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Books > Children's & Educational > Language & literature > English (including English as a school subject) > English literature texts > Drama texts
An improved, larger-format edition of the Cambridge School Shakespeare plays, extensively rewritten, expanded and produced in an attractive new design. An active approach to classroom Shakespeare enables students to inhabit Shakespeare's imaginative world in accessible and creative ways. Students are encouraged to share Shakespeare's love of language, interest in character and sense of theatre. Substantially revised and extended in full colour, classroom activities are thematically organised in distinctive 'Stagecraft', 'Write about it', 'Language in the play', 'Characters' and 'Themes' features. Extended glossaries are aligned with the play text for easy reference. Expanded endnotes include extensive essay-writing guidance for 'Twelfth Night' and Shakespeare. Includes rich, exciting colour photos of performances of 'Twelfth Night' from around the world.
There's more to Grade 9-1 GCSE English Literature revision than just reading through your study notes. If you really want to make sure you know Shakespeare's Macbeth, you'll need to test yourself - and that's where these CGP Revision Question Cards come in! There are 63 cards in the pack covering the key characters, themes, context, writer's techniques, plot and key events. There's also a section of cards focussing on key quotes in the text - great for helping to learn quotes in preparation for the exam. Each card starts off with quick questions to warm you up, followed by harder questions that require more thought, plus revision and exam tips. Flip the card over and you'll find full answers to each question, carefully written to help you understand everything you need to know. Don't miss CGP's matching Macbeth Text Guide (9781841461168) and Text Guide Workbook (9781782947776).
A collection of plays previously broadcast on SABC radio. The dramas have been carefully selected to meet the needs of those who settle for nothing but the best in literature.
Hierdie bundel eenakters, handel oor die lief en leed in alledaagse situasies soos dit in die huisgesin en by die skool beleef word. Die keuse het geval op tekste wat jong lesers sonder moeite sal kan verstaan en geniet.
* New collection of plays for young people across the globe from award-winning playwright. * Ideal for schools, colleges and youth theatre companies. Follow up to the acclaimed PLAYS FOR YOUNG PEOPLE by award-winning playwright, includes: Missing: a modern take on Hansel and Gretel, about the nature of poverty, inspired also by true events. A gripping story of a brother searching for his missing sister in a sinister world of deceit and unknown peril. This is a modern day fairytale about two children surviving desperate circumstances through a rich mix of power, loyalty, love and sheer cunning. This play won the German Children's Theatre Prize 2010 and has had eight productions in Germany and one here. Nivelli's War: about a six year old German Evacuee and his journey home at the end of WW2. Pirates: about a boy at sea, the play is on the surface a rollicking pirate tale and can be enjoyed as a fantasy adventure - but it is also a story about a child's emotional journey as he sails the tempestuous seas of his parents' separation. This was nominated both for the Writer's Guild Best Children's Play and a Helen Hayes Award in America for Outstanding new play. Winner of the American Alliance for Theatre and Education 'Distinguished Play' Award 2012.
Always drawing together the work of 10 leading playwrights - a mixture of established and current writers - the annual National Theatre Connections anthologies offer young performers between the ages of 13 and 19 an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department and reflects the past year's programming at the venue in the plays' ideas, themes and styles. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. For the first time, there is an anthology of monologues for young people available, taken from plays commissioned as part of the National Theatre Connections over the past 20 years. The monologues feature alongside a general introduction by the editor, Anthony Banks (Associate Director for the National Theatre Discover Programme).The volume also contains individual studies of each monologue with the editor's suggested points for discussion, a brief commentary about the play from which the speech is taken, as well as flagging potential performance decisions and offering up dramaturgical suggestions. Each page features one monologue, plus the individual commentary and some background to the play. This anthology of monologues is the ideal resource for teenagers and young people attending auditions either in the amateur or professional theatre world; students leaving secondary school to audition for drama school; as well as teachers of English and Drama looking for suitable dramatic for their students to engage with and perform. It provides suitable scene-study books that are suitable and relevant to the student in terms of tone, style and content. Young actors who have searched for audition material written in the voice of teenage characters will welcome this resource. With a foreword by actor Matt Smith.
Five exciting new plays for young people written specifically in response to a world in the midst of a pandemic, accompanied by a handbook from Wonder Fools theatre company with guidance for staging the plays either online or live in the space. Commissioned as part of Wonder Fools' national participatory project Positive Stories for Negative Times, these five plays offer a variety of stories, styles and forms for ages 8-25. These original and innovative plays are: Is This A Fairytale? by Bea Websater A new play that rips apart the traditional fairy tale canon and turns it on its head in a surprising, inventive and unconventional way. Ages 8+ Hold Out Your Hand by Chris Thorpe A dynamic text asking questions about place, where we are now and the moment we are living through. Ages 13+ The Pack by Stef Smith A playful and poetic exploration about getting lost in the loneliness of your living room and trying to find your way home. Ages 13+ Ozymandias by Robbie Gordon and Jack Nurse A contemporary story inspired by Percy Shelley's 19th century poem of the same name, exploring power, oppression and racism through the eyes of young people. Ages 16+ Bad Bored Women of the Rooms by Sabrina Mahfouz A storytelling adventure through the centuries of women and girls who have spent a lot of time stuck in a room. Ages 18+ The accompanying handbook includes step-by-step guidance on how to produce the plays either online or live in the space, and bespoke exercises and instructions on how to approach directing each play.
An engaging classroom playscript. Nat is a young actor performing as Puck in A Midsummer Night's Dream. As the rehearsals intensify, Nat's health begins to fail and the cast is horrified to hear that he has been rushed to hospital with bubonic plague. New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.
An engaging classroom playscript. Robert Louis Stevenson's classic tale of gothic horror has now been adapted for secondary students. Written by classroom favourite Adrian Flynn, the play will thrill students with its story of a doctor whose scientific experiments lead him to get in touch with his darker side... New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.
Which one of your classmates is most like horrible Mr Twit by Roald Dahl? Children will have a splendiferous time - and their friends won't believe their gogglers! Roald Dahl, the best-loved of children's writers, was born in Wales of Norwegian parents. His books continue to be bestsellers, despite his death in 1990, and worldwide booksales are over 100 million!
This series presents hardback editions of Shakespeare's plays for use in schools. The text is supported by detailed notes and is suitable for GCSE and A level.
At the end of Fantastic Beasts and Where to Find Them, the powerful Dark wizard Gellert Grindelwald was captured in New York with the help of Newt Scamander. But, making good on his threat, Grindelwald escapes custody and sets about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings. In an effort to thwart Grindelwald's plans, Albus Dumbledore enlists Newt, his former Hogwarts student, who agrees to help once again, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world. This second original screenplay from J.K. Rowling, illustrated with stunning line art from MinaLima, expands on earlier events that helped shaped the wizarding world, with some surprising nods to the Harry Potter stories that will delight fans of both the books and films. (Please note: This is the screenplay edition, so it's written in a movie script format and not a novelized format.)
Join James as he escapes from his horrible aunts and sets off inside the peach on his wonderful adventures. This dramatization of Roald Dahl's hugely popular book can be staged in school, acted out at home or simply read together by a group of friends. With suggestions for staging, props and lighting. Roald Dahl died in 1990 but his books continue to be worldwide bestsellers. Richard George was an American elementary school teacher when he adapted James and the Giant Peach as a school play. Roald Dahl loved it and wrote an introduction.
Ages 10 to 12 years. This series on Shakespeare is an attempt to bring a few of this great playwrights tragedies and his comedies in lucid language for the young readers. Not only does this series feature the plays about Shakespeares life, his times, the source of the plays and an introduction to all the characters.
(Applause Acting Series). Kids of today face a different world and a different set of challenges then did the children of even 15 years ago. Playing with a Purpose features a collection of monologues that reflects these new attitudes and circumstances. Highly diversified in its view of the family and the child's place in the world, the monologues have been chosen from several sources: from contemporary playwrights and screenwriters; from YouthPlays, a new company that specializes in publishing cutting-edge plays for the youth market; and from such conservatories for young actors as The Playground, the Los Angeles-based training center run by Gary Spatz, the leading acting coach for performers ages 6 to 16. "Playing with a purpose" is an idea that arose from Fife's work with young actors over the course of several decades. The included monologues have been chosen and arranged to allow for a young actor's development. From "Getting Started: Simple Situations and Circumstances" to "Intermediate: Adding Elements of Character" to "Advanced: Character Counts," each chapter includes pieces that will test the young actor's ability, while making use of the lessons presented in each.
Oxford School Shakespeare is an acclaimed edition especially designed for students, with accessible on-page notes and explanatory illustrations, clear background information, and rigorous but accessible scholarly credentials. The Taming of the Shrew is a popular text for study by secondary students the world over. This edition includes illustrations, preliminary notes, reading lists and classroom notes. This title is suitable for all exam boards and for the most recent AS/A level specifications.
Looking for a whizzpoppingly wonderful collection of plays for your whole class? Want some ready-made, delumptious lesson plans to accompany them? Biffsquiggled at the thought of how to stage these pieces? Well, look no further because this is a scrumdiddlyumptious selection of David Wood's plays; paired with all the information and materials you need to use them in class or on stage, edited by Paul Bateson, an experienced primary-level drama teacher. The plays create worlds that trigger children's imaginations as well as entertain them, make them think as well as make them laugh, and open their minds to new ideas and the power of storytelling through theatre. Plays included are: The Gingerbread Man The See-Saw Tree The BFG Save the Human Mother Goose's Golden Christmas This book also contains a new foreword by David Wood.
Oxford School Shakespeare is an acclaimed edition especially designed for students, with accessible on-page notes and explanatory illustrations, clear background information, and rigorous but accessible scholarly credentials. Richard II is a popular text for study by secondary students the world over. This edition includes illustrations, preliminary notes, reading lists and classroom notes. This title is suitable for all exam boards and for the most recent AS/A level specifications.
Imagine swapping places with a monster for day... A funny and thrilling play for children (aged 6+) about friendship and facing up to your fears. Ben has a BIG problemo. His best friend Vince has stolen his precious binoculars, his Dad is far, far away... oh, and there's a monster under his bed. But when Ben swaps places with the underbed monster, Ben's life - and his school - is turned inside out, and upside down. First presented as a staged reading in April 2008, at the John F Kennedy Center for Performing Arts in Washington D.C, USA, as part of New Visions/New Voices. First produced at Polka Theatre, 6 June 2009. North American premiere at the Lorraine Kimsa Theatre for Young People, Toronto, March 2010. Resources for teachers and parents: Polka Theatre's free Monster Under the Bed Activity Pack download contains activities for you to do with your children after you have seen and/or read the play. Most of these exercises are drama based and are good for developing speaking and listening skills. All of the exercises are suitable for both KS1 and KS2 pupils. Watch Allen MacInnis, Artistic Director of Young People's Theatre (Toronto), talk about the play https://youtu.be/sYyqA6rR7F8.
A new series of bespoke, full-coverage resources developed for the 2015 GCSE English qualifications. Approved for the AQA 2015 GCSE English Literature specification, this print Student Book is designed to help students develop whole text understanding and written response skills for their closed-book exam. The resource provides act-by-act coverage of Shakespeare's play as well as a synoptic overview of the text and its themes. Short, memorable quotations and striking images throughout the book aid learning, while in-depth exam preparation includes practice questions and sample responses. See also our Macbeth print and digital pack, which comprises the print Student Book, the enhanced digital edition and a free Teacher's Resource.
An entertaining collection of new short plays by popular children's playwright Rachel Barnett. Specially commissioned for young people, these plays are a great resource for schools, colleges and youth theatres. With contemporary themes and a wide variety of roles, this is a collection which enables young people to engage with serious topics while enjoying all the fun of performance.
What the Ladybird Heard, bestselling picture book from Julia Donaldson and Lydia Monks, has been adapted by author Julia Donaldson into a fun and accessible play script that children will love performing at school or at home. The What the Ladybird Heard Play has been designed with rehearsals and performance in mind, with a clear layout and colour-coding for each character, perfect for helping children to follow their lines and join the cast! The book also contains a hints and tips section, which includes helpful advice on staging the play and ideas for props. There are also ideas for themed What the Ladybird Heard activities, as well as mask templates for the key characters! With Lydia Monks' bright and distinctive illustrations and Julia Donaldson's hilarious and witty rhyming text, this wonderful, dramatic way to share the classic story is sure to delight teachers, parents and children everywhere. |
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