This is the story of Shumikazi, the only surviving child of Jojo and Miseka. She grows up in a small village in the remote Eastern Cape during the days of white rule – from the outside, an apparently unremarkable life. And yet Shumi is marked for extraordinary things from the moment of her birth.

Wry, tragic, funny, scathing, with a Greek chorus of villagers’ voices, this rich novel from one of South Africa’s most beloved storytellers underscores the dignity of those often rendered invisible – poor, rural women, their families and communities. These marginal characters crackle with life and verve as they step into the centre of the national narrative in Magona’s skilled hands.

A powerful meditation on the vulnerability of rural women, it is also a series of overlapping love stories – above all, the love a father has for his daughter.

Son is a stunning achievement in post-apartheid writing. The debut novel by South African writer, Neil Sonnekus, Son brims with brio, verve and swagger. Though laugh-out-loud funny at times, it is also achingly poignant and deeply moving.

Sonnekus brilliantly captures the so-called Noughties with his tragi-comic creation Len Bezuidenhout, a recent divorcee whose quest for sex is as funny as his attempts to tease a hungover narrative from his father, a puritanical old curmudgeon. The two couldn’t be more different – or similar. They are both storytellers, but when the tale Len starts extracting from his old man is slowly revealed, it is everything but funny. Through scalding humour, caustic wit and brutally frank interrogation into the country’s ‘post Rainbow Nation’ pathology, this stylistically imposing work is one of hilarity, bitter warmth and eventual grace.

Son is at times uproarious and unremittingly frank as it exposes politics as a tragic farce. It is both self-deprecating and sensual as it traverses the dark arts of sexual conquest and desire while it simultaneously unearths brutal anxieties around crime, alienation and aging. Central to Son is the brutal mirror of what it means to be a white man in South Africa, confronting a rapid loss of power while struggling to come to terms with stark socio-political change and the possibilities of living an unfulfilled and alienated life.

While it hums and whirs with sound, movement and humour, Son seamlessly takes the reader on a profound journey of compassion and self-understanding. In a dark and disturbing turn, it argues that the dominant colour of the rainbow has become not white nor black, but red. Blood red.

Romina Desai, a well-known artist and photojournalist, lives in Johannesburg and uses her art to make visual commentary on social issues and global politics. Her visionary work has earned her celebrity status in the art world. But she is confronted with the racism in the city and in her family when she falls in love with Ismail Mamadou, a Senegalese journalist working in London.

When Ismail arrives in South Africa announcing that he is following a story lead about a thriving child trafficking ring in the country, he also reveals his more personal reason for being here: to look for his sister who disappeared from home 25 years ago. He finds more than he bargained for in a web of crime syndicates operating brothels and engaging in human trafficking and prostitution.

The Economics Of Love And Happiness is a novel that comments on the sweet and not-so-sweet layers of social and romantic life in South Africa and beyond, where greed and lust often take centre stage and empathy is lost. In this way, it maps out the cost of love and happiness.

This story provides a window into the myriad cultures and beliefs that overlap and colour the landscape while Romina and Ismail navigate the challenges that come their way. Will their budding romance survive the bigger storms around them?

Die verhaal neem die leser van grootwordjare op die platteland tot 'n verblyf in Rusland waar die heldin steeds nie inpas nie. Die lemming word gebruik as 'n metafoor vir blinde menslike konformisme onder druk van groepe en opvoedkundige instellings.

Die leser sal die heerlike, absurde humor geniet. Sowel die ou as die nuwe Suid-Afrika loop onder skerp kommentaar deur.

One morning Laine wakes up to discover that the man she's been married to for 15 years has been secretively living out a monstrous lie. Her world is tilted on its axis. Now she must unstitch her existence, and peck through the pieces of her past...

Just as Laine thinks she's reached the end of uncovering all the bitter truths, a child appears who demands her attention. This small, fierce person forces her to see the horror and ignites the tiniest flame of hope within.

A brilliant debut novel.

'n Leeftyd Se Bekruip is ’n bundel verhale vol humor en avontuur. Dit gaan oor die te-voet-jag van kleinwild tot grootwild en strek oor verskillende lande en kontinente heen.

Dit gebeur nie aldag dat ‘n boer ‘n boek publiseer nie. Maar Dawie Strauss is nie ‘n gewone boer nie. Hy is ‘n boer én ‘n skrywer, ‘n jagter én ’n bewaarder.

‘n Boek wat op jou bedkassie of leunstoel, op jou see-handdoek of tydens jou vliegtuigrit op jou sal wag en sal sorg vir ‘n lekkerlees-avontuur. Sterre en kampvuur. Vriendskap en heimwee. Die bos róép…

Die storie van Jono, die alleenloper-visserman, wat een dag ‘n wonderwerk vang.

Jono is ’n alleenloper-visserman wat met harde werk sy skuld moet terugbetaal. Uncle Mike is ’n fabriekbaas wat worstel om kop bo water te hou. Die Baai is ’n klein plekkie waarvan die inwoners al vir generasies op dieselfde manier hengel. En nou’s daar nie meer vis nie.

Wanneer uitlanders met reuse vissersbote opdaag, steier dié eenvoudige gemeenskap onder die fratsgolwe van ’n veranderende wêreld. Hoe gaan die Baai dit oorleef? Maar die seun het ’n sonderlinge talent: hy kan die visse se gedagtes hoor.

En in die dieptes skuil ’n groot geheim, iets wat slegs Jono met sy lyn kan uitkatrol…

Wanneer Josua een middag vir Eva de Winter in ’n Rotterdamse koffiewinkel ontmoet, voel dit vir hom onwerklik dat ’n begaafde regsgeleerde soos sy in ’n verhouding sou belangstel.

Maar sy getuienis vroeër in ’n hofsitting interesseer haar – dit lei tot verdere afsprake, en algaande word hulle vriende. Dis eers ná hul huwelik voltrek is dat Josua begin begryp daar is iets onpeilbaars aan Eva.

Hoeveel raaisels het sy van hom weerhou, en wat hy slegs d.m.v. obskure soekenjins oor haar kon naspeur?

Twenty-nine-year-old Themba is a nihilistic, depressed, and suicidal artist whose dream is to become a successful novelist. With all the failure and suffering he's experiencing, it seems as though his life is stuck without any purpose and meaning. Everything seems to be going well for his friends, but not for him. His brother and father hate him for his ambitious but dead dream. Worse, Themba still lives in poverty with his parents in an abandoned house.

However, Themba has one passionate reader of his books, a woman called Yana. She's weird and has no friends, and volunteers at a local orphanage. Yana is the good Samaritan of the neighbourhood, cheerful and happy, but few people seem to like her. Themba begins to question what makes Yana so odd but yet so comfortable with her life even though she doesn't have much to be happy about. His curiosity leads him closer to her, and his life changes forever.

Niemand mag haar sien sonder haar mantel nie.

Gita kruip al haar lewe lank agter voorgee weg; ʼn mantel vir elke okkasie.

Flambojante, pienk-Gita, vir wanneer sy opspraak wil maak, swart-Gita wanneer sy wil wegraak en laag lê, rooi-Gita wanneer sy uitdagend is, en natuurlik die blinkkant-bo-baadjie as sy voor die familie is. Maar agter die mantels spook dit by Gita. Haar pa het weggeloop met ’n ander vrou toe sy tien jaar oud was.

Sedertdien sukkel sy om mense naby haar toe te laat. Niemand mag haar sien sonder ’n mantel nie. Wanneer haar werk deure moet sluit pak sy haar lewe op en vertrek Knysna toe. Daar waar haar pa is. Waar sy nuwe vrou is. Waar sy nuwe kinders is. Langs die pad ontmoet sy die kleurvolle Llewellyn wat haar as verkleurvroutjie sien en sy is heeltemal oukei daarmee. Sy is wel nie oukei met die amper-blinde tjellospeler, Darius, en sy broer wat haar geheime lewe wil oopkrap nie. Skielik is daar vier baie verskillende mans in haar lewe, en Gita het nie genoeg mantels om alkant te dek nie.

Five lovely ex-girlfriends; one sweet-talking scoundrel.

“Limerence?” “Limerence, yes. It’s like a drug; like lsd. But you can’t buy it. Or go to jail for taking it. If you’ve got it, enjoy it. Just don’t make any long-term decisions. If you want to know what it is, look it up.”

When Clarissa shook Scout from her life like crumbs from a picnic blanket forty years ago, she hoped she would never ever see him again. But here he is, on the doorstep of her luxe townhouse. She is more than surprised – she is offended – but, against her better judgment, she listens to his story. He regrets, Scout tells her, that they parted on such bad terms. To make amends, he has named her his sole beneficiary in his last will and testament. Look! It says so on page six. Oh, and by the way, could she lend him four hundred thousand bucks?

Months later Clarissa is summoned to a lawyer’s office. She assumes Scout has kicked the bucket and that there will be a reading of his will. But when she arrives, four other women tell her to join the queue. Set in vibrant, ever-changing Joburg, Limerence tracks Scout’s relationships with five remarkable women, from his bygone days of first dates to times of pawpaws hitting fans. Warm-hearted and funny, this is a tale guaranteed to lift the spirits of even the sourest of exes.

They say the fall is only as great as the ability to rise, and The Belters know plenty about going both ways. Growing up in the best schools and moving in the continent’s aristocratic circles, the road to carving out their ideal life is clear. But that path is rarely straight, and for the four university friends, the sharp turn into teenage pregnancy, infidelity and the erosion of love’s grand illusion delivers blows that would derail most.

Chic and haughty, entitled and oblivious, Lolo, Nala, Runako and Qhayiya, aka The Belters, grow to realise that while flair is hard work, it doesn’t work hard enough. Nala learns the hard way that a trust fund is finite, but death isn’t. Lolo discovers that everyone betrays everyone sometime in life. Runako realises that the heavier the carats, the harder it is to run, and Qhayiya finds herself in a world where saints, monsters and bystanders are the same people.

With sharp wit and the wisdom of hindsight, Ringfence reflects on four lives that touch the foot of heaven, fall to the depths of hell, and grow to become women whose hard-earned insights cut right to the heart of Africa’s elite.

Haar kans op vir ewig en altyd is nou. Vyf jaar na haar egskeiding is Milan 'n bedrywige sakevrou met 'n vol lewe. Estie, Milan se stiefdogter, het pas begin werk as junior rekenmeester met groot drome om die korporatiewe leer te klim. Jessica, Estie se rna, het sewentien jaar gelede haar rug op Vaalkrans gekeer en bestuur nou 'n gewilde trouplaas. Drie suksesvolle vroue met vervulde lewens, of so wil dit voorkom. Vaalkrans en die gebeure van die verlede het egter steeds 'n houvas op elkeen. Milan kan nie vir Herk vergeet nie, en alhoewel sy die seuns gereeld sien, is Estie se verwerping pynlik. Estie is steeds verbitterd teenoor Milan en haar ma, en sukkel met 'n eetversteuring wat besig is om handuit te ruk. Jessica is in 'n rolstoel en aanvaar haar gestremdheid as straf vir die feit dat sy haar gesin versaak het. Die troues wat sy reel, is 'n poging om boete te doen. Wanneer Milan se lewe onverwags ontwrig word, begin die domino's een vir een kantel, en word hierdie drie vroue wie se lewens ineengeweef is, onkeerbaar geraak. Durf hulle 'n kans op geluk, 'n kans op vir altyd, waag?

Those Who Live in Cages captures an astonishingly intimate view of life in Eldorado Park, a coloured township south of Johannesburg, through five women - Bertha, Kaylynn, Laverne, Janice and Raquel.

These unforgettable characters' lives intersect as they attempt to do the most important thing: survive another day in "The Park"

When Thuli reveals her secret - that she can see up to seven days into the future - to seasoned local journalist Helen, the latter is highly sceptical of the student's claims. But as Thuli truly believes that #FeesMustFall protest leader, Hector, will be assassinated by a sinister force, Helen starts to look into the matter.

And what she finds is some very odd behaviour by the police sent to “keep the peace” on campus. Police sent by Noné, South Africa's President and Most Impressive Leader, who wants no trouble from pesky students while she plans the launch of her zoo of creatures with extraordinary abilities.

One thing is certain: If what Thuli has seen is true, they have only seven days to change the future …

Durban lawyer Teddy Dickerson has run out of ideas. Cynical, single and middle-aged, he’s the very last of his family to still call South Africa home.

When his formidable Aunt Val dies, she leaves him an unusual bequest: her task for Teddy is to post letters to eight of her friends around the world, a job that will take him on a journey into new and unexpected territory. When the replies start flowing in – quirky, unexpected and often hilarious missives from India, Egypt, England, Canada and beyond – Teddy realises there was more to his tough aunt than he’d thought.

Will he take on Aunt Val’s role as confidant and comforter of the lost? Confidant and comforter? Teddy?!

One thing’s for certain: Aunt Val is laughing in her grave.

13 twisted tales of music, magick, mayhem & murder.

Some torn from headlines in sunny South Africa where, for many, these are part of everyday life.

♠

Shop for shrunken heads in a village that time forgot.

Witness an ancient ritual passed down from the Aztecs through Jack the Ripper to modern-day London.

Savour the sweet taste of revenge in a French restaurant.

Sit in on the Grim Reaper’s disciplinary hearing.

And experience life on the streets in 1980s Hillbrow as two teenagers struggle to survive a violent rollercoaster ride through Johannesburg’s underground club scene.

♠

John West has won awards and even small amounts of money for his scribblings over the years. One of his stories was recently longlisted in the top 200 entries out of 5 000 submitted to the international Commonwealth Short Story Prize.

His first novel – Burning Roses, a decadent tale of sex, drugs, rock n roll & magick – is available online.

’n Versameling woorde oor die verleidelikste ding op aarde: Sjokolade!

Die mensdom se emosionele verhouding met sjokolade is legendaries. Van suikersoet tot bittersoet, van donker tot melk – dié lekkerny bied ons oor al die eeue heen troos, terapie, hedonisme en loutere plesier. Sjokolade was nog altyd ’n simbool van belofte, versugting, verlange en sensualiteit.

In Soete Sonde ondersoek bekende skrywers en nuwe stemme die tekstuur van sjokolade in al sy heerlike vorme – van lewensredder tot moordwapen. Daar’s komedie, satire, sensasie, tragedie, die absurde en fantasie. Sommige stories daag jou uit, ander verskuif grense en baie laat jou tot in jou kiewe lekkerkry. Die samesteller van die bundel is Lizz Meiring, aktrise, vervaardiger, skrywer en selferkende plesiervraat, hedonis en sjokolis.

Kinta is omgekrap. Met moeite het sy haar losgemaak van haar eenvoudige agtergrond en familie, en nou dwing ’n ou man in ’n komatoestand, ’n pa wat sy kwalik ken, haar terug in die geselskap van haar halfbroer Abe met die bose glinstering in sy oog, ’n swendelaar wat alles verteenwoordig waarvan sy probeer wegkom. Maar van almal wat besoektyd opdaag, is dit Gustav van As wat dit vir Kinta die moeilikste maak om soos voorheen voort te gaan.

Fleur de Villiers is nie ’n kenner van rugby nie. Wanneer haar ou pel Maurice Kumalo haar vra om ’n biografie oor die Springbok-rugbykaptein Katstert Nel te skryf, is sy om die minste te sê teësinnig. Haar voorliefdes in die lewe behels eerder fynere dinge, soos ondersoekende joernalistiek, goeie kos en wyn. Wat op aarde weet sy van rugby, so op die vooraand van die Wêreldbekertoernooi in die jaar 2025?

Daar wag ’n groot verrassing op Fleur. Want in die domein van Jaap Schvantch en sy eggenoot Krystle, aan die hoof van Corpus Christi se kolossale besigheid (deesdae is die kerk en rugby één), is daar ’n klankie in die lug. En Fleur, ervare joernalis wat sy is, kry gou snuf in die neus.

Hond se gedagte is ’n hoogtepunt in Kerneels Breytenbach se oeuvre. Dit is ’n roman wat spreek tot rugbykenner én rugbyleek. Want wat is rugby anders as ’n metafoor vir die lewe – net een span kan wen, en nie almal volg altyd die reëls nie..

Dumped at the altar, shame and the bitter taste of rejection drive a teenage girl from the sheltered rural lands of Swaziland to the hard streets of Johannesburg. Forsaking the riches of her former life, she manages to build herself up from bartending to the respectable offices of a reputable law firm. Her tranquility is shattered when the same arrogant devil who almost drove her to suicide through his rejection, comes back into her life, claiming and marking her as his wife.

Nomaswazi is forced to come back home a prodigal daughter when her father's health takes a turn for the worst. Her father had always cocooned her from the harsh truths of her birth but even he couldn't protect her from the revelations which awaited her in the rustic hills of Maphalaleni.

Growing up in a Northern Transvaal town during the State of Emergency in the 1980s, Ben Aronbach doesn’t fit in anywhere. Among the predominantly Afrikaans, Christian inhabitants, he is the Jewish kid, but in the Jewish community he is the boy from the family of lapsed shul-goers. Even though he is learning Hebrew for his bar mitzvah, he feels like an outsider learning a foreign language.

Then Ben meets Leo Fein, a man who knew his father before he died. When Leo includes the boy in his schemes, Ben feels exhilarated. Little does he know the far-reaching impact that Leo will have on the Aronbach family’s life.

It is only years later, in the run-up to the 1992 Referendum, that Ben gets a chance to confront the charlatan . . . but he also has to face his own guilt over his family’s downfall.

Set during two important moments in South Africa’s history, Lucky Packet is told with humour and poignancy.

“One of the best novels of recent years, and likely the most readable.” – Imraan Coovadia

’n Foonoproep uit Pollsmoor laat ’n navorser se lewe kantel. Só na aan hom was die vrou wat bel dat hy algaande die biblioteek, waar hy die eerste skepe aan die Kaap bestudeer, vir dié tronk se waglokaal verruil.

Gou kom hy agter dat dié plek is nie altyd so strak soos sy tralies nie: daar is ’n eertydse skipper wat hier vetkoek verkoop; ’n vrouebewaarder met jazz in haar stem; selfs karaoke-aande in die skaduwee van die lemmetjiesdraad.

Dieper en dieper word hy ingetrek by die lewens van diegene wat wag om ín- of uítgelaat te word. Net toe hy dink hy kan met sekerheid sê wie aan watter kant van die hoë mure staan, moet hy begryp dat verdriet bodemloos is.

In Theo Kemp se Strafjaart vervloei die strominge van ’n lewe met dié van die Suid-Afrikaanse werklikheid, waar hoop en wanhoop ’n maalkolk kan raak.

It's a black Karoo night and a young woman, covered in blood, is running along a deserted dirt track. A terrible thing has happened and the woman, Siena, has to reach Seekoegat Primary School at the end of the track, the only place she knows that is safe. It's a long way to run, a three-day ride on a donkey cart.

This is the story of Siena, Boetie and Kriekie, whose lives intersect as children and who meet again as adults: Boetie is a boy running wild. Deprived and neglected he is always up to mischief but his friendship with Siena gives him self-worth. Kriekie is a basket case. As the child of a prostitute working the truck-stops along the n1 he has no home. When his mother, Dolly, doesn't come back, a small act of kindness by a woman running a shop at the truck-stop sees him end up at Seekoegat Primary. Plodding steadily through each chapter is the spectre of the ancient Karoo tortoise. Siena's father, Pa, a karretjiemens, reveres the tortoise as a creature that holds within it the wisdom of the ancient landscape and that cries only one tear when it dies. The Tortoise Cried Its Only Tear is award-winning author Carol Campbell's third book on the Karoo.

Like her previous work this story is a piece of social realism but, for the first time, Campbell introduces hints of magical realism - which is very much in keeping with the world view of the people she writes about.

’n Verslag van Henry van Eeden se weeklange besoek aan die Silbersteins se groot landgoed om Salome, sy toekomstige bruid, te ontmoet. Elke dag lewer bisarre ervarings op en dit word vir Henry ’n inisiasieproses: hy moet sy onskuld verloor en kennismaak met die verweefdheid van die goeie en die bose.