Die verhale in Dol heuning kring soos breedtegrade om ’n aardbol uit – van Suid-Afrika na Ysland, die Belgiese platteland en die Italiaanse Alpe.

In ’n boomryke Johannesburgse woonbuurt koester ’n paar hul seuntjie terwyl hul skoonmaker se kind in volle aangesig van die land se ongeregtighede moet staan.

In die yslandskap van Reykjavic neem ’n vrou dol heuning saam met die man wat haar vir ’n ander verruil het en bring hulle ’n angswekkende laaste aand saam met ’n gewelddadige Rus en sy metgesel deur.

Terwyl twee minnaars in New England aan die wreedheid van hul gasheer uitgelewer word toe sy menslikheid hom verlaat, ontferm ’n ma haar oor ’n straatkind op Park-stasie.

Die verhaalsiklus wat die kroon span, vertel hoe ’n jong Namibiër en sy Japannese vriendin – ’n jong wiskundige vir wie elektroniese musiek ’n meditasie is – saam ’n tragedie in die berge en ’n nag in ’n beklemmende chateau met ’n donker poel vol glimmende palings beleef.

Ná die veelbekroonde Alfabet van die voëls, publiseer SJ Naudé ’n tweede bundel kortverhale wat ontstel, verras, en boweal bekoor

In a city that has lost its shimmer, Lindanathi and his two friends Ruan and Cecelia sell illegal pharmaceuticals while chasing their next high.

Lindanathi, deeply troubled by his hand in his brother’s death, has turned his back on his family, until a message from home reminds him of a promise he made years before.

When a puzzling masked man enters their lives, Lindanathi is faced with a decision: continue his life in Cape Town, or return to his family and to all he has left behind.

Rendered in lyrical, bright prose and set in a not-so-new South Africa, The Reactive is a poignant, life-affirming story about secrets, memory, chemical abuse and family, and the redemption that comes from facing what haunts us most.

Die derde bundel uit die beroemde verhoogkunstenaar Nataniël se gewilde rubriek in SARIE – na meer as 10 jaar, steeds een van die gewildste rubrieke in ’n Suid-Afrikaanse tydskrif. (Baie lesers erken dat dit die eerste bladsy is waarnatoe hulle blaai in SARIE!)

In hierdie rubrieke deel Nataniël sy insigte met humor en eerlikheid en styl, en ’n aangrypende waardering vir die eenvoudige dinge wat ons lewens verryk en verruim. ’n Ikon wie se Kaalkop-wysheid en pittige sosiale kommentaar daagliks inspirasie en plesier kan bied.

Kaalkop 3 sluit in:

• 54 Kaalkop-rubrieke
• 19 SARIE-kosstories
• 5 voorheen ongepubliseerde verhoogstories
• Swanemeer: die ware verhaal

Qabila’s marriage is falling apart – it has been for years. If she had not fallen pregnant she and Rashid might not have married in the first place. After all, he was seeing Thandi at the time. And now Qabila wonders if he ever stopped seeing her. Does that explain why Qabila has never felt the full measure of his love? At least he is not abusive, her mother would say, unlike Qabila’s father.

But with her mother’s passing, Qabila’s world is coming undone. She is dreaming of strange songs and making lists to stay sane. When she finds out Rashid is living a double life, she demands a divorce. Why does he still resist? Why not go to Thandi?

As she tries to pick up the pieces of her life, Qabila rails against the persistent legacy of discrimination in South Africa. Not least of which is the racism in her own community towards fellow black people. But she also rediscovers the joy of family, and her Muslim faith, and meets a group of musicians who might be the answer to her puzzling dreams.

Camugu, recently returned to Johannesburg and disillusioned by the new democracy, moves to the remote Eastern Cape. There, in the nineteenth century, a teenage prophetess commanded the Xhosa people to kill their cattle and burn their crops, promising that the spirits of their ancestors would rise and drive the English into the ocean. The failed prophecy split the people in two, with devastating consequences. One hundred and fifty years later, the two groups’ decendants are at odds over plans to build a vast casino and tourist resort, and Camugu is soon drawn into their heritage and their future—and into a bizarre love triangle as well.

Elaine vlug weg van haar verloofde, Alex sonder enige verduideliking.

Haar geheim bly haar eie want as Alex ooit moet uitvind sal dit sy lewe ruïneer, of so glo sy. Sy het geen ander keuse as om met Ben van Staden, die rykmanseun van Bloemfontein, te trou nie.

Die jare wat volg is verwonde jare gevul met vrees en verwyt. Elaine verloor haar geloof in ‘n liefdevolle God en dit is net wyn wat haar help om soms te vergeet. Maar haar liefde vir Alex bly ’n brandende vuur in haar binneste wat nie geblus kan word nie.

Skielik, ná sewe jaar, staan Alex weer voor haar en sy besef dat God tog alles ten goede kan laat meewerk vir die wat Hom liefhet. Maar, sal Alex haar ooit kan vergewe vir die onreg wat sy aan hom gedoen het?

Joseph Mabaso is used to his father Sobhuza’s long absences from the family home in Lusaka. Sobhuza is a freedom fighter and doing important work, and Joseph has learned not to ask questions. But when Chanda, his mother, disappears without a trace, leaving him and his siblings alone, Joseph knows that something is terribly wrong.

And so begins a journey, physically arduous and dangerous and emotionally fraught, that no 14-year-old boy should have to undertake alone. Following the most tenuous of threads, Joseph finds some unlikely guides along the way: courageous Leila and her horses; Sis Violet and the guerrilla unit she commands; Mr Chikwedere, stonecutter and illicit trader; Madala at the Lesedi Repatriation Camp, who helps him find his voice; and Aunt Susie Juma, unofficial Zambian ambassador in Yeoville, Johannesburg, whose detective skills are legendary.

As Joseph navigates unfamiliar and often hostile territory in his search for his parents, he is on a parallel journey of discovery – one of identity and belonging – as he attempts to find a safe house that is truly safe, a language that understands all languages, and a place in his soul that feels like home.

Emil Coetzee, a civil servant in his fifties, is washing blood off his hands when the ceasefire is announced.

Like everyone else, he feels unmoored by the end of the conflict. War had given him his sense of purpose, his identity.

But why has Emil’s life turned out so different from his parents’, who spent cheery Friday evenings flapping and flailing the Charleston or dancing the foxtrot? What happened to the Emil who used to wade through the singing elephant grass of the savannah, losing himself in it? Prize-winning novelist Siphiwe Gloria Ndlovu traces Emil’s life from boyhood to manhood – from his days at a privileged boarding school with the motto ‘It is here that boys become the men of history’, to his falling in love with the ever-elusive Marion, whose free-spirited nature has dire consequences for his heart – all the while showing how Emil becomes a man apart.

Set in a southern African country that is never named, this powerful tale of human fallibility – told with empathy, generosity and a light touch – is an excursion into the interiority of the coloniser.

South Africa never was, nor ever will be the Rainbow Nation we believed Mandela dreamt about. But we’ve woken up and grown up and we’re trying to come to terms with this reality.

Kopano has also grown as a writer in the last few years. In Period Pain she has poignantly captured the heartache and confusion of so many South Africans who feel defeated by the litany of headline horrors; xenophobia, corrective rape, corruption and crime and for many the death sentence that is the public health nightmare. Where are we going, what have we become?

Period Pain helps us navigate our South Africa. We meet Masechaba, and through her story we are able to reflect, to question and to rediscover our humanity.

An evocative and finely detailed novel of ordinary life under apartheid that follows the lives of a family, particularly the women of various generations, who are named Dikeledi, who together form the backbone of the story.

Dikeledi captures, carefully and movingly, the essence of the turbulent days in which it is set. The focus on family drama within an incredibly difficult social situation, the small daily struggles rather than the huge challenges that conventionally make for ‘good’ archival footage, are what sets the novel apart from other literature that deals with the period.

South Africa – 1976 to 1994. A time of turbulence as the struggle against apartheid reaches its zenith, pushing South Africa to the brink.

But for a one small boy in the leafy northern suburbs of Johannesburg ... his beloved housekeeper is serving fish fingers for lunch. This is the tale of Hamish Charles Sutherland Fraser – chorister, horse rider, schoolboy actor and, in his dreams, 1st XV rugby star and young ladies’ delight. A boy who loves climbing trees in the spring and a girl named Reggie.

An odd child growing up in a conflicted, scary, beautiful society. A young South African who hasn’t learnt the rules.

A story of a boy’s complicated relationship with his violent, but charismatic, alcoholic father. The son, Paul, recalls periods that his parents reconciled, followed by times of desperate flight with his damaged mother. It is also a poignant coming-of-age and a coming-out tale as Paul discovers his identity.

And a story of brotherly love, as he seeks to protect from harm his estranged half-brother – the only other person who can call that man ‘Dad’.

‘You would not think it to look at you, but your voice, when you use it: akin to a god’s. You must be careful what you do with it.’

Exiled Jacob Kitara takes in injured compatriots and nurses them in a boarded-up building. Social unrest has emptied the streets of London, movement into and out of the country has been suspended, and those who remain are in hiding.

When a young man makes his appearance, insisting that he is Jacob’s son – a man presumed dead, torn from Jacob’s life by war and guilt over the fate of the boy’s mother – Jacob is driven to anger.

But can this stranger offer Jacob a chance to reach back to a different continent, to the foot of Africa from where he has been banished, to atone for the past?

The Weight of Skin is a poignant tale of personal and political responsibility, and of the intricate narratives of family and nationality that bind us.

A masterful new novel completes an incomparable trilogy from J. M. Coetzee, Nobel laureate and two-times winner of the Booker Prize

In The Childhood of Jesus, Simon found a boy, David, and they began life in a new land, together with a woman named Ines. In The Schooldays of Jesus, the small family searched for a home in which David could thrive.

In The Death of Jesus, David, now a tall ten-year-old, is spotted by Julio Fabricante, the director of a local orphanage, playing football with his friends in the street. He shows unusual talent. When David announces that he wants to go and live with Julio and the children in his care, Simon and Ines are stunned. David is leaving them, and they can only love him and bear witness.

With almost unbearable poignancy J. M. Coetzee explores the meaning of a world empty of memory but brimming with questions.

Raw, beautiful prose exposes a world in which humour and despair exist in equal measures, a world where the need to succeed, to strike it rich, brings out the best and the worst of human nature. Room 207 takes the reader to a Johannesburg that is the very heart of South Africa, to a room in which six young men struggle to make their dreams come true in the “dream city”.

For more than ten years, they have lived in Room 207 of a dilapidated block of flats in Hillbrow. By day, they are hustlers – they hustle production companies, they have their own music company, they survive. At night, they party. Room 207 paints a vivid, engrossing picture of their lives and their sense of hopelessness of having to compromise their lives.

They are artists, these men, but have to make a living. Otherwise, fate would call them back home – not driving their own BMW, but leaving the way they arrived: in a taxi, with empty pockets, and nothing to show for their years in Johannesburg.

Winner of the Dinaane Debut Fiction Award.

Since coming of haemorrh-age, Frith must wear a LipService patch to write or speak. The words the patch produces are not her own. Scripted by copywriters, they promote one sponsoring brand or another. With them, ‘You’ – a voice in her head that is the patch’s brand persona and her conformist alter ego – appears.

Through the noise of You talking a variety of different LipService brands, Frith struggles to find her way back to speaking for herself. She believes her tastures – her ability to taste things she touches – are the key. But other elements of this consumerist society are equally interested in tastures for commercial gain.

When Laurence Waters arrives at his rural hospital posting, Frank, a fellow doctor there, is instantly suspicious. Laurence is everything Frank is not – young, optimistic and full of new schemes. The two become uneasy friends, while the rest of the staff in the deserted hospital view Laurence with a mixture of awe and mistrust.

The town beyond the hospital is also coping with new arrivals, and the return of old faces. The Brigadier – a self-fashioned dictator from apartheid days – is rumoured to still be alive. And down at Mama’s Place, a group of soldiers has moved in with their malign commandant, a man Frank has met before and is keen to avoid. Laurence wants to help – but in a world where the past is demanding restitution from the present, his ill-starred idealism cannot last.

In gleaming prose Damon Galgut has created a literary thriller out of an unlikely friendship. The Good Doctor is a gripping novelistic high-wire act

Meet Zinhle, the glamorous Siren, as she reels through the highs and lows of fame-seeking in Jozi.

Zinhle lives through a sham marriage, a stint as the lover of a Nollywood high-roller, sex parties, and an affair with a football star. She bed-hops from man to powerful man, overcoming cattiness, rivalry, cheating and dodgy agents, to nab a starring role in Heritage, a highly successful soapie. She has attitude and sass in bucket loads and is never far from the latest front-page scandal.

Siren, Kuli Roberts’s gripping debut novel, is a classic rags-to-riches tale, jam-packed with drama, hot sex and reversals of fortune that will keep readers zipping through the pages until the very end.

It is winter in London in 1947. When Arthur Bailey, an elderly painter who lives alone, catches sight of a young woman, Felicity, about to move into the neighbouring bed-sit, he is stirred to recall in haunting detail a long-suppressed narrative.

The Landscape Painter is a double tale of obsession, betrayed trust and irrepressible hope, which emerges as Arthur’s story unfolds. As a young, brilliant landscape painter he travelled to South Africa in 1898 in pursuit of his best friend’s sister, the beautiful and mysterious Carwyn Hamilton. Carwyn’s subsequent shocking betrayal led Arthur down a dark path of humiliation and haunted him for the next fifty years.

As Arthur delves ever deeper into his most intimate thoughts and desires, the past and present come together in a series of surprising turns and parallels and we meet a range of memorable characters – from the malevolent German governess, Miss Klimt, to Carwyn’s flirtatious and increasingly senile grandmother, Mutti. Finally, Arthur is forced to confront Felicity with the irreducible damage done to him.

From the gold-crazed streets of early Johannesburg to the epic battlefields of the Anglo-Boer War, and the austerity of post-Second World War Britain, The Landscape Painter is a spectacular historical novel packed with wit and insight and crafted in Higginson’s lyrical and sinuous but surgical prose.

Isabella voel nie soos die tradisionele beeldskone heldin wat jy op ’n silwerskerm gaan raaksien nie, want sy is ietwat sag om die kante en haar hare het ’n onbuigbare wil van hul eie. Sy besluit die tyd het aangebreek vir opwinding en avontuur, want sy wil nie meer stry teen die knaende begeerte in haar om skaamteloos aan die ontvangkant van ’n man se hartstogtelike liefde te wees nie.

Sy vlug uit die stad om van haar oorbeskermende ouers weg te kom en asem te skep in die oop ruimtes waar niemand vir haar voorskryf wat om te doen nie. Isabella soek ’n man wat haar voete onder haar gaan uitslaan en sy is vasbeslote om hom te kry. Iemand wat haar gaan liefhê vir wie sy in al haar volrondheid is. Tydens haar soektog ontmoet sy ’n hele paar mans wat nou nie almal eintlik as goeie mans met suiwer intensies beskou kan word nie. En wie is die geheimsinnige man wat oral onverwags opduik en pal op haar spoor bly?

Maar toe gebeur die ondenkbare tydens ’n gesinskrisis wat opduik. Al die geraamtes wat uit die kas begin tuimel dwing Isabella om tot stilstand te kom en die waarheid in die oë te staar. Sommige antwoorde kan ’n vrou net op haar knieë by die Here kry. Hulle sê die waarheid maak vry en die liefde bedek ’n menigte van sondes. Miskien sal die kronkelpaaie van Isabella se lewe haar ook na liefde en vryheid lei sodat selfs ’n verlore woestynblom soos sy kan blom.

Ek is gebore by kerslig, op ’n plaas, Vaalhoek, naby Keimoes en Kakamas! Op ’n jong ouerdom begin ek onder andere Rooi Jan en Swart Luiperd lees. Ek begin ook stories vertel. Ek lees graag en skryf graag. Ek het ’n onderwyser, dominee en kliniese sielkundige geword met ’n D.Litt in kliniese sielkunde en werk nog as kliniese sielkundige. Ek verwerf jaarliks ’n diploma in sielkunde. Ek is ’n wewenaar en het van Upington na Pringlebaai verhuis.

Vir my is dit belangrik dat verhale dadelik vrae moet laat ontstaan soos, “Wat gebeur volgende?”en eindig met onverwagse bevredigende gebeure. In my eie stories pas ek hierdie metode toe.

Van die stories het heelwat humor in en is vir oud en jonk. Genotvolle verhale wat jy nie kan mis nie. Sommige verhale is kort en lekker leesstof vir mense wat haastig is en sommige langer vir bedtyd. Elke verhaal is uitstekende vermaak en laat mens na die ligter kant van die lewe kyk.

Daar’s ’n muis wat kan praat, ’n Ou wat dink hy kan ’n rivier in vloed klop, ’n man wat alles kan regmaak, behalwe ’n kar se ratte wat agtertoe inspring in plaas van vorentoe, ’n lekker polisiestorie, ’n vroutjie wat mediese verteenwoordiger speel, liefde en hartseer, ’n geheimsinnige vrou met asemrowende lippe en nog sulke stories.

Lees en geniet hulle!

Odette is a script writer for a popular TV soap opera. When she moves to the small Free State town of Nagelaten she hopes to leave her problems – of family, fraught relationships and experiences of crime – behind in Joburg. To the dwellers of Nagelaten, Odette appears to be escaping a painful break-up in a place she knows no-one – and won’t have to share her secrets.

When Odette begins seeing the local engineer, Adriaan, also an outcast in this small town, secrets begin to surface around the murder of Adriaan’s wife. Odette’s world begins to unravel, when her ‘troubled’ daughter, Mandy, is suspected of killing the baby she was au-pairing in the UK and soon comes to live with Odette, who has a secret of her own. It isn’t until Mandy befriends a strange man named Wolfie that Odette finally begins to question the mysteries of the small town.

Odette is forced to face her mistakes of the past and the truth of a murder long since buried with the dead. The Imagined Child is a carefully plotted ‘whodunit’ that combines Jo-Anne’s trademark lyrical style with tight suspense and will keep you guessing until the last page.

Set in the taxi industry, the story's main characters are a poor taxi driver, a wealthy taxi owner and the taxi driver's girlfriend.

Crime fiction featuring paranormal elements, The Last Stop combines gritty realism with the magical. It shows what happens between people in times of taxi violence and deals with themes of lust, betrayal and revenge.

The Last Stop is an engaging, clever, interesting and darkly enjoyable read with an incredible plot twist at the end.

ʼn Feministiese roman vir konvensionele vroue Kantelpunt is die boekstawing van Nellie van der Merwe (gebore Petronella Jacoba van Aarde) se wederopstanding. Nellie is pas 50, ʼn konvensionele, wit, Afrikaanse vrou wat haar lewe lank gedoen het wat almal van haar verwag – sy het stilgebly. Met haar stilte het sy haar plek gekoop in haar huwelik, haar gesin, haar familie, haar werk, in die kerk, in die land, in die samelewing. Maar dan ondergaan sy ʼn histerektomie, en haar wêreld kantel. Sy is losgesny van die ding wat van haar ʼn vrou gemaak het, en daarmee saam raak sy bevry van die stilte.

Sy begin haar stem terugeis, soms met verreikende gevolge, soms teen ʼn ontsettende prys. Sy word gedwing om alles wat sy tot dusver as gegewe aanvaar het te ondersoek, en in die proses moet sy nie net die mense naaste aan haar se aandeel in haar stryd erken nie, maar ook haar eie aandadigheid aan haar lot bepaal. Met elke insident, elke veldslag en elke gesprek tree sy verder weg van die geskiedenis en die konvensies wat haar stom gehou het, en kom sy nader aan die vrou wat sy van die begin af veronderstel was om te wees – die een met wie sý in vrede kan saamleef.

“Daar bestaan by my geen twyfel dat Kantelpunt nog meer suksesvol as Oorlewingsgids vir ’n bedonnerde diva sal wees nie. Dis die soort verhaal wat elke Afrikaanssprekende behoort te lees – vroue en mans.” – Chanette Paul

Nie vir sensitiewe lesers nie.

Four strangers, two cities, one chance online meeting.

Jess is a yummy mummy of two whose life is slowly unravelling and who has recently separated from her husband. Ginger is a happily widowed granny with a salty tongue and a wicked sense of humour. The gorgeous and sensitive Matt is an almost-qualified psychologist, who still lives with his parents. And Queenie, a librarian from Cape Town, has an absent boyfriend and a secret writing habit.

What could these four strangers possibly have in common?

They are all die-hard Marian Keyes fans. And when they hear that Marian is due to visit South Africa to attend a literary festival, they are all desperate to meet her. Together they come up with a mad-cap plan.

Will they succeed – or will life intervene?