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Books > Social sciences > Education > Organization & management of education > Curriculum planning & development
This volume assembles essays addressing the recurring question of
the "subject," understood both as human person and school subject,
thereby elaborating the subjective and disciplinary character of
curriculum studies. After examining scholarship on the "subject,"
Pinar critiques its absence in the new sociology of curriculum, its
historically shifting presence in North European (and specifically
German) conceptions of "Bildung" (personified by the life and work
of Robert Musil), in Pinar's concept of "currere," in Frantz
Fanon's theorizing of decolonization, and as the subject becomes
reconstructed in the intercultural scholarship of Hongyu Wang, the
regional studies of Joe L. Kincheloe, and Maxine Greene's
theorization of art as experience. Of interest to scholars not only
in the U.S., this book will hold special significance for graduate
students and junior scholars who want to know how to conduct
curriculum research and development in a field informed by
scholarship and theory in the humanities.
It has become known to many as the moment when the U.S. Supreme
Court kicked God out of the public schools, supposedly paving the
way for a decline in educational quality and a dramatic rise in
delinquency and immorality. The 6-to-1 decision in Engel v. Vitale
(1962) not only sparked outrage among a great many religious
Americans, it also rallied those who cried out against what they
perceived as a dangerously activist Court. Bruce Dierenfield has
written a concise and readable guide to the first - and still most
important - case that addressed the constitutionality of prayer in
public schools. The 22-word recitation in a Long Island school that
was challenged in Engel v. Vitale was hardly denominational - not
even overtly Christian - but a handful of parents saw it as a
violation of the First Amendment's proscription again the
establishment of religion. The case forced the Supreme Court to
take a stand on Jefferson's ""wall of separation"" between church
and state. When it did so, the Court declared that by endorsing the
prayer recitation - no matter how brief, nondenominational, or
voluntary - the Long Island school board had unconstitutionally
approved the establishment of religion in school. Writing with
impeccable fairness and sensitivity, Dierenfield sets his account
of the Engel decision in the larger historical and political
context, citing battles over a wide range of religious activities
in public schools throughout American history. He takes readers
behind the scenes at school board meetings and Court deliberations
to show real people wrestling with deeply personal issues. Through
interviews with many of the participants, he also reveals the large
price paid by the plaintiffs and their children, who were
frequently harassed both during and after the trial. For a long
time, opponents of the decision have loudly claimed that it was
based on a distorted reading of the First Amendment and deprived
Americans of their right to practice religion. Dierenfield shows
that the polarizing effect of Engel - a decision every bit as
controversial as Roe v. Wade - has reverberated through the
subsequent decades and gained intensity with the rise of the
religious right. His book helps readers understand why, even in the
face of this landmark decision, Americans remain divided on how
divided church and state should be.
This book offers insights into the exciting dynamics permeating
creative arts education in the Greater China region, focusing on
the challenges of forging a future that would not reject, but be
enriched by its Confucian and colonial past. Today's 'Greater
China' - comprising China, Hong Kong, Macau and Taiwan - has grown
into a vibrant and rapidly transforming region characterized by
rich historical legacies, enormous dynamism and exciting cultural
metamorphosis. Concomitant with the economic rise of China and
widespread calls for more 'creative' and 'liberal' education, the
educational and cultural sectors in the region have witnessed
significant reforms in recent years. Other factors that will
influence the future of arts education are the emergence of a 'new'
awareness of Chinese cultural values and the uniqueness of being
Chinese. "
'The Early Years Curriculum' brings together a range of curriculum
models from across the world, providing in-depth discussion on key
issues and theories, and enabling readers to consider each approach
to children's learning within an international context. It
encourages readers to explore different ways of understanding the
curriculum, and to develop a critical understanding of the key
issues that shape the way a curriculum is designed.
The best of middle school teaching is "learning by doing" and is
interdisciplinary. This book ties it all together and offers a
complete, innovative program, from vision, through planning,
implementation, and assessment. The program is accomplished through
the collaboration of the school library media specialist and the
language arts teacher. Senator outlines ways in which they can
collaboratively plan, teach, and assess units which use language
arts as tools. She includes specific instructional programs,
suggestions for staff development, examples of questions,
organizers, and units for grades six through eight, ideas for
creating schedules, and methods of working together to develop
materials for instruction. This program reflects the restructuring
movement in American education. It emphasizes process as well as
content, uses authentic material, and stresses interdisciplinary
learning and learning by doing. The first part deals with
literature as a subject and offers many practical units for the
library media specialist and the language arts teacher to use in
collaboratively teaching students inquiry and a framework for
literature. Armed with these tools, students are able to read,
discuss, think, and write about more challenging and interesting
literature. Senator offers many ideas for "extending" literature
through creative dramatics, storytelling, booktalks, and book
shares. The second half of the book shows how to plan
interdisciplinary units so that students, through resource-based
learning, may learn to use new technologies and information
problem-solving. The work also includes some units for elementary
and secondary schools. Because of its innovative methods and
practicalideas it will be a boon to library media specialists,
language arts and English teachers, reading specialists, and
library schools and undergraduate and graduate schools of
education.
This volume focuses on evidence-based practices (EBPs) , supported,
sound research studies documenting their effectiveness with a
target population. As such, EBPs have significant potential to
improve the outcomes of learners with learning and behavioral
disorders. However, a number of obstacles exist in identifying,
conceptualizing, adopting, and maintaining EBPs that have prevented
educators from realizing their potential benefits. The chapters in
this volume address many of these issues, with the goal of
improving stakeholders? Ability to identify and implement EBPs.
Chapters discuss the following topics: appraising systematic
evidence-based reviews, using single-subject research to identify
EBPs, legal issues, implementation fidelity and EBPs, guidelines
for implementing EBPs, obstacles to implementing EBPs, teacher
preparation and EBPs, EBPs for learners with learning disabilities,
EBPs for learners with behavioral disabilities, EBPs for learners
with autism spectrum disorders, EBPs in early childhood special
education, EBPs in special education in Australia.
Mission Statement: The mission of the series is to provide an
integrated view of current knowledge within the various areas of
early childhood education. Each volume in the series will present a
scholarly, but accessible review of research and theory related to
some aspect of early childhood education. The topics to be covered
in each volume will be determined by which aspects of the field are
considered particularly important at the time of its development as
well as which are particularly generative in relation to current
research and theory.
This collection explores why powerful knowledge matters for social
justice and discusses its implications for curriculum and pedagogy.
The contributors argue that the purpose of education is to provide
all students with access to powerful knowledge so that they acquire
the means to move beyond their experiences and enhance their lives.
Barry M. Franklin's new work uses the concept of community as a
lens for interpreting urban school reform since 1960. Focusing on
the curriculum and employing case studies, he applies the concept
to reform initiatives in a number of city school systems. Included
are compensatory education, community control, mayoral takeovers,
educational partnerships, and smaller learning communities. This
comprehensive work concludes with a consideration of how we can
employ the concept of cosmopolitanism to change the idea of
community for a twenty-first century, globalized world and its
schools.
This book examines teacher agency in implementing English as a
Foreign Language (EFL) curriculum reform in the Chinese university
context. It theorizes the concept of teacher agency from a
sociocultural theory perspective and draws on a study conducted in
a conservative and less developed area in China. The book uses
Engestroem's activity theory and Vygotsky's concept of the Zone of
Proximal Development (ZPD) to understand the nature and extent of
teacher agency in adapting one's teaching with respect to beliefs,
knowledge and instructional practices. The study concludes that
curriculum reform in China needs to shift from reliance on
'top-down' policies to 'bottom-up' implementation that mobilizes
local understandings and practices. One of the implications of this
study is that transformative teacher education programs aimed at
developing teacher pedagogical agency require that teachers have
ongoing opportunities to design, develop and evaluate
curriculum-based mediational means.
Is there an 'ideal' primary school curriculum? Who should decide
what the curriculum is? Should teachers have autonomy over how they
teach? The curriculum is the heart of what teachers teach and
learners learn: effective teaching is only possible with an
effective curriculum. Yet in spite of its importance, there has
been a crisis in curriculum that has been caused in large part by
governments assuming direct control over the curriculum,
assessment, and increasingly, pedagogy. Creating the Curriculum
tackles this thorny issue head on, challenging student and
practising primary school teachers to think critically about past
and present issues and to engage with a new wave of curriculum
thinking and development. Considering curriculum construction and
its impact on teaching and learning in the four countries of the
UK, key issues considered include: who should decide the
curriculum, its aims and its values the extent to which issues in
primary education swing back and forth Subjects versus thematic
organisation, stages and phases, progression, breadth and balance
prescription versus teacher autonomy the key features of effective
classroom practice strategies for assessing the whole curriculum
how language in the classroom influences curriculum design
understanding curricula in the context of children's social and
personal circumstances creativity, curriculum and the classroom.
Illustrated throughout with strategies and case studies from the
classroom, Creating the Curriculum accessibly links the latest
research and evidence with concrete examples of good practice. It
is a timely exploration of what makes an effective and meanginful
curriculum and how teachers can bring new relevance, motivation and
powerful values to what they teach.
It is widely recognised that the Chinese Communist Party (CCP) uses
the media to set the agenda for political discourse, propagate
official policies, monitor public opinion, and rally regime
support. State agencies in China control the full spectrum of media
programming, either through ownership or the power to regulate.
Political Communication in China examines the two factors which
have contributed to the rapid development of media infrastructure
in China: technology and commercialization. Economic development
led to technological advancement, which in turn brought about the
rapid modernization of all forms of communication, from 'old' media
such as television to the Internet, cell phones, and satellite
communications. This volume examines how these recent developments
have affected the relationship between the CCP and the mass media
as well as the implications of this evolving relationship for
understanding Chinese citizens' media use, political attitudes, and
behaviour. The chapters in this book represent a diverse range of
research methods, from surveys, content analysis, and field
interviews to the manipulation of aggregate statistical data. The
result is a lively debate which creates many opportunities for
future research into the fundamental question of convergence
between political and media regimes. This book was originally
published as a special issue of the journal Political
Communication.
The Classical Hollywood Reader brings together essential readings
to provide a history of Hollywood from the 1910s to the mid 1960s.
Following on from a Prologue that discusses the aesthetic
characteristics of Classical Hollywood films, Part 1 covers the
period between the 1910s and the mid-to-late 1920s. It deals with
the advent of feature-length films in the US and the growing
national and international dominance of the companies responsible
for their production, distribution and exhibition. In doing so, it
also deals with film making practices, aspects of style, the
changing roles played by women in an increasingly business-oriented
environment, and the different audiences in the US for which
Hollywood sought to cater. Part 2 covers the period between the
coming of sound in the mid 1920s and the beginnings of the demise
of the `studio system` in late 1940s. In doing so it deals with the
impact of sound on films and film production in the US and Europe,
the subsequent impact of the Depression and World War II on the
industry and its audiences, the growth of unions, and the roles
played by production managers and film stars at the height of the
studio era. Part 3 deals with aspects of style, censorship,
technology, and film production. It includes articles on the
Production Code, music and sound, cinematography, and the often
neglected topic of animation. Part 4 covers the period between 1946
and 1966. It deals with the demise of the studio system and the
advent of independent production. In an era of demographic and
social change, it looks at the growth of drive-in theatres, the
impact of television, the advent of new technologies, the
increasing importance of international markets, the Hollywood
blacklist, the rise in art house imports and in overseas
production, and the eventual demise of the Production Code.
Designed especially for courses on Hollywood Cinema, the Reader
includes a number of newly researched and written chapters and a
series of introductions to each of its parts. It concludes with an
epilogue, a list of resources for further research, and an
extensive bibliography.
Two decades have now passed since the revolutions of 1989 swept
through Eastern Europe and precipitated the collapse of state
socialism across the region, engendering a period of massive
social, economic and political transformation. This book explores
the ways in which young people growing up in post-socialist Eastern
Europe and the former Soviet Union negotiate a range of identities
and transitions in their personal lives against a backdrop of
thoroughgoing transformation in their societies. Drawing upon
original empirical research in a range of countries, the book's
contributors explore the various freedoms and insecurities that
have accompanied neo-liberal transformation in post-socialist
countries - in spheres as diverse as consumption, migration,
political participation, volunteering, employment and family
formation - and examine the ways in which they have begun to
re-shape different aspects of young people's lives. In addition,
while 'social change' is a central theme of the issue, all of the
chapters in the collection indicate that the new opportunities and
risks faced by young people continue both to underpin and to be
shaped by familiar social and spatial divisions, not only within
and between the countries addressed, but also between 'East' and
'West'. This book was originally published as a special issue of
Journal of Youth Studies.
Intended for use in childcare, preschool, Head Start, and with
children in kindergarten and early primary grades, the latest in
the "Active Experiences" series is based on the most recent,
nationally recognized research regarding children's approaches to
learning as well as current NCTM curriculum guidelines for
mathematics. The content is clear and concise, with practically
applied chapters on ways to guide children's mathematical thinking
and learning. Key topics involve group work, investigations, and
projects; are grounded in children's interests and needs; and,
build, one upon the other to form a coherent learning curriculum.
Additionally, each reflects the most recent standards of the
National Council of Teachers of Mathematics (NCTM) and the National
Association for the Education of Young Children (NAEYC). This
edition has been thoroughly revised to include updated "Home-School
Connection" features that illustrate various ways to support
children's daily learning of mathematics; more developmentally
appropriate and intentional assessment guidance than ever before;
research-based guides explaining children's cognitive and skill
development in all math content areas, based on the Learning
Trajectories Approach; and a new technology resource found at the
end of every chapter.
Mindful of the fact that cultures are now more interdependent than
ever, this book explores the development of critical cultural
awareness through the processes of teaching and learning about
foreign cultures. It draws upon theoretical foundations relating to
inter- and intra-cultural communication from contemporary
philosophical movements, namely Critical Theory and Postmodernism.
The study adopts Critical Pedagogy, as it is described by Freire,
Giroux and others, as the educational framework providing
guidelines for taking a critical perspective towards both native
and foreign cultures. It examines the critical dimension of some
selected documents and models used worldwide for teaching/learning
culture within foreign language classes. It includes a research
project carried out among secondary school teachers of EFL in
Portugal whose national syllabus suggests a critical approach to
English-speaking cultures. This project aimed to illustrate how
practising teachers approach foreign cultures critically, to
provide some grounded theory for a definition of critical cultural
awareness within foreign language/culture education, and to inspire
a proposal for teacher education and development. Finally, this
book submits a general proposal for the development of critical
cultural awareness and intercultural communication competence among
prospective and practising teachers of foreign languages/cultures.
Mini-set B: Curriculum Theory re-issues 15 volumes originally
published between 1973 and 1993 and covers curriculum theory,
changes in curricula and the politics and sociology of the school
curriculum.
Placing Students at the Heart of Creative Learning shows teachers
of key stages 2 and 3 how to introduce creativity into what is
often seen as a prescriptive and stifling curriculum, and addresses
the tensions that can exist between the requirement to follow the
curriculum and the desire to employ innovative pedagogies. It
offers readers a range of practical and realistic ways that
curriculum changing ideas can be applied to individual projects,
classrooms and even entire schools. This book tracks the
imaginative initiatives undertaken by six schools as they have
worked to change their curriculum and teaching in order to put
student experiences at the core of the learning process. Stating
its observations and suggestions in a refreshingly straightforward
and practicable manner, this book explores: Why a new creative
curriculum is needed for the 21st century How to encourage teachers
and pupils to 'own' the curriculum The role that pupil voice plays
in a creative curriculum The environment needed to creatively
manipulate the curriculum How to introduce innovation to teaching
practice What actually works - considering the limits and
possibilities of creative pedagogy Providing case studies and
examples of the ways in which teachers have delivered the
curriculum in a creative way, Placing Students at the Heart of
Creative Learning is an invaluably beneficial guide for all those
involved in engaging and teaching young people in key stages 2 and
3.
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