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Books > Children's & Educational > Language & literature > English (including English as a school subject) > English literature texts > Drama texts
Now everyone can join the witch and her cat for a magical adventure with this fun and accessible playscript, adapted by the author from the bestselling picture book Room on the Broom. The Room on the Broom Play has been designed with rehearsals and performance in mind, with a clear layout and colour-coding for each character, perfect for helping children to follow their lines and join in the action! The book also contains a hints and tips section, which includes helpful advice on staging the play and ideas for props. There are also ideas for themed Room on the Broom activities. With Axel Scheffler's bright and characterful illustrations and Julia Donaldson's hilarious and witty rhyming playscript, this wonderful, dramatic way to share the classic story is sure to delight teachers, parents and children everywhere.
An engaging classroom playscript. Canterbury Tales Geoffrey Chaucer is dead! In a dramatic attempt to bring him back to life, four medieval alchemists invite a group of Chaucer's best-known pilgrims - the Knight, the Wife of Bath, the Pardoner, the Nun's Priest, and the Miller - to tell their Canterbury Tales. New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.
Oxford School Shakespeare is an acclaimed edition especially designed for students, with accessible on-page notes and explanatory illustrations, clear background information, and rigorous but accessible scholarly credentials. Richard II is a popular text for study by secondary students the world over. This edition includes illustrations, preliminary notes, reading lists and classroom notes. This title is suitable for all exam boards and for the most recent AS/A level specifications.
There was a ruckus at lunch time. It was the best one so far. Nobody knew why they were fighting . . . You actually thought they were going to kill each other. You wanted them to stop. It wasn't funny anymore. Newly arrived from Ghana with his mother and older sister, Harrison Opoku lives on the ninth floor of a block of flats on a London housing estate. The (second) best runner in the whole of Year 7, Harri races through his new life in his personalised trainers - the Adidas stripes drawn on in marker pen - unaware of the danger growing around him. But when a boy is knifed to death on the high street and the police appeal for witnesses draws only silence, Harri decides to start a murder investigation of his own. In doing so, he unwittingly breaks the fragile web his mother has spun around her family to keep them safe, and Harri will come face to face with the very real dangers surrounding him. A powerful, unforgettable tale, importantly relevant for young adult readers of today. Stephen Kelman's 2011 Man-Booker-prize-shortlisted novel has been adapted for the stage by Fringe-First-winner Gbolahan Obisesan (Mad About the Boy). The stage adaptation received its world premiere at Bristol Old Vic in a Bristol Old Vic Young Company and the National Youth Theatre co-commission on 7 August 2013, before transferring to the Edinburgh Festival Fringe.
IN
Ages 10 to 12 years. This series on Shakespeare is an attempt to bring a few of this great playwrights tragedies and his comedies in lucid language for the young readers. Not only does this series feature the plays about Shakespeares life, his times, the source of the plays and an introduction to all the characters.
EThe Best Scenes for Kids Ages 7-15E contains 50 challenging scenes for kids by some of our finest playwrights. All have subject matter appropriate for production in schools much of it serious and challenging which will interest child performers without offending administrators teachers or parents. Some are comic (laughs) some are dramatic (no laughs) some are seriocomic (some laughs).THThere are scenes here by veteran playwrights such as Don Nigro Jenny Lyn Bader Eric Coble Constance Congdon Arleen Hutton Jack Neary Kermit Frazier and Carlos Murillo and by exciting up-and-comers such as Cassandra Lewis Reina Hardy Deanna Alisa Ableser Martha Patterson Mark Lambeck and Merridith Allen. Some are from plays but many are original pieces written for this book. The age of each character is given but don't let that deter you if you like the scene as many could be done by kids not that age.
In EMore 10-Minute Plays for TeensE young thespians will find terrific plays by some of our most prominent playwrights a such as Don Nigro Sherry Kramer and Kayla Cagan and by others less well known but equally terrific such as Wayne Paul Mattingly Lesley Anne Moreau Elayne Heilveil and Barry Ernst. This selection of 10-minute plays provides a variety of teenage characters and situations for young actors to explore. Some of the plays are challenging and touch on tougher topics while others maintain a light-hearted tone. It is an essential addition to a young actor's collection! EMore 10-Minute Plays for TeensE is ideal for theater students youth groups and acting classes.
Stage adaptation of the classic tale with songs and original music by Conor Mitchell. In this theatrical version of the much-loved tale, we follow Mowgli, the boy-cub, as he meets Baloo the bear and Bagheera the panther and fights the terrifying tiger Shere Khan. After life in the jungle, can Mowgli ever return to his village?
What the Ladybird Heard, bestselling picture book from Julia Donaldson and Lydia Monks, has been adapted by author Julia Donaldson into a fun and accessible play script that children will love performing at school or at home. The What the Ladybird Heard Play has been designed with rehearsals and performance in mind, with a clear layout and colour-coding for each character, perfect for helping children to follow their lines and join the cast! The book also contains a hints and tips section, which includes helpful advice on staging the play and ideas for props. There are also ideas for themed What the Ladybird Heard activities, as well as mask templates for the key characters! With Lydia Monks' bright and distinctive illustrations and Julia Donaldson's hilarious and witty rhyming text, this wonderful, dramatic way to share the classic story is sure to delight teachers, parents and children everywhere.
THE WITCHES by Roald Dahl adapted for school plays. Dare you take on the role of the Grand High Witch? Children will have a splendiferous time - and their friends won't believe their gogglers! Roald Dahl, the best-loved of children's writers, was born in Wales of Norwegian parents. His books continue to be bestsellers, despite his death in 1990, and worldwide booksales are over 100 million!
An improved, larger-format edition of the Cambridge School Shakespeare plays, extensively rewritten, expanded and produced in an attractive new design. An active approach to classroom Shakespeare enables students to inhabit Shakespeare's imaginative world in accessible and creative ways. Students are encouraged to share Shakespeare's love of language, interest in character and sense of theatre. Substantially revised and extended in full colour, classroom activities are thematically organised in distinctive 'Stagecraft', 'Write about it', 'Language in the play', 'Characters' and 'Themes' features. Extended glossaries are aligned with the play text for easy reference. Expanded endnotes include extensive essay-writing guidance for 'Romeo and Juliet' and Shakespeare. Includes rich, exciting colour photos of performances of 'Romeo and Juliet' from around the world.
Three trees that dream of greatness are surprised by the way their dreams come true.
Shakespeare for Everyone is a wonderful series featuring a lively and stimulating approach to some of the most popular of Shakespeare s plays. These books really bring his works to life for those who are new to Shakespeare or who are studying the plays in school. Background on how he wrote each play and how it fits into his entire body of work is e
Holly Hogan is on the run. Fed up of life in foster care and longing to be reunited with her mum, she packs a bag and heads for the road, destined for Ireland. With only her mum's amber ring, a blonde wig and distant memories of a troubled childhood, Holly transforms herself into the feisty Solace the kind of girl who can take on anything. But just how far will Holly get before her past catches up with her? Solace of the Road features a detailed scheme of work including a range of inspiring activities and drama techniques, written by title consultants Paul Bunyan and Ruth Moore.
"Hamlet: The 30-Minute Shakespeare" offers five scenes from this enduring tragedy. The Ghost of Hamlet's father calls for vengeance, and Hamlet uses the players to prove Claudius guilty. The cutting includes the murder of Polonius, Ophelia's mad scene, and the timeless "To be or not to be" speech, climaxing in the swordfight and poisoning that bring the story to its riveting end. The edition includes helpful advice by Nick Newlin on how to put on a Shakespeare production in a high school class with novice actors, as well as tips for performing the specific play and recommendations for further resources.
"The Comedy of Errors: The 30-Minute Shakespeare" offers five raucous scenes from this extravaganza of mistaken identity. The abridgement begins with a dramatic physical enactment of the twins' separation at sea. The play continues with a series of foibles featuring Antipholus of Ephesus, Dromio of Ephesus, and their identical twin counterparts from Antipholus. Adriana and Luciana receive hysterically misguided attention from the twins. Emilia and Egeon as the long-lost parents, and the riotous conjurer Dr. Pinch round out the cast of characters in Shakespeare's most uproarious comedy. The edition includes a preface by Nick Newlin containing helpful advice on how to put on a Shakespeare performance in a high school class with novice actors, as well as an appendix with suggestions for the specific play and recommendations for further resources.
Planning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited. "The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun! This cutting of ROMEO AND JULIET is edited to four key scenes, starting with the lyrical prologue and the foreboding opening brawl, which is played out in slow motion to music. Also included are the timeless balcony scene; the harsh scolding of Juliet by her father; and the final moments at the tomb. The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.
An engaging classroom playscript. When a nuclear bomb wrecks his hometown and rips his family apart, 15-year-old Danny has to learn the art of survival...and fast. Under constant threat from radiation sickness, starvation, and the men who have seized power, Danny struggles to protect himself and his brother. Then he joins the resistance and the real fight begins... New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.
From the bestselling author of Horrible Histories... Molly loves travelling with Shakespeare's theatre company but the jester, Armin, keeps picking on her and faithful donkey, Dolly. Can she keep Armin away from Dolly and stay with the theatre company? Meanwhile, on stage, Helena wants revenge on Hermia, Lysander wants revenge on Demetrius and the fairy queen Titania has fallen in love with a donkey! Terry Deary's Shakespeare Tales explore the fascinating world of William Shakespeare through the eyes of children who could have lived at the time. Join master storyteller Terry Deary for a trip back in time to Shakespeare's travelling theatre company and a laugh-out loud comedy. This edition features notes for the reader to help extend learning and exploration of the historical period.
Seven classic Shakespeare plays presented in an accessible comic strip format. The Globe Theatre is delighted to announce a new season of Mr. William Shakespeare's plays! Prithee take your place once more for a performance of seven of the Bard's finest tales. See As You Like It, Antony and Cleopatra, Richard III, Twelfth Night, King Lear, The Merchant of Venice and Much Ado About Nothing - each brilliantly presented in dramatic comic-strip form, including Mr Shakespeare's own dialogue and the riotous remarks of the audience. Bravo!
Young Blood is a collection of plays for young people with the following aims: * to publish some of the most interesting, challenging, contemporary writing for young performers in one volume. * to extend the life of the plays beyond their first production. * to make them available to young people throughout the UK To develop performing skills young people need to work on the best scripts available; to have the opportunity to explore the ideas, form and language of exceptional writers. Young people in schools, youth theatres and colleges need to work on plays that excite, stretch and inspire them. The response from young people to the final selection has been remarkable. Several have been chosen by students to be performed as part of their GCSE practical exams. This collection doesn't include production or teachers' notes. There are no fixed rules about how to use the plays. Produce the whole play to a paying audience or work on scenes. Play about with the casting. Double parts or have six people playing the same character. The most important thing is to have fun with the language, characters and staging so that young people enjoy working on the plays. All of the plays in this collection have a unique theatrical vision. Combine that with the energy, commitment and imagination of a group of young people and the results will definitely be worth watching! Includes the plays The Girl who fell through a hole in her jumper by Naomi Wallace and Bruce Mcleod, The Search for Odysseus by Charles Way, Darker The Berry by J.B.Rose, Geraniums by Sheila Yeger, and, Out of their Heads by Marcus Romer.
An improved, larger-format edition of the Cambridge School Shakespeare plays, extensively rewritten, expanded and produced in an attractive new design. The Rex Gibson active approach to classroom Shakespeare enables students to inhabit Shakespeare's imaginative world in accessible and creative ways, sharing Shakespeare's love of language, interest in character and sense of theatre. Substantially revised and extended, classroom activities are thematically organised in distinctive stagecraft, writing, language, characters and themes features. Expanded endnotes include extensive essay-writing guidance for 'As You Like It' and Shakespeare, and extended glossaries are aligned with the play text for easy reference. Includes rich, exciting colour photos of global performances of 'As You Like It'. Further support material available at www.cambridgeschoolshakespeare.com
Based on the historical record of Bessie Dunlop's 'confession' to witchcraft in sixteenth-century Scotland, Bessie Dunlop, the Witch o Dalry is a three-act play for schools suitable for BGE and S3-S4 students. The language of the play introduces students to different levels and varieties of Scots and English, and the book also contains teaching notes, suggestions for classroom activities, and questions for discussion or writing.
An engaging classroom playscript. Maurice is no ordinary cat. He's amazing. He can think, he can talk...and he has an amazing scam going. And all he needs to pull it off is an army of intelligent rats and one stupid-looking kid. But when his gang enter Bad Blintz, the town they have decided to con next, they soon realize that all is not as it should be - and decide to investigate. Three squads of rats spread out under the town, their mission to dismantle traps, bury poison, do some serious widdling, and to find out exactly what those resident rat-catchers are up to... |
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