An improved, larger-format edition of the Cambridge School Shakespeare plays, extensively rewritten, expanded and produced in an attractive new design. The Rex Gibson active approach to classroom Shakespeare enables students to inhabit Shakespeare's imaginative world in accessible and creative ways, sharing Shakespeare's love of language, interest in character and sense of theatre. Substantially revised and extended, classroom activities are thematically organised in distinctive stagecraft, writing, language, characters and themes features. Expanded endnotes include extensive essay-writing guidance for 'King Lear' and Shakespeare, and extended glossaries are aligned with the play text for easy reference. Includes rich, exciting colour photos of global performances of 'King Lear'. Further support material available at www.cambridgeschoolshakespeare.com

This incredibly hysterical, cutting-edge monologue book will give the teen actor the extra bang he needs to land the perfect comedic role! Teen Boys' Comedic Monologues That Are Actually Funny features monologues by writers and comics who have written for and/or performed on Saturday Night Live, The Tonight Show, Last Comic Standing, E! Entertainment, Comedy Central Stage, and many, many more. This book is the answer to the comedic monologue needs of teen actors everywhere!

This series offers a unique interactive approach that will encourage learners to become involved in the interactive process of these plays, whilst exposing them to the atmosphere and history of the age, in a fun and stimulating way. An extensive amount of background and supporting material is offered in a user-friendly way with exciting features make the plays become visually real. Each exciting page offers: -complete text done in an attractive double-page spread layout a glossary of what the words and phrases mean thought-provoking notes and activities on each page that: explain difficult language, explore characters, themes, words and images, provide useful background information and stimulate thoughts on how to stage the play. This series also offers activities at the end of each act to facilitate understanding. At the back of each book, notes are included, providing information on the world of William Shakespeare.

An improved, larger-format edition of the Cambridge School Shakespeare plays, extensively rewritten, expanded and produced in an attractive new design. An active approach to classroom Shakespeare enables students to inhabit Shakespeare's imaginative world in accessible and creative ways. Students are encouraged to share Shakespeare's love of language, interest in character and sense of theatre. Substantially revised and extended in full colour, classroom activities are thematically organised in distinctive 'Stagecraft', 'Write about it', 'Language in the play', 'Characters' and 'Themes' features. Extended glossaries are aligned with the play text for easy reference. Expanded endnotes include extensive essay-writing guidance for 'Twelfth Night' and Shakespeare. Includes rich, exciting colour photos of performances of 'Twelfth Night' from around the world.

An engaging classroom playscript. Robert Louis Stevenson's classic tale of gothic horror has now been adapted for secondary students. Written by classroom favourite Adrian Flynn, the play will thrill students with its story of a doctor whose scientific experiments lead him to get in touch with his darker side... New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.

It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone.... You were the glimmer. At the end of the tunnel. And you went out. Earthquakes in London is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe. The play deals, through amplified theatricality, with a range of contemporary issues from population growth to climate change. An all-pervasive fear of the future and a guilty pleasure in the excesses of the present drive Mike Bartlett's epic rollercoaster of a play from 1968 to 2525 and back again. Earthquakes in London first published in 2010 and has subsequently become a much-produced and widely studied drama text. It is published here as a Student Edition alongside commentary and notes by Bridget Escolme. The ancillary material is geared at students and includes: - an introduction outlining the play's plot, character, themes context and performance history - the full text of the play - a chronology of the playwright's life and work - extensive textual notes - questions for further study - an interview with the playwright

This edition of Hamlet is especially designed for students, with accessible on-page notes and explanatory illustrations, clear background information, and rigorous but accessible scholarly credentials. This edition includes illustrations, preliminary notes, reading lists (including websites) and classroom notes, allowing students to master Shakespeare's work.
About the Series:
Newly redesigned and easier to read, each play in the Oxford School Shakespeare series includes the complete and unabridged text, detailed and clear explanations of difficult words and passages, a synopsis of the plot, summaries of individual scenes, and notes on the main characters. Also included is a wide range of questions and activities for work in class, together with the historical background to Shakespeare's England, a brief biography of Shakespeare, and a complete list of his plays.

An engaging classroom playscript. John Douglas is a man with a past. Sherlock Holmes is the famous detective who finds puzzle-solving elementary. When Holmes and his faithful friend Watson are summoned to the country to investigate Douglas's murder, it begins to look as though the past might finally have caught up with him. New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.

Kevin is Catholic. Sadie is Protestant. In Belfast they are supposed to be enemies - so what chance do they have when they fall in love? This title offers activities to support the KS3 Framework for Teaching English and help students to meet the Framework objectives. Activities include work on Speaking and Listening, and text analysis.

"A truly fun, emotional, and sometimes magical first experience, usually guided by a sagacious, knowledgeable, and intuitive educator." -Library Journal From a teacher's perspective, this book was a great way to introduce students to a Shakespeare play they otherwise might never have encountered in high school . . . much more fun working with the adaptation than it might have been if I had tackled the full script. I strongly recommend this book (and the rest of the series) to educators who want to introduce a variety of Shakespeare plays to their students in a limited amount of time. -James Brendlinger, Chairman, Department of Arts and Communications, Lake Lowell High School, Winter Park, FL This edition of Henry V presents eight scenes, using all actors as Chorus. Included in this riveting cutting are Henry's inspiring "band of brothers" oration to his men, a merry interlude with Bardolph and friends, and an irresistible scene in which Alice teaches English to Katherine and her ladies in waiting. There is also an essay by editor Nick Newlin on how to produce a Shakespeare Play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival. Nicolo Whimsey Press aims to make Shakespeare's plays accessible, performable, and fun for young people, regardless of their experience level. Through his twenty years of working as a director-in-residence in DC public high schools under the auspices of the Folger Shakespeare Library, Nick Newlin has created thirty-minute edits of Shakespeare's plays, complete with stage directions and character suggestions that can be performed by groups of fifteen to thirty young people. Performance rights are included with the purchase of play scripts. Unlike most other scripts on the market today, The 30-Minute Shakespeare has no separate charge for public performances, making each volume an exceptional value. What makes these books extraordinary is author Nick Newlin's breadth of expertise and experience as a performer, teaching artist and scholar. Newlin holds a BA from Harvard University and an MA in Theatre from the University of Maryland. He has performed a stage act for young people as Nicolo Whimsey since 1986 from the high Himalayas to the White House, and since 2006 he has conducted a teaching artist residency with DC Public High School Students with Folger Shakespeare Library.

This work features easily staged scenes with believable teen characters in a variety of comic situations.

Exam Board: WJEC Level: GCSE Subject: English First Teaching: September 2015 First Exam: June 2017 Direct your students to achieve stand-out success in their Shakespeare questions with the only WJEC Eduqas-specific GCSE play texts; produced in partnership with Globe Education and packed with grade-boosting exam-focused activities and insider insights. This book: - Provides opportunities for students to learn, practise and reinforce the skills they need to fulfil their potential through numerous 'Exam Skills' sections matched to WJEC Eduqas' requirements - Progressively builds students' confidence with 'Exam Preparation' sections that show how to meet the WJEC Eduqas Assessment Objectives when answering exam-style questions - Helps students understand characterisation, themes and language with stimulating approaches to studying Shakespeare, devised by Globe Education - Guides you efficiently through every scene with clear explanations of the historical context to develop students' knowledge of Shakespeare's era - Anchors students in the text as a play, using vibrant photographs of Globe productions, directors' notes and actors' viewpoints to increase students' interest, enjoyment and understanding

Rockfist Slim's enemies have just plunged him into yet another desperate situation when Kevin has to close his detective book and go to sleep. But his own adventure is only just beginning. Fast-moving, fun and full of special effects, Ayckbourn's wonderfully inventive play for children brings alive several well-known children's books as Kevin and Rockfist Slim escape the baddies and plunge into many different worlds. The Boy Who Fell into a Book premiered at the Stephen Joseph Theatre, Scarborough, in December 1998.

This volume contains six plays by Ted Hughes which are particularly suitable for performance by children. Four of them were published originally under the title, The Coming of the Kings and Other Plays. Added to these are Orpheus and The Pig Organ, the former only ever published in America, the latter (which was written as a libretto) never before published. Hughes enters the timeless world of folklore and fable and brings home a wonderful haul, managing to produce comedy, tragedy and magic from the same net, and then to move effortlessly between them. He makes stories from familiar elements (the Nativity, or Beauty and the Beast or a quest to save a sickening king), but approaches them from unexpected angles and sets them off in different directions. What characterizes the pieces is the energy Hughes generates not only in the unfolding action but in the drama of the language itself, which is as robustly up-to-date as it is lyrical.

"As a guest gift for the wonderful wine, I will eat you last," yawns Polyphemus the Cyclops, in Joanne Keegan's wonderous, phantasmagoric comedy based on Homer's epic poem, the "Odyssey."

Laying down a comedic play for school-age students on a classical substrate may seem ambitious for some, but for others, it is an opportunity to expand the imagination.

The result is more than just a clever piece of drama-it is an inspired work of art in its own right, a wild ride to open up students' dramatic talents and expose them to an age-old classic.

"The Odyssey" provides age-appropriate and accessible material, parts for over twenty students, and strong roles for both male and female actors, all while retaining the flavor of Homer's classic in the context of an original and imaginative play, with adventure, humor, and, of course, a cast of colorful characters

At the end of Fantastic Beasts and Where to Find Them, the powerful Dark wizard Gellert Grindelwald was captured in New York with the help of Newt Scamander. But, making good on his threat, Grindelwald escapes custody and sets about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings.

In an effort to thwart Grindelwald's plans, Albus Dumbledore enlists Newt, his former Hogwarts student, who agrees to help once again, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.

This second original screenplay from J.K. Rowling, illustrated with stunning line art from MinaLima, expands on earlier events that helped shaped the wizarding world, with some surprising nods to the Harry Potter stories that will delight fans of both the books and films.

(Please note: This is the screenplay edition, so it's written in a movie script format and not a novelized format.)

In the bitter cold of an unrelenting winter Tomas and his son, Peter, arrive in Chust and despite the inhospitability of the villagers settle there as woodcutters. Tomas digs a channel of fast-flowing waters around their hut so they have their own little island kingdom. Peter doesn't understand why his father has done this, nor why his father carries a long battered box everywhere they go, and why he is forbidden to know its contents. But when a band of gypsies comes to the village Peter's drab existence is turned upside down. He is infatuated by the beautiful gypsy princess, Sofia, intoxicated by their love of life and drawn into their deadly quest. For Chust is a dying community - where the dead come back to wreak revenge on the living. Amidst the terrifying events that follow, Peter is stunned to see his father change from a disillusioned man to the warrior hero he once was.

Drawing on his eighteen years of experience as a teaching artist for Folger Shakespeare Library, Nick Newlin offers eighteen scenes to get young actors on their feet performing Shakespeare with confidence, understanding, and fun! Each scene averages five minutes in length, containing two to six characters, and features a monologue that young performers can use in performance, audition, or competition. Every scene has been "road tested" by one of Newlin's student groups at the Folger's annual Secondary School Shakespeare Festival, and includes dynamic stage directions and incisive performance notes to help teachers and students bring Shakespeare's plays to life. The 30-Minute Shakespeare Anthology includes one scene and monologue from eighteen of Shakespeare's greatest plays, including Romeo and Juliet, Macbeth, Hamlet, Othello, A Midsummer Night's Dream, Julius Caesar, Much Ado About Nothing, As You Like It, The Merchant of Venice, and The Taming of the Shrew. Additionally, the anthology contains a scene and monologue from Henry IV Part I, King Lear, As You Like It, The Comedy of Errors, The Tempest, Twelfth Night, The Merry Wives of Windsor, and Love's Labor's Lost. Also featured is an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgment at the Folger Shakespeare Library's annual Student Shakespeare Festival. Each scene and monologue has accompanying notes and performance suggestions.

This revised Student Edition includes an introduction by Daniel Ciba, which looks in particular at the play as a piece of realism or experimentalism and considers the play through the lens of Queer Identity. The introduction includes discussion of very recent revivals and adaptations of the play across the world. The Glass Menagerie, Tennessee Williams' first great popular success and an autobiographical play about his mother and sister, launched the brilliant and controversial career of this ground-breaking American playwright. Set in St Louis during the depression era of the 1930s, it is the poignant drama of a family's gradual disintegration, under pressure both from outside and within. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: · A chronology of the play and the playwright’s life and work · an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created · a succinct overview of the creation processes followed and subsequent performance history of the piece · an analysis of, and commentary on, some of the major themes and specific issues addressed by the text · a bibliography of suggested primary and secondary materials for further study.

King Lear is one of the most popular of Shakespeare's plays, and this series really brings it to life for those who are new to Shakespeare or who are studying the play at school. The story of how Shakespeare wrote King Lear and how the play fits into his entire body of work are explored in an introductory chapter.

Dominic Cooke's acclaimed Royal Shakespeare Company adaptation of the bestselling novel by Malorie Blackman. First performed by the Royal Shakespeare Company in 2007.