the collection
reveals that renovating modernisms does not need to depend on the
fabrication of completely new modes of scholarship. Rather, it is
the repurposing of already existing practices and combining them
with others - whether old or new, print or digital - that
instigates a process of continuous renewal. Critical to this
process of renewal is the intermingling of print and digital
research methods and the coordination of more popular modes of
literary scholarship with less frequented ones, such as
bibliography, textual studies, and editing. Making Canada New
tracks the editorial renovation of modernism as a digital
phenomenon while speaking to the continued production of print
editions.
Marcus Moberg offers a new model of religion and religious life in
the post-war era, through focusing on the role of markets and media
as vectors of contemporary social and cultural change - and
therefore institutional religious change. While there is wide
agreement among sociologists of religion that there this area is
transforming on a global scale, there is less agreement about how
these changes should best be approached and conceptualized. In a
time of accelerating institutional religious decline, institutional
Churches have become ever more susceptible to market-associated
discourse and language and are ever more compelled to adapt to the
demands of the present-day media environment. Using discourse
analysis, Marcus Moberg tracks how new media and marketing language
and concepts have entered Christian thinking and discourse. Church,
Market, and Media develops a framework that approaches changes in
the contemporary religious field in direct relation to the changing
socioeconomic makeup of contemporary societies on the whole.
Through focusing on the impact of markets and media within the
contemporary religious setting of mainline institutional Christian
churches in the Western world, the book outlines new avenues for
further theorizing the study of religious change.
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