Terama ena ya boqhekanyetsi le boiphetetso e bua ka ntwa pakeng tsa bahlankana ba Disebo, Tefo le Ntjheme. Kgotleng la dinyewe, ntata Disebo o mo qobella ho paka mashano ka Tefo, e le ha a rata ho iphethetsa. This drama of treachery and vegeance is about a hostile encounter between Disebo, Tefo and Ntjheme. Their fathers also become involved and, at the traditional council, Disebo's father forces her to lie about Tefo.

Lerato la ga Badirang mo go Kegoneile le dira gore a se bone le fa a tshameka ka ena. Ba ne ba kgaogana jaaka dinogana di thuthuga mme fela morago ba dira kgampoeledi. Ga ba ka ba nna sebaka mmogo. Like they say, 'love is blind'. This is what happened to Badirang and Kegoneile, but things didn't work out and they split up. Then they decided to try their love again - but will it work out this time?

Adapted from Andy Griffiths' and Terry Denton's phenomenally successful Treehouse book series, Richard Tulloch's play - The 13-Storey Treehouse - is action-packed, full of laughs...with a see-through swimming pool, a tank full of man-eating sharks and a lemonade fountain! Imagine living in a 13-storey treehouse that includes a secret underground laboratory, self-making beds, a vegetable vaporiser and a marshmallow machine that shoots marshmallows into your mouth? Well Andy and Terry are lucky enough to live in one, where they have a series of completely mad adventures. And today Andy and Terry manage to get their dates all mixed up. They thought that they were going to rehearse their new play, The 13-Storey Treehouse, except they forgot to write it! And to make matters worse, they need to find flying cats, a mermaid, a sea monster, an invasion of monkeys, and a giant gorilla! Despite not having any of these things, they do have a box of costumes and props, some pretty awesome technology and friends to help out! Includes illustrations by Terry Denton from the book of the same name Part of the bestselling Treehouse publishing phenomenon Author has adapted original stage production to increase total number of parts - there are some fifteen individual speaking parts, with scope for an ensemble to play the stage crew and invading monkeys, as well as operating puppets

Gabriel Funete William o tshotswe ka ngawaga wa 1960, kgwedi ya Moranang e le lesome le borataro kwa motseng wa Mahalapye, mo kgotlaneng ya Borotsi. Morago batsadi ba gagwe ba ya go aga kwa kgolong ya Bokone Botlhaba mo motseng wa Mapoka kgotlana e le ya ga Mabunda. O ne a tsena dithuto tsa gagwe tse di potlana mo Sekolong se se Potlana sa Mapoka. Mme a ithuta tse di kgolwane kwa Moeng College, mo kgaolong ya Legare. Morago fa a fetsa a dira mo Downings Barkery mo Francistown. Ka 1986 a dira mo Gaberone, mo hoteleng ya Gaberone Sun. E rile ka 1986 a simolola a tlogela ba Gaberone Sun, a ya sekolong la ithutela borutabana mo Lobatse Teacher Training College. O weditse dithuto tse ka 1987. O simolotse tiro ya borutabana kwa Sekolong se se Potlana sa Ben Thema. Morago a ithutela itshedilo kwa Muele, kwa Yunibesithing ya Botswana ka 1994/1995.

Umdlalo omfutshane otshatshele ngonxunguphalo olunamandla olungunozala wongquzulwano olusiphula izicithi. Umtshato ufaniswa nqwa nAmaza asisihloko sale ncwadi. A gripping short drama, filled with suspense and conflict. Problems in marriage are metaphorically referred to as Amaza.

Kategoriewenner van SAVI-Via Afrika Vertalersprys 2006 vir uitmuntende vertaling. Inwoners van Nieu-Bethesda praat van hulle dorpie en die omgewing as die Vallei, en Athol Fugard het sy inspirasie vir sy karakters, Veronica en Buks, in die dorpie gekry. Die storie is op die oog af eenvoudig: Die ou bruin man, Buks, is lief vir die stuk grond waar hy groente kweek. Hy hoop dat sy kleindogter by hom sal bly en die waarde van die grond besef. Sy wil egter 'n gewilde sangeres word en tot Buks se groot teleurstelling besluit sy om Johannesburg toe te trek. Sy probleem word vererger deur die feit dat 'n wit man (Die Skrywer) die stuk grond wil koop. Die belangrikste kwessies en verhoudings in die drama word meesterliker al komplekser gemaak. Aan die einde van die stuk is daar 'n groot gevoel van verlies, maar daar is ook 'n gevoel van versoening en groei wanneer Buks en Die Skrywer saam op die plaas die toekoms inbeweeg. Lied van die Vallei besing eintlik die menslike vreugdes en konflik waaruit die lewe bestaan. Die drama wat oorspronklik in Engels geskryf is, heet Valley Song. Dit is deur Idil Sheard, 'n opvoedkundige en inwoner van Nieu-Bethesda, vertaal. "'n Flink tempo en oortuigende dialoog wat gemaklik oor die tong rol." Janie Oosthuysen, bekende vertaler van kinderliteratuur "Lied van die Vallei is 'n ontroerende oorgangsdrama: van grootword en oud word, van die ou orde wat moet plek maak vir die nuwe en van groei wat met verlies gepaard moet gaan. Die persoonlike klein storie roep 'n groter politieke situasie sonder geforseerdheid op. En soos Buks sy handvol Karoo pampoenpitte plant, plant ook die goed geoefende Fugard sy eenvoudige en gestroopte beelde om 'n wereld van kompleksiteit op te roep. Hierdie is 'n ideale kennismaking met 'n teaterteks. Nie net is dit 'n beeldskone en lekker `leesbare' drama nie, maar dit onthul ook soveel oor die tegnieke en konvensies van die teater as spel.

Four Greek Plays aims to introduce younger readers for the first time to Greek tragedy through the medium of "Oedipus the King" and "Antigone," and to comedy through Aristophanes' "Acharnians" and "Peace." McLeish produces an adaptation of the plays which is intended to remove many of the immediate barriers to understanding by the beginner.They are written to be accessible for use in schools and for performance, and contain no Greek text.

Batho ba tswa merabeng le dinaheng tse fapaneng, ba bang motho ha a ile a behwa foromane e ba o se a ipona e le yena mookamedi. Dialoma o ne a kgohlahetse hoo a bileng a bolaya Kotopo. Sometimes when one is appointed a foreman, he abuses others and reckons himself their boss. A man called Dialoma was a very cruel foreman who even killed Kotopo.

Heyi bugu I sumbedza khudano vhukati ha matshilel a tshikale na a musalauno. Khosi Vho-Maanda a vha tevheli ndila dza tshikale, vha hana u diisa ngoma dza vhatannga na vhasidzana, vha dovha vha hana u mala vhafumakazi vhanzhi. Vha tevhedza matshilele maswa ngauri vha dzia matshilele a tshikale sa a si na mushumo, naho hu na vhathu vhane vha kometshedza u tshila tshikale.

The 354 Johnnyarm from Vagland will shortly be arriving in Wombtown, please brace for impact. Three lasses. One lad. And a bucket load of teen angst. When Olivia, Kim and Alisha all take a fancy to the same local lad, friendships and families are torn apart. Lies are told, secrets are spilled and their lives are about to change forever. Pick N Mix is a coming-of-age story of sisterhood, Sex Ed and sanitary pads. Kat Rose-Martin is a Bradford lass born and bred. She was the first winner of Kay Mellor Fellowship, and has written for stage and TV, including BBC's Holby City & Sky's Wolfe. Pick N Mix is her first full-length play. This edition was published to coincide with the UK tour in Leeds and Bradford, in November 2022.

How do I choose a play to perform with my students that meets the curriculum requirements and also interests my class? What can I introduce my students to that they might not already know? If you're asking these questions, this is the book for you! Written specifically for drama teachers, this is a quick, easy-to-use guide to finding and staging the best performance material for the whole range of student abilities and requirements for 15 - 18-year-olds. It suggests 200 plays suitable for students of all abilities and requirements, providing sound advice on selection and realisation, and opening up plays and playwrights you may have never known existed. Structured in 2 parts, Part 1 consists of 8 easy-to-read chapters, explaining how to get the most out of the resource. Part 2 is a vast resource listing 200 plays suitable for study/performance at GCSE and A Level. The details of each play are set out in an easy-to-navigate chart that offers introductory information on: Play Playwright Casting numbers Gender splits Ability Genre description Brief Summary Exam level Workshop ideas Warnings/advice (where necessary) Suggested scenes for study Performance notes including lighting, sound, costume and space

Pale ena ya boqhekanyetsi le botjholotjholo e bontsha matla a dikgoka boreneng. Ho puka e mahlo maFubedu pakeng tsa marena Leoka le Maqhama. Motshwane, lehlahana la Leoka o temapedi mme Leoka o elellwa sena ka mora hoba Rasebolai a bolawe. This drama centres around the war between two chiefs, Leoka and Maqhama. Within this tension is conflict between Leoka's headmen, and then Leoka discovers one of his men's double dealings with Maqhama.

Mihla yonke kulezi zinsuku uhlobo lwedrama esithintana nalo ngeyomsakazo. Inhloso yemidlalo emifushane ebhalwe kule ncwadi kufundisa abantu mayelana nezinto abahlangana nazo empilweni yabo. Le ncwadi iqukethe imidlalo eyisikhombisa lapho khona umuntu engakwazi ukukhetha okulungile nokungalunganga. Drama also includes 'plays' heard on the radio. This title aims at teaching people about the incidents that occur in their daily life.

An anthology bringing together a selection of Claire Dowie's plays for young people, which are ideal for performance with a large cast. The anthology includes the following plays and an introduction by the author. Why Is John Lennon Wearing A Skirt? (Stage2 version, large cast) portrays a 14-year-old girl who dresses like a boy and would rather play football than anything else. This version can be performed by a cast of up to 100. Arsehammers (Stage2 version, large cast) is about a boy's relationship with his grandfather, who is suffering from Alzheimer's (or "Arsehammers", as the boy hears it). He believes his grandad to have superpowers on account of his routine disappearances. A brilliant tale of living with, and understanding, mental illness. It has been reimagined for a cast of around 20. The Year of the Monkey (Stage2 version, large cast) shows a mother dreaming of injecting some excitement into her humdrum life. The play has been revised the play for around 25 young people. Hard Working Families (original version, large cast), which hasn't previously been published, is a satirical play with music that exposes the true impact that earning a living has on young people in modern-day society. It is a response to politicians' visions of 'ordinary people', set against the reality of earning a living and the way this impacts on young people's lives. It can be performed by a cast of up to 50.

Drawing together the work of 10 leading playwrights, this National Theatre Connections anthology features work by some of the most exciting and established contemporary playwrights. Gathered together in one volume, the plays collected offer young performers between the ages of 13 and 19 an engaging selection of material to perform, read or study. Each play has been specifically commissioned by the National Theatre's literary department with the young performer in mind. The anthology contains 10 play scripts; notes from the writer and director of each play, addressing the themes and ideas behind the play; and production notes and exercises for the drama groups. This year's anniversary anthology includes plays by Suhayla El-Bushra, Anders Lustgarten, Robin French, Tim Etchells, Patrick Marber, Kellie Smith, Lizzie Nunnery, Harriet Braun and Alistair McDowall.

When Theatre for Youth: Twelve Plays with Mature Themes was published in 1986, it met a need for plays that could help young people deal with some of the more difficult realities of life. Responding to the sweeping changes in society over the succeeding thirty years, Coleman A. Jennings and Gretta Berghammer have assembled a new collection of plays that reflects not only on themes such as aging, death and dying, friendship, courage, conformity, maturation, sexuality, and struggles with moral judgment but also on gender identity, poverty, diversity, and discrimination. Theatre for Youth II: More Plays with Mature Themes presents twelve plays, nine of them new to this anthology, that offer a rich variety of original stories (The Tomato Plant Girl, The Arkansaw Bear, Super Cowgirl and Mighty Miracle), compelling adaptations (The Afternoon of the Elves, Broken Hearts, Courage!), historical drama (Mother Hicks, Johnny Tremain), diverse themes (La Ofrenda, The Transition of Doodle Pequeno), friendship (The Selfish Giant), and future societies (With Two Wings). As these plays explore some of the most challenging themes for today's youth, including the difficulties of single parenthood, divorce, race relations, sexuality, and gender discrimination, they share messages fundamental to us all: open your imagination and dare to dream; embrace life; honor your personal passion, beliefs, and creativity; take a risk; and love with all your heart.