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Books > Local Author Showcase > Fiction - adults > Drama
Geboortereg se tema handel oor die feit dat elke baba die reg het tot ouers, twee oumas en oupas. Ruan die hoofkarakter se grootouers aan vaderskant weier om hom te aanvaar as hul kleinkind. Ruan word groot by sy ma en haar man, wat nie die grootouers se seun is nie. Albei sy ouers sterf. Ruan ontmoet twee vroue tot wie hy aangetrokke voel. Die verhaal stel die leser bekend aan die families en stories van die twee vroue. Die boek is geskik vir manlike en vroulike lesers.
Anthony Loxton, reluctant third-generation funeral director by day, is by night Tony the Fox, a guitarist in the bars of Kalk Bay. It looks like there’s no escape from the burden of the past. But when Lily, Tony’s one-night stand, arrives in a body bag at the Loxton Funeral Parlour, he surprises himself by breaking his own rules. As the boundaries separating the two worlds he has created for himself collapse, Anthony’s journey of self-discovery begins, accompanied by a cast of unforgettable characters. A chain of events takes him to the edge of tragedy and disaster and back again. He discovers that the living are more fragile than the dead and that joy can arise in the most unlikely circumstances.
In a moment of weakness, lawyer Ian Brand sends out a tweet; it changes his life irrevocably. Thuli Khumalo, Fallist leader on a campus that stinks of petrol and teargas, must choose between betraying her father and forsaking her principles. Snaar Windvogel, once the little violin girl of Matjiesfontein, is now in transition under the knife of Piekenier Leqluerck, plastic surgeon and fossa impresario. These colourful characters populate a carnivalesque landscape where the only certainty is that the Mother City’s mysterious crossbow killer will strike again . . . while Twitter gangs spread suspicion, truck drivers are attacked on national roads, and Number One meets with gang leaders – all under the watchful eye of the Institute for Encouragement in a nameless city in China. An astonishing novel documenting the turbulent time in which we live, where issues such as privacy and identity, fake news and fact, and race and ethnicity inflame passions. Translated by Henrietta RoseInnes.
Much-maligned blogger Jacob Lynch, aka Brodie Lomax, has been called many things: Professional douchebag, The king of fratire, Tabloid Maverick, Mr Misogyny, Revenge porn Romeo, That sex-tape guy and Assholepreneur. And now he can add 'Multi-millionaire' to that list. With the renewal of his reality TV show as well as his eight-figure book deal, life is good for New York's most notorious blogger. But he's suffering from a serious bout of writer's block, and the distractions of endless parties, drugs and meaningless sex are not helping. Trapped within his life of excess, he is teetering on the edge, the next stop: rehab. So Jacob flees the city for an isolated hunting lodge in Alaska where he can focus on getting his manuscript done, once and for all. When the mysterious beautiful Alicia unexpectedly emerges from the icy landscape, he knows he shouldn't invite her in, but pretty young things have always been his greatest weakness. The next day Jacob wakes up chained to a bed, and that's when things take a turn for the terrifying.
Hoe dans jy as die lied in jou hart stil geraak het?
Dan Sleigh se jongste manuskrip handel oor die lewe se ewige dans met die dood - alle lewe, ook die lewe van die skryfkuns. Die protagonis, Koos van der Merwe, was eens een van Goeie Hoop Uitgewers se topskrywers, en dit is waarom 'n woonstel in Bay View Villas aan hom toegeken is, op 'n verdieping wat die uitgewery reserveer vir die skrywers van topverkopers. Maar die muse het Koos verlaat. Jare reeds wag sy uitgewer vergeefs op nuwe werk uit die pen wat voorheen die kasregisters laat klingel het. Die uitgewery se geduld het opgeraak; Koos mag net in die woonstel aanbly as hy produktief is. In 'n bestel waarin kommersiele sukses die hoogste waarde is, is daar in elk geval nie plek vir iemand wat so verstok in sy wee is en so wars van alles wat progressief en modieus is nie. Die uitgewery speel sy troefkaart: Carelina van der Merwe is een van die inspirerendste redakteurs, en as sy nie nuwe lewe in Koos se loopbaan kan blaas nie sal niemand nie. Carelina waai soos 'n stormsterk suidooster by Koos se woonstel in. Hy gooi wal, hy skerm, hy vlug . . . maar uiteindelik begin hy vertel wat dit is wat die donker kolk in hom uitgeruk het waarin alle kreatiewe energie verdwyn. En al vertellende word sy skermutseling 'n dans. Dit is uiteindelik weer die dans met die muse, maar noodwendig weer die lewe-dood-dans, die dans van die lewe.
Painter Nick Steyn moves to Cape Town after separating from his partner. A young boarder moves in and they soon become friends. But one night she does not come home, and his attempts to trace her come to nothing. Could Nick’s former friend, Victor Schoeman, the author of the outrageous novel The Shallows, have a hand in them? A fantastical, absurd yet haunting novel by the award-winning novelist Ingrid Winterbach. Translated as always by Michiel Heyns.
The second book of the Many Shallows series. Milena, head strong yet sickly, spends her days confined to her bed. Her chronic illness has always prevented any chance of her marrying until, much to her dismay, a suitor finally takes interest. A prisoner in a pink room, it seems that Milena’s fate will be dictated by her family’s expectations. Or does an alternate future lie with Opal, a young maid from a mysterious world? Many Shallows reimagines the lives and afterlives of Franz Kafka’s three great loves: Felice, Milena, and Dora. Rather than side notes in the famous writer’s life or vehicles for his desire, these women are reincarnated as the protagonists of their own surreal, macabre worlds. Milena is the protagonist in The Windmill, the second book in the Many Shallows series. The Windmill explores the complex themes of body dysmorphia, sexuality and tradition.
Die kortverhale in Maansiek verken 'n wye register: die Rooms-Katolieke geloof, charismatiese aanbidding, Afrika-mistiek, erotiek en moederskap, konflik tussen ras en geslag en sosiale status, spanning tussen die hede en die historiese, die sienlike en die onsienlike. As basis vir sommige verhale dien 'n nugter koerantberig of tydskrifartikel uit vervloe dekades wat binne die verhaalkonteks tegelyk humoristies en ontstellend is. Ander is gegrond op minder bekende aspekte van bekende figure of vertellings van onbekende vroue met uiteenlopende agtergronde.
Wat gebeur eintlik wanneer reisigers mekaar raakloop, maar dalk miskyk? Kry hulle dan ’n tweede kans om weer te begin of het die noodlot altyd die oorhand? Die verhaal speel af in die wêreld van Marleen, ’n jong vrou wat snags deur “verdwaaldes” wakker gehou word. Gideon, die blinde man wat die toekoms in visioene sien, is sentraal in Marleen se lewe, maar net sy weet dit. Wat kan Gideon haar oor die “verdwaaldes” vertel en wat weet hy wat sy nie weet nie? Wat vir sommige mense vreemd is, is vir ander deel van die lewe. ’n Siener wat in geheimsinnige wêrelde leef en wat lig en insigte kan bring vir die wat soek na antwoorde, sal dalk verstaan wat ná die dood met die agtergeblewenes gebeur. Hy weet ook wat word van die wat die oorgang na die ewige lig moet maak. Marleen sal doodeenvoudig met hom moet gaan praat, maar sy vrees vir dit wat hy weet. Soms is dit moeilik om die werklikheid van drome te onderskei.
Jock of the Bushveld is the classic and much-loved story based on the true experiences of Sir Percy Fitzpatrick and his Staffordshire bull terrier, Jock. The story begins in the 1880s, at the time of the South African gold rush, when a young Fitzpatrick worked as an ox-wagon transport rider in the old Transvaal. There he came across a man who was in the process of drowning a puppy, the runt of the litter. He saved the dog and the story of his ever-faithful and loving companion was born. First published in 1907, Jock of the Bushveld has been reprinted many times since. Now, with a fresh and engaging cover, and in a new handy B-format, this timeless South African classic retains the charm of the original story along with the original illustrations by Edmund Caldwell. It will no doubt continue to be enjoyed by children and adults alike.
Italiaanse sywurmboere word ingevoer om 'n sybedryf te kom vestig in Gouna se boswereld, maar moerbeibome verseg om in die potklei te groei. In die strawwe boswinter word die verwarde immigrante geteister deur reen, koorssiekte en onbegrip, en raak hulle al meer verbitter teen die goewerment wat hulle onder valse voorwendsels in die wildernis afgelaai het. Die man wat hulle tot hulp kom, is 'n bosmens met 'n onregeerbare dogter en 'n kop vol planne - die eiesinnige Silas Miggel. Hy wil hulle op 'n skip kry, terug Italie toe.
‘Akwaba ndandingambonanga’, uvakalisa ukuzisola uFikile. Ukuthandana kukaFikile noNandipha kuqala ngendlela emsulwa kodwa ukudizwa kweemfihlelo ekukudala ziqhushekiwe, uthando olungavumelekanga nezinto eziyindaba yakwamkhozi kushiya ubomi bamakhaya esi sibini, nkqu nabantu basemaMpondweni, butshintshe unaphakade.
The Polygamist weaves a tale of four women whose lives become intertwined when they all fall for wealthy banking magnate Jonasi. Seemingly indomitable, and oozing money, power and sex appeal, Jonasi is about to complicate all their lives forever.
Die vertrek waarin ek my opgestopte voëltjies in glaskissies uitgestal het, het ek ontruim. Ek het die voëleiertjies en -neste, asook kassette met opnames van voëlgeluide in bokse gepak. Dit het my te veel aan Pa laat dink, en aan hom wou ek nie dink nie. Want dan het ek vir Annalisa gehaat, en ’n ma mag haar kind nie haat nie. Hulle is onder ’n kareeboom in die agtererf besig om na ’n janfiskaal te kyk wanneer haar tronkdokter-pa by Rosaria bieg dat ook hý ’n tipe laksman is. By Pretoria-Sentraal, waar hy die gehangdes se doodsertifikate uitreik, dien hy soms ook die genadeskoot toe. Maar sê nou van daardie tereggesteldes was onskuldig? wonder Rosaria. Nou, jare later, en kort ná die raaiselagtige dood van haar dogter Annalisa, onthou Rosarie die nonnetjiesuil wat sy en haar aweregse dogter grootgemaak het. Dit was voor Annalisa se rockmusiek van haar ’n kultusfiguur gemaak het, en voordat sy haar rug op haar ma gedraai het. Rosaria se worsteling strek verder terug as haar kind se dood. Haar verlede word verder oopgeruk wanneer Annalisa se dogtertjie haar verskyning maak – ’n kleinkind waarvan Rosarie nooit geweet het nie. Maar hoe het haar dogter gesterf? En hoe naby aan ’n laksman is Rosaria self?
The second verse of any song has to be more killer than the first. Always. The rhythm has to slap. The lyrics must be on point. The feeling intense. And the impact mad-definitive. It’s just the way it is. In the same way, if you do well once in life, then you always have to be better from that point onwards. No doubt. East London, aka Slummies, circa 1998. Bokang Damane is a dreamer and an outsider with mad problems. Things only get worse when everyone thinks he wants to off himself just because he wrote an essay on suicide. Really? Talk about d.r.a.m.a. Life at the moment is just a sorry son-of-a-checklist of insolvable problems. Problem #1: Not black enough for the black kids and too black for the white kids. Yep, that’s what happens when you attend a mad-pompous all boys’ college and live in the burbs. Problem #2: Family finances are a joke – they can’t even afford Bokang’s initiation. Now he can’t get props like any decent Xhosa man. Problem #3: An alcoholic, gambling attorney for a father who expects the world to bend to his will. What’s a man gotta do? Apart from freaking the hell out? Bokang just wants to rap, sketch and be left alone. Everyone keeps yacking on about Bokang reaching his true potential but everyone keeps getting in the way. So what happens? Boy meets girl. It wouldn’t be much of a story otherwise.
Meet Tannie Maria: the loveable writer of recipes in her local paper,
the Klein Karoo Gazette.
Dit is my storie, maar dit is ook die storie van elke ouer wat al 'n keer gestruikel het," se Saskia de Coster by geleentheid oor Nagouers. De Coster (1976 - ) is 'n prominente figuur in die hedendaagse Vlaamse prosa. Danksy haar optrede by verskillende kunstefeeste is sy geen onbekende in Suid-Afrika nie. Nachtouders (2019) is intussen reeds in meer as tien tale vertaal. Dit is die verhaal van "nie-biologiese ouerskap" waarby die sielkundige spanning uiteindelik maar te herkenbaar sal wees vir ook diegene wat al met "biologiese ouerskap" gekonfronteer is. Saskia word onder verswee teensinnigheid moeder saam met haar groot liefde en eggenote, Juli. Laasgenoemde dring daarop aan om 'n eie kind in die wereld te bring. Vervolgens raak 'n skenker betrokke, Karl, 'n Kanadese homo- vriend van Saskia. Terwyl die skenkerproses self nie sonder moeite en selfs skaterende humor verloop nie, raak duidelik dat dit ondanks die kliniese aard daarvan nogtans die individuele agtergrond van elk van die betrokkenes op die spel bring. Sake word op die spits gedryf wanneer die gesinn etjie Karl se moeder op die eiland Portes aan die Kanadese Weskus besoek, 'n van die moderne wereld afgeslote plek bewoon deur 'n vergrysende hippie-gemeenskap en 'n afkerige Indiane-groep. Ouerskap, liefde en die stryd om individuele lewensruimte bly onderliggend aan die gebeure met alle eienskappe van 'n riller. Hoewel die hooffiguur ook Saskia heet en die boek eienskappe van 'n ego-dokument het, is dit 'n meesleurende roman wat uitnooi tot 'n besondere leeservaring.
Art-school dropout Kendra brands herself for a nanotech marketing program; Lerato, an ambitious Aids baby, plots to defect from her corporate employers; Tendeka, a hot-headed activist, is becoming increasingly rabid; and rogueish blogger, Toby, discovers that the video games he plays for cash are much more - the narrators of Moxyland are on a collision course that will rewire their lives and the future of Cape Town. Moxyland crackles with bold and infectious ideas, connecting a ruthless corporate-apartheid government with video games, biotech attack dogs, slippery online identities, a township soccer school, shocking cellphones, addictive branding, and genetically modified art.
With the unexpected arrival of a package from South Africa, the epic love stories of three vastly different women slowly unfold. But what did the package contain that has forced the women of the Gordon household to finally reveal their secrets? Why did they conceal the truth from each other for so many years? As Hannah, Beatrice and Zendaya share their passionate tales from the depths of their hearts; they unravel relationships of racial segregation, forbidden love, societal stigma, seduction and abuse. What they are yet to discover is that one man links their stories. But whose true love is he? Embark on a journey of mystery, suspense, drama and love that spans across three generations.
When zoologist Magrieta Prinsloo is put on the wrong antidepressant, her head comes unstuck. She insults the head of her department, and impulsively resigns from her job. She accepts a position at the Bureau for Continuing Education, with the inscrutable Markus Potsdam as her boss. When he disappears one morning, matters become very complicated. Winterbach's extraordinary gift as a novelist, and uncanny understanding of the human psyche, are again as evident as ever.
How do stories begin, and why? What are the conditions for writing fiction? Need, compulsion, a listener, opportunity, rhetoric … In The Snow Sleeper, the art and meaning of storytelling is illuminated in four magically interwoven tales of friendship. In each, a narrator’s narrow vision is gradually broadened and transformed into piercing self-knowledge. “The Swan Whisperer”: A creative writing lecturer receives a series of bizarre missives from an eccentric student, which bring into question her most dearly held literary convictions. “The Percussionist”: At his best friend’s funeral, a clockmaker delivers a eulogy that, in recalling the writer’s voyeuristic obsessions, explores the nature of love and friendship. “The Snow Sleeper”: A fieldworker interviewing the homeless is confronted with her own grief by a most articulate and charismatic vagrant. “The Friend”: The confidante of a famous photographer acknowledges her role in his decline. A story that resonates with the interplay of the artistic and political in South Africa today. These characters, all alter egos, are linked each to the other in strange, recurring loops, drawing the reader into the depths of a beautiful snowstorm.
Die dag toe Pappie die kaleidoskoop stukkend gekap het, het ’n paar van die gekleurde skywe ver weggespat en in die lang gras gaan skuil. Later, nadat die ouman weg was poskantoor toe, het hy die stukkies gaan bymekaar maak – ’n paar geles, ’n mooi groene en ’n klompie bloues en perses. Die res was gewone spieëltjies en hy het net ’n paar daarvan opgetel. Maar daar was bitter min van sy droom oor. Hy voel die hitte van daardie dag se woede deur hom spoel. Sien weer die arend teen die lug draai en die skelm blink van die paar stukkies glas in die lang gras. Dan ontspan hy. Sy lewe was nooit heel nie. Altyd in stukke. Tronk was sy voorland – soos Pa voorspel het … NOU gaan Schoeman huis toe. MAAR sal hy nou die liefde en aanvaarding kry waarna hy smag, of sal hy steeds nie goed genoeg wees nie …? KALEIDOSKOOP is ‘n historiese roman wat die verhaal van Schoeman en sy familielede vertel. Die besonderse verhaal van lief en leed sal jou as kieskeurige leser enduit boei.
The Five Firm Friends – Edith, Cordelia, Amanda, Doris and Beauty – are five sassy career women who confront life head- on. But when Beauty suddenly becomes ill and, after six short weeks, passes away, their world is thrown into confusion. On her deathbed Beauty begs Amanda to promise her one thing – that she and the rest of the FFF will not waste their lives as she has done. All because of an unfaithful husband ... ‘Ukhule,’ she begs of Amanda. May you live a long life, and may you become old. Beauty’s Gift is a moving tale of how four women decide to change their own fate as well as the lives of those closest to them. This is Sindiwe Magona at her very best – writing about social issues, and not keeping quiet. Speak up, she says to women in Africa. Stand up, and take control of your own lives.
In her debut collection of short stories, Lindiwe Nkutha takes us through the minds of people you may overlook on an ordinary day: The wayward neighbour you vaguely remember seeing every day as a child until the day he vanished. The face you see every weekend at the local drinking hole, you exchange a polite nod but know little about, not even her name. The young woman who is caught between her faith and her love for a woman. Their lives are untidy, tainted with the pain, joy and violence as they share with us stories they wouldn't share with anyone else. Nkutha's words weave in and around the weights we drag behind us from one place to another, with a sensitivity and wit required for such vulnerabilities and intimate moments. |
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