Drawing together the work of 10 leading playwrights, this National Theatre Connections anthology features work by some of the most exciting and established contemporary playwrights. Gathered together in one volume, the plays collected offer young performers between the ages of 13 and 19 an engaging selection of material to perform, read or study. Each play has been specifically commissioned by the National Theatre's literary department with the young performer in mind. The anthology contains 10 play scripts; notes from the writer and director of each play, addressing the themes and ideas behind the play; and production notes and exercises for the drama groups. This year's anniversary anthology includes plays by Suhayla El-Bushra, Anders Lustgarten, Robin French, Tim Etchells, Patrick Marber, Kellie Smith, Lizzie Nunnery, Harriet Braun and Alistair McDowall.

Join James as he escapes from his horrible aunts and sets off inside the peach on his wonderful adventures. This dramatization of Roald Dahl's hugely popular book can be staged in school, acted out at home or simply read together by a group of friends. With suggestions for staging, props and lighting. Roald Dahl died in 1990 but his books continue to be worldwide bestsellers. Richard George was an American elementary school teacher when he adapted James and the Giant Peach as a school play. Roald Dahl loved it and wrote an introduction.

An anthology bringing together a selection of Claire Dowie's plays for young people, which are ideal for performance with a large cast. The anthology includes the following plays and an introduction by the author. Why Is John Lennon Wearing A Skirt? (Stage2 version, large cast) portrays a 14-year-old girl who dresses like a boy and would rather play football than anything else. This version can be performed by a cast of up to 100. Arsehammers (Stage2 version, large cast) is about a boy's relationship with his grandfather, who is suffering from Alzheimer's (or "Arsehammers", as the boy hears it). He believes his grandad to have superpowers on account of his routine disappearances. A brilliant tale of living with, and understanding, mental illness. It has been reimagined for a cast of around 20. The Year of the Monkey (Stage2 version, large cast) shows a mother dreaming of injecting some excitement into her humdrum life. The play has been revised the play for around 25 young people. Hard Working Families (original version, large cast), which hasn't previously been published, is a satirical play with music that exposes the true impact that earning a living has on young people in modern-day society. It is a response to politicians' visions of 'ordinary people', set against the reality of earning a living and the way this impacts on young people's lives. It can be performed by a cast of up to 50.

Following the success of Sleeping Beauty, Park Theatre's annual Christmas show returns with their second instalment of The Chronicles of Waa. With original music, magic and plenty of laughter for the whole family, Jack and the Beanstalk is a tale of friendship, love and Tupperware: lots of Tupperware! In Gazoob, the land of the Giants, evil inventor Ms Grimm wants world domination and it seems there is nothing her lovely daughter Grenthel and Geoff, the smallest giant in the world, can do to stop her. Meanwhile in Nowen, a peaceful but poor Kingdom, Jack and his mum Tina struggle to pay the rent. To make matters worse, they have to get rid of their trusted cow, Daisy. When Grimm's evil plan lands at their feet, all seems doomed. But what will save the day and unite these two kingdoms? Jack's heroic deeds at the Nowenthian Sports festival? Tina's extensive knowledge of antique Tupperware? Or will the musical, Mariachi oracles known as 'The Shepherds Gonzales' have the answer? The future of the Land of Waa is at stake!

Drawing together the work of ten leading playwrights - a mixture of established and emerging writers - this National Theatre Connections anthology is published to coincide with the 2015 festival, which takes place across the UK and Ireland, finishing up at the National Theatre in London. The programme offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department with the young performer in mind. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. The anthology contains all ten of the play scripts, and notes from the writer and director of each play, addressing the themes and ideas behind the play, as well as production notes and exercises. The National Theatre Connections series has been running for twenty years and the anthology that accompanies it, published for the last five years by Methuen Drama, is gaining a greater profile by the year. This year's anthology includes plays by Jamie Brittain, Katherine Chandler, Elinor Cook, Ayub Khan Din, Katie Douglas, Cush Jumbo, Ben Ockrent, Eugene O'Hare, Stef Smith and Sarah Solemani.

Young Blood is a collection of plays for young people with the following aims: * to publish some of the most interesting, challenging, contemporary writing for young performers in one volume. * to extend the life of the plays beyond their first production. * to make them available to young people throughout the UK To develop performing skills young people need to work on the best scripts available; to have the opportunity to explore the ideas, form and language of exceptional writers. Young people in schools, youth theatres and colleges need to work on plays that excite, stretch and inspire them. The response from young people to the final selection has been remarkable. Several have been chosen by students to be performed as part of their GCSE practical exams. This collection doesn't include production or teachers' notes. There are no fixed rules about how to use the plays. Produce the whole play to a paying audience or work on scenes. Play about with the casting. Double parts or have six people playing the same character. The most important thing is to have fun with the language, characters and staging so that young people enjoy working on the plays. All of the plays in this collection have a unique theatrical vision. Combine that with the energy, commitment and imagination of a group of young people and the results will definitely be worth watching! Includes the plays The Girl who fell through a hole in her jumper by Naomi Wallace and Bruce Mcleod, The Search for Odysseus by Charles Way, Darker The Berry by J.B.Rose, Geraniums by Sheila Yeger, and, Out of their Heads by Marcus Romer.

Umbango wefa likababa kaMenzi waqhubeka sewuqhutshwa nguyise omncane kanye nobabekazi wakhe. UMenzi waphuma owakhe umuzi. Unina omkhulu wakhe nendodana yakhe benza icebo lokumbulala, kepha kwagcina sekufe yona indodana nobabomkhulu. After Menzi's parents died, he had to stay with his grandparents who became jealous about his parent's estate. A fight erupts between the family members.

Unlike most readers theatre titles, the 36 scripts in this book introduce young readers to classic authors like Louisa May Alcott and Mark Twain while they have fun and improve their reading fluency. The use of readers theatre as a classroom tool develops fluency while students are engaged in learning new content and actively participating in their learning. Background information and discussion questions round out the readers theatre experience, providing young readers with an opportunity to increase their reading fluency while inspiring them to read the works of well-known authors. Each of these 36 readers theatre scripts-one for each week of the school year-provides teachers and librarians with an introduction to authors of short stories, chapter books, and poetry. The subject matter includes acclaimed writers such as Charles Dickens and Laura Ingalls Wilder, as well as more contemporary authors like Paula Danzinger and Roald Dahl. Each script is designed to be introduced, read, and discussed in a 30-minute period, and encompasses characters with lines written at grade levels 2, 3, and 4 to accommodate different reading levels (grade levels are indicated on the teacher's page only).

This revised version of Willy Russell's much loved play won rave reviews when it opened in Liverpool in 2009. Slightly updated and featuring more songs, it retains all the humour and appeal of the original. This educational edition in Methuen Drama's Critical Scripts series has been prepared by national Drama in Secondary English experts Ruth Moore and Paul Bunyan. Building on a decade of highly effective work and publications endorsed by national organisations and supported by teachers and consultants across Britain, each book in the series: meets the new requirements at KS3 and GCSE (2010) features detailed, structured schemes of work utilising drama approaches to improve literary and language analysis places pupils' understanding of the learning process at the heart of the activities will help pupils to boost English GCSE success and develop high-level skills at KS3 will save teachers considerable time devising their own resources. Mrs Kay's Progress Class are off to Alton Towers - until Mr Briggs gets on board. The destination might have changed in this new version of Willy Russell's classic play, but mixing humour, lively songs and the poignancy of the original, this drama of a class day out to remember is ideal for Year 9 and above.

Colleges, universities and high schools nationwide are seeking up-to-date writing on themes related to cultural diversity. Roger Ellis' previous multicultural anthologies of plays, scenes and monologs have been in popular use for several years. This unique anthology of complete plays is directed specifically to young audiences from new writers of the multicultural experience. Many international cultures are represented including African American, Native American, Central and South American, Caribbean, Pacific Island, Maori, Viking, Irish, Spanish, Gypsy, Canadian, Jewish, Muslim, Pakistani, East Indian and more. Each of these plays contain a significant number of roles for young actors. A valuable text for multicultural, literary or speech classes; or for theatrical applications.

Na e be ke ntho ya bohlokwa hore lerato le o kwale mahlo hoo o ka bang wa bolaya ntata bana ba hao. Mmatefo le Sebolai ba qhadile metse ya bona ka lona lerato leo. Mmatefo o bolaile monna a nkeha ke moena hae. One often wonders whether it is true that a person can be so blinded by love that they can kill their spouse. Mmatefo killed a husband for a younger brother.

Le ncwadi iqulathe imidlalwana eyahlukeneyo nelungiselelwe ukuba ilinganiswe ngabafundi eqongeni. Ifeza iimfuno zeKharityhulam kaZwelonke. Ngale ncwadi ootitshala baza kuphucula izakhono zabafundi ezizezi zilandelayo: Ukufunda nokubukela, Ukumamela, Ukuthetha nokulinganisa imidlalo. The title contains a variety of play scripts that have been carefully designed for dramatisation by learners on stage. It will definitely assist the educators in developing the following skills: reading and viewing, listening, speaking and dramatisation.

Five exciting new plays for young people written specifically in response to a world in the midst of a pandemic, accompanied by a handbook from Wonder Fools theatre company with guidance for staging the plays either online or live in the space. Commissioned as part of Wonder Fools' national participatory project Positive Stories for Negative Times, these five plays offer a variety of stories, styles and forms for ages 8-25. These original and innovative plays are: Is This A Fairytale? by Bea Websater A new play that rips apart the traditional fairy tale canon and turns it on its head in a surprising, inventive and unconventional way. Ages 8+ Hold Out Your Hand by Chris Thorpe A dynamic text asking questions about place, where we are now and the moment we are living through. Ages 13+ The Pack by Stef Smith A playful and poetic exploration about getting lost in the loneliness of your living room and trying to find your way home. Ages 13+ Ozymandias by Robbie Gordon and Jack Nurse A contemporary story inspired by Percy Shelley's 19th century poem of the same name, exploring power, oppression and racism through the eyes of young people. Ages 16+ Bad Bored Women of the Rooms by Sabrina Mahfouz A storytelling adventure through the centuries of women and girls who have spent a lot of time stuck in a room. Ages 18+ The accompanying handbook includes step-by-step guidance on how to produce the plays either online or live in the space, and bespoke exercises and instructions on how to approach directing each play.

Drawing together the work of ten leading playwrights - a mixture of established and emerging writers - this National Theatre Connections anthology is published to coincide with the 2014 festival, which takes place across the UK and finishes up at the National Theatre in London. It offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department with the young performer in mind. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. As with previous anthologies, the volume will feature an introduction by Anthony Banks, Associate Director of the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises. The National Theatre Connections series has been running for nineteen years and the anthology that accompanies it, published for the last three years by Methuen Drama, is gaining a greater profile by the year. Some iconic plays have grown out of the Connections programme including Citizenship by Mark Ravenhill, Burn by Deborah Gearing, Chatroom by Enda Walsh, Baby Girl by Roy Williams, DNA by Dennis Kelly, and The Miracle by Lin Coghlan. The series has a recognisable brand and the anthologies continue to be an extremely useful resource, their value extending well beyond their year of publication. This year's anthology includes plays by Sabrina Mahfouz, Simon Vinnicombe, Catherine Johnson, Pauline McLynn, Dafydd James, Luke Norris and Sam Holcroft.

Drawing together the work of ten leading playwrights - a mixture of established and current writers - "National Theatre Connections 2013 "offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department and reflects the past year's programming at the venue in the plays' ideas, themes and styles. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased.The volume features an introduction by Anthony Banks, Associate Director for the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises.Published to coincide with the 2013 Connections festival, and the 50th anniversary of the National Theatre, this year's collection features work from Howard Brenton, Jim Cartwright, Lucinda Coxon, Ryan Craig, Stacey Gregg, Jonathan Harvey, Lenny Henry, Jemma Kennedy, Morna Pearson, and Anya Reiss.