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Books > Children's & Educational > Language & literature > English (including English as a school subject) > English literature texts > Drama texts
In this thoughtfully curated collection teen actors preparing for an audition or searching for quality scenes to hone their chops will find a wealth of contemporary material from American and British plays. Almost all of the works are from the year 2000 to the recent 2014 Broadway production of EThe Curious Incident of the Dog in Night-TimeE chosen from the point of view of a professional acting teacher director and casting director.THAlong with covering the basics of how to match the best monologue to the actor and how to approach the rehearsal and performance of the piece the book provides a synopsis of each play a character description and a list of questions specific to each monologue that will direct the actor toward shaping a complex honest and thoughtful performance that has a strong emotional connection a clear arc and playable actions. There is also a brief lesson on appropriate rehearsal behavior and preparation.
Following the success of Sleeping Beauty, Park Theatre's annual Christmas show returns with their second instalment of The Chronicles of Waa. With original music, magic and plenty of laughter for the whole family, Jack and the Beanstalk is a tale of friendship, love and Tupperware: lots of Tupperware! In Gazoob, the land of the Giants, evil inventor Ms Grimm wants world domination and it seems there is nothing her lovely daughter Grenthel and Geoff, the smallest giant in the world, can do to stop her. Meanwhile in Nowen, a peaceful but poor Kingdom, Jack and his mum Tina struggle to pay the rent. To make matters worse, they have to get rid of their trusted cow, Daisy. When Grimm's evil plan lands at their feet, all seems doomed. But what will save the day and unite these two kingdoms? Jack's heroic deeds at the Nowenthian Sports festival? Tina's extensive knowledge of antique Tupperware? Or will the musical, Mariachi oracles known as 'The Shepherds Gonzales' have the answer? The future of the Land of Waa is at stake!
(Applause Acting Series). In 25 10-Minute Plays for Teens, young thespians in high school and middle school will find terrific plays by some of our most prominent playwrights, such as Don Nigro, Wendy MacLeod, Jeff Goode, Bekah Brunstetter, and Constance Congdon; and equally terrific plays by such exciting up-and-comers as Chad Beckim, C. S. Hanson, Merridith Allen, Sharyn Rothstein, and Kayla Cagan. The characters are teens, and the subject matter will be of interest to aspiring young actors, making it easy for them to connect with the characters and situations. Ideal for theater students, youth groups, and acting classes.
This volume contains six plays by Ted Hughes which are particularly suitable for performance by children. Four of them were published originally under the title, The Coming of the Kings and Other Plays. Added to these are Orpheus and The Pig Organ, the former only ever published in America, the latter (which was written as a libretto) never before published. Hughes enters the timeless world of folklore and fable and brings home a wonderful haul, managing to produce comedy, tragedy and magic from the same net, and then to move effortlessly between them. He makes stories from familiar elements (the Nativity, or Beauty and the Beast or a quest to save a sickening king), but approaches them from unexpected angles and sets them off in different directions. What characterizes the pieces is the energy Hughes generates not only in the unfolding action but in the drama of the language itself, which is as robustly up-to-date as it is lyrical.
The following is a selection of plays that I have written and that have been performed on numerous occasions with different Drama Groups I have worked with throughout the years.The first nine plays - The Lion and the Mouse, The Little Red Hen, The Gingerbread Man, The Ants and the Grasshopper, The Enormous Turnip, Chicken Licken, The Hare and the Tortoise, The Three Billy Goats Gruff, The Ugly Duckling and The Boy Who Cried Wolf - are all based on well-known and well-loved, traditional children's stories. The play Chinese New Year is based on the legend of how each animal became associated with a Chinese year. The Lonely Dragon is based on a therapeutic story I wrote about isolation and making friends. How the Zebra got his Stripes tells the fun story of the legend of how all the different jungle animals came to look like they do today. The Selfish Giant is based on the very popular short story by Oscar Wilde; The Land of Trolls and Gargoyles is a play about a child's attachment to his parent, and No Excuse deals with the topic of bullying. Caught in the Act, At Doctor's Crowne and A Winter's Tale have fewer characters and can be used in a small drama class or with smaller groups. Finally, Anne of Green Gables is a duologue based on the very famous book Anne of Green Gables by L. M. Montgomery. In the scene, Anne accidentally gets Diana drunk and chaos ensues.
Based on the historical record of Bessie Dunlop's 'confession' to witchcraft in sixteenth-century Scotland, Bessie Dunlop, the Witch o Dalry is a three-act play for schools suitable for BGE and S3-S4 students. The language of the play introduces students to different levels and varieties of Scots and English, and the book also contains teaching notes, suggestions for classroom activities, and questions for discussion or writing.
Rain, Wind, Thunder, Fire-- King Lear is Shakespeare's brilliant play about truth, love, and madness. King Lear slowly descends into madness after dividing his kingdom between the two daughters who are willing to flatter him rather than giving it to the one daughter who actually loves him. Have more than thou showest, Speak less than thou knowest, Lend less than thou owest, Ride more than thou goest, Learn more than thou trowest.
Five original, one act plays, written specifically for a small cast of girls - ideal for high school performance / exam work. Includes synopses, character outlines and staging ideas. Verdict - A kidnapped woman is forced to stand trial for her past crimes. As the trail progresses, things take several unexpected twists. (5 Females) No Meat Till Crete - Three Essex girls embark on a holiday of fun, sun and fit lads. But a mix up in destination puts their friendship to the test. (3 Females) The Perfect Replacement - A dinner party is ruined when a new arrival forces the guests to remember a time they would much rather forget. (5 Females) Have You Seen Down There Lately? - God and her three angels meet to discuss the declining number of believers. (4 Females) Three Mothers - Three expectant mothers meet in a Doctor's surgery and soon realise they have more in common than just being pregnant. (3 Females)
Illustrated version of Shakespeare's Romeo & Juliet. Character portraits and scene location drawings help you visualise the play from the words on the page making the play easier to follow and study for that all important exam.
One of the biggest problems faced by those working with very young children at Christmas is how to involve pre-readers in the nativity story with the minimum of fuss and manageable preparation. Here is an ideal solution that will delight teachers and parents alike. In this book, popular author Brian Ogden offers three very diverse plays - all of which can be performed with groups of any size. Each one tells the story of the first Christmas from a difference perspective, using well-known nursery rhyme turnes to bring the storyline to life. Simple directions, costumes and props ensure that the children are given the opportunity to participate fully in the performance. Includes photocopy permission.
WHEN John Douglas's uncle offered to educate his nephew for the ministry, the boy was less enthusiastic than his mother. He did not remonstrate, however, for it had been the custom of generations for at least one son of each Douglas family to preach the gospel of Calvinism, and his father's career as an architect and landscape gardener had not left him much capital.
The book shows the growth of a young lady named Paris that begins life around unhealthy influences and poverty. By the age of 19 Paris had been common law married twice with two boys, one from each relationship. Paris develops a mentality of getting money by street occupations like stripping, prostitution, and trafficking drugs, becoming a life that Paris endured to only want a better way for her boys than what she once had. In her growth as a women Paris decided to get into the family business of cosmetology. Facing financial hardship changing professions Paris decides it may be in the boy's best interest that they live with their father. With no support or encouragement Paris ventures off in life of her own and develops a new outlook. Paris embraces this new life full of prominent people, events, and opportunity only to be placed on child support and legally fight for her identity as her new self. The book shows a person men or women, how your past is envious of your future, and out of spite destroys your present. Join Paris in the most interesting, intriguing true story never, but finally told. Learn how child support drama can go both ways and how the custodial parent manipulates the system to punish non custodial parents not thinking about what type of affect their actions have on the children. Reading this you will gain a real connection to Paris's character, how she is overcomes her past, a believer of faith, and a woman of God.
Murder? Witchcraft? Ghost? It's all in Macbeth. But if you are like many people, you just don't get it If you don't understand Shakespeare, then you are not alone. If you have struggled in the past reading Shakespeare, then BookCaps can help you out. This book is a modern translation of Macbeth. The original text is also presented in the book, along with a comparable version of the modern text. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month. Visit BookCaps.com to find out more.
Romeo and Juliet is one of the greatest plays ever wrote--but let's face it..if you don't understand it, then you are not alone. If you have struggled in the past reading Shakespeare, then BookCaps can help you out. This book is a modern translation of Romeo and Juliet. The original text is also presented in the book, along with a comparable version of both text--so you can read each, side by side.
Duiffprugcar deserves a history. There are few clues avaiable. Let us fill in the blank spaces to the best of our ability.
WHEN John Douglas's uncle offered to educate his nephew for the ministry, the boy was less enthusiastic than his mother. He did not remonstrate, however, for it had been the custom of generations for at least one son of each Douglas family to preach the gospel of Calvinism, and his father's career as an architect and landscape gardener had not left him much capital.
Unlike most readers theatre titles, the 36 scripts in this book introduce young readers to classic authors like Louisa May Alcott and Mark Twain while they have fun and improve their reading fluency. The use of readers theatre as a classroom tool develops fluency while students are engaged in learning new content and actively participating in their learning. Background information and discussion questions round out the readers theatre experience, providing young readers with an opportunity to increase their reading fluency while inspiring them to read the works of well-known authors. Each of these 36 readers theatre scripts-one for each week of the school year-provides teachers and librarians with an introduction to authors of short stories, chapter books, and poetry. The subject matter includes acclaimed writers such as Charles Dickens and Laura Ingalls Wilder, as well as more contemporary authors like Paula Danzinger and Roald Dahl. Each script is designed to be introduced, read, and discussed in a 30-minute period, and encompasses characters with lines written at grade levels 2, 3, and 4 to accommodate different reading levels (grade levels are indicated on the teacher's page only).
Leli libuthelelo leendatjana ezitlolwe nguSkhosana PB elimongonya izinto ezivame ukuhlangabezana netja kanye nabantu abadala epilweni esiyiphila namhlanje. Leli buthelelo limumethe iindatjana ezilitjhumi ezimnandi nezivula ihloko epilweni. This is an anthology of short stories written by PB Skhosana that focuses on various experiences that our youth and adults encounter in life. This anthology comprises ten interesting short stories that interpret our real, current life situation.
Alice Dreaming is a play for secondary students that tells a uniquely Australian story. Trapped by the expectations of others, a girl escapes into her imagination. Following an albatross, Alice takes a journey across Australia that eventually brings her closer to home and an understanding of who she is. Inspired by Alice's Adventures in Wonderland and The Wizard of Oz, it is a play written about teenagers, for teenagers. Embracing a non-naturalistic theatrical language, Alice Dreaming can incorporate a number of performance elements, including puppetry, mask, music and dance. Roles are suitable for performance by both boys and girls. The cast includes 29 speaking roles plus chorus. The play runs for 60-80 minutes. Designed to provoke discussion and debate, Alice Dreaming can be used as a classroom resource to develop student thinking around both personal issues and social issues, including the environment, politics and Australian history.
Verbatim and Documentary Theatre in Australia has been written specifically for the NSW HSC topic on Verbatim Theatre. Focusing on the plays set for the topic-The Laramie Project; Aftershocks; Parramatta Girls; Run Rabbit Run, Minefields and Miniskirts-the book provides project and production history, commentary and analysis, reviews and audience reactions, as well as interviews with the creators of the plays: Each play is explored in its social context, and in the context of the history and range of documentary and 'real life' forms of contemporary drama.
Thuto e totobetseng dipapading tsena e nngwe feela, mahana a jwetswa o bona ka madi ho rotha. Baphetwa kaofela ba ne ba sa mamele, ke ka hoo e mong le e mong pheletso ebileng e bohloko. Motho wa teng a sala a lla sa mmokotsane. These short plays share the same objective: they remind us that if one does not listen, the fruit is bitter. We can not do as we please without sometimes hurting others.
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