’n Verhaal oor sterk vroue, bendegeweld en aanvaarding.

Niemand spreek haar as Nicola de Wee aan nie. Vir Blackie, die kollega in wie se plek sy telkens bevorder word, is sy “ounooi”; vir Peters, wat onredbaar beenaf op haar is, is sy “kaptein”; haar priestervriendin Sally noem haar “Nic”. Dis net die Khayelitsha-stasiebevelvoerder vir wie sy “kaptein De Wee” heet.

Die nag toe hulle na ’n brandende voertuig uitgeroep word, kon kaptein De Wee nie droom dat dit Thandi se motor is nie, dat sy later haar grusaam verminkte lyk sou moes uitken, en watter verreikende uitwerking die moord op haar vriendekring sou hê nie. Allermins dat sy uiteindelik die ondersoek na die moord sou moes lei.

Maar om die agt moordenaars op te spoor en hul motief te ontrafel, is nie die enigste uitdaging waarvoor Nicci in hierdie ongewoon verweefde misdaadroman taan nie. Sy het self ’n geheim wat sy slim verdoesel. Tot die aand dat sy en Blackie en Peters ’n potjie maak.

6 December 2013, Johannesburg. Gin has returned home from New York to throw a party for her mother's eightieth birthday; a few blocks away, at the Residence, Nelson Mandela's family prepares to announce Tata's death... So begins Johannesburg, Fiona Melrose's searing second novel.

An irascible mother, an anxious daughter trying to negotiate her birthplace and her past, her former lover, their domestic workers, a homeless hunchback fighting for justice, a mining magnate, a troubled novelist called Virginia - these are the characters who give voice to the city on a day hot with nerves and tension and history.

Set across the course of a single day, responsive to Virginia Woolf's Mrs Dalloway, Johannesburg is a profound hymn to an extraordinary city, and a devastating personal and political manifesto on love.

South African playwright Hannah Meade arrives in London for the opening night of her new play. She has arranged to meet Pierre, the student she was in love with when she taught English in Paris. During their time together, they lied their way towards truths they were too young and inexperienced to endure. Perhaps this time they will have a second chance.

As the reader is drawn from contemporary London back to Paris on the eve of the war in Iraq, the mystery of past events is brought to vivid life in a series of dramatic, intriguing and deeply moving encounters. Written in layered, stark prose, The White Room lays bare many of our assumptions about language, identity, memory, loss and love.

‘Craig Higginson is at the vanguard of the latest and most exciting novelists in South Africa, both robust and sensitive, offering a barometer of the best to be expected from the newest wave of writing in the country.’ – André Brink

‘In its conception and execution, The White Room is remarkable ... Evocative and dreamlike, yet all too nightmarishly real, this is a story so moving that it leaves a powerful afterimage on the reader’s imagination.’ – Craig Mackenzie

Meet Tannie Maria: the loveable writer of recipes in her local paper, the Klein Karoo Gazette.

One Sunday morning, as Maria stirs apricot jam, she hears her editor Harriet on the stoep. What Maria doesn't realise is that Harriet is about to deliver a whole basketful of challenges and the first ingredient in two new recipes - recipes for love and murder.

A delicious blend of intrigue, milk tart and friendship, join Tannie Maria in her first investigation. Consider your appetite whetted for a whole new series of mysteries . . .

Look closely around you. Have you ever asked yourself what happens to all the girls who are in the system?

Girls that are orphans…
The boys…
The mothers in shelters…
All the battered women…
The downfall of the most powerful…

I’m leaving the agenda BARE for those who seek to find it. I have a story for you. No mercy…

Back like I never left!

Tim Morgan
Undisclosed location

The savage, senseless murders of children and the youth. It carries Treasure’s story from Book 1 and ends with the fight for life between Paul and Tim Morgan. We look at the disappearance of young people, human trafficking, cults and mental illness in men.

This story is inspired by real-life events and researched data from global social ills and Jackie looks into SA political faces that have sex scandals as part of her research.

Die man met wie Danika vir ’n baie kort rukkie dolgelukkig was, het in ’n vreemdeling ontaard. Sy verloor haar baba nadat hy haar aanrand, en jare later worstel sy steeds om te herstel. Sy skryf jeugboeke en doen vrywillige werk by die neonatale afdeling van ’n hospitaal om die honger na haar eie kind te stil.

Malan verloor sy swanger vrou in ’n motorongeluk. Die medici kon hul tweelingbabas red, maar nie vir haar nie. Hy verkeer in skok en dat hy nou alleen na sy pasgebore babas moet omsien voel vir hom onwerklik. Maar hy sien hoe liefdevol Danika die babas by die hospitaal behandel en vra haar om hom met die versorging van sy dogtertjies te help. Sy verloor haar hart op hulle en toe Malan se skoonouers dreig om voogdyskap oor die kinders te verkry, stel Malan se prokureurvriend ’n gerieflikheidshuwelik voor ter wille van die kinders.

Maar Danika sukkel om weer ’n man in haar hart en lewe toe te laat, en Malan voel dat hy ontrou aan sy oorlede vrou is. En toe Danika se eks in die tronk vermoor word, word sy van die moord verdink wat dinge verder kompliseer.

Hul beste vriende vind na twintig jaar weer geluk, maar kan Danika en Malan hulle verlede ontsnap en hierdie tweede kans op geluk aangryp?

Daar is ’n kluis in ’n winkeltrollie op die dak van Wille Willemien se 4×4.

Want sy en haar sus is op pad. Richtersveld toe. Om tussen Eksteenfontein en Khuboes hul pa se kluis – en sy sneeujas – nou ná sy dood oor ’n afgrond te boender.

Terwyl die twee vroue reis, ontvou die verhaal van Willemien en haar pa:

’n Storie oor ’n Afrikaanse Al Capone, ’n man wie se duister sakeondernemings nie net tot die grense van Suid-Afrika beperk was nie. In Palm Springs dra sy lyfwagte koeldrank vir die fbi-agente aan vanwaar hulle sy huis dophou. Vroeër jare moet Willemien in haar pa se kattebak wegkruip terwyl hy sake in verlate parkeerareas doen. Ná sulke uitstappies was haar beloning altyd ’n lekkerny, en só word haar lewenslange stryd met kos aangevuur.

Van Kaapstad na San Francisco en selfs Sri Lanka, met ’n wavrag vol seks, drugs & rock ’n’ roll, tref Anoeschka von Meck se nuutste roman jou soos ’n reusegolf en spoel sy die verhoudings oop wat van ons denkende, spirituele wesens maak.

For years, it has been what is called a 'deteriorating situation'. Now all over South Africa the cities are battlegrounds. The members of the Smales family - liberal whites - are rescued from the terror by their servant, July, who leads them to refuge in his native village. What happens to the Smaleses and to July - the shifts in character and relationships - gives us an unforgettable look into the terrifying, tacit understandings and misunderstandings between blacks and whites.

A story of two passionate people who share a shameful past and a tenuous present, this remarkable narrative follows headmistress Mohumagadi--of the elite Sekolo sa Ditlhora school for talented black children--and Father Bill, a disgraced preacher, as they are brought together again decades after a childhood love affair expelled them from their communities. Much to the dismay of her students, Mohumagadi hires Father Bill as a teacher, resulting in a battle of wills and wits for the hearts and minds of the children living in the shadow of revolution and change. Entertaining and thought-provoking, this unique account offers insight into the workings of African culture.

Verhale uit die hartland.

Al die Karoostories wat Etienne van Heerden tot op hede geskryf het, word vir die eerste keer in een bundel versamel. Dit sluit onder andere in “Die gas in Rondawel Wilhelmina”, een van sy heel sterkste tekste.

Heerlike verhale wat Van Heerden se suiwer aanvoeling vir die woord en sy vermoë tot knap karakterisering en situasietekening demonstreer, almal geplaas binne ’n landskap wat hom besonder na aan die hart lê.

Pandora se kruik is oop ...

Ná ’n liefdesteleurstelling en ’n moeilike inperktyd, is Emma uiteindelik reg om weer uit haar dop te kruip. Net betyds vir baas Wim se aanloklike aanbod: ’n Projek neem hom Midde-Ooste toe en hy kort haar ondersteuning. Binnekort verdaag Emma na Siprus onder die voorwendsel om by haar suster te gaan kuier.

Maar die skone Siprus is nie net kristablou waters, sonnige strande en Griekse oudhede nie. Emma is immers daar om internasionale geldwasnetwerke oop te vlek, en gou ontdek sy dat die gevaar nader is as wat sy of Wim besef.

Wat kom maak die superseiljag saans naby die seegrotte? Waar lê hulle plaaslike agent Nikos se lojaliteit? Weet die vissermanne dalk meer as wat hulle voorgee?

Skielik lyk dit asof Pandora al die wêreld se euwels opnuut vrygelaat het. As Emma ooit weer vir Wim wil sien, en hom wil vertel hoe sy oor hom voel, sal sy een stappie voor moet bly.

In haar derde boek soek Marie Spruyt in die antieke wêreld na liefde en hoop vir al ons moderne euwels.

‘Those in the know claim Michael K disembarked from a diesel-smoke-spewing truck one overcast morning, looked around, and without missing a beat, chose a spot where he set down a small bucket (red, burnt and disfigured) that contained an assortment of seedlings, some fisherman’s twine and a rudimentary gardening tool – probably self-made.’

How is it that a character from literary fiction can so alter the landscapes he touches, even as he – in his self-imposed isolation – seeks to avoid them? How is it that Michael K, bewildered and bewildering, can remain so fragile yet so present, so imposing without attempting to be so? In this response to JM Coetzee’s classic masterpiece, Life & Times of Michael K, Nthikeng Mohlele dabbles in the artistic and speculative in a unique attempt to unpack the dazed and disconnected world of the title character, his solitary ways, his inventiveness, but also to show how astutely Michael K holds up a mirror to those whose paths he inadvertently crosses. Michael K explores the weight of history and of conscience, thus wrestling the character from the confines of literary creation to the frontiers of artistic timelessness.

The best selling series Tannie Maria is now available in a book pack!

Featuring the first 4 books in the series.

This award winning local series will take you deep into the Karoo landscape. Featuring delightful, colourful characters, mysteries and delicious food.

Get ready to solve the cases with Tannie Maria and Jessie.

Recipes for Love and Murder

The first and most popular of the Tannie Maria series: Tannie Maria, our fifty- something, short and soft main character, with her brown curls and untidy Afrikaans, is introduced to the readers. What will this amateur detective uncover in a small town marinated in secrets?

The Satanic Mechanic: Tannie Maria seeks out a counsellor, jokily known to all as “the satanic mechanic”. Then a murder flings her straight into Detective Henk Kannemeyer’s investigation. Not only is she dating the dashing Henk, she now has to work beside him: a potential recipe for disaster.

Death on the Limpopo: Ladismith’s famous crime fighter is back – with a tin of buttermilk rusks in hand – to restore peace from the Klein Karoo to the great Limpopo River.

The third instalment in the Tannie Maria Mystery crime series plunges Maria and her friends into pools of danger, amid water maidens, murders, and Harley Davidsons.

The Milk Tart Murders: When Oom Frik of Oom Frik’s Fantastiques dies during a vintage movie screening in Ladismith, Tannie Maria and her policeman boyfriend Henk are on the scene. When a second body turns up, there’s a clue: a letter addressed to Tannie Maria asking for advice – and a milk tart recipe.

*Limited tote bags available.

It is winter in London in 1947. When Arthur Bailey, an elderly painter who lives alone, catches sight of a young woman, Felicity, about to move into the neighbouring bed-sit, he is stirred to recall in haunting detail a long-suppressed narrative.

The Landscape Painter is a double tale of obsession, betrayed trust and irrepressible hope, which emerges as Arthur’s story unfolds. As a young, brilliant landscape painter he travelled to South Africa in 1898 in pursuit of his best friend’s sister, the beautiful and mysterious Carwyn Hamilton. Carwyn’s subsequent shocking betrayal led Arthur down a dark path of humiliation and haunted him for the next fifty years.

As Arthur delves ever deeper into his most intimate thoughts and desires, the past and present come together in a series of surprising turns and parallels and we meet a range of memorable characters – from the malevolent German governess, Miss Klimt, to Carwyn’s flirtatious and increasingly senile grandmother, Mutti. Finally, Arthur is forced to confront Felicity with the irreducible damage done to him.

From the gold-crazed streets of early Johannesburg to the epic battlefields of the Anglo-Boer War, and the austerity of post-Second World War Britain, The Landscape Painter is a spectacular historical novel packed with wit and insight and crafted in Higginson’s lyrical and sinuous but surgical prose.

Original and forceful, At Fire Hour delivers Bheki Makhathini, a South African character study for the ages.

Suspected of betraying the ANC, the young poet leaves home for exile in 1976, and until his return home after the unbannings in 1990, Bheki writes the story of a revolution – an unfinished one.

Gilder allows Bheki the freedom to deal with the big ideas of art and love, freedom and struggle in a shrewd and vivid way, the result being an unforgettable and deeply moving tale.

Barry James is detained in a quarantine facility in the blistering heat of the Great Karoo. Here he exists in two worlds: the discordant and unforgiving reality of his incarceration and the lyrical, snowy landscapes of his dreams.

He has cut all ties with his previous life, his health is failing, and he has given up all hope. All he has to cling to are the meanderings of his restless mind, the daily round of pills and the journals he reluctantly keeps as testimony to a life once lived. And then there’s an opportunity to escape.

But to escape what? And where to? Can there be a life to go back to? Is there still a world out there in the barren wasteland beyond the fence?

Die swerfjare van Poppie Nongena vertel die lewensverhaal van ’n swart vrou teen die agtergrond van apartheid. Hierdie hartverskeurende, tog inspirerende roman word steeds beskou as een van die beste romans wat Afrika in die twintigste eeu opgelewer het.

“Vang jy hom onbehoeds van voor, dan lyk hy soos ‘n man wat nou net met ’n stok geslaan is. Maar hou hom dop uit die hoek van jou oog, dan bespeur jy die glorie van ’n slim man. ’n Mooi man.”

George is gebore toe Jan Smuts dood is, word op ’n plaas in die Noord-Kaap groot, dien as aaspeloton in Angola, raak deurmekaar met die Baader-Meinhofbende in Duitsland, werk as joernalis tydens die noodtoestande in Kaapstad, maar op die ou end word hy ’n saboteur, ’n skaapsmokkelaar, ’n mal man, ’n boemelaar. Tussendeur kul en koggel George prokureurs, kopdokters, en vroue.

Gedeeltelik bewolk is ’n pittige, aweregse debuutroman wat jou soos ’n vuishou in die maag slaan.

The second book of the Many Shallows series.

Milena, head strong yet sickly, spends her days confined to her bed. Her chronic illness has always prevented any chance of her marrying until, much to her dismay, a suitor finally takes interest. A prisoner in a pink room, it seems that Milena’s fate will be dictated by her family’s expectations. Or does an alternate future lie with Opal, a young maid from a mysterious world?

Many Shallows reimagines the lives and afterlives of Franz Kafka’s three great loves: Felice, Milena, and Dora. Rather than side notes in the famous writer’s life or vehicles for his desire, these women are reincarnated as the protagonists of their own surreal, macabre worlds.

Milena is the protagonist in The Windmill, the second book in the Many Shallows series. The Windmill explores the complex themes of body dysmorphia, sexuality and tradition.

Tydens ’n staatsgreep in die Kongo, val ’n ekstremis en sy handlangers ’n sendingstasie aan met gruwelike gevolge. Een van die oorlewendes vlug vir haar lewe deur die reënwoud by die kuslyn af tot haar paaie haar terug lei na Suid Afrika.

Petro beland by Toevlug – ’n skuilplek vir randfigure soos sy met haar seer, ontnugterde hart. Daar ontmoet sy vir Riaan, ’n dominee wat hom oor haar ontferm, maar Petro wil niks weet van ’n God wat toegelaat het dat sy aan soveel genadelose geweld en hartverskeurende verlies blootgestel is nie.

’n Jaar later ontdek twee noodlenigingswerkers ’n verrassende vonds by ’n ou, versteekte mynskag in die reënwoud ... Ida en Gary tref reëlings om hulle kosbare ontdekking terug te neem na Suid-Afrika waar hulle werk hul ook na Toevlug neem.

Die een verloor haar geloof en die ander moet leer om te glo ... maar is dit te veel gevra om te hoop dat alles tog ten goede sal uitwerk? Kan blote geloof vertroosting bied en diep geëtste hart wonde weer gesond maak? Wat maak ’n mens met die letsels op jou hart wanneer oorbegin jou roep? En dan is daar ook die onmiskenbare samevloeiing van iets groters as hul albei wat hierdie vroue onlosmaaklik aan mekaar verbind. Beide Petro en Ida word tot die uiterste toe beproef ...

“U is ’n toevlug … ’n skuilplek …” het Jesaja gesê. Tussen aksie en avontuur, ongelooflike verlies en lyding, en die verbete houe van die noodlot, vind twee vroue mekaar in hul eie besonderse geloofsreise in Toevlug.

The Woman in the Blue Cloak is a brilliant novella which will thrill and entertain fans of Deon Meyer's much-loved detective Benny Griessel. Benny Griessel is a cop on a mission: he plans to ask Alexa Bernard to marry him.

That means he needs to buy an engagement ring - and that means he needs a loan. So Benny has a lot on his mind when he is called to a top-priority murder case.

A woman's body is discovered, naked and washed in bleach, draped on a wall beside a picturesque road above Cape Town.

The identity of the victim is a mystery, as is the reason for her killing. Gradually, Benny and his colleague Vaughn Cupido begin to work out the roots of the story, which reach as far away as England and Holland... and as far back as the seventeenth century.

Left with a huge debt by her runaway ex-husband, Lexi Taylor is out of money and out of luck. In search of a new beginning and determined to be on her own, she returns home to sleepy Graaff-Reinet and becomes the manager of the inn at Apricot Farm. Free of the burdens of her old life, Lexi finally feels she’s getting back on track – until American Carter O’Brien arrives in town.

South Africa is a long way from his home in Texas, but it’s the fresh start Carter needs – and his last chance. A former musician and the wayward son of an oil industry tycoon, he has been sent to the Karoo Basin in search of shale gas, and is expected to succeed. Harbouring serious mistakes in his private and professional past, he can’t afford any distractions, no matter how alluring.

Carter was prepared for potential problems – angry farmers, anti-fracking protests, tricky negotiations – but fighting his attraction to Lexi wasn’t one of them. As Lexi is drawn into Carter’s work and his complicated life, the pair must confront danger from an unexpected enemy in the Karoo … and from their own hearts.

Few in his native Scotland know about Thomas Pringle – the abolitionist, publisher, and – some would say – Father of South African Poetry. A biography of Pringle is in order, and a reluctant writer takes up this task.

To help tell the story of Pringle is the spectre of Mary Prince, a West Indian slave whose history he had once published. Also offering advice is the ghost of Hinza Marossi, Pringle’s adopted Khoesan son, and the timetraveller Sir Nicholas Greene, a character exhumed from the pages of a book.

While Mary is breathing fire and Sir Nicholas’s heart is pining, Hinza is interrogating his origins. But what is to be made of the life of Pringle so many years after his death by this motley crew from the 1800s?

As the apparitions flit through time and space to put together the pieces of Pringle’s story and find their own place in his biography, Zoë Wicomb’s novel offers an acerbic exploration of colonial history in superb prose and with piercing wit.

Footprints in the Quag highlights the occurrence and effects of domestic violence, rape and sexual harassment in the township of Soweto.

Yet her women characters are not victims – they fight back, physically or through educating their communities. They carve out for themselves social spaces where they are able to organize against such abuse.