South African scriptwriter Paul Waterson is sent to Kenya to research a documentary film about Swahili culture.

It’s October 2001, and Paul has just been dumped. He spends time in Mombasa, Malindi and Lamu and falls in love with the place and the people. He becomes obsessed with finding the last remaining Mtepe dhow, which he hears is washed up on a beach in Somalia.

Piracy is in its infancy but Paul finds it very difficult to find someone to take him into Somali waters. Eventually he talks a dhow captain into the journey, but the entire group is captured by Somali pirates.

Navigating treacherous and adventurous waters, Whoever Fears The Sea is Justin Fox’s first novel.

Die vrou van die klippesee vertel hoe die lewe vir Hendrik tot nou toe gerol het soos ’n stormsee. Hy is ’n visserman van ’n klein dorpie aan die Weskus wat jou aan Paternoster laat dink en in sy lewe het hy reeds sy broer aan die dood afgestaan. Maar dit is die verdwyning van sy vrou wat hom bitter maak en na die papsak wyn laat reik. Só staan hy dronk en droewig in die koue see, reg om homself te verdrink terwyl sy hond op die strand vir hom wag wanneer die roman begin. Hendrik se lewe begin handomkeer verander wanneer hy ’n gewonde gedierte, miskien iets soos ’n meermin, huis toe bring. Die vrou van die klippesee wys hoe goed fiksie sosiale en politieke kwessies kan ondersoek wanneer die skrywer lig werp op die lewe van ’n karakter wat aanvanklik niksseggend en nietig blyk te wees.

Nobel Laureate and two-time Booker prize-winning author of Disgrace and The Life and Times of Michael K, J. M. Coetzee tells the remarkable story of a nation gripped in brutal apartheid in his Sunday Express Book of the Year award-winner Age of Iron. In Cape Town, South Africa, an elderly classics professor writes a letter to her distant daughter, recounting the strange and disturbing events of her dying days. She has been opposed to the lies and the brutality of apartheid all her life, but now she finds herself coming face to face with its true horrors: the hounding by the police of her servant's son, the burning of a nearby black township, the murder by security forces of a teenage activist who seeks refuge in her house. Through it all, her only companion, the only person to whom she can confess her mounting anger and despair, is a homeless man who one day appears on her doorstep. In Age of Iron, J. M. Coetzee brings his searing insight and masterful control of language to bear on one of the darkest episodes of our times. 'Quite simply a magnificent and unforgettable work' Daily Telegraph 'A superbly realized novel whose truth cuts to the bone' The New York Times 'A remarkable work by a brilliant writer' Wall Street Journal South African author J. M. Coetzee was awarded the Nobel Prize for Literature in 2003 and was the first author to win the Booker Prize twice for his novels Disgrace and The Life and Times of Michael K. His novel, Foe, an exquisite reinvention of the story of Robinson Crusoe is also available in Penguin paperback.

Liefde is al wat vir die mens oor is

Daar onder raas die see toe Poppie Nel dié dag voor dominee Lukas Lucas op sy stoep staan in haar kuise lang romp. Sy moet glo met iemand praat sodat sy kan opstaan. Poppie is uit die kerk, maar die kerk is nie uit haar nie. Dit lyk egter nie asof sy wil nie – praat of opstaan nie. Lukas het ook nie regtig trek vir ’n pratery nie, sy eie pyn is nog vir hom te kosbaar. Maar hy het nou hierdie herderlike plig.

Só ontvou Poppie se verhaal. Dit begin in haar ouerhuis en in ’n saaltjie op ’n plot waar ’n pastoor openbarings kry en waar die Nels slaafse navolgers van sy leringe is. Dis net, die openbarings kom en gaan soos dit die pastoor ten beste kan dien. Langmourokke, manskoene, niks mooimaakgoed nie, studie is ook van die duiwel, uitgedink deur die bose wêreld daar buite. Die skade aan ’n meisiekind se siel ... Nou ja.

Uiteindelik berei Lukas ’n preek oor die liefde voor. Want dit is al wat daar vir die mens oor is.

The focal point of the novel is the small town of Soutbek. Its troubles, hardships and corruption, but also its kindness, strong community and friendships, are introduced to us in a series of stories about intriguingly interlinked relationships. Contemporary Soutbek is still a divided town - the upper town destitute, and the lower town rich, largely ignorant - and through a series of vivid scenes, the troubled relationship between Pieter Fortuin, the town's first coloured mayor, and his wife Anna is revealed. In so many ways the past casts a long shadow over the present, not in the least through the unreliable diaries of Pieter Meerman promoted by Pieter Fortuin and Professor Pearson, a retired white historian. They give us a unique insight into the lives of the seventeenth-century Dutch explorers, and hint at a utopian society, suggesting that Soutbek is the birthplace of assimilation and integration. The blossoming friendship between Anna, Sara, a foundling, and Willem, Pieter Fortuin's nephew, is unsettled by David, Anna's and Pieter's son. His father has bought David a bright future, but when he comes back from boarding school David appears alienated from his father and from his old friend, the former gardener Charles Geduld, just as Anna starts to accept him as her son. Is there hope, or are we left with Willem's conclusion that 'he would spend the rest of his life working off the debt of his family's poverty'? A moving story that paints a thought-provoking picture of life in contemporary South Africa.

Internationally acclaimed, prize-winning thriller writer Deon Meyer has been heralded as the King of South African Crime. In Thirteen Hours, morning dawns in Cape Town, and for homicide detective Benny Griessel it promises to be a very trying day. A teenage girl's body has been found on the street, her throat cut. She was an American--a PR nightmare in the #1 tourist destination in South Africa. And she wasn't alone. Somewhere in Cape Town her friend, Rachel Anderson, an innocent American, is hopefully still alive. On the run from the first page of Thirteen Hours, Rachel is terrified, unsure where to turn in the unknown city. Detective Griessel races against the clock, trying to bring her home safe and solve the murder of her friend in a single day. Meanwhile, he gets pulled into a second case, the murder of a South African music executive. Griessel's been sober for nearly six months--156 days. But day 157 is going to be tough. A #1 best seller in South Africa and a finalist for the CWA International Dagger, Thirteen Hours is an atmospheric, intensely gripping novel from a master storyteller.

"Katrienkie is ʼn móét-lees boek, ʼn móét-versprei, móét-bespreek boek. Dit word sonder enige voorbehoud, onvoorwaardelik aanbeveel vir enige persoon wat in chroniese trauma leef of ʼn ongestrykte bondel eie trauma in ʼn laai geprop het." – Maretha Maartens

Hierdie is nie net ’n storie nie maar ’n geselsboek vanuit die skrywer se eie agtergrond wat stap vir stap terapeutiese tegnieke bied aan die getraumatiseerde.

Grondhervorming jaag verskillende emosies by verskillende mense op net soos die kunsmatige skeiding tussen mense. Die onsinnigheid van hierdie skanse blyk eers wanneer verhoudings spontaan ontstaan en toegelaat word om natuurlik te ontwikkel.

Dié boek toon hoe die aktuele werklikheid van grondhervorming in Suid Afrika deur die spontane goeie verhoudings tussen blanke boere en bruin plaaswerkers tot sinvolle en vreedsame naasbestaan kan lei. Hierdie goeie verhoudings is dan uiteindelik verantwoordelik vir die suksesvolle afhandeling van dieselfde plaaswerkers se grondeise op dieselfde en aangrensende plase waarop hulle grootgeword en gewerk het. Die teenoorgestelde word ook in die boek getoon hoe jy weens onaanpasbaarheid en selfsug alles kan verloor indien jy nie hierdie nuwe strewes in Suid Afrika kan aanvaar en daarby aanpas nie.

Die skrywer toon ook die beperkings van eie beheer oor mense se keuses in die lewe. Jy loop jou paaie soos wat dit vir jou uitgestraat is. Die vraag of dit “nie beter sou wees” as die mens vooraf “sy paaie wis” nie, word in die boek aan die orde gebring met die oopvlek van ou geheime van familievetes en buurtwiste. Verbode manewales oor die destydse kleurskeidslyn heen deur die baas van die plaas het drastiese gevolge op die grondeise van al die voorheen benadeelde plaaswerkers. Die aanvaarding van hierdie gevolge laat geen eie keuse nie maar is ook ‘n werklikheid waarmee die lewe almal dan dwing om te lewe.

Son is a stunning achievement in post-apartheid writing. The debut novel by South African writer, Neil Sonnekus, Son brims with brio, verve and swagger. Though laugh-out-loud funny at times, it is also achingly poignant and deeply moving.

Sonnekus brilliantly captures the so-called Noughties with his tragi-comic creation Len Bezuidenhout, a recent divorcee whose quest for sex is as funny as his attempts to tease a hungover narrative from his father, a puritanical old curmudgeon. The two couldn’t be more different – or similar. They are both storytellers, but when the tale Len starts extracting from his old man is slowly revealed, it is everything but funny. Through scalding humour, caustic wit and brutally frank interrogation into the country’s ‘post Rainbow Nation’ pathology, this stylistically imposing work is one of hilarity, bitter warmth and eventual grace.

Son is at times uproarious and unremittingly frank as it exposes politics as a tragic farce. It is both self-deprecating and sensual as it traverses the dark arts of sexual conquest and desire while it simultaneously unearths brutal anxieties around crime, alienation and aging. Central to Son is the brutal mirror of what it means to be a white man in South Africa, confronting a rapid loss of power while struggling to come to terms with stark socio-political change and the possibilities of living an unfulfilled and alienated life.

While it hums and whirs with sound, movement and humour, Son seamlessly takes the reader on a profound journey of compassion and self-understanding. In a dark and disturbing turn, it argues that the dominant colour of the rainbow has become not white nor black, but red. Blood red.

Romina Desai, a well-known artist and photojournalist, lives in Johannesburg and uses her art to make visual commentary on social issues and global politics. Her visionary work has earned her celebrity status in the art world. But she is confronted with the racism in the city and in her family when she falls in love with Ismail Mamadou, a Senegalese journalist working in London.

When Ismail arrives in South Africa announcing that he is following a story lead about a thriving child trafficking ring in the country, he also reveals his more personal reason for being here: to look for his sister who disappeared from home 25 years ago. He finds more than he bargained for in a web of crime syndicates operating brothels and engaging in human trafficking and prostitution.

The Economics Of Love And Happiness is a novel that comments on the sweet and not-so-sweet layers of social and romantic life in South Africa and beyond, where greed and lust often take centre stage and empathy is lost. In this way, it maps out the cost of love and happiness.

This story provides a window into the myriad cultures and beliefs that overlap and colour the landscape while Romina and Ismail navigate the challenges that come their way. Will their budding romance survive the bigger storms around them?

Die verhaal neem die leser van grootwordjare op die platteland tot 'n verblyf in Rusland waar die heldin steeds nie inpas nie. Die lemming word gebruik as 'n metafoor vir blinde menslike konformisme onder druk van groepe en opvoedkundige instellings.

Die leser sal die heerlike, absurde humor geniet. Sowel die ou as die nuwe Suid-Afrika loop onder skerp kommentaar deur.

Wat hét met Anna gebeur die oomblik ná sy die sneller getrek het? Ná sy haar stiefpa wat haar soveel jare lank fisies en emosioneel verrinneweer het, vroeg een oggend in Bloemfontein in die oë gekyk, en toe geskiet het?

Agt jaar ná die verskyning van Dis ek, Anna neem Anchien Troskie aldus Elbie Lötter weer haar pen op, en skryf die opvolg. Hoe vra ’n mens vergifnis, en wanneer mag jy wraak neem? Dit is die vrae waarmee Anna – en ook die skrywer – worstel . . .

’n Skreiend eerlike roman oor Anna Bruwer se lewe ná die moord op haar stiefpa – ’n boek gevul met deernis, en eindelik ook hoop.

Paul Rayment is on the threshold of a comfortable old age when a calamitous cycling accident results in the amputation of a leg. Humiliated, his body truncated, his life circumscribed, he turns away from his friends. He hires a nurse named Marijana, with whom he has a European childhood in common: hers in Croatia, his in France. Tactfully and efficiently she ministers to his needs. But his feelings for her, and for her handsome teenage son, are complicated by the sudden arrival on his doorstep of the celebrated Australian novelist Elizabeth Costello, who threatens to take over the direction of his life and the affairs of his heart.

'n Leeftyd Se Bekruip is ’n bundel verhale vol humor en avontuur. Dit gaan oor die te-voet-jag van kleinwild tot grootwild en strek oor verskillende lande en kontinente heen.

Dit gebeur nie aldag dat ‘n boer ‘n boek publiseer nie. Maar Dawie Strauss is nie ‘n gewone boer nie. Hy is ‘n boer én ‘n skrywer, ‘n jagter én ’n bewaarder.

‘n Boek wat op jou bedkassie of leunstoel, op jou see-handdoek of tydens jou vliegtuigrit op jou sal wag en sal sorg vir ‘n lekkerlees-avontuur. Sterre en kampvuur. Vriendskap en heimwee. Die bos róép…

Twenty-nine-year-old Themba is a nihilistic, depressed, and suicidal artist whose dream is to become a successful novelist. With all the failure and suffering he's experiencing, it seems as though his life is stuck without any purpose and meaning. Everything seems to be going well for his friends, but not for him. His brother and father hate him for his ambitious but dead dream. Worse, Themba still lives in poverty with his parents in an abandoned house.

However, Themba has one passionate reader of his books, a woman called Yana. She's weird and has no friends, and volunteers at a local orphanage. Yana is the good Samaritan of the neighbourhood, cheerful and happy, but few people seem to like her. Themba begins to question what makes Yana so odd but yet so comfortable with her life even though she doesn't have much to be happy about. His curiosity leads him closer to her, and his life changes forever.

’n Nuwe novelle van die gewilde skrywer Jeanne Goosen verskyn binnekort by Hemel & See Boeke. Sneeu in die Karoo ’n uiters rare boek, waarin twee novelles verskyn: Eerstens Jeanne Goosen se beskrywing van ’n maand se verblyf in Nieu-Bethesda. Sy gaan juis na dié klein Karoodorpie om te skryf en neem haar huishulp, Agnes Morao, saam.

Om Agnes besig te hou, koop Jeanne vir haar ’n Croxley oefenboek en ’n pen. Agnes begin skryf oor alles wat sy in Nieu-Bethesda ervaar – en oor haar kinderdae – terwyl die eintlike skrywer, Jeanne Goosen, nie aan die werk kan kom nie.

Die verskyning van Agnes se boek – dit is ook die titel daarvan – in een band saam met Jeanne Goosen se novelle is heel waarskynlik ’n eerste in wêreldletterkunde!

“disruption[noun] - Disturbance or problems which interrupt an event, activity, or process.”

The title and topic chosen for our seventh collection of stories from around Africa, decided before the world as we knew it changed, turned out to be eerily prescient. Drawn from the four corners of the continent, from Libya and Sierra Leone to Kenya and Botswana, these twenty-one stories serve up an imaginative feast, many unfolding the consequences of the environmental degradation of the planet.

But the contributors have not parroted the doom and gloom often found in dystopian or apocalyptic fiction. Instead, they have opted for wildly original narratives featuring sea monsters, zombies, time and space travel, cyborgs, immortals, gods and goddesses both benevolent and terrifying, and even a one-eyed octopus. This riot of colour and creativity offers fierce and rich allegories of colonial conquest and late capitalism, and probes patriarchal family and social structures with deft fingers.

The reader will find comedy, the absurd, and the surreal in these pages, as well as lovingly drawn and often valedictory accounts of the natural world and its denizens. Above all, these stories tell of human connection in the face of impossibly difficult circumstances, providing much-needed comfort and inspiration.

Prepare to be disturbed, moved, and entertained. This is the disruption you’re really looking for.

Niemand mag haar sien sonder haar mantel nie.

Gita kruip al haar lewe lank agter voorgee weg; ʼn mantel vir elke okkasie.

Flambojante, pienk-Gita, vir wanneer sy opspraak wil maak, swart-Gita wanneer sy wil wegraak en laag lê, rooi-Gita wanneer sy uitdagend is, en natuurlik die blinkkant-bo-baadjie as sy voor die familie is. Maar agter die mantels spook dit by Gita. Haar pa het weggeloop met ’n ander vrou toe sy tien jaar oud was.

Sedertdien sukkel sy om mense naby haar toe te laat. Niemand mag haar sien sonder ’n mantel nie. Wanneer haar werk deure moet sluit pak sy haar lewe op en vertrek Knysna toe. Daar waar haar pa is. Waar sy nuwe vrou is. Waar sy nuwe kinders is. Langs die pad ontmoet sy die kleurvolle Llewellyn wat haar as verkleurvroutjie sien en sy is heeltemal oukei daarmee. Sy is wel nie oukei met die amper-blinde tjellospeler, Darius, en sy broer wat haar geheime lewe wil oopkrap nie. Skielik is daar vier baie verskillende mans in haar lewe, en Gita het nie genoeg mantels om alkant te dek nie.

Karl Louw, ʼn prokureur, word deur Helen Brodie genader om haar in ʼn regsgeding te verteenwoordig. Die regsaak veroorsaak dat Karl en sy vrou Wilma ook met ou wonde van die verlede gekonfronteer word: verraad, verkragting, die mag wat mans in ’n patriargale, chauvinistiese samelewing oor vrouens aanvaar.

Terwyl Karl en Helen veg om haar professionele reputasie te beskerm, worstel Wilma met haar eie donker skuldgevoel en probeer haar man se verlede ontrafel. Sy onskuldige en ietwat idilliese skoolromanse is die grondslag vir alles wat Karl glo van die liefde, verhoudings en intimiteit – en die rede waarom Wilma nie haar geheim met hom kan deel nie.

Hoe vergewe jy as daar nie om vergifnis gevra word nie?

Aan die einde van elke jaar word daar op Gatlek, Dawid Fourie se plaas, feesgevier. ʼn Soort danksegging, kan jy sê. Dawid beloon sy werkers vir hul harde werk, en hulle betoon hul dankbaarheid op ʼn manier waaroor daar ná die tyd nie veel uitgewei word nie.

Dit was tydens die nag van die laaste groot vleisbraai dat dinge vir Dawid en Gatlek begin skeefloop het.

Jan-Vlok, Dawid se seun, sit nou verbitterd sonder ʼn erfplaas. Sy pa swyg oor Gatlek terwyl hy sy dae vul met grafstene maak in sy agterplaas. Totdat sy mal oom Outa oor die verlede begin praat en niemand hom meer kan ignoreer nie.

Dan is daar Bettie Rondganger. ’n Alleenloper. ’n Vrou wat wil voorthol om van haar verlede te vergeet. Sy gee haar lyf vir Jan-Vlok, maar ook vir Klippies, sy jeugvriend wat aan die werkerskant van die plaas grootgeword het. Sy en Klippies ken immers die etiek van die vullishope waar hulle nou ʼn bestaan moet maak.

Maar wat het werklik daardie aand op Gatlek gebeur?

Dinge van ’n hond is ’n roman oor vergeet, maar ook oor onthou. En die besef dat ’n mens jou nooit rêrig van jou verlede kan losmaak nie.

Hierdie verhaal van liefde en geweld speel af teen die agtergrond van dwelmgebruik en bendegeweld.

Kara de Lange het as 10-jarige die skietdood van haar broer aanskou en dié emosionele trauma lei tot sowel emosionele- as huweliksprobleme. Sy en haar man, Johan, besluit dat sy ’n paar dae by haar vriendin Jackie op Montagu gaan kuier om meer perspektief te kry.

Hier ontmoet sy vir Armand, ’n skrywer wat aanvanklike sukses behaal het, maar wie jare laas ’n boek uitgegee het. Die wederkerige aantrekkingskrag tussen Kara en Armand is egter gekompliseerd. Sy worstel nog met die emosionele nalatenskap van trauma terwyl hy daarenteen uiters gesteld is op sy privaatheid, leefstyl en behoefte aan ’n ongekompliseerde, geroetineerde lewe. Hy bewaar sy emosies dig binne hom.

Toe Elfrieda ná ʼn lang koma uiteindelik haar oë oopmaak, is haar kop leeg. Sy is in ’n Durbanse hospitaal nadat sy voor ’n motor ingehardloop het en die angs pak haar wanneer sy besef sy kan níks van haar verlede onthou nie.

’n Terloopse opmerking deur Michael, die neuropsigiater wat na haar omsien, bring ’n flits herinnering: Voor haar sien sy ’n vaalgroen boekie oor die lewe van die ontdekkingsreisiger David Livingstone se vrou, Mary. Met behulp van Michael begin Elfrieda stadig die legkaartstukkies van haar geheue aanmekaar sit.

Maar soos haar grootwordjare voor haar begin oopspoel, bring die onthou ook hartseer: soos die herlewing van die tragedie van haar pa se ongeluk tydens ʼn vakansie by die see en haar ma se kille verwyt en woede daarna.

Terwyl Elfrieda ’n pad stap – verby die verskrikking van vergeet en die ontsetting van onthou – neem die verhaal van Mary Livingstone vorm aan: van haar grootwordjare op Kuruman in die Noord-Kaap, tot kinders grootmaak in die wildernis van Betsjoeanaland. En deur dit als: David se oorrompelende reisdrif wat hom ’n koers laat inslaan het na ’n plek waarheen sy gesin hom eindelik nie kon volg nie.

Durban lawyer Teddy Dickerson has run out of ideas. Cynical, single and middle-aged, he’s the very last of his family to still call South Africa home.

When his formidable Aunt Val dies, she leaves him an unusual bequest: her task for Teddy is to post letters to eight of her friends around the world, a job that will take him on a journey into new and unexpected territory. When the replies start flowing in – quirky, unexpected and often hilarious missives from India, Egypt, England, Canada and beyond – Teddy realises there was more to his tough aunt than he’d thought.

Will he take on Aunt Val’s role as confidant and comforter of the lost? Confidant and comforter? Teddy?!

One thing’s for certain: Aunt Val is laughing in her grave.

’n Versameling woorde oor die verleidelikste ding op aarde: Sjokolade!

Die mensdom se emosionele verhouding met sjokolade is legendaries. Van suikersoet tot bittersoet, van donker tot melk – dié lekkerny bied ons oor al die eeue heen troos, terapie, hedonisme en loutere plesier. Sjokolade was nog altyd ’n simbool van belofte, versugting, verlange en sensualiteit.

In Soete Sonde ondersoek bekende skrywers en nuwe stemme die tekstuur van sjokolade in al sy heerlike vorme – van lewensredder tot moordwapen. Daar’s komedie, satire, sensasie, tragedie, die absurde en fantasie. Sommige stories daag jou uit, ander verskuif grense en baie laat jou tot in jou kiewe lekkerkry. Die samesteller van die bundel is Lizz Meiring, aktrise, vervaardiger, skrywer en selferkende plesiervraat, hedonis en sjokolis.

13 twisted tales of music, magick, mayhem & murder.

Some torn from headlines in sunny South Africa where, for many, these are part of everyday life.

♠

Shop for shrunken heads in a village that time forgot.

Witness an ancient ritual passed down from the Aztecs through Jack the Ripper to modern-day London.

Savour the sweet taste of revenge in a French restaurant.

Sit in on the Grim Reaper’s disciplinary hearing.

And experience life on the streets in 1980s Hillbrow as two teenagers struggle to survive a violent rollercoaster ride through Johannesburg’s underground club scene.

♠

John West has won awards and even small amounts of money for his scribblings over the years. One of his stories was recently longlisted in the top 200 entries out of 5 000 submitted to the international Commonwealth Short Story Prize.

His first novel – Burning Roses, a decadent tale of sex, drugs, rock n roll & magick – is available online.