This CGP Romeo & Juliet Workbook has everything required for success in the latest Grade 9-1 GCSE English Literature exams. It's packed with questions on the plot, characters, context, themes and Shakespeare's techniques - with answers included at the back. There's a section of exercises for students to practise the different skills needed for the exam, and the book is rounded off with a comic strip that summarises the whole play. This Workbook is perfectly matched to our Romeo & Juliet Text Guide (9781841461182).

Planning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited. "The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun! This cutting of MACBETH is edited to seven key scenes, opening with the Weird Sisters predicting Macbeth's fate. Also included are Macbeth and his villainous wife plotting to murder King Duncan, the appearance of Banquo's ghost at the banquet, the Witches' unforgettable "double double toil and trouble" scene, and Lady Macbeth's riveting "out, damned spot" sleepwalk. In the finale, the entire cast recites Macbeth's poignant "tomorrow, tomorrow, and tomorrow" speech in unison. The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.

An electrifying one-woman play inspired by the true story of a woman who served as a political assassin during South Africa’s transition to democracy. As the protagonist confronts her past, she becomes a powerful symbol of defiance and compassion in a story of resistance and survival in a conflict-torn country.

Isidlamlilo/ The Fire Eater is an electrifying one-woman play inspired by the true story of a woman who served as a political assassin in the build-up to South Africa’s first democratic elections. Zenzile Maseko, the protagonist, is a 60-year-old Zulu grandmother living in a women’s hostel in Durban. Falsely declared dead by the Department of Home Affairs, she finds herself cast into a Kafkaesque nightmare that forces her to confront her past.

Flown in on the wings of the Impundulu (the lightning bird), Zenzile’s story weaves a magical and terrifying tapestry. She draws on myth, religious symbolism and traditional beliefs as she shares the realities – at times brutal, at times forgiving – of survival in South Africa. Her story touches on what it means to live through political violence, the transition to democracy, the brutality of inequality, health epidemics like HIV/AIDS, patriarchy, and the apathetic bureaucracy of government departments.

Ultimately, Isidlamlilo / The Fire Eater offers a critical and unflinching look at the eddying cycles of violence and revenge that play out across generations. Yet it is most of all a story about regeneration and redemption that speaks to both the country’s haunted past and its present-day complexities.

Isidlamlilo / The Fire Eater will appeal to teachers, high school learners, and tertiary students in theatre, drama and English studies.

Roald Dahl's much-loved story, Charlie and the Chocolate Factory, about how Charlie Bucket wins a ticket to visit Willy Wonka's amazing chocolate factory is turned into a play for children to act. With tips about scenery, props and lighting, the play is easy to stage and there are lots of parts for everyone. Roald Dahl, the best-loved of children's writers, died in 1990 but his books continue to be bestsellers. Richard George was an elementary school teacher in New York when he wrote this stage adaptation of Roald Dahl's bestselling story - and Roald Dahl himself recommended that it should be published.

Year 8 is left without a teacher. To relieve the boredom they launch an expedition - two students who never break the rules are sent to steal something from the headteacher's office. The unlikely criminals return as heroes and set about re-enacting the theft. In the ensuing chaos one student discovers that he too has been the victim of theft and accusations fly. Perfect for classroom performance, David Grant's witty play covers conflicts of gender, academic ability and conformism. Whatever schools and teachers may hope, it is the students who decide their own fate. * Crackling, witty dialogue. * Well-drawn, realistic characters. * Perfect for both performance and textual study.

Shakespeare's A Midsummer Night's Dream like you've never seen it - or read it - before! Classics in Graphics: A Midsummer Night's Dream has been adapted into a graphic novel by expert authors, Steve Skidmore and Steve Barlow, with illustrations by Edu Coll. The magical fantasy is a comic delight on the page - as the lovers, the fairies and the actors bumble and trick their way through the forest. Classics in Graphics is a series of graphic novels for children aged 10 plus that has inclusion at its heart, flinging wide the doors of literature for everyone to enter and understand. Including dyslexia-friendly design on every page, and encouraging readers to relate to these iconic roles - casting spells, falling in love and winning duels. Each graphic novel includes pitch-perfect illustrations for presenting the tragic, the romantic, the comedic, the magical, as well as: - snappy simplified text presenting Shakespeare's themes clearly - introductory materials to help set the scene and context of each story - heaps of extra material at the back to keep the learning and fun going, including an exploration of themes in the play, the language, Shakespeare's inspirations, the publication and performance of the play in history, a timeline of Shakespeare's life and works, and much more! Plays available in the series include: Macbeth The Tempest Hamlet Romeo and Juliet A Midsummer Night's Dream Much Ado About Nothing

A giant builds a high wall around his beautiful garden to prevent the children from playing in it. However, he is taught a valuable lesson when spring does not return and the garden remains in winter all year round. One morning the unusual sound of birdsong and the sight of a small, frail child trying to climb a tree reminds the giant how selfish he has been. He knocks down the wall, spring arrives and the giant is happy that his garden is now free for all. This enchanting sung-through musical was written especially for a large cast of young people and enjoyed three successful seasons at the Yvonne Arnaud Theatre, Guildford in 1995, 1999 and 2002. It has great opportunity for lots of chorus and solo work, which can be easily adapted according to how many children are available.

"King Lear: The 30-Minute Shakespeare" renders six powerful scenes from this enduring tragedy. Starting with Lear's banishment of Cordelia, the plot advances irresistibly, featuring scenes of brother Edmund's villainous plotting and the Fool's witty, weighty wordplay.

The action climaxes with the storm on the heath, where Lear and Poor Tom rail in exquisite madness. The abridgement concludes with moving scenes of Cordelia's tender reconciliation with King Lear and their heart-rending demise.

The edition includes helpful advice by Nick Newlin on how to put on a Shakespeare production in a high school class with novice actors, as well as tips for performing the specific play and recommendations for further resources.

Planning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited. "The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun! This cutting of ROMEO AND JULIET is edited to four key scenes, starting with the lyrical prologue and the foreboding opening brawl, which is played out in slow motion to music. Also included are the timeless balcony scene; the harsh scolding of Juliet by her father; and the final moments at the tomb. The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.

Planning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited. "The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun! This cutting of TWELFTH NIGHT, Shakespeare's bittersweet comic masterpiece, consists of three classic scenes. After an extended introductory narration, the action begins with Feste the Fool consoling a mourning Lady Olivia with wit and wordplay. Viola (disguised as a male Cesario) woos Olivia on behalf of Duke Orsino, but Olivia falls for the messenger Viola/Cesario instead. The final scene in Olivia's kitchen gives young actors an easy and specific way to play late-night revelry, as Sir Toby Belch and his friends amuse themselves with the censorious but ultimately hapless Malvolio. One highlight of the production is a group "rap" version of the song "Come Away Death." The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.

The Tempest: The 30-Minute Shakespeare offers eight scenes from this rich comedy. Beginning with the magical storm and shipwreck, this adaptation includes the uproarious discovery of the monster Caliban and his plot to kill Prospero. Included are the heartfelt marriage vows between Ferdinand and Miranda, the disguised antics of fairy Ariel, and Prospero's poetic abjuration of his rough magic. The edition includes a preface by Nick Newlin containing helpful advice on how to put on a Shakespeare performance in a high school class with novice actors as well as an appendix with suggestions for the specific play and recommendations for further resources.

Planning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited. "The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun! This cutting of Shakespeare's utterly charming and popular comedy MUCH ADO ABOUT NOTHING features five key scenes, including Beatrice and Benedick's classic initial word-battle, and the uproarious hide-and-seek deception of the two "lovers." The next scenes are the brutal rejection of Hero at the altar by a deceived Claudio and the timeless manhandling of the English language by the bumbling constable Dogberry. In the fifth and final scene, Shakespeare resolves the play's conflicts and confusions, and love reigns again. This cutting really tells the story, and includes some sidesplitting stage business, particularly the back-and-forth physical and verbal parrying between Benedick and Beatrice. The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.

"Othello: The 30-Minute Shakespeare" is a gripping seven-scene interpretation of this Shakespearean masterpiece.

There is a dramatic build as each successive event draws Othello closer to jealous rage. Iago convinces Othello that Desdemona has been unfaithful to him with Cassio. He plants Desdemona's handkerchief in Cassio's chamber, orchestrating Othello's undoing.

The plot concludes with Othello outrageously smothering Desdemona, discovering the truth of his deception, and dying by his own hand. This is tragedy at its finest, and performable in just a half hour.

The edition includes helpful advice by Nick Newlin on how to put on a Shakespeare production in a high school class with novice actors, as well as tips for performing the specific play and recommendations for further resources.

"King Henry IV, Part I: The 30-Minute Shakespeare" combines comedy, tragedy, and history into a rollicking six-scene drama performable in a half hour.

This adaptation includes tavern revelry, highway robbery, and the telling role-reversal scene between the inimitable Falstaff and young Prince Hal.

The play also features the rivalry between Glendower and Hotspur and the touching reconciliation between King Henry IV and his son Hal. The action climaxes with the riveting battle scene, and includes as a coda the new King Henry V's brutal rejection of his former friend Falstaff.

The edition includes helpful advice by Nick Newlin on how to put on a Shakespeare production in a high school class with novice actors, as well as tips for performing the specific play and recommendations for further resources.

"Love's Labor's Lost: The 30-Minute Shakespeare" plays three action-packed scenes from this tale of King Navarre and his three lords, who have vowed to retire from women for three years. Naturally, the Princess of France and her three ladies arrive, and comedic courtship ensues.

The cutting includes the ridiculous dance of the lords disguised as Russians, the hysterical "Pageant of the Nine Worthies," and a dramatic, bittersweet ending that leaves the King and the three lords laboring for love.

The edition includes a preface by Nick Newlin containing helpful advice on how to put on a Shakespeare performance in a high school class with novice actors, as well as an appendix with suggestions for the specific play and recommendations for further resources.

Get young people excited about Shakespeare! The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited. "The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun! This cutting focuses on three ridiculously funny and vibrant scenes from A MIDSUMMER NIGHT'S DREAM. The first scene starts with Puck mistakenly anointing the eyes of the wrong lovers with love potion, leading to a madcap chase scene between Helena, Lysander, Hermia, and Demetrius. Scene two features Bottom's magical transformation to an ass, always an audience favorite. The final scene is the classic play within a play, where the "Rude Mechanicals" act out with "tragical mirth" the story of Pyramus and Thisbe, with specific comic suggestions for the characters, including Lion chasing Thisbe into the audience! The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.

Planning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited. "The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun! This cutting of THE MERRY WIVES OF WINDSOR begins with one of Shakespeare's favorite fat knights, Sir John Falstaff, announcing his intention to woo both Mistress Ford and Mistress Page simultaneously, to the delight of his cohorts Bardolph, Pistol, and Nym, who then decide to double-cross Falstaff. The characters' movements on stage are clearly denoted so that even inexperienced actors can give the scenes life: Robin is nearsighted, Bardolph is a drunk who tries to juggle, and Pistol and Nym are constantly jostling for position. Other key moments include the hilarious wooing of Mistress Ford by Falstaff and the hysterical concealment of Falstaff in the laundry basket. The cutting ends in the woods with Falstaff dressed as a stag, being tormented by fairies for his comeuppance. The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.

Titus obeys every rule but the older Miranda wants some questions answered - would their hands really turn into claws if they had kippers for breakfast? Would she go egg-shaped if she broke an egg? Miranda gleefully smashes an egg. Hey presto - nothing happens! The two children confront Angela and then run away. Excitement turns to fear when things start to get creepy and they discover the home of the sinister Mouth Collector...-2 women, 2 men

"The Two Gentlemen of Verona: The 30-Minute Shakespeare" presents six captivating scenes from this high-spirited play. Proteus pledges his love to Julia, but then falls in love with Silvia, who had planned to elope with Proteus's bosom buddy Valentine. This classic story features hilarious cross-dressing, clever disguises, and intriguing mistaken identities. It also includes the uproarious monologue featuring Launce and his dog Crab.

The edition includes helpful advice by Nick Newlin on how to put on a Shakespeare production in a high school class with novice actors, as well as tips for performing the specific play and recommendations for further resources.

This book provides teachers of children at Key Stages 1 and 2 with a much-needed source of exciting and creative drama-based activities, designed to improve literacy. As useful for the drama novice as for the busy literacy co-ordinator, these flexible activities are designed to help teachers meet National Curriculum and National Literacy Strategy (NLS) requirements, particularly through speaking and listening.
The book is divided into three parts:

Part 1 looks at literacy and the power of drama as a 'brain-friendly' medium for teaching and learning.
Part 2 contains ten structured, practical units of work, each based on a different story, poem, play or traditional tale or rhyme and each linked directly to the requirements and objectives of the NLS and the QCA objectives for speaking and listening.
Part 3 contains photocopiable Literacy Support Sheets for teachers to use and adapt for their own classroom needs.

All units of work have been tried and tested by the authors, giving teachers a springboard from which to enhance and extend their literacy lessons, and engage the imagination of their pupils. The book is also the ideal resource for student teachers.

eBook available with sample pages: 0203166981

An improved, larger-format edition of the Cambridge School Shakespeare plays, extensively rewritten, expanded and produced in an attractive new design. An active approach to classroom Shakespeare enables students to inhabit Shakespeare's imaginative world in accessible and creative ways. Students are encouraged to share Shakespeare's love of language, interest in character and sense of theatre. Substantially revised and extended in full colour, classroom activities are thematically organised in distinctive 'Stagecraft', 'Write about it', 'Language in the play', 'Characters' and 'Themes' features. Extended glossaries are aligned with the play text for easy reference. Expanded endnotes include extensive essay-writing guidance for 'Macbeth' and Shakespeare. Includes rich, exciting colour photos of performances of 'Macbeth' from around the world.

Midsummer night's eve in Edinburgh. A girl with wings and a plastic bow and arrow sits sobbing on a bench. It's been a hard day. Love. Bites. Setting(s) Various: a park bench, school playground, a cafe, swimming pool flumes, a park, a bar, a wind farm, a flat, etc. First produced June 2012. Directed by Ruth Hollyman. Cast Size: Mixed cast of 18: 7 female, 11 male (flexible) Recommended for performers aged 14-16 Running Time 60 minutes Recommended for audiences aged 12+

Julius Caesar: The 30-Minute Shakespeare presents eight spellbinding scenes from this timeless masterpiece. The action begins as the soothsayer warns Caesar of the Ides of March and continues as Brutus conspires against Caesar. Other key scenes include Caesar's riveting assassination and Antony's stirring funeral oration. This adaptation closes with Cinna the Poet's death at the hands of the mob, the quarrel between Brutus and Cassius, and Brutus' suicide. The edition includes a preface by Nick Newlin containing helpful advice on presenting Shakespeare in a high school setting with novice actors, as well as an appendix with play-specific suggestions and recommendations for further resources.

Adapting the popular Spot books for the stage, David Wood has created an exciting introduction to theatre for small children. Using the simple plot of a birthday party, complete with entertainer, the puppy and his animal friends teach and reflect children's early experiences such as guests arriving, present giving, game playing and going home thank-yous. Th ere is fun audience participation throughout with the children treated more as party guests than simply as spectators. Plenty of fun for the actors, too, with singing, character movement and, optionally, some acrobatic skills to show off!

An improved, larger-format edition of the Cambridge School Shakespeare plays, extensively rewritten, expanded and produced in an attractive new design. The Rex Gibson active approach to classroom Shakespeare enables students to inhabit Shakespeare's imaginative world in accessible and creative ways, sharing Shakespeare's love of language, interest in character and sense of theatre. Substantially revised and extended, classroom activities are thematically organised in distinctive stagecraft, writing, language, characters and themes features. Expanded endnotes include extensive essay-writing guidance for 'King Richard III' and Shakespeare, and extended glossaries are aligned with the play text for easy reference. Includes rich, exciting colour photos of global performances of 'King Richard III'. Further support material available at www.cambridgeschoolshakespeare.com